{"took":15,"timed_out":false,"_shards":{"total":5,"successful":5,"skipped":0,"failed":0},"hits":{"total":{"value":1,"relation":"eq"},"max_score":283.8581,"hits":[{"_index":"objects2-with-ascii","_id":"148177","_score":283.8581,"_source":{"id":148177,"title":"Landscape, Snow Effect; le Val near Giverny","medium":"Oil on canvas","classification":"Paintings","dimension":"25 1/4 × 35 3/4 in. (64.1 × 90.8 cm) (sight)\r\n25 11/16 × 36 5/16 in. (65.2 × 92.2 cm) (canvas)\r\n37 3/4 × 48 1/2 × 3 1/4 in. (95.9 × 123.2 × 8.3 cm) (outer frame)","object_name":"Painting","continent":"Europe","country":"France","nationality":"French","dated":"1888","room":"Not on View","list":"new","role":"Artist","inscription":"center frame verso: black ink on paper label: Blanche Hoschedé 12598 / Paysage, effet de neige; / le Val près Giverny (Eure) / 1888.","signed":"lower left, blue pigment: Blanche Hoschede 88; lower right, incised: Blanche Hoschedé","markings":"illegible stamp on back of canvas in shape of artist's palette","text":"Blanche Hoschedé-Monet began painting at the age of 18, working alongside her stepfather and eventual father-in-law, Claude Monet. His only true pupil, she learned to paint by observing his techniques firsthand. In January 1888, Monet traveled to Antibes, leaving Hoschedé-Monet behind to work on this painting, her first Salon submission. Letters from Monet to Alice Hoschedé, his wife and Blanche’s mother, reveal his ambitions for her: “I hope that Blanche, left to her own devices, will make a serious effort [<i>un grand effort</i>].” Although the painting was not accepted at the Salon that spring, it marked a new, independent direction in her art, one less beholden to Monet’s style. In her winter scene she balanced bold white impasto with areas of lively color—shadows of blue, gray, and green and warm touches of pink and yellow.","creditline":"Gifts of funds from Mary Reyelts, Mary O. Olson, Anne Pantelich and Doug Hepper, Terry and Sheldon Fleck, Martha Head, Elizabeth Short and R. Kirkland Cozine, Ellen Archibald, Elizabeth and Michael Gorman, and an anonymous donor","accession_number":"2025.39","artist":"Blanche Hoschedé-Monet","life_date":"French, 1865–1947","department":"European Art","rights_type":"Public Domain","recent":0,"see_also":[],"sort_number":"2025    39","image":"invalid","public_access":1,"curator_approved":0,"highlights":1,"Cache_Location":"148000\\100\\70\\148177","TitleAlt":"Paysage, effet de neige, le Val près Giverny (Eure), Snowy Country Road, Le Val Near Giverny","artist_alt_names":["Blanche Hoschedé-Monet"],"list:new":true,"mtime":"2026-11-07T09:00:09.734Z"},"highlight":{"text.folded":["<em>Blanche</em> <em>Hoschedé</em>-Monet began painting at the age of 18, working alongside her stepfather and eventual father-in-law, Claude Monet. His only true pupil, she learned to paint by observing his techniques firsthand. In January 1888, Monet traveled to Antibes, leaving <em>Hoschedé</em>-Monet behind to work on this painting, her first Salon submission. Letters from Monet to Alice <em>Hoschedé</em>, his wife and Blanche’s mother, reveal his ambitions for her: “I hope that <em>Blanche</em>, left to her own devices, will make a serious effort [<i>un grand effort</i>].” Although the painting was not accepted at the Salon that spring, it marked a new, independent direction in her art, one less beholden to Monet’s style. In her winter scene she balanced bold white impasto with areas of lively color—shadows of blue, gray, and green and warm touches of pink and yellow."],"public_access":["<em>1</em>"],"artist.folded":["<em>Blanche</em> <em>Hoschedé</em>-Monet"],"artist":["<em>Blanche</em> Hoschedé-Monet"],"text":["<em>Blanche</em> Hoschedé-Monet began painting at the age of 18, working alongside her stepfather and eventual father-in-law, Claude Monet. His only true pupil, she learned to paint by observing his techniques firsthand. In January 1888, Monet traveled to Antibes, leaving Hoschedé-Monet behind to work on this painting, her first Salon submission. Letters from Monet to Alice Hoschedé, his wife and Blanche’s mother, reveal his ambitions for her: “I hope that <em>Blanche</em>, left to her own devices, will make a serious effort [<i>un grand effort</i>].” Although the painting was not accepted at the Salon that spring, it marked a new, independent direction in her art, one less beholden to Monet’s style. In her winter scene she balanced bold white impasto with areas of lively color—shadows of blue, gray, and green and warm touches of pink and yellow."]}}]},"aggregations":{"Artist":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[{"key":"Blanche Hoschedé-Monet","doc_count":1}]},"Department":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[{"key":"European Art","doc_count":1}]},"Rights":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[{"key":"Public Domain","doc_count":1}]},"Medium":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[{"key":"Oil on canvas","doc_count":1}]},"Classification":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[{"key":"Paintings","doc_count":1}]},"Title":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[{"key":"Landscape, Snow Effect; le Val near Giverny","doc_count":1}]},"Style":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[]},"Country":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[{"key":"France","doc_count":1}]},"On View":{"buckets":{"Not on View":{"doc_count":1},"On View":{"doc_count":0}}},"Room":{"doc_count_error_upper_bound":0,"sum_other_doc_count":0,"buckets":[{"key":"Not on View","doc_count":1}]}},"query":"blanche hoschede","filters":"","error":null}