"id","title","medium","classification","dimension","object_name","continent","country","culture","dated","room","style","inscription","signed","markings","text","description","provenance","portfolio","creditline","accession_number","artist","role","nationality","life_date","image_copyright","department","rights_type","image","image_width","image_height","restricted","public_access","curator_approved","catalogue_raissonne","art_champions_text","see_also","searchTerm","searchScore","related:audio-stops","related:artstories","list:whm","list:arts-of-americas","list:aampi","list:minnesotan-artists-in-the-contemporary-collection","list:pride-month","list:aib-2021-selections","list:hispanic-heritage","list:bhm","list:hispanic-american-heritage","list:highlights-of-the-contemporary-collection","list:diversifying-the-prints-and-drawings-collection","list:recent-additions-to-the-prints-and-drawings-collection","list:women-in-the-contemporary-collection","list:handbook","list:paintings-collection-highlights","list:sculpture-highlights","list:african-art-highlights","related:adopt-a-painting","list:nahm","related:conservation","list:oceanic-art-highlights","list:eo","list:chinese-art-highlights"
"40843","Grand vase","Earthenware with iridescent metallic-lustre 'eosin' glaze"," Ceramics","15 1/2 x 11 in. (39.37 x 27.94 cm)","Grand vase","Europe","Hungary",,"1899","G379","Art Nouveau","Mark","","\'Wafer\' (raised) signature mark, 1899","In central Europe-Austria-Hungary and what are now the Czech and Slovak states-Art Nouveau ceramic production was generally far more commercial than elsewhere. With the marked exception of certain Viennese workshops, design was geared more to popular taste.
In Pécs, Hungary, Vilmós Zsolnay and his son Miklos created a range of brightly-colored lusterware at the family firm of Zsolnay founded in 1862. Around 1899, a factory chemist, Vinsce Wartha, developed the Eosin glase for which the firm became world famous. Though the designer remains unknown, this grand vase is one of the finest examples in the entire Zsolnay production. Earthenware with the celebrated iridescent metallic-lustre glaze, this piece was extremely important to the firm, having been featured in the Hungarian display at the 1900 Paris Exposition Universelle (the same year the company swelled to 1000 employees). The wilted tulip blossoms conveyed the sentiments of Symbolism, a parallel art movement in which ideas and emotional experiences could be suggested by equivalents in color and design.","Swollen baluster form with applied leaves and tulip blossoms","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.237","Maker: Zsolnay Art Pottery","Artist",,"Pécs, Hungary","","European Art","Public Domain","valid",3494,4387,0,"1",0,,,"[""40431"",""40843""]","art",4.888403,,,,,,,,,,,,,,,,,,,,,,,,,
"19689","Frank Lloyd Wright Hallway","Oak, pine, glass, copper-coated zinc caming, porcelain, brass hardware, metal screens, cotton canvas upholstery, fabric shades"," Architecture","216 x 72 in. (548.64 x 182.88 cm)","Period room","North America","United States",,"c. 1912-1914","G300","Prairie School","","","","In 1908 Francis and Mary Little commissioned Frank Lloyd Wright, the architect of their previous home in Peoria, to design a summer residence for them on their property overlooking scenic Lake Minnetonka. The home that Wright designed for the Littles was one of his last great Prairie School houses. Characteristically long and low, with a hipped roof, the house featured windows spanning the entire lakeside elevation, giving the Littles full advantage of the impressive view. Although Wright drew elaborate designs for these windows, Mr. Little did not want an intricate pattern to obscure his view of the lake. As a compromise, large expanses of glass throughout the house have a central area of plain glass ""framed"" with an intricate border. In this hallway, the framed area becomes increasingly complex in the design of the three right windows facing a grove of trees.
By the late 1960s the large size of the house, rising property taxes, inflexible built-in furnishings, inadequate insulation, and many uninvited visitors placed the owners, at that time the Littles' daughter and her husband, in a difficult situation. They made every effort to find a purchaser, but no local buyer or institution could be found to save the house on the site. A group of Wright enthusiasts contacted officials at the Metropolitan Museum of Art in New York to see if they might be able to purchase it for installation. The Metropolitan bought only the house in 1972, allowing the current owners to retain the property. Portions of the interior were dismantled for future installation in the Metropolitan and for sale to other institutions. The Minneapolis Institute of Arts purchased this hallway, which led to the master bedroom of the house. It has been installed without its fourth wall of closets, allowing a broader view of the windows. A model of the house is located directly across from the hallway.","","","From From the Francis W. Little house, Deephaven, Minnesota (demolished 1972)","The David Draper Dayton Fund","72.11","Architect: Frank Lloyd Wright; Maker: Temple Art Glass Company","Artist","American","American, 1867–1959","","Arts of the Americas","No Copyright–United States","valid",2462,1478,0,"1",1,,,"[""175"",""19689""]","art",4.1527343,"[{""title"":""Frank Lloyd Wright, Hallway"",""_id"":""19689"",""objectId"":""19689"",""link"":""http://audio-tours.s3.amazonaws.com/p834.mp3"",""number"":""834"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"1227","The Attributes of the Arts and the Rewards Which Are Accorded Them","Oil on canvas"," Paintings","44 1/2 x 57 1/4 in. (113.03 x 145.42 cm) (canvas)
57 3/4 x 71 x 5 1/8 in. (146.69 x 180.34 x 13.02 cm) (outer frame)","Painting","Europe","France",,"1766","G306","18th century","","LL: J.B. Chardin, 1766","","This picture may appear to reproduce the casual clutter of an 18th-century tabletop. Not so. Chardin carefully selected objects to convey specific meanings. A palette with brushes, placed atop a paint box, symbolizes the art of painting. Building plans, spread beneath drafting and surveying tools, represent architecture. An ornate bronze pitcher alludes to goldsmithing, and the red portfolio symbolizes drawing. The plaster model of J. B. Pigalle's Mercury, an actual work by a friend of Chardin's, stands for sculpture.
The cross on a ribbon is the Order of Saint Michael, the highest honor an artist could then receive. Pigalle was the first sculptor to win it. So this painting sends multiple messages: it presents emblems of the arts and of artists' glory and honors a specific artist, Pigalle.
A still life (or painting of objects), which is composed from scratch by its creator, can be used to convey complex meanings.","Still life. Neoclassicism.","",,"The William Hood Dunwoody Fund","52.15","Artist: Jean-Baptiste-Siméon Chardin","Artist","French","French, 1699 - 1779","","European Art","Public Domain","valid",4959,3863,0,"1",0,,,"[""""]","art",3.692011,"[{""title"":""Jean-Baptiste-Siméon Chardin, The Attributes of the Arts"",""_id"":""1227"",""objectId"":""1227"",""link"":""http://audio-tours.s3.amazonaws.com/p727.mp3"",""number"":""727"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"134063","Fucking Good Art Map #33","Black-and-white offset lithography, letterpress; folded leaf"," Books; Works on Paper","16 1/2 × 5 3/4 in. (41.9 × 14.6 cm) (base)","Pamphlet",,,,"2015","Not on View","21st century","","","","","Single leaf folded in the middle width wise, with text and an illustrated but not detailed map of Rotterdam; 2 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.385","Publisher: Fucking Good Art, Rotterdam","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2940,1,"1",0,,,"[""""]","art",3.689002,,,,,,,,,,,,,,,,,,,,,,,,,
"31247","Model of original scheme for the Minneapolis Society of Fine Arts","Wood, plaster, and paint"," Architecture; Models","12 5/8 x 83 3/8 x 77 in. (32.1 x 211.8 x 195.6 cm) (overall, without handles)","Model","North America","United States",,"c. 1912","Not on View","20th century","","","","This model of the original design for the Minneapolis Institute of Art was meant to get potential donors excited about building a museum. Handles on each side allow it to be pulled apart for closer examination. Its neoclassical, Beaux-Arts style was favored for grand buildings of the time. The central front section resembles a Greek temple, with a stair leading to a columned porch topped by a triangular pediment. The wing to the right included an orchestra hall, that to the left a sculpture hall. The semicircular projection was meant to house galleries and offices. As built in 1915, Mia was one-seventh of this plan: the monumental entrance and adjacent sections facing 24th Street.
Standing in front of the model, turn around and look through the Architecture and Design Gallery and through the large window. The stone façade of the original building meets one of the white-tiled additions of 1974, designed by the Japanese architect Kenzo Tange as modern versions of the wings proposed in this model. You are in a Tange wing now.","4-part plaster and wood model with front columned entry flanked by 2 small porches with columns; colonnades on both sides; curved back with small porch at center","",,"Transfer from The Minneapolis Society of Fine Arts","99.159a-d","Architect: McKim, Mead, and White","Artist","American","American (New York, New York), 1879–1961","","Arts of the Americas","No Copyright–United States","valid",5046,2358,0,"1",0,,,"[""""]","art",3.6866553,"[{""title"":""McKim, Mead, White, Model of original scheme for the MIA"",""_id"":""31247"",""objectId"":""31247"",""link"":""http://audio-tours.s3.amazonaws.com/p835.mp3"",""number"":""835"",""type"":""audio""}]","[{""title"":""Model of the Original Scheme for the Minneapolis Society of Fine Arts"",""_id"":""31247"",""objectId"":""31247"",""description"":""
Does this look like a plan for a grand university building, a government palace, or some part of the Vatican? More to the point, does it look anything like Mia? It was supposed to. The architectural firm of McKim, Mead and White built the model after winning the 1911 competition sponsored by the Minneapolis Society of Fine Arts (the parent organization of Mia), and its ambition reflects the Society’s plans for a cultural center, or Institute of Arts, including not just a museum but an art school and orchestra hall. Only a fraction of it was built.
"",""link"":""http://artstories.artsmia.org/#/o/31247"",""type"":""artstory""}]",,,,,,,,,,,,,,,,,,,,,,,
"4688","Art-glass panel for a bay window","Glass, zinc caming"," Glass; Architecture","60 x 24 in. (152.4 x 60.96 cm)","Art-glass panel for a bay window","North America","United States",,"1909","G300","Prairie School","","","","This design reflects Purcell's fascination with modern technology. In 1939 Purcell wrote about his inspiration for these windows. In 1909 at the Orpheum vaudeville show Purcell saw a ""moving picture"" called The June Bug featuring the aviator Glenn Curtiss flying his biplane. ""To partners who were endeavoring in their work to relate Architecture and the Machine, such a sight gave serious pause. I made a record of my feelings by putting a 'June Bug' biplane against some big piled-up clouds in the leaded glass transoms of the new Stricker dining room bay window.""","","","From the George W. Stricker house, Minneapolis, Minnesota","The Ethel Morrison Van Derlip Fund","94.28.1","Designer: William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",1876,4800,0,"1",1,,,"[""""]","art",3.5887399,,,,,,,,,,,,,,,,,,,,,,,,,
"133769","Art Flux, no. 2.3","Photocopy; bound volume"," Books; Works on Paper","11 × 8 1/2 × 1/8 in. (27.94 × 21.59 × 0.32 cm) (closed)","Zine",,,,"20th century","Not on View","20th century","","","","","Side stitched binding, designs and text photocopied on faded purple cover; 18 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.91","Author: Aron; Publisher: Art Flux, Minneapolis","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2700,3780,1,"1",0,,,"[""""]","art",3.436262,,,,,,,,,,,,,,,,,,,,,,,,,
"113164","Worm","Etching, aquatint, and photogravure, with cutouts and collage on black Japan paper"," Prints; Collages / Assemblages","61 5/8 x 42 5/8 in. (156.53 x 108.27 cm) (sheet)
48 x 68 1/2 in. (121.92 x 173.99 cm) (outer frame)","Print with collage","North America","United States",,"1992","G369","20th century","
","LLC, in pencil: Kiki Smith 1992","Numbered in pencil, LL: 34/50
Publisher\'s blindstamp, LRC: ULAE (intertwined)
","Kiki Smith has explored ideas of mortality, decay, and femininity through images of the body—usually her own. Here, she has dissected photographs of herself to create a worm-like figure, emerging below a body contorted into the fetal position and framed by a rectangle. Is the shape constricting or comforting her' The curled figure is a photographic negative, creating an unnatural glow that dissolves the face and hands—as though the body were decaying into light.","Central negative photographic image of a woman lying down in a fetal position with her arms wrapped around her head; collage of photographic images at bottom creating a worm with the head of a woman, seen from under her chin; black paper with cutouts in background; swirling, abstract imagery on rectangular section, LRC; five white cutout flowers with twisted paper stems below image of woman lying down","Private collection, Minneapolis; given to MIA, 2011.",,"Anonymous gift","2011.74.14","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1992 Kiki Smith%2F Universal Limited Art Editions","Arts of the Americas","In Copyright","valid",8143,5555,1,"1",1,"Krakow 23; Weitman 64",,"[""""]","art",3.4279842,,,true,,,,,,,,,,,,,,,,,,,,,,
"29453","Art Brush","Bamboo, horse hair"," Tools, Equipment and Utilitarian Objects","10 x 1/2 in. (25.4 x 1.27 cm)",,"Asia","China",,"20th century","Not on View","20th century","Inscription","","\'Jade Mountain\' poem at mid body of handle","","brush with magnifying glass to read poem written on brush; gift of Xing-Hang Yu","",,"Gift of Ruth and Bruce Dayton","96.97.7","","Artist",,,"","Asian Art","Public Domain","valid",4743,3140,0,"1",0,,,"[""""]","art",3.3757088,,,,,,,,,,,,,,,,,,,,,,,,,
"80590","The History of Art","Dye bleach color print"," Photographs","15 15/16 x 21 9/16 in. (40.48 x 54.77 cm) (sheet)",,,,,"1997","Not on View","20th century","","","","","motion blurred image of open book, pages flipping; ""History of Art"" at top R of book, other text and shapes also on pages; dark plum background with black edge","",,"The McClurg Photography Purchase Fund","2003.207.1","Photographer: Doug Keyes","Artist",,,"%C2%A9 Doug Keyes","Global Contemporary Art","In Copyright","valid",2554,1874,1,"1",0,,,"[""""]","art",3.3360708,,,,,,,,,,,,,,,,,,,,,,,,,
"30767","Skylight panel from a set of six","Glass, zinc caming, (with three new replacement panels and new oak frame)"," Glass; Architecture","18 x 42 x 1/4in. (45.7 x 106.7 x 0.6cm)","Skylight panel","North America","United States",,"1913","G300","20th century","","","","This is a recreation of the central skylight located over the teller cages of the Madison State Bank. The skylight originally comprised nine panels, however, the square central panel and two of the long border panels you see here are reproductions. For the bank, Purcell, Feick and Elmslie produced a long, narrow plan for the middle of a block. The exterior featured a window wall with aqua, orange, and yellow terra-cotta ornament enlivening the brick facade. This was similar to Purcell and Elmslie's other bank designs and also to Louis Sullivan's National Farmers' Bank in Owatonna (1908).","multi-colored leaded glass with geometric design; multi-colored rectangular design bordered by off-white bands at top and bottom","","From Madison State Bank, Madison, Minnesota (demolished 1968); Purcell, Feick and Elmslie, architects","Gift of funds from Mrs. Eunice Dwan","98.225.1","Designer: William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",2004,800,0,"1",1,,,"[""""]","art",3.2901647,"[{""title"":""Skylight from Madison State Bank"",""_id"":""30767"",""objectId"":""30767"",""link"":""http://audio-tours.s3.amazonaws.com/p571.mp3"",""number"":""571"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"134680","The Art in Zines","Offset lithography, letterpress; bound volume"," Books; Works on Paper","8 1/2 × 5 1/2 × 1/8 in. (21.59 × 13.97 × 0.32 cm) (closed)","Zine",,,,"2007","Not on View","21st century","","","","","Saddle stitched binding, design and text printed in offset lithography on beige paper cover; 32 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1002","Author: Jenna Freedman; Editor: Suckzoo Han; Publisher: ABC No Rio, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2940,1,"1",0,,,"[""""]","art",3.274738,,,,,,,,,,,,,,,,,,,,,,,,,
"77369","Art of Scaling","Hand-colored etching, aquatint"," Prints","12 1/4 x 14 1/4 in. (31.12 x 36.2 cm) (sheet)",,"Europe","England",,"November 5, 1792","Not on View","18th century","","","","","caricature","",,"The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.17,329","Artist: Thomas Rowlandson; Etcher: Samuel Alken; Publisher: Messrs Fores, London","Artist","British","British, 1756 - 1827","","European Art","Public Domain","valid",7557,6343,0,"1",0,,,"[""""]","art",3.2746692,,,,,,,,,,,,,,,,,,,,,,,,,
"68680","The Art of Pleasing","Etching and aquatint in sepia ink"," Prints","3 5/16 x 2 1/4 in. (8.41 x 5.72 cm) (image)
4 x 2 7/8 in. (10.16 x 7.3 cm) (plate)
5 5/16 x 3 7/8 in. (13.49 x 9.84 cm) (sheet)",,"Europe","France",,"1771","Not on View","18th century","","","","","Bound album, p.2","","From from Album of 137 etchings and aquatints including several undescribed proofs
","Gift of Herschel V. Jones, by exchange","P.85.35.104","Artist: Jean-Baptiste Le Prince","Artist","French","French, 1734 - 1781","","European Art","Public Domain","valid",6393,8624,0,"1",0,"H. 122 i/iv",,"[""""]","art",3.2744715,,,,,,,,,,,,,,,,,,,,,,,,,
"80787","The Art of Love","Lithographs, woodcuts; letterpressl bound volume"," Books","15 1/8 x 11 1/8 in. (38.42 x 28.26 cm)","Illustrated book","Europe","France",,"1935","Not on View","19th-20th century","Mark","","Watermark: under round symbol","","12 lithographs, 15 woodcuts, 4 initials","Librairie H. Lefebvre, Paris; Ex Libris: C.C. Bruce B. Dayton, Wayzata, MInn.; given to MIA, 1983.","From ","Gift of Bruce B. Dayton","B.83.15","Artist: Aristide Maillol; Author: Publius Ovidius Naso, called Ovid; Translator: Henri Bornecque; Publisher: Les Frères Gonin , Lausanne; Lithographer: Edmond Desjobert, Paris; Printer: Philippe Gonin , (woodcuts and text)","Artist","French","French, 1861–1944","Copyright %C2%A9 1935 Les Fr%C3%A8res Gonin%2C Lausanne","European Art","In Copyright","valid",4380,3630,1,"1",1,"Boston 173; Rauch 140",,"[""111124"",""80787""]","art",3.274274,,,,,,,,,,,,,,,,,,,,,,,,,
"4689","Art-glass panel for a bay window, one of six","Glass, zinc caming"," Glass; Architecture","60 x 24 in. (152.4 x 60.96 cm)","Art-glass panel for a bay window, one of six","North America","United States",,"1909","G300","Prairie School","","","","This panel, along with the biplane window across the gallery, were part of a remodeling for George W. Stricker in 1909 and are probably Purcell's first foray into art-glass windows. Although Purcell produced a house design for Stricker in 1910, it was never built.","","","From the George W. Stricker house, Minneapolis, Minnesota","The Ethel Morrison Van Derlip Fund","94.28.3","Designer: William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",2166,5214,0,"1",0,,,"[""""]","art",3.1342251,,,,,,,,,,,,,,,,,,,,,,,,,
"52781","Tile with floral decoration, one of a pair","Glazed ceramic"," Ceramics","6-1/16 x 6-1/16 x 3/8 in. (15.4 x 15.4 x 1 cm)","Tile with floral decoration, one of a pair",,,,"Date Unknown","Not on View",,"\""AS\"", \""562/T\"" and \""EN\"", in black and brown ink, on back; \""DOULTON/[symbol]/LAMBETH[inside a circle]\"", stamped on back in black","","","","hand-painted; flowering stem over a cream ground; white flower, 2 yellow and brown buds","","From ","Gift of Nancy M. Rose","2001.173.10.1","Manufacturer: Doulton Art Pottery","Artist","English","Staffordshire, England, 1871-1901","","European Art","Public Domain","valid",4080,4076,0,"1",0,,,"[""""]","art",3.1234999,,,,,,,,,,,,,,,,,,,,,,,,,
"81756","Globe still bank","Tin, pigment"," Dolls, Toys and Games","5 1/16 x 4 x 4 in. (12.86 x 10.16 x 10.16 cm)","Globe still bank","North America","United States",,"20th century","Not on View","20th century","Inscription
around base, in black: [WORLD BANK AS YOU SAVE . SO YOU PROSPER] and [OHIO ART CO. U.S.A.]","","","","world globe; blue base; blue oceans; pink, yellow, green, blue countries","","From ","Gift of Katherine Kierland Herberger","2003.236.301","Manufacturer: Ohio Art Co.","Artist",,"Bryan, Ohio, est. 1908","","Arts of the Americas","No Known Copyright","valid",1725,2220,1,"1",0,,,"[""""]","art",3.1234999,,,,,,,,,,,,,,,,,,,,,,,,,
"115788","Untitled [farm]","Chromogenic print"," Photographs","2 1/16 x 4 in. (5.24 x 10.16 cm) (image)
4 15/16 x 7 in. (12.54 x 17.78 cm) (sheet)",,"North America","United States",,"20th century","Not on View","20th century","","","","","farm buildings and house at center; field in foreground; several bare trees; bright sunlight; low horizon line","","From ","Bequest of Harry Drake","2013.35.34","Photographer: Art Sinsabaugh","Artist","American","American, 1924 - 1983","Photograph by Art Sinsabaugh %C2%A9 Katherine Anne Sinsabaugh and Elisabeth Sinsabaugh de la Cova","Arts of the Americas","In Copyright","valid",2749,1399,1,"1",0,,,"[""""]","art",3.1234999,,,,,,,,,,,,,,,,,,,,,,,,,
"115781","Illinois Landscape #2-32A","Chromogenic print"," Photographs","2 5/8 x 4 in. (6.67 x 10.16 cm) (image)
4 15/16 x 7 in. (12.54 x 17.78 cm) (sheet)",,"North America","United States",,"1980","Not on View","20th century","","","","","view across water, with small waves; trees on far shore at right and left of center at horizon line; sun slipping behind trees at left; clouds in sky; orange and blue sky","","From ","Bequest of Harry Drake","2013.35.33","Photographer: Art Sinsabaugh","Artist","American","American, 1924 - 1983","Photograph by Art Sinsabaugh %C2%A9 Katherine Anne Sinsabaugh and Elisabeth Sinsabaugh de la Cova","Arts of the Americas","In Copyright","valid",2730,1801,1,"1",0,,,"[""""]","art",3.1234999,,,,,,,,,,,,,,,,,,,,,,,,,
"115791","Untitled [landscape with trees and clouds]","Chromogenic print"," Photographs","2 11/16 x 4 1/16 in. (6.83 x 10.32 cm) (image)
5 x 7 in. (12.7 x 17.78 cm) (sheet)",,"North America","United States",,"1979-1980","Not on View","20th century","Inscription
on back, in pencil: [#3 / 35A]","","","","bare trees against a blue sky with clouds; brown fields with dark brown linear areas","","From ","Bequest of Harry Drake","2013.35.35","Photographer: Art Sinsabaugh","Artist","American","American, 1924 - 1983","Photograph by Art Sinsabaugh %C2%A9 Katherine Anne Sinsabaugh and Elisabeth Sinsabaugh de la Cova","Arts of the Americas","In Copyright","valid",2759,1840,1,"1",0,,,"[""""]","art",3.1234999,,,,,,,,,,,,,,,,,,,,,,,,,
"105205","Theodore Roosevelt","Gelatin silver print"," Photographs","21 1/16 x 17 in. (53.5 x 43.18 cm) (image, sheet)
22 1/2 x 18 3/8 in. (57.15 x 46.67 cm) (mount)",,"North America","United States",,"c. 1910","Not on View","20th century","Inscription
LRC in the image, in white: [©/ BAKER/ ART/ GALLLERY]","","See Inscription","","portrait of Theodore Roosevelt wearing tweed jacket and vest, dark tie and pince-nez glasses; pin with five stars on PL lapel","","From ","Gift of Martin Weinstein","2007.138.1","Photographer: Baker Art Gallery","Artist",,"active 1870 - 1959","","Arts of the Americas","No Copyright–United States","valid",3362,4134,0,"1",0,,,"[""""]","art",3.1234999,,,,,,,,,,,,,,,,,,,,,,,,,
"90515","Drum still bank","Tin, pigment"," Dolls, Toys and Games","2 5/16 x 3 1/8 in. (5.87 x 7.94 cm)","Drum still bank","North America","United States",,"mid 20th century","Not on View","20th century","Inscription
scratched in top: [THOMAS]
scratched in bottom: [TB]
on side, in black: [OHIO ART CO. 46 MADE IN U.S.A.]
","","","","cylindrical metal bank painted to resemble drum; scenes of children playing soldier; coin slot on top","","From ","Gift of Katherine Kierland Herberger","2003.236.1039","Maker: Ohio Art Co.","Artist",,"Bryan, Ohio, est. 1908","","Arts of the Americas","No Known Copyright","valid",1585,1443,1,"1",0,,,"[""""]","art",3.1234999,,,,,,,,,,,,,,,,,,,,,,,,,
"81701","Globe still bank","Tin, pigment"," Dolls, Toys and Games","4 9/16 x 4 3/16 x 4 3/16 in. (11.59 x 10.64 x 10.64 cm)","Globe still bank","North America","United States",,"mid 20th century","Not on View","20th century","Inscriptions
on base, at top, in white: [MADE IN U.S.A. THE OHIO ART CO.]; on base, at bottom, in white: [. WORLD BANK . AS YOU SAVE . SO YOU PROSPER]","","","","red and yellow base; brightly-colored globe with countries designated","",,"Gift of Katherine Kierland Herberger","2003.236.265","Manufacturer: Ohio Art Co.","Artist",,"Bryan, Ohio, est. 1908","","Arts of the Americas","No Known Copyright","valid",1768,2195,1,"1",0,,,"[""""]","art",3.1234999,,,,,,,,,,,,,,,,,,,,,,,,,
"95692","Handwoven Floor Covering","Wool"," Textiles","10 x 13 1/2 in. (25.4 x 34.29 cm)","Handwoven Floor Covering","North America","United States",,"20th century","Not on View","20th century","","","","","linen warp, wool chenille filler and Philippine braids","","From ","Gift of Marianne Strengell","84.64.23","Weaver: Cranbrook Art Museum","Artist",,,"","Arts of the Americas","No Known Copyright","valid",4988,3392,1,"1",0,,,"[""""]","art",3.1234322,,,,,,,,,,,,,,,,,,,,,,,,,
"90541","""Globe Bank"" still bank","Tin, pigment"," Dolls, Toys and Games","3 1/2 x 3 3/8 x 3 3/8 in. (8.89 x 8.57 x 8.57 cm)","""Globe Bank"" still bank","North America","United States",,"mid 20th century","Not on View","20th century","Inscription
at top of base, in white: [OHIO ART CO]; [MADE IN USA]
","","","","multi-colored globe on a red base; on the base in white is printed: ""As you save so you prosper. World Bank""; bank is metal with coin slot on top","","From ","Gift of Katherine Kierland Herberger","2003.236.1071","Manufacturer: Ohio Art Co.","Artist",,"Bryan, Ohio, est. 1908","","Arts of the Americas","No Known Copyright","valid",1621,1761,1,"1",0,,,"[""""]","art",3.1233025,,,,true,,,,,,,,,,,,,,,,,,,,,
"95679","Handwoven Upholstery Fabric","Cotton and rayon"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Upholstery Fabric","North America","United States",,"20th century","Not on View","20th century","","","","","cotton and rayon boucle warp, cotton boucle metallic weft, olive; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.13","Weaver: Cranbrook Art Museum","Artist",,,"","Arts of the Americas","No Known Copyright","valid",3486,3411,1,"1",0,,,"[""""]","art",3.1232924,,,,,,,,,,,,,,,,,,,,,,,,,
"95678","Handwoven Upholstery Fabric","Cotton and rayon"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Upholstery Fabric","North America","United States",,"20th century","Not on View","20th century","","","","","cotton and rayon boucle warp, wool, rayon and cotton weft: gold and brown; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.12","Weaver: Cranbrook Art Museum","Artist",,,"","Arts of the Americas","No Known Copyright","valid",4513,3535,1,"1",0,,,"[""""]","art",3.1232924,,,,,,,,,,,,,,,,,,,,,,,,,
"95681","Handwoven Upholstery Fabric","Cotton and rayon"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Upholstery Fabric","North America","United States",,"20th century","Not on View","20th century","","","","","cotton and rayon warp: cotton, rayon boucle metallic warp, orange; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.15","Weaver: Cranbrook Art Museum","Artist",,,"","Arts of the Americas","No Known Copyright","valid",4560,3525,1,"1",0,,,"[""""]","art",3.1232924,,,,,,,,,,,,,,,,,,,,,,,,,
"95680","Handwoven Couch Upholstery","Wool"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Couch Upholstery","North America","United States",,"20th century","Not on View","20th century","","","","","wool warp, wool/wool chenille; purple, turquoise; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.14","Weaver: Cranbrook Art Museum","Artist",,,"","Arts of the Americas","No Known Copyright","valid",4636,3506,1,"1",0,,,"[""""]","art",3.1232924,,,,,,,,,,,,,,,,,,,,,,,,,
"95682","Handwoven Upholstery Fabric","Wool"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Upholstery Fabric","North America","United States",,"20th century","Not on View","20th century","","","","","wool warp, wool/wool chenille filler, lime, yellow; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.16","Weaver: Cranbrook Art Museum","Artist",,,"","Arts of the Americas","No Known Copyright","valid",4503,3639,1,"1",0,,,"[""""]","art",3.1232924,,,,,,,,,,,,,,,,,,,,,,,,,
"83699","""German American Bank of Minneapolis"" still bank","Metal, pigment"," Dolls, Toys and Games","3 5/8 x 4 3/4 x 4 3/4 in. (9.21 x 12.07 x 12.07 cm)","""German American Bank of Minneapolis"" still bank",,,,"c. 1920s","Not on View","20th century","","","","","","","From ","Gift of Katherine Kierland Herberger","2003.236.924","Manufacturer: Art Metal Works","Artist","American","Newark, New Jersey, 1914-1930","","Arts of the Americas","No Known Copyright","valid",1799,1762,1,"1",0,,,"[""""]","art",3.1232924,,,,true,,,,,,,,,,,,,,,,,,,,,
"95687","Handwoven Reversible Area Rug","Linen warp, wool chenille, synthetics and metallics"," Textiles","6 1/2 x 17 in. (16.51 x 43.18 cm)","Handwoven Reversible Area Rug","North America","United States",,"20th century","Not on View","20th century","","","","","linen warp, wool chenille, handspun Mexican wool, synthetics and metallics, weft overshot; brown and black","",,"Gift of Marianne Strengell","84.64.18","Weaver: Cranbrook Art Museum","Artist",,,"","Arts of the Americas","No Known Copyright","valid",5140,2555,1,"1",0,,,"[""""]","art",3.1232924,,,,,,,,,,,,,,,,,,,,,,,,,
"81700","Globe still bank","Tin, pigment"," Dolls, Toys and Games","4 9/16 x 4 1/8 x 4 1/8 in. (11.59 x 10.48 x 10.48 cm)","Globe still bank",,,,"mid 20th century","Not on View","20th century","","","","","printed tin; woodgrain base; antique-style globe, with sea monsters, ships and pre-explorer continental drawings","","From ","Gift of Katherine Kierland Herberger","2003.236.264","Manufacturer: Ohio Art Co.","Artist",,"Bryan, Ohio, est. 1908","","Arts of the Americas","No Known Copyright","valid",1733,2124,1,"1",0,,,"[""""]","art",3.123153,,,,,,,,,,,,,,,,,,,,,,,,,
"90516","Drum still bank","Tin, pigment"," Dolls, Toys and Games","3 1/16 x 3 1/4 x 3 1/4 in. (7.78 x 8.26 x 8.26 cm)","Drum still bank",,,,"mid 20th century","Not on View","20th century","Signature; Edition
see Signed","in black, on side next to seam: [Fern/ Bisel/ Peat]; [16/101]","","","cylindrical metal bank; painted with 3 piggy banks and a boy in Southwest theme; signed and numbered; coin slot in top","","From ","Gift of Katherine Kierland Herberger","2003.236.1040","Manufacturer: Ohio Art Co.","Artist",,"Bryan, Ohio, est. 1908","","Arts of the Americas","No Known Copyright","valid",1518,1611,1,"1",0,,,"[""""]","art",3.123153,,,,,,,,,,,,,,,,,,,,,,,,,
"90528","""World Champions"" still bank","Tin, pigment"," Dolls, Toys and Games","3 11/16 x 3 1/2 x 3 1/2 in. (9.37 x 8.89 x 8.89 cm)","""World Champions"" still bank","North America","United States",,"c. 1950s","Not on View","20th century","Inscriptions
in white, on base: [WORLD CHAMPIONS BANK/ MADE IN U.S.A.]
on ball, in blue: [OFFICIAL/ LEAGUE BALL]
","","","","metal baseball on a red base; coin slot in top","","From ","Gift of Katherine Kierland Herberger","2003.236.1058","Manufacturer: Ohio Art Co.","Artist",,"Bryan, Ohio, est. 1908","","Arts of the Americas","No Known Copyright","valid",1679,2052,1,"1",0,,,"[""""]","art",3.123153,,,,,,,,,,,,,,,,,,,,,,,,,
"54697","Centennial Certificate: Metropolitan Museum of Art","Color lithograph"," Prints","35 5/8 x 24 3/8 in. (90.49 x 61.91 cm) (image, irregular)","Print","North America","United States",,"1969","Not on View","20th century","","in pencil: Rauschenberg","Chop mark: seal of MMA","In 1969, the Metropolitan Museum of Art in New York commissioned Rauschenberg to produce a lithograph commemorating the 100th anniversary of the museum. For this print, he combined representative imagery selected from the Metropolitan's extensive permanent collection of art. During the project, Rauschenberg learned that the Metropolitan museum's original goals were detailed in a ""certificate"" dating to 1870, a document that had been prepared on graph paper. Using this concept, Rauschenberg prepared an updated certificate with his own text, which was then signed by Metropolitan officials, including the museum director, Thomas Hoving.","","(Dayton's Gallery 12, Minneapolis); given to MIA, 1970.",,"Gift of Dayton's Gallery 12","P.70.29","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Centennial Certificate%3A Metropolitan Museum of Art%2C 1969 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",3140,4470,0,"1",1,"Foster 71",,"[""""]","art",2.9463272,,,,,,,,,,,,,,,,,,,,,,,,,
"2614","The Arts of Peace","Oil on canvas"," Paintings","15 1/8 x 29 x 1 in. (38.42 x 73.66 x 2.54 cm) (canvas)
22 x 36 1/4 x 1 in. (55.88 x 92.08 x 2.54 cm) (outer frame)","Painting","North America","United States",,"1893","Not on View","19th century","","LR: THE ARTS OF PEACE. GARI MELCHERS XCIII","","The Arts of Peace is a study for one of two murals originally painted for the Manufactures and Liberal Arts Building at the Chicago World's Fair in 1892-93. Following the Fair, both The Arts of Peace and The Arts of War were given to the University of Michigan, Ann Arbor where both murals hang in the main reading room of the library.
Original documents from the Chicago World’s Fair summarize The Arts of Peace mural: ""Every figure seems bent on acquiring knowledge. Even the mother takes time from the care of her babe and becomes an interested listener to words of wisdom. The student, the philosopher, the sage, the maiden and the youth are all represented as worshipers at the shrine of knowledge.""","Genre. Allegory. Figure. Study for a mural originally executed for the 1893 Chicago World's Columbian Exposition, now in the library at the University of Michigan, Ann Arbor.","",,"Gift of Lucile and Stanley Slocum","79.22","Artist: Gari Melchers","Artist","American","American, 1860 - 1932","","Arts of the Americas","Public Domain","valid",2560,1736,0,"1",0,,,"[""""]","art",2.9053786,,,,,,,,,,,,,,,,,,,,,,,,,
"133767","Art and Revolution Convergence Orientation Zine","Photocopy; bound volume"," Books; Works on Paper","11 × 8 1/4 × 1/16 in. (27.94 × 20.96 × 0.16 cm) (closed)","Zine",,,,"1997","Not on View","20th century","","","","","Bound volume with loose pages, image and text photocopied on wove paper; 8 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.89","Author: WAIL Collective; Publisher: Art and Revolution, Arlington, W.A.","Artist",,"Where Art Is Living","","Global Contemporary Art","Copyright Not Evaluated","valid",2700,3780,1,"1",0,,,"[""""]","art",2.899948,,,,,,,,,,,,,,,,,,,,,,,,,
"134175","In the ARTS... #5","Letterpress, offset lithography; bound volume"," Books; Works on Paper","10 7/8 × 7 3/8 × 1/16 in. (27.62 × 18.73 × 0.16 cm) (closed)","Periodical",,,,"1990","Not on View","20th century","","","","","Perfect bound volume, photomechanic image of several panels with a figure printed in offset lithography with letterpress text on newsprint; 15 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.497","Author: Ted Killmer , et al.; Publisher: Sherry Steiner , Housatonic, Mass.","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2700,3780,1,"1",0,,,"[""""]","art",2.8703132,,,,,,,,,,,,,,,,,,,,,,,,,
"46112","Fear of the Arts","Wood, pigment, wire, ballet slippers"," Sculpture","75-1/2 x 46-1/2 x 20 in. (191.8 x 118.1 x 50.8 cm)","Sculpture","North America","United States",,"1981","Not on View","20th century","","","","","mottled pink figure with elongated body, arms and legs; large stylized hands with downward-facing ballet slippers; small taroon tablelike platform attached to a brown plank base","Target Corporation, Minneapolis; given to MIA, 2001.",,"Gift of Target Corporation","2001.293.31","Sculptor: Italo Scanga","Artist","American (born Italy)","American (born Italy), 1932 - 2001","%C2%A9 Estate of Italo Scanga","Global Contemporary Art","In Copyright","valid",1843,2614,1,"1",0,,,"[""""]","art",2.8699663,,,,,,,,,,,,,,,,,,,,,,,,,
"109035","Sots Arts","Aniline color on black and white photograph"," Photographs","19 x 18 3/4 in. (48.26 x 47.63 cm) (image)
22 5/8 x 19 1/2 in. (57.47 x 49.53 cm) (sheet)",,"Europe","Ukraine",,"1981","Not on View","20th century","Inscription
on back, in pencil: untranslated and illegible inscription","","","","two people wearing green shirts, ties, dark pants and gas masks standing in front of a chalkboard (?) with green curtains on either side; portrait of Lenin above board; seated man at left looking at standing figures; poster with a pictures of a schoolgirl writing at a desk with Russian text at left","","From ","The Alfred and Ingrid Lenz Harrison Fund","2010.13.4","Photographer: Boris Mikhailov","Artist","Ukrainian","Ukrainian, born 1938","Copyright %C2%A9 Boris Mikhailov","European Art","In Copyright","valid",4784,4818,1,"1",0,,,"[""""]","art",2.8698266,,,,,,,,,,,,,,,,,,,,,,,,,
"109034","Sots Arts","Aniline color on black and white photograph"," Photographs","17 7/8 x 18 1/8 in. (45.4 x 46.04 cm) (image)
23 1/2 x 19 5/8 in. (59.69 x 49.85 cm) (sheet)",,"Europe","Ukraine",,"1981","Not on View","20th century","Inscription
on back, in pencil: untranslated and illegible inscription","","","","people marching--some wearing red sashes with Russian text--with four men in suits in foreground; two men at left wear medals on their jackets; red banners in background at left; two large yellow placards--one with portrait of Lenin, the other with the portrait of a man wearing many medals","","From ","The Alfred and Ingrid Lenz Harrison Fund","2010.13.3","Photographer: Boris Mikhailov","Artist","Ukrainian","Ukrainian, born 1938","Copyright %C2%A9 Boris Mikhailov","European Art","In Copyright","valid",4697,4677,1,"1",0,,,"[""""]","art",2.8698266,,,,,,,,,,,,,,,,,,,,,,,,,
"107220","Art in Los Angeles","Offset color lithograph"," Prints","37 1/4 x 24 1/4 in. (94.62 x 61.6 cm) (sight)
37 15/16 x 24 13/16 in. (96.36 x 63.02 cm) (outer frame)","Poster","North America","United States",,"1981","Not on View","20th century","Signature","at right edge, in pencil: [April Greiman]","","","geometric design; white ground with areas of solid color and airbrush-like colors fading into one another at edges; Los Angeles County Museum of Art exhibition poster","Wells Fargo Bank, Minneapolis; given to MIA, 2009","From ","Gift of Wells Fargo Bank, Minnesota","2009.11.7","Designer: April Greiman; Publisher: Berkeley Typographers","Artist","American","American, born 1948","","Arts of the Americas","No Known Copyright","valid",3499,5232,1,"1",0,,,"[""""]","art",2.7757692,,,,,,,,,,,,,,,,,,,,,,,,,
"137690","Untitled [""Art Coupon""]","Colored pencil (?) and ink on paper"," Drawings","7 5/8 × 11 in. (19.37 × 27.94 cm) (sheet)
9 15/16 × 14 in. (25.24 × 35.56 cm) (mat)","Drawing","North America","United States",,"1977","Not on View","20th century","","LRC in black: 1977 / K. Nakahashi","","","recto: abstract image with black cruciform shape with round element at left with red segment against blue ground; purple triangle with wavy top edges, LLC; black and grey wavy form at right against turquoise ground with salmon at top right; ""ART-COUPON"" in LRC on a tiny certificate-like element; verso: typewritten text and numbers/scratch paper","","From ","Anonymous gift in memory of Kenji Nakahashi and in honor of Robert Cozzolino","2019.146.44","Artist: Kenji Nakahashi","Artist","Japanese (active United States)","Japanese (active United States), 1947 - 2017","%C2%A9 Kenji Nakahashi","Arts of the Americas","In Copyright","valid",7481,5142,1,"1",0,,,"[""""]","art",2.751333,,,,,true,,,,,,,,,,,,,,,,,,,,
"90572","""Globe Glow Boy (stove)"" still bank","Tin, pigment"," Dolls, Toys and Games","5 3/8 x 2 3/4 x 2 3/4 in. (13.65 x 6.99 x 6.99 cm)","Still bank","North America","United States",,"c. 1920s-early 1930s","Not on View","20th century","Inscription
stamped on bottom: [AMERICAN ART WORKS/ COSHOCTON, OHIO]
","","","","rectangular metal heating stove on 4 short legs; 2 doors on front; on top door it says: ""GLOBE/ GLOW-BOY""","",,"Gift of Katherine Kierland Herberger","2003.236.1100","Manufacturer: American Art Works, Inc.","Artist",,"Coshocton, Ohio","","Arts of the Americas","No Known Copyright","valid",1668,2470,1,"1",0,,,"[""""]","art",2.7344677,,,,true,,,,,,,,,,,,,,,,,,,,,
"135243","Urban Folk Art Gallery: 2011 Year in Review","Color offset lithography, letterpress; bound volume"," Books; Works on Paper","5 1/2 × 5 1/2 × 1/8 in. (13.97 × 13.97 × 0.32 cm) (closed)","Zine",,,,"2011","Not on View","21st century","","","","","Saddle stitched binding, photomechanical text and graphic of an imagined street-view of Brooklyn, printed in color offset lithography on coated paper covers; 36 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1565","Maker: Unknown; Publisher: Urban Folk Art Studios, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2700,2700,1,"1",0,,,"[""""]","art",2.724126,,,,,,,,,,,,,,,,,,,,,,,,,
"3930","Art Deco Floral Panel","Cotton and rayon"," Textiles","49 1/2 x 35 1/2 in. (125.73 x 90.17 cm)","Art Deco Floral Panel","North America","United States",,"c. 1930","Not on View","20th century","","","","","brocaded rayon","",,"The Miscellaneous Works of Art Purchase Fund/Decorative Arts Deaccessions Fund","90.118","","Artist",,,"","Arts of the Americas","Public Domain","valid",3194,4586,0,"1",0,,,"[""""]","art",2.7034078,,,,,,,,,,,,,,,,,,,,,,,,,
"27980","Art Deco Lamp","Glass"," Glass","7 3/8 x 7 1/4 in. (18.73 x 18.42 cm) (base)","Art Deco Lamp","Europe","Czechoslovakia",,"1925-1930","Not on View","20th century","","","","","","",,"Gift of Elizabeth Simon","93.18a,b","","Artist",,,"","European Art","Public Domain","valid",3470,4369,0,"1",0,,,"[""""]","art",2.7034078,,,,,,,,,,,,,,,,,,,,,,,,,
"26532","Art Deco Brocade fabric","Silk, metallic threads"," Textiles","76 3/4 x 68 1/2 in. (194.95 x 174 cm) (including 7"" fringe)","cloth","Europe","France",,"c. 1925-1930","Not on View","20th century","","","","","silk, metallic thread, two panels sewn together","",,"The Ethel Morrison Van Derlip Fund","90.31","","Artist",,,"","European Art","Public Domain","valid",3461,3396,0,"1",0,,,"[""""]","art",2.7030528,,,,,,,,,,,,,,,,,,,,,,,,,
"134949","Art Machines Aginst Jesus","Xerography; bound volume"," Books; Works on Paper","2 3/4 × 4 1/4 × 1/16 in. (6.99 × 10.8 × 0.16 cm) (closed)","Zine",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Saddle stitched binding, xerographic text, designs, and figural illustration printed on blue wove paper covers; 12 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1271","Maker: Unknown","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2297,1641,1,"1",0,,,"[""""]","art",2.702924,,,,,,,,,,,,,,,,,,,,,,,,,
"28468","Art Nouveau Tablecloth","cotton"," Textiles","47 x 68 in. (119.38 x 172.7 cm)","cloth","Europe",,,"c. 1900","Not on View","19th-20th century","","","","","woven stylized floral design, composed of fruit and blossoms, in pale green and white ground, with embroidered initials 'MK' in corner","",,"Gift offunds from Luis J. And Anne M. de Ocejo","94.19","","Artist",,,"","European Art","Public Domain","valid",4867,3360,0,"1",0,,,"[""""]","art",2.702855,,,,,,,,,,,,,,,,,,,,,,,,,
"55743","Abraham Francen, Art Dealer","Etching"," Prints","4 11/16 x 8 1/4 in. (11.9 x 20.9 cm) (plate)","Print","Europe","The Netherlands",,"1657","Not on View","17th century","","","","","","J.H.L. Le Secq, blue stamp verso (L. 1336).",,"The William M. Ladd Collection
Gift of Herschel V. Jones, 1916","P.1,322","Artist: Rembrandt van Rijn","Artist","Dutch","Dutch, 1606 - 1669","","European Art","Public Domain","valid",4127,3175,0,"1",0,"Hind 291 vii/ix; B. 273; Holl. 273 x/x; Mz.79 viii or ix/ix; B-B. 57-2 vii or x/x",,"[""55743"",""55747""]","art",2.7026577,,,,,,,,,,,,,,,,,,,,,,,,,
"26335","Untitled [art gallery]","Gelatin silver print"," Photographs","8 13/16 x 13 1/8 in. (22.38 x 33.34 cm) (image)
11 x 13 15/16 in. (27.94 x 35.4 cm) (sheet)","Photograph","North America","United States",,"1981","Not on View","20th century","Signature; Number; Edition","","verso","","","","From ""Women are Beautiful"" portfolio; published by RFG Publishing Inc., 1981","The John R. Van Derlip Fund","89.22.81","Photographer: Garry Winogrand; Publisher: RFG Publishing, Inc., New York","Artist","American","American, 1928 - 1984","%C2%A9 The Estate of Garry Winogrand%2C courtesy Fraenkel Gallery%2C San Francisco","Arts of the Americas","In Copyright","valid",4194,2816,1,"1",0,,,"[""""]","art",2.7023106,,,,,,,,,,,,,,,,,,,,,,,,,
"135112","The Art of Letting Go","Xerography; cut and folded leaf"," Books; Works on Paper","4 5/16 × 2 3/4 × 1/16 in. (10.95 × 6.99 × 0.16 cm) (closed)","Comic book",,,,"2012","Not on View","21st century","","","","","Cut and folded leaf, xerographic text and illustration of a female figure leaving one male figure for another printed on wove paper; 8 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1434","Artist: Mission Mini-Comix, San Francisco; Publisher: Mission Mini-Comix, San Francisco","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",1500,2100,1,"1",0,,,"[""""]","art",2.652404,,,,,,,,,,,,,,,,,,,,,,,,,
"116842","World of Art (Vol. 13)","Woodblock print"," Books","9 13/16 × 6 3/8 × 3/8 in. (24.92 × 16.19 × 0.95 cm)","Book","Asia","Japan",,"1891","Not on View","19th century","Title, Marks, and Seals","center front cover, in Japanese","second to last page, top margin, black ink: [54 W 105th street / Kempf / M @ Kierusau (?)- Phone 4434 R / Number of house 293 Huntordoor (?)] and last page, in pencil: [L.C. Albertson / County Collector / Atlantic City N.J. / Will Crawford. W. 42. # 133]; various seals throughout","","cover decorated with wispy lines resembling reeds and fronds; bound with red ribbon; variety of richly colored images inside, including beautiful women, insects, landscapes, birds, and men of different ages","","From ","Gift of the Clark Center for Japanese Art & Culture","2013.29.1092","Artist: Watanabe Seitei","Artist","Japanese","Japanese, 1852 - 1918","","Asian Art","Public Domain","valid",3872,2592,0,"1",0,,,"[""""]","art",2.6521623,,,,,,,,,,,,,,,,,,,,,,,,,
"132650","Untitled [Art For Sure You.]","Ink and pigment on paper"," Drawings; Works on Paper","18 × 22 7/8 in. (45.72 × 58.1 cm)","Drawing","North America","United States",,"1972","Not on View","20th century","","text throughout","","","writing and drawing in black ink across the page; man in suit standing on bicycle at right hand edge; head at bottom edge and hairy feet at top edge","","From ","Minnesota Artist Fund","2020.71.1","Artist: Frank Gaard","Artist","American","American, born 1944","%C2%A9 Frank Gaard","Global Contemporary Art","In Copyright","valid",8917,7130,1,"1",0,,,"[""""]","art",2.6521378,,,,,,true,,,,,,,,,,,,,,,,,,,
"81188","View in the Art Gallery","Albumen print"," Photographs","3 5/8 x 2 3/4 in. (9.21 x 6.99 cm) (image)
9 1/2 x 11 in. (24.13 x 27.94 cm) (mount)",,"North America","United States",,"1864","Not on View","19th century","","","","","","","From From ""A Record of the Metropoloitan Fair"" book","The John R. Van Derlip Fund","89.114.354.4","Photographer: Jeremiah Gurney; Publisher: Hurd and Houghton, New York","Artist","American","American, 1812 - 1895","","Arts of the Americas","Public Domain","valid",1821,2363,0,"1",0,,,"[""""]","art",2.6517906,,,,,,,,,,,,,,,,,,,,,,,,,
"26300","Untitled [Metropolitan Museum of Art]","Gelatin silver print"," Photographs","8 13/16 x 13 1/8 in. (22.38 x 33.34 cm) (image)
11 x 13 7/8 in. (27.94 x 35.24 cm) (sheet)","Photograph","North America","United States",,"1981","Not on View","20th century","Signature; Number; Edition","","verso","","","","From ""Women are Beautiful"" portfolio; published by RFG Publishing Inc., 1981","The John R. Van Derlip Fund","89.22.5","Photographer: Garry Winogrand; Publisher: RFG Publishing, Inc., New York","Artist","American","American, 1928 - 1984","%C2%A9 The Estate of Garry Winogrand%2C courtesy Fraenkel Gallery%2C San Francisco","Arts of the Americas","In Copyright","valid",4470,3044,1,"1",0,,,"[""""]","art",2.6517906,,,,,,,,,,,,,,,,,,,,,,,,,
"9539","Title for Corcoran Art Gallery","Pen and black ink, white tempera, and graphite on Bristol board"," Drawings","12 3/4 x 15 in. (32.39 x 38.1 cm) (sheet)","Drawing","North America","United States",,"19th century","Not on View","19th century","Signature, Chop, Inscriptions, Stamps","[Joseph Pennell], pen and black ink, above the letters \""AN\"" of Corcoran at upper center of the composition","Chop: u.r. corner [A. Pipie & Sons. Bristol Board]; Recto: u.l. corner in orange pencil [7/20/82 Rush Plate wanted July 25. at very latest.]; In pencil along the lower edge of the Bristol board: [reduce to 15M. proofs 2 cols Hurry extra proof of this for A.R.H., 12944.4 July 24. Sun ]. In pen and black ink at lower right [Title for Corcoran Art Gallery.] and \'D\', Douglas collectors mark. verso: in black pencil, circled: [cty 8307]; center, stamped in violet ink: [Property of the Century Co., Union Square New York, Notice to engravers 1. Five fine proofs are required, 2. No proofs of engravings made for any publication, without the consent of the company. 3. No proofs are to be publicly exhibited without permission and then exhibit credit must be given to the publicatioan for which they are engraved.] u.l., stamped on violet ink: [This picture has been reproduced, published and copyrighted the Century company New York and may not be ... reproduced or published without their consent] l.l.: \'D\' Douglas collector\'s mark; l.r.: in pencil [24-815]","","","",,"Gift of Mrs. George P. Douglas","46.14.272","Artist: Joseph Pennell","Artist","American","American, 1857 - 1926","","Arts of the Americas","No Copyright–United States","valid",3887,3300,0,"1",0,,,"[""""]","art",2.651644,,,,,,,,,,,,,,,,,,,,,,,,,
"7540","I Will Not Make Any More Boring Art","Lithograph on ivory paper"," Prints","22 3/8 × 29 9/16 in. (56.83 × 75.09 cm) (image)
22 1/2 × 30 1/8 in. (57.15 × 76.52 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","","Signed in pencil, vertically along right-hand edge: BALDESSARI","Numbered in pencil, vertically along right-hand edge: 3/50
Blindstamp: back to back Rs","John Baldessari uses chance, irony, and paradox to battle the high seriousness of contemporary art. His work is often conceptual, as in this tongue-in-cheek lithograph featuring a self-referential caveat that art must never be mundane.
Unable to fulfill a commitment to visit the Nova Scotia College of Art and Design in 1971, Baldessari instead asked the student artists to repeatedly write out the title phrase of the print shown here, completely filling the four walls of a gallery. Baldessari performed the same activity on videotape, which was later shown in the gallery, and wittily documented the whole affair with this self-contradictory print.","The sentence “I will not make any more boring art” is repeated 17 times in a neat cursive script; printed in black-and-white.","Nova Scotia Colelge of Art and Design, Halifax, Canada (publisher); sold to MIA, 1972.",,"The Ethel Morrison Van Derlip Fund
","P.72.2","Artist: John Baldessari; Printer: Nova Scotia College of Art and Design Lithography Workshop, Halifax, Canada; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1931 - 2020","%C2%A9 John Baldessari","Arts of the Americas","In Copyright–Educational Use","valid",4855,3693,0,"1",1,"Coplan Horowitz 1",,"[""""]","art",2.6015046,,,,,,,,,,,,,,,,,,,,,,,,,
"30768","Skylight panel from a set of six","Glass, zinc caming, (with three new replacement panels and new oak frame)"," Glass; Architecture","18 x 42 x 1/4in. (45.7 x 106.7 x 0.6cm)","Skylight panel","North America","United States",,"1913","G300","20th century","","","","","multi-colored leaded glass with geometric design; multi-colored rectangular design bordered by off-white bands at top and bottom","","From Madison State Bank, Madison, Minnesota (demolished 1968); Purcell, Feick and Elmslie, architects","Gift of funds from Mrs. Eunice Dwan","98.225.2","Designer: William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",2004,800,0,"1",0,,,"[""""]","art",2.4286711,,,,,,,,,,,,,,,,,,,,,,,,,
"30771","Skylight panel from a set of six","Glass, zinc caming, (with three new replacement panels and new oak frame)"," Glass; Architecture","18 x 18 x 1/4in. (45.7 x 45.7 x 0.6cm)","Skylight panel","North America","United States",,"1913","G300","20th century","","","","","multi-colored leaded glass with geometric design; multi-colored square bordered by off-white bands on two sides","","From Madison State Bank, Madison, Minnesota (demolished 1968); Purcell, Feick and Elmslie, architects","Gift of funds from Mrs. Eunice Dwan","98.225.5","Designer: William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",2004,800,0,"1",0,,,"[""""]","art",2.4286711,,,,,,,,,,,,,,,,,,,,,,,,,
"30769","Skylight panel from a set of six","Glass, zinc caming, (with three new replacement panels and new oak frame)"," Glass; Architecture","18 x 18 x 1/4in. (45.7 x 45.7 x 0.6cm)","Skylight panel","North America","United States",,"1913","G300","20th century","","","","","multi-colored leaded glass with geometric design; multi-colored square bordered by off-white bands on two sides","","From Madison State Bank, Madison, Minnesota (demolished 1968); Purcell, Feick and Elmslie, architects","Gift of funds from Mrs. Eunice Dwan","98.225.3","Designer: William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",2004,800,0,"1",0,,,"[""""]","art",2.4286711,,,,,,,,,,,,,,,,,,,,,,,,,
"30772","Skylight panel from a set of six","Glass, zinc caming, (with three new replacement panels and new oak frame)"," Glass; Architecture","18 x 18 x 1/4in. (45.7 x 45.7 x 0.6cm)","Skylight panel","North America","United States",,"1913","G300","20th century","","","","","multi-colored leaded glass with geometric design; multi-colored square bordered by off-white bands on two sides","","From Madison State Bank, Madison, Minnesota (demolished 1968); Purcell, Feick and Elmslie, architects","Gift of funds from Mrs. Eunice Dwan","98.225.6","Designer: William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",2004,800,0,"1",0,,,"[""""]","art",2.4286711,,,,,,,,,,,,,,,,,,,,,,,,,
"30770","Skylight panel from a set of six","Glass, zinc caming, (with three new replacement panels and new oak frame)"," Glass; Architecture","18 x 18 x 1/4in. (45.7 x 45.7 x 0.6cm)","Skylight panel","North America","United States",,"1913","G300","20th century","","","","","multi-colored leaded glass with geometric design; multi-colored square bordered by off-white bands on two sides","","From Madison State Bank, Madison, Minnesota (demolished 1968); Purcell, Feick and Elmslie, architects","Gift of funds from Mrs. Eunice Dwan","98.225.4","Designer: William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",2004,800,0,"1",0,,,"[""""]","art",2.4286711,,,,,,,,,,,,,,,,,,,,,,,,,
"4047","Ceiling light fixture","Glass, zinc caming"," Glass; Architecture","20 in. (50.8 cm)","Ceiling light fixture","North America","United States",,"1913","Purcell-Cutts House","20th century","","","","This light fixture was designed for the back porch of Purcell's own house (now the Purcell-Cutts House). The fixture was hung from the ceiling, parallel to the ceiling plane, below a recessed light well holding a single bulb. An identical fixture is still in place in the entrance hall of the house; a reproduction has been made for the porch. The round panel contains the V-shaped motifs Elmslie employed in many of his designs.","","","From the Edna S. Purcell House (now the Purcell-Cutts House), Minneapolis, Minnesota; Purcell and Elmslie, architects","Bequest of Anson Cutts, Jr.","90.92.84","Designer: William Gray Purcell; Designer: George Grant Elmslie; Maker: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",1707,1684,0,"1",1,,,"[""""]","art",2.4284549,"[{""title"":""Purcell & Elmslie, Ceiling Light Fixture"",""_id"":""4047"",""objectId"":""4047"",""link"":""http://audio-tours.s3.amazonaws.com/p261.mp3"",""number"":""261"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"5666","Light fixture","Glass, zinc caming, wood"," Lighting","22 x 6 1/2 x 6 1/2 in. (55.88 x 16.51 x 16.51 cm)","Light fixture","North America","United States",,"1914","G300","20th century","","","","This light fixture came from the Minnesota Phonograph Company, an Edison dealership at 612 Nicollet Avenue, in Minneapolis, owned by Lawrence H. Lucker. Several such lamps were mounted on top of wooden grille screens in the shop. The rectilinear shape, stained glass, and horizontal wood banding linked the lamps to the surrounding architecture and furniture. Ironically, the phonograph cabinets themselves looked very old-fashioned in their modern setting.
[insert photo of interior of Minnesota Phonograph Company here - from NWAA]","lamp with rectangular, multi-colored leaded glass shade below a square wooden base, three raised bands on neck of base; has one long light-bulb","","From the Minnesota Phonograph Company, Minneapolis, Minnesota (demolished 1979); remodeled by Purcell and Elmslie","Gift of David and Patricia Gebhard","98.235.2","Designer: William Gray Purcell; Designer: George Grant Elmslie; Maker: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",572,1452,0,"1",1,,,"[""""]","art",2.4284549,,,,,,,,,,,,,,,,,,,,,,,,,
"27141","Ceiling light fixture","Glass, zinc caming"," Glass; Architecture","24 in. (60.96 cm)","Ceiling light fixture","North America","United States",,"1913","G300","20th century","","","","This light fixture was designed for the back porch of Purcell's own house (now the Purcell-Cutts House). The fixture was hung from the ceiling, parallel to the ceiling plane, below a recessed light well holding a single bulb. An identical fixture is still in place in the entrance hall of the house; a reproduction has been made for the porch. The round panel contains the V-shaped motifs Elmslie employed in many of his designs.","from the back porch of the Purcell-Cutts House; a reproduction of this window is now on view in the back porch of the Purcell-Cutts House","","From the Edna S. Purcell House (now the Purcell-Cutts House), Minneapolis, Minnesota; Purcell and Elmslie, architects","Bequest of Anson Cutts","90.92.85","Designer: William Gray Purcell; Designer: George Grant Elmslie; Maker: Mosaic Art Shops (E.L. Sharretts)","Artist","American","American, 1880–1965","","Arts of the Americas","No Copyright–United States","valid",3872,2188,0,"1",0,,,"[""""]","art",2.4284549,,,,,,,,,,,,,,,,,,,,,,,,,
"100779","Hibiscus Blossom and Art Deco Background","Dye bleach color print"," Photographs","8 9/16 x 12 9/16 in. (21.75 x 31.91 cm) (image)
10 7/8 x 14 in. (27.62 x 35.56 cm) (sheet)",,"North America","United States",,"1985 (printed 1991)","Not on View","20th century","Signature, Title, Date and Inscription","below image on sheet in white: [DON WORTH]; on verso center in black: [DON WORTH / HIBISCUS BLOSSOM AND / ART DECO BACKGROUND, 1985 / CIBACHROME PRINT, 1991]","","","hibiscus blossom on center plate; second plate to left; art deco background","","From ","Gift of Frederick B. Scheel","2007.35.259","Photographer: Don Worth","Artist","American","American, 1924-2009","%C2%A9 Don Worth","Arts of the Americas","In Copyright","valid",4434,3009,1,"1",0,,,"[""""]","art",2.413481,,,,,,,,,,,,,,,,,,,,,,,,,
"58634","Allan D'Arcangelo: Wash Art '78","Color lithograph"," Prints","28 x 21 in. (71.12 x 53.34 cm) (image, sheet)","Exhibition poster","North America","United States",,"1978","Not on View","20th century","Printed inscription, lower margin: ALLAN D\'ARCANGELO / May 3 WASH ART \'78 MAY 8; (lower left): M. MAGIDSON AND ASSOCIATES, INC. 545 SUTTER STREET SAN FRANCISCO, CALIFORNIA 94102; (lower right): [copyright] ALLAN D\'ARCANGELO 1978","LR: D\'Arcangelo 78
","","","","Vermillion Editions Limited, Minnepaolis; sold to MIA, 1983.",,"Vermillion Archival Collection, Gift of funds from The Northern Star Foundation and The Hersey Foundation","P.83.59.21","Artist: after Allan D'Arcangelo","Artist","American","American, 1930-1998","%C2%A9 Estate Allan D%27Arcangelo %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Global Contemporary Art","In Copyright","valid",2849,3753,1,"1",0,"VEL 73",,"[""""]","art",2.3662553,,,,,,,,,,,,,,,,,,,,,,,,,
"90499","""Art Deco Elephant"" still bank","Iron, pigment"," Dolls, Toys and Games","4 1/4 x 4 1/2 x 1 5/16 in. (10.8 x 11.43 x 3.33 cm)","""Art Deco Elephant"" still bank","North America","United States",,"c. 1930s","Not on View","20th century","
","","","","walking orange elephant; trunk raised; tusks; coin slot in back","","From ","Gift of Katherine Kierland Herberger","2003.236.1026","Manufacturer: Arcade Manufacturing Company","Artist","American","Freeport, Illinois, 1868-1946","","Arts of the Americas","No Known Copyright","valid",1959,1789,1,"1",0,,,"[""""]","art",2.3662307,,,,true,,,,,,,,,,,,,,,,,,,,,
"1705","Blessed Art Thou Among Women","Photogravure"," Photographs","9 5/16 x 5 9/16 in. (23.65 x 14.13 cm) (image)","Photograph","North America","United States",,"late 19th-early 20th century","Not on View","19th-20th century","","","","","","","From ""Camera Work"" No. 1 (Jauary 1903)","Gift of Julia Marshall","69.133.1.3","Photographer: Gertrude Käsebier","Artist","American","American, 1852-1934","","Arts of the Americas","No Copyright–United States","valid",2736,4596,0,"1",0,,,"[""124391"",""1548"",""1705""]","art",2.3660233,,,true,,,,,,,,,,,,,,,,,,,,,,
"1548","Blessed Art Thou Among Women","Photogravure"," Photographs","9 5/16 x 5 9/16 in. (23.65 x 14.13 cm) (image)","Photograph","North America","United States",,"1899","Not on View","19th century","","","","","","","From ""Camera Work"" No. 1 (Jauary 1903)","The William Hood Dunwoody Fund","64.34.1.3","Photographer: Gertrude Käsebier; Editor: Alfred Stieglitz","Artist","American","American, 1852-1934","","Arts of the Americas","No Copyright–United States","valid",2744,4597,0,"1",0,,,"[""1548"",""1705""]","art",2.3660233,,,true,,,,,,,,,,,,,,,,,,,,,,
"80971","Night and Day","Cotton; screenprint"," Textiles","30 7/8 x 18 3/4 in. (78.42 x 47.63 cm)","Textile","Europe","England",,"2001","Not on View","21st century","Inscription
at ULC, L side, in black: [NIGHT AND DAY BY LUCIENNE DAY, REPRINTED BY BARBICAN ART 2001. Pure Cotton]","","","","white top panel with pink circle and radiating black lines; bottom panel is blue with white central circle containing three black stars and owl","",,"Gift of Christopher Monkhouse in honor of Rachel Olivarez","2003.185","Designer: Lucienne Day; Manufacturer: Barbiacan Art 2001","Artist","British","British, 1917 - 2010","%C2%A9 Estate Lucienne Day","European Art","In Copyright","valid",1948,3084,1,"1",0,,,"[""""]","art",2.345702,,,true,,,,,,,,,,,,,,,,,,,,,,
"26353","Great Lakes","Bronze"," Metalwork","2 7/8 in. (7.3 cm)","Medal","North America","United States",,"1935","Not on View","20th century","","","","","Society of Medallists Issue No. 11 (Great Lakes), brown-green patina","",,"The Christina N. and Swan J. Turnblad Memorial Fund","89.63.1","Designer: Lorado Taft; Manufacturer: Medallic Art Company","Artist","American","American","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",3506,3600,0,"1",0,,,"[""""]","art",2.3452282,,,,,,,,,,,,,,,,,,,,,,,,,
"29303","Culture in Belgium [Kultur in Belgium]","Bronze"," Metalwork","2 5/8 x 3 3/16 in. (6.67 x 8.04 cm)",,"North America","United States",,"1918","Not on View","20th century","Inscription; Signature; Date; Mark
obverse, outer edge: [Kulture-in-Belgium] lower center edge: [MURDER PILLAGE]; reverse, outer edge: [THE-FOE-OF-FREE-PEOPLES]; lower center edge: [HIS/ROSARY]","artist\'s name and copyright date lower center of image","manufacturer\'s name pressed into edge at bottom of both sides","","","",,"The Christina N. and Swan J. Turnblad Memorial Fund","96.27","Designer: Paul Manship; Manufacturer: Medallic Art Company","Artist","American","American, 1885 - 1966","","Arts of the Americas","No Known Copyright","valid",3715,5616,1,"1",0,,,"[""""]","art",2.344949,,,,,,,,,,,,,,,,,,,,,,,,,
"140058","Musica, from ""The Liberal Arts""","Etching"," Prints","5 13/16 × 4 3/16 in. (14.76 × 10.64 cm) (plate)
9 11/16 × 6 5/8 in. (24.61 × 16.83 cm) (sheet)","Print","Europe","Flanders",,"late 16th century","Not on View","16th century","In plate, at top: MVSICA.
In plate, lower left: Ioan.Sadler Sculp. / et excud.
In plate, lower center: Marti. de Vos figurauit.
In plate at bottom: Musica multiplici mentes modulamine mulcet / Cui praebent operam vox, fistula, tibia, chordae.
Lower right in pen and ink: 125 overwritten as 126","","","This is an allegory, a symbolic picture intended to convey abstract ideas. The seated woman personifies Music. She looks to an open music book as she plays a lute. She rests her foot on a couple of books, signifying that hers is a learned art. Other musical instruments, including three sizes of viols, a lyre, a skinless tambourine, two horns, a flute, and an early form of bassoon are scattered about.
The woman wears clothing meant to recall classical antiquity, because Music is one of the Seven Liberal Arts outlined by the Roman philosopher Cicero in the fist century BCE, but based on still earlier tradition. This engraving comes from a series meant to depict the arts: grammar, dialectics, rhetoric, arithmetic, astronomy, geometry, and music. Such didactic series poured from the printing presses of 16th-century Antwerp and then many other European capitals when the Dutch revolt upended Antwerp's economy in the 1580s. It is difficult to say where the Jan Sadeler made this print because he worked in Antwerp, Cologne, Mainz, Frankfurt, Munich, Verona, and Venice! Maerten de Vos, designer of the images, was a leading artist in Antwerp. In addition to providing designs for some 1600 prints, he gained major commisions to paint replacements for the many pictures destroyed during Protestant uprisings.","seated woman playing a lute with her PL foot on two books and various musical instrument (horns, stringed instruments, harp, tamborine) on a table and on the wall; text at bottom","",,"Gift of James A. Bergquist, Boston, in honor of Rachel McGarry","2021.69.5.6","Artist: Jan Sadeler I; Artist: after Maerten de Vos","Artist","Flemish","Flemish, 1550 - 1600","","European Art","Public Domain","valid",5964,8613,0,"1",1,"Hollstein 552",,"[""""]","art",2.3277695,,,,,,,,,,,,,,,,,,,,,,,,,
"140055","Rhetorica, from ""The Liberal Arts""","Etching"," Prints","5 13/16 × 4 3/16 in. (14.76 × 10.64 cm) (plate)
9 11/16 × 6 5/8 in. (24.61 × 16.83 cm) (sheet)","Print","Europe","Flanders",,"late 16th century","Not on View","16th century","In plate, at top: RHETORICA
In plate, lower right: Ioan.Sadler Sculp. et excud. M. de Vos inuen.
In plate at bottom: Rhetorice vario delectat Splendida cultu, / Ornatum[que] adhibet dictus, viuoS[que] colores.
Lower right in pen and ink: 126 overwritten as 127","","","This is an allegory, a symbolic picture intended to convey abstract ideas. The woman represents Rhetoric, the art of verbal persuasion. She holds a caduceus, the symbol of Hermes (Mercury), the god of trade and commerce. Hermes was known for his eloquence. Since trade requires skill in negotiation and the recognition of balance and reciprocity, the caduceus has become associated with uplifting rhetoric. According to legend, Hermes used his caduseus to spearate two serpents entwined in mortal combat, thus bringing about peace, thus reminding us that rhetoric properly deployed leads to harmony. Persuasion is not only a matter of logical argument, it can also appeal to our ethics and emotions. It is probably emotion that is at stake in the play being formed in the background of the scene.
The woman wears clothing meant to recall classical antiquity, because rhetoric is one of the Seven Liberal Arts outlined by the Roman philosopher Cicero in the fist century BCE, but based on still earlier tradition. This engraving comes from a series meant to depict the arts: grammar, dialectics, rhetoric, arithmetic, astronomy, geometry, and music. Such didactic series poured from the printing presses of 16th-century Antwerp and then many other European capitals when the Dutch revolt upended Antwerp's economy in the 1580s. It is difficult to say where the Jan Sadeler made this print because he worked in Antwerp, Cologne, Mainz, Frankfurt, Munich, Verona, and Venice! Maerten de Vos, designer of the images, was a leading artist in Antwerp. In addition to providing designs for some 1600 prints, he gained major commisions to paint replacements for the many pictures destroyed during Protestant uprisings.","heavy, set woman wearing clinging drapery and a helmet, with her hair in two braids, holding a caduceus in her PR hand and a scroll in her PL hand, with two books at her feet; text at bottom","",,"Gift of James A. Bergquist, Boston, in honor of Rachel McGarry","2021.69.5.3","Artist: Jan Sadeler I; Artist: after Maerten de Vos","Artist","Flemish","Flemish, 1550 - 1600","","European Art","Public Domain","valid",5964,8613,0,"1",1,"Hollstein 548",,"[""""]","art",2.3225324,,,,,,,,,,,,,,,,,,,,,,,,,
"50627","Theology (The Arts and Sciences)","Engraving"," Prints","7 x 3 7/8 in. (17.78 x 9.84 cm) (plate)",,"Europe","Italy",,"c. 1465","Not on View","15th century","","","","Theology is included in the Liberal Arts group in the Tarocchi cards set. Her personification has two faces: a youthful one to observe the heavens, and an older one to observe the earth. They may also signify her eternal nature. The starry sphere indicates that she represents the study of celestial objects.","","Albertina dup. (') no stamp; Colnaghi; Knoedler & Co., 1926","From The So-Called Tarocchi Cards, Ferrarese, E. Series","Bequest of Herschel V. Jones","P.68.98","Artist: Unknown Italian","Artist",,,"","European Art","Public Domain","valid",1648,2688,0,"1",0,"Hind E.I 237.30a",,"[""""]","art",2.321172,,,,,,,,,,,,,,,,,,,,,,,,,
"134509","Sandbox, no. 7: ART VS. STATE: reclaiming public space through art","Color offset lithography, letterpress; bound volume"," Books; Works on Paper","11 × 8 1/2 × 1/8 in. (27.94 × 21.59 × 0.32 cm) (closed)","Zine",,,,"2000","Not on View","21st century","","","","","Saddle stitched binding, abstracted photographic image of repeated figure and designs, with letterpress text, printed in color offset lithography on coated paper covers; 49 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.831","Author: Frank Guerrero , et al.; Publisher: Sylvie Myerson , et al., New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",3300,4620,1,"1",0,,,"[""""]","art",2.3189056,,,,,,,,,,,,,,,,,,,,,,,,,
"12005","Fabric Printed with Art Nouveau Pattern","Cotton; printed"," Textiles","200 x 32 1/2 in. (508 x 82.55 cm)",,"North America","United States",,"c. 1900","Not on View","19th-20th century","","","","","water lilies, daisies and butterfly; yellow-cream ground; mustard yellow; pale-gray and darker greenish gray. SO/DYED","",,"The Putnam Dana McMillan Fund","98.16.3","","Artist",,,"","Arts of the Americas","Public Domain","valid",3420,5291,0,"1",0,,,"[""""]","art",2.3155036,,,,,,,,,,,,,,,,,,,,,,,,,
"140056","Arithmetica, from ""The Liberal Arts""","Etching"," Prints","5 13/16 × 4 1/4 in. (14.76 × 10.8 cm) (plate)
9 11/16 × 6 9/16 in. (24.61 × 16.67 cm) (sheet)","Print","Europe","Flanders",,"late 16th century","Not on View","16th century","In plate, upper left: ARITHME / TICA.
In plate, lower left: Ioan.Sadler Sculp. et excud.
In plate, lower right: M. de Vos figura.
In plate at bottom: Tradit Arithmetice numeros, SparSim[que] vagantes / Colligit, & certa in Summas ratione coercet.
Lower right in pen and ink: 127 overwritten as 128","","","This is an allegory, a symbolic picture intended to convey abstract ideas. The woman represents Arithmetic. She holds a tablet on which she works out her calculations. The ability to do bookkeeping and other reckoning can lead one to reap a harvest as the men on the way to the vindyard will do.
The woman wears clothing meant to recall classical antiquity, because Arithmetic is one of the Seven Liberal Arts outlined by the Roman philosopher Cicero in the fist century BCE, but based on still earlier tradition. This engraving comes from a series meant to depict the arts: grammar, dialectics, rhetoric, arithmetic, astronomy, geometry, and music. Such didactic series poured from the printing presses of 16th-century Antwerp and then many other European capitals when the Dutch revolt upended Antwerp's economy in the 1580s. It is difficult to say where the Jan Sadeler made this print because he worked in Antwerp, Cologne, Mainz, Frankfurt, Munich, Verona, and Venice! Maerten de Vos, designer of the images, was a leading artist in Antwerp. In addition to providing designs for some 1600 prints, he gained major commisions to paint replacements for the many pictures destroyed during Protestant uprisings.","seated woman writing with a stylus on a tablet; beads and another table on table at right; gourds on wall in URC; text at bottom","",,"Gift of James A. Bergquist, Boston, in honor of Rachel McGarry","2021.69.5.4","Artist: Jan Sadeler I; Artist: after Maerten de Vos","Artist","Flemish","Flemish, 1550 - 1600","","European Art","Public Domain","valid",5964,8613,0,"1",1,"Hollstein 549",,"[""""]","art",2.3141093,,,,,,,,,,,,,,,,,,,,,,,,,
"140057","Geometria, from ""The Liberal Arts""","Etching"," Prints","5 13/16 × 4 1/4 in. (14.76 × 10.8 cm) (plate)
9 5/8 × 6 5/8 in. (24.45 × 16.83 cm) (sheet)","Print","Europe","Flanders",,"late 16th century","Not on View","16th century","In plate, at top: GEOMETRIA
In plate, lower left: Ioan.Sadler Sculp. / et excud.
In plate, lower right: M. de Vos figura.
In plate at bottom: Terrarum Spatia & metas Geometria ponit / Distinguit[que] plagas, montes[que] ac flumina lustrat.
Lower right in pen and ink: 124 overwritten as 125","","","This is an allegory, a symbolic picture intended to convey abstract ideas. The woman represents geometry. Her crown, which has the form of a fortres castle, reminds us of the usefulness of geometry in the practice of architecture, including for fortifications. Besides keeping a place safe, it is the geometry of navigation that allows trvel around the Earth, as indicated by her measurement of a globe using a pair of dividers. Instruments for drafting, navigation, and surveying (compass, right angle, ruler, yardstick, etc.) litter the room. What are the snake and toad doing here'
The woman wears clothing meant to recall classical antiquity, because Geomerty is one of the Seven Liberal Arts outlined by the Roman philosopher Cicero in the fist century BCE, but based on still earlier tradition. This engraving comes from a series meant to depict the arts: grammar, dialectics, rhetoric, arithmetic, astronomy, geometry, and music. Such didactic series poured from the printing presses of 16th-century Antwerp and then many other European capitals when the Dutch revolt upended Antwerp's economy in the 1580s. It is difficult to say where the Jan Sadeler made this print because he worked in Antwerp, Cologne, Mainz, Frankfurt, Munich, Verona, and Venice! Maerten de Vos, designer of the images, was a leading artist in Antwerp. In addition to providing designs for some 1600 prints, he gained major commisions to paint replacements for the many pictures destroyed during Protestant uprisings.","woman wearing a headdress with two towers, measuring with a calipers on a globe; frog and snake in front of globe; text at bottom","",,"Gift of James A. Bergquist, Boston, in honor of Rachel McGarry","2021.69.5.5","Artist: Jan Sadeler I; Artist: after Maerten de Vos","Artist","Flemish","Flemish, 1550 - 1600","","European Art","Public Domain","valid",5964,8555,0,"1",1,"Hollstein 550",,"[""""]","art",2.3141093,,,,,,,,,,,,,,,,,,,,,,,,,
"140053","Grammatica, from ""The Liberal Arts""","Etching"," Prints","5 13/16 × 4 1/4 in. (14.76 × 10.8 cm) (plate)
6 × 4 7/16 in. (15.24 × 11.27 cm) (sheet)
9 11/16 × 6 9/16 in. (24.61 × 16.67 cm) (mount)","Print","Europe","Flanders",,"late 16th century","Not on View","16th century","In plate, at top: GRAMMATICA
In plate, lower left: Ioan.Sadler Sculp. et excud.
In plate, lower right: Marti. de Vos figurauit
In plate at bottom: Grammatice reliquis Elementa, viam[que] ministrat / Artibus, & solido cunctas fundamine fulcit.
Lower right in pen and ink: 122 overwritten as 123
","","","This is an allegory, a symbolic picture intended to convey abstract ideas. The old woman in the wicker chair represents the concept of grammar. He instructs the child in the use and rules of language. This will give the child access to the knowledge in the books heaped on the floor. In carefully imparting he knowledge, the woman is like the mother hen who incubates eggs that hold promise life to come. The couple, perhaps the child's parents, enter the room with an egg basket. They will enjoy the bounty of the old woman's teaching, just as one might gather the eggs from a henhouse.
Both the old woman and the child wear clothing meant to recall classical antiquity, because Grammar is one of the Seven Liberal Arts outlined by the Roman philosopher Cicero in the fist century BCE, but based on still earlier tradition. This engraving comes from a series meant to depict the arts: grammar, dialectics, rhetoric, arithmetic, astronomy, geometry, and music. Such didactic series poured from the printing presses of 16th-century Antwerp and then many other European capitals when the Dutch revolt upended Antwerp's economy in the 1580s. It is difficult to say where the Jan Sadeler made this print because he worked in Antwerp, Cologne, Mainz, Frankfurt, Munich, Verona, and Venice! Maerten de Vos, designer of the images, was a leading artist in Antwerp. In addition to providing designs for some 1600 prints, he gained major commisions to paint replacements for the many pictures destroyed during Protestant uprisings.","seated heavy-set elderly women wearing headdress with flowers holding a staff and point to a book held by a curly-haired child standing in front of her; chicken with eggs and chicks in LLQ; text at bottom","",,"Gift of James A. Bergquist, Boston, in honor of Rachel McGarry","2021.69.5.1","Artist: Jan Sadeler I; Artist: after Maerten de Vos","Artist","Flemish","Flemish, 1550 - 1600","","European Art","Public Domain","valid",5964,8613,0,"1",1,"Hollstein 546",,"[""""]","art",2.310834,,,,,,,,,,,,,,,,,,,,,,,,,
"140054","Dialectica, from ""The Liberal Arts""","Etching"," Prints","5 13/16 × 4 3/16 in. (14.76 × 10.64 cm) (plate)
9 11/16 × 6 5/8 in. (24.61 × 16.83 cm) (sheet)","Print","Europe","Flanders",,"late 16th century","Not on View","16th century","In plate, at top: DIALECTICA
In plate, lower left: Ioan.Sadler Sculp. et excud.
In plate, lower right: M. de Vos figura.
In plate at bottom: De themate omnigeno Dialectica disputat, & qua / Quaerndum in dubijs Sit verum indagine monstrat.
Lower right in pen and ink: 123 overwritten as 124","","","This is an allegory, a symbolic picture intended to convey abstract ideas. The woman represents Dialectics, the practice of engagement between two people of differing views who attempt to find truth through reasoned argument. She turns her head up to the light, for she seeks enlightenment. Just as participants in such discourse can change their views, the serpent coiling around her arm occasionally sheads its skin in an act of renewal. The frogs near her feet have undergone metamorphosis from the tadpoles they once were; moreover, frogs often engagement in prolonged conversations as they croak back and forth.The bird on her head is a magpie, a higly intelligent species. When this print was made, magpies had a reputation for collecting shiny objects, just as open-minded participants in dialectics will gather the best ideas. The two upright books may represent separate unstable ideas, which working together support the third book, which safely lies flat. In the background, we see a man dressed in a toga, an ancient philosopher who would have practiced reasoned argument.
The woman wears clothing meant to recall classical antiquity, because dialectics is one of the Seven Liberal Arts outlined by the Roman philosopher Cicero in the fist century BCE, but based on still earlier tradition. This engraving comes from a series meant to depict the arts: grammar, dialectics, rhetoric, arithmetic, astronomy, geometry, and music. Such didactic series poured from the printing presses of 16th-century Antwerp and then many other European capitals when the Dutch revolt upended Antwerp's economy in the 1580s. It is difficult to say where the Jan Sadeler made this print because he worked in Antwerp, Cologne, Mainz, Frankfurt, Munich, Verona, and Venice! Maerten de Vos, designer of the images, was a leading artist in Antwerp. In addition to providing designs for some 1600 prints, he gained major commisions to paint replacements for the many pictures destroyed during Protestant uprisings.","seated heavy-set women with a snake wrapped around her PR arm and a bird on her head; two frogs at woman's feet, LRC; text at bottom","",,"Gift of James A. Bergquist, Boston, in honor of Rachel McGarry","2021.69.5.2","Artist: Jan Sadeler I; Artist: after Maerten de Vos","Artist","Flemish","Flemish, 1550 - 1600","","European Art","Public Domain","valid",5964,8562,0,"1",1,"Hollstein 547",,"[""""]","art",2.3107643,,,,,,,,,,,,,,,,,,,,,,,,,
"133911","Comic Arts Brooklyn","Color offset lithography letterpress; bound volume"," Books; Works on Paper","7 × 5 in. (17.78 × 12.7 cm) (closed)","Zine",,,,"2013","Not on View","21st century","","","","","Saddle stitched binding, photomechanical image of two figures with designs and text printed in magenta offset lithography on newsprint covers; 46 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.233","Publisher: Desert Island, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",1800,2520,1,"1",0,,,"[""""]","art",2.298499,,,,,,,,,,,,,,,,,,,,,,,,,
"133765","Arrasate II. Arte Hamabostaldia","Color and black-and-white offset lithography, letterpress; bound volume"," Books; Works on Paper","9 3/4 × 9 3/4 × 1/4 in. (24.77 × 24.77 × 0.64 cm) (closed)","Zine",,,,"1990","Not on View","20th century","","","","","Saddle stitched binding, photomechanical text and designs printed on coated cover covers; 28 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.87","Artist: Xabin Egaña , et al.; Printer: Graficas Santamaria, S.A.; Publisher: Arrasateko Udala, Arrasate","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",3300,3300,1,"1",0,,,"[""""]","art",2.298499,,,,,,,,,,,,,,,,,,,,,,,,,
"3931","Arts and Crafts Bathroom Set","Linen, silk, wood, paper; embroidered"," Textiles",,"Arts and Crafts Bathroom Set","North America","United States",,"c. 1905","Not on View","20th century","","","","","painted and embroidered linen, silk ribbon, wood and tissue","",,"The Miscellaneous Works of Art Purchase Fund/Decorative Arts Deaccessions Fund","90.119a-c","","Artist",,,"","Arts of the Americas","Public Domain","valid",5447,3575,0,"1",0,,,"[""""]","art",2.2984314,,,,,,,,,,,,,,,,,,,,,,,,,
"115059","The Bridge of Arts, Paris","Etching"," Prints","11 3/4 x 17 3/8 in. (29.85 x 44.13 cm) (sheet)","Print","Europe","France",,"1890","Not on View","19th century","Signature, Inscription, Edition, Inscription and Stamp
ULC, in pencil: [L.B. 103]","LRC, in pencil: [A Lepère]; LRC on back, in pencil: [Le Pont des Arts. 3em Etat]","LRC, in pencil: [3e Etat no 3] and [Tirage 5 et.]; LRC, stamped in red: [AL] (Lugt 141); see Signed","","pedestrians walking across an iron bridge; boat on water in URC; lightly-delineated man leaning over low wall looking at water at left edge","[Richard Reed Armstrong Fine Art, Chicago, until 2006; sold in April for PNOO, to Drake]; Harry Drake, St. Paul (2006-d. 2012; bequeathed to MIA)","From ","Bequest of Harry Drake","2013.35.593","Artist: Auguste Louis Lepère","Artist","French","French, Paris 1849–Domme, Dordogne 1918","","European Art","No Copyright–United States","valid",9045,6136,0,"1",0,"Lotz-Brissonneau 103 iii/v",,"[""""]","art",2.2983017,,,,,,,,,,,,,,,,,,,,,,,,,
"50626","Grammar (The Arts and Sciences)","Engraving"," Prints","6 9/16 x 3 13/16 in. (16.67 x 9.68 cm) (plate)",,"Europe","Italy",,"c. 1465","Not on View","15th century","","","","","","Thomas Thane, L.811; Colnaghi; Knoedler & Co.","From The So-Called Tarocchi Cards, Ferrarese, E. Series","Bequest of Herschel V. Jones","P.68.97","Artist: Unknown Italian","Artist",,,"","European Art","Public Domain","valid",1551,2588,0,"1",0,"Hind E.I. 236.21a",,"[""""]","art",2.2982917,,,,,,,,,,,,,,,,,,,,,,,,,
"7595","Le Pont des Arts","Color lithograph"," Prints","10 1/2 x 16 in. (26.67 x 40.64 cm) (image)
15 1/4 x 19 3/4 in. (38.74 x 50.17 cm) (sheet)","Print","Europe","France",,"c. 1897 (published 1899)","Not on View","19th century","","","","","","Vollard before WWI (several times at MIA and U of M). Mrs. John S. Pillsbury, Sr., Minneapolis; given to MIA, 1980.","From Quelques Aspects de la Vie de Paris (Some Scenes of Parisian Life), 1899","Gift of Mrs. John Sargent Pillsbury, Sr.","P.80.57.9","Artist: Pierre Bonnard; Publisher: Ambroise Vollard","Artist","French","French, 1867–1947","","European Art","No Copyright–United States","valid",5796,4508,0,"1",1,"Roger-Marx 64; TF 16(9); UJ 14(9); Bouvet 66",,"[""""]","art",2.2980125,,,,,,,,,,,,,,,,,,,,,,,,,
"33375","The Imitative and Descriptive Arts","Pen and brown ink and wash over black chalk on laid paper"," Drawings","4 5/16 x 9 1/4 in. (10.95 x 23.5 cm) (sheet)
15 3/4 x 19 3/4 in. (40.01 x 50.17 cm) (outer frame)","Drawing","Europe","Italy",,"17th century","Not on View","17th century","","","","","mounted on white paper with pink border; two group of figures confronting one another; group at left lead by a figure carrying a bundle of paintbrushes; figure at far left holds a painter's palette; monkey-like animal in front of figure with paintbrushes; group at right lead by a figure handing a cello; goose peering around drapery of same figure","[Pietro Scarpa, Venice, until 1978/79; sold for $1,875, to Moir]; Alfred Moir, Santa Barbara (1978/79-d. 2010; bequeathed to MIA)",,"Bequest of Professor Alfred Moir","2012.58.12","Artist: Marco Boschini","Artist","Italian","Italian, c. 1605-1681","","European Art","Public Domain","valid",4710,2295,0,"1",0,,,"[""""]","art",2.2980125,,,,,,,,,,,,,,,,,,,,,,,,,
"9185","Ale Cans","Color lithograph on Japan paper"," Prints","14 1/8 x 11 in. (35.88 x 27.94 cm) (image)
22 1/2 x 17 1/2 in. (57.15 x 44.45 cm) (sheet)","Print","North America","United States",,"1964","Not on View","20th century","","Signed and dated in pencil, LR margin: J.Johns / 64","Numbered in pencil, LR margin: 24/31
Publisher\'s blindstamp: ULAE","A prolific and innovative printmaker, Jasper Johns frequently explored themes and subjects in more than one medium. In this color lithograph of 1964, Johns presents a two-dimensional portrayal of his cast bronze sculture of two Ballantine ale cans paintied to look like actiual beer cans.
Johns regulalry chose everyday objects and standardized images as subjects for his art. He depicted numbers, letters, flags, maps, and targets in simple, straightforward compositions. This approach allowed Johns to effectively ""neutralize"" his subjects and eliminate any suggestion of narrative content, forcing the viewer to examine the surface, texture, shading, and color of his artworks, that is, as ink on paper, paint on canvas, or cast bronze. For Johns, the artistic process was an integral aspect of the work of art itself. By deemphasizing the hand of the artist, his method also represented an unequivocal repudiation of the individualized self-expression and emotional intensity of the Abstract Expressionists.","","Bruce B. Dayton, Wayzata, Minn.; given to MIA, 1972.",,"Gift of Bruce B. Dayton","P.72.55","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",3021,3963,1,"1",1,"Field (1970) 47; ULAE 20",,"[""""]","art",2.2488356,,,,,,,true,,,,,,,,,,,,,,,,,,
"54476","0 through 9","Lithograph"," Prints","24 1/4 x 17 13/16 in. (61.6 x 45.24 cm) (image)
30 x 22 3/16 in. (76.2 x 56.36 cm) (sheet)","Print","North America","United States",,"1960","Not on View","20th century","","Signed, dated in pencil, LR: J. Johns \'60","Numbered in pencil, LL margin: 21/35
Publisher\'s blindstamp: ULAE","For Jasper Johns, the familiar objects and signs of everyday life are ideal subjects for art. It was a radical notion in the mid-1950s, when he and other young artists rejected the emotionally-charged gestural abstraction of the previous generation. Experimenting with mundane subjects such as flags, targets, maps, letters, and numerals, Johns discovered that these neutral motifs allowed the material surfaces of his works to assert themselves.
In this early lithograph, Johns superimposes the numbers 0 through 9 in a single, semi-abstract composition. He depicts the numbers as tangible objects with no symbolic or mathematical meaning. For Johns, the meaning is in the making. Here, his crayon marks on the lithographic stone signify his physical actions and procedures over time.","Superimposed numbers, zero through nine, printed in black","[Dayton's Gallery 12, Minneapolis]; sold to MIA, 1971",,"The Mr. and Mrs. Hall James Peterson Fund","P.71.2","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",2871,3884,1,"1",1,"Field (1970) 4, ULAE 3",,"[""""]","art",2.2402031,,,,,,,,,,,,,,,,,,,,,,,,,
"53812","Painting with Two Balls I","Color lithograph on handmade Kochi paper"," Prints","20 1/2 x 16 1/2 in. (52.07 x 41.91 cm) (image)
26 5/8 x 20 11/16 in. (67.63 x 52.55 cm) (sheet)","Print","North America","United States",,"1962","Not on View","20th century","Inscribed in pencil, LL margin: I
","Signed in red pencil, LR margin: J. Johns | on stone, LR: 1962 J. Johns","Numbered in pencil, LL margin: 29/39
No ULAE blindstamp present
","","","Dr. Thomas Edblom; given to MIA, 1979.",,"Gift of Thomas Edblom","P.79.150","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4383,5496,1,"1",1,"Field 8; ULAE 8",,"[""""]","art",2.2119656,,,,,,,,,,,,,,,,,,,,,,,,,
"59904","Light Bulb","Lithograph printed in black and dark gray"," Prints","8 5/16 x 14 11/16 in. (21.11 x 37.31 cm) (image)
19 5/16 x 24 3/16 in. (49.05 x 61.44 cm) (sheet)","Print","North America","United States",,"1966","Not on View","20th century","","Signed and dated in pencil, LR: J. Johns \'66","","","","[Dayton's Gallery 12, Minneapolis]; sold to MIA, 1969.",,"The Ethel Morrison Van Derlip Fund","P.69.59","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4874,2697,1,"1",1,"Field (1970) 53; ULAE 24",,"[""""]","art",2.2119656,,,,,,,true,,,,,,,,,,,,,,,,,,
"144367","Light Bulb","Lithograph"," Prints","8 9/16 × 14 11/16 in. (21.8 × 37.3 cm) (image)
19 1/4 × 24 1/4 in. (48.9 × 61.6 cm) (sheet)
28 9/16 × 33 1/16 × 1 in. (72.5 × 84 × 2.5 cm) (outer frame)","Print","North America","United States",,"1966","Not on View","20th century","","BR below image, graphite: J. Johns \'66","BL below image, graphite: 20/45
Publisher\'s blindstamp, BL corner: ULAE","","black-and-white image of three separate objects: electrical cord, lamp socket, and light bulb lying on a horizontal surface; objects are in white against a black background; arrived in gold frame","",,"Gift of Daniel Avchen and David Johnson","2022.97","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","","Arts of the Americas","In Copyright","valid",10000,8068,1,"1",0,"Field 53",,"[""""]","art",2.2117436,,,,,,,,,,,,,,,,,,,,,,,,,
"7681","Stumblebum","Color lithograph"," Prints","86 1/2 x 42 1/2 in. (219.71 x 107.95 cm) (image, sheet)","Print","North America","United States",,"1985-86","Not on View","20th century","
","Signed and dated in pencil, LL: S. Rothenberg 85–86","Numbered in pencil, LL
Publisher\'s blindstamp, LLC","Rothenberg's tour de force among her many figurative prints, Stumblebum blurs the line between drawing and printmaking. This monumental lithograph of 1985-86 was produced from 12 separate color plates in black, grey, silver and pink.","","[John C. Stoller & Co., Minneapolis]; sold to MIA, 1986.",,"The Fiduciary Fund and Gift of funds from the Print and Drawing Council","P.86.35","Artist: Susan Rothenberg; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1945 - 2020","%C2%A9 Susan Rothenberg %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",2088,4299,1,"1",0,"Maxwell 26",,"[""""]","art",2.2117436,,,true,,,,,,,,,,,,,,,,,,,,,,
"7516","Lucky Strike in the Mirror (Lucky Strike I)","Lithograph"," Prints","19 1/2 x 14 1/8 in. (49.53 x 35.88 cm) (image)
30 x 22 5/16 in. (76.2 x 56.67 cm) (sheet)","Print","North America","United States",,"1961","Not on View","20th century","Signature; Date; Edition; Mark
see Signed
Numbered in pencil, LL: [15/20]","Signed and dated in pencil, LR: [Rivers \'61]","ULAE chop mark, lower left","","","(Dayton's Gallery 12, Minneapolis); sold to MIA, 1970.",,"The Francisca S. Winston Fund, by exchange","P.70.63","Artist: Larry Rivers; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1923 - 2002","%C2%A9 Estate Larry Rivers %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4684,6178,1,"1",1,"Sparks 33",,"[""""]","art",2.2117436,,,,,,,,,,,,,,,,,,,,,,,,,
"7502","Night Smoke","Color lithograph"," Prints","16 7/16 x 21 15/16 in. (41.75 x 55.72 cm) (image)
22 3/8 x 31 1/4 in. (56.83 x 79.38 cm) (sheet)","Print","North America","United States",,"1969-1970","Not on View","20th century","","Signed and dated in pencil, LR: James Rosenquist 1969-70","Publisher\'s blindstamp, LC: ULAE","Smokestack discharge is the unusual subject of James Rosenquist's imaginative interpretation of industrial might. For Rosenquist, brilliant contrasting color and the print's symmetrical composition take precedence over the factory-related imagery.","","(Dayton's Gallery 12, Minneapolis); sold to MIA, 1970.",,"Gift of Funds of Mr. and Mrs. Kenneth Smith","P.70.125","Artist: James Rosenquist; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1933 - 2017","%C2%A9 James Rosenquist %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4418,3630,1,"1",1,"Glenn 25",,"[""""]","art",2.2117436,,,,,,,,,,,,,,,,,,,,,,,,,
"53748","Altitudes","Color lithograph on pale yellow-pink paper"," Prints","22 1/2 x 30 5/8 in. (57.15 x 77.79 cm) (sheet, uneven)","Print","North America","United States",,"1978","Not on View","20th century","","Signed and dated LR in pencil: Frankenthaler \'78","Publisher\'s blindstamp, LR: ULAE | numbered LR in pencil: 21/42","","","[Brooke Alexander, New York]; sold to MIA, 1979.",,"Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.19","Artist: Helen Frankenthaler; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1928-2011","%C2%A9 Estate of Helen Frankenthaler %2F Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",8030,5949,1,"1",0,"Harrison 72; Sparks 33; Clark 67",,"[""""]","art",2.2117436,,,,,,,,,,,,,,,,,,,,,,,,,
"53838","Painting with Two Balls II","Lithograph in black and green-black ink on tan paper"," Prints","20 7/16 x 16 9/16 in. (51.91 x 42.07 cm) (image)
30 1/2 x 22 1/2 in. (77.47 x 57.15 cm) (sheet)","Print","North America","United States",,"1962","Not on View","20th century","Inscribed in pencil, LL margin: artist\'s proof","Signed and dated in pencil, LR margin: J. Johns / \'62 | on stone, LR: 1962 J. Johns","No ULAE blindstamp present. unlike the published edition","","","(Margo Leavin Gallery, Los Angeles); sold to MIA, 1978.",,"Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.78.11","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",3744,5007,1,"1",1,"Field 9; ULAE 9",,"[""""]","art",2.2117236,,,,,,,,,,,,,,,,,,,,,,,,,
"113163","Banshee Pearls (2)","Lithograph printed in black and gray on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .1,.2,.6,.7,.9,.12)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; upside-down negative image of woman's head in profile from PR in URC; sketchy woman's face in ULC; line drawing of face covered with lines","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.2","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9371,7097,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113174","Banshee Pearls (1)","Lithograph printed in black on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .1,.2,.6,.7,.9,.12)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; image of a child standing by iron fence at center; sketchy image of face and hands, with stars between them; image of a child, LRC; images of mouths and small jewelry objects (?) at top on black bar","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.1","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9476,7142,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113176","Banshee Pearls (3)","Lithograph printed in black on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .3-5,.8,.10,.11)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; repeated images of same face in larger sizes in predominately grey and smaller sizes in predominately white; white drips scattered throughout","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.3","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9381,7046,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113178","Banshee Pearls (4)","Lithograph printed in black and gray on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .3-5,.8,.10,.11)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; two images of the top of a woman's head in profile--image at left in negative; flowerlike and knot shapes; dripping black pigment line at top of image; central organic circular image","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.4","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9381,7046,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113179","Banshee Pearls (5)","Lithograph printed in black and gray on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .3-5,.8,.10,.11)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; three images of faces in grey; hairlike elements at bottom; received framed upside down","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.5","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9382,7071,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113184","Banshee Pearls (6)","Lithograph printed in black and gray on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .1,.2,.6,.7,.9,.12)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; two distorted faces joined at noses in LLC; face in negative, LRC; woman's smiling face with negative image of screaming face in ULC; vertical row of faces right of center; featherlike imagery at left","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.6","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9382,7025,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113185","Banshee Pearls (7)","Lithograph printed in black and gray on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .1,.2,.6,.7,.9,.12)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; vertical row of dark faces with light faces behind in negative; featherlike imagery","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.7","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9382,7025,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113186","Banshee Pearls (8)","Lithograph printed in black on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .3-5,.8,.10,.11)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; two images of woman's face at right and ten other shadowy smaller face images at left; repeating vein-like patterns in background","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.8","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9447,7139,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113187","Banshee Pearls (9)","Lithograph printed in black, with alumnium leaf appliqué on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .1,.2,.6,.7,.9,.12)","Print","North America","United States",,"1991","Not on View","20th century","","Signed and dated in pencil, LL: Kiki Smith 1991","Numbered in pencil, LL: 16/51
LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; pair of distorted faces joined at noses, center right; two other distorted, elongated faces above and below; two silver knot shapes at left","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.9","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9447,7139,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113188","Banshee Pearls (10)","Lithograph printed in black on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .3-5,.8,.10,.11)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; ten spiraling faces; flower imagery; hairlike elements scattered throughout","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.10","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9395,7137,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113189","Banshee Pearls (11)","Lithograph printed in black and gray on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .3-5,.8,.10,.11)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC,publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; two grey faces and one black face in negative; face of woman with large teeth left of center; hair imagery in lower corners; ink splotches overall; ink drips in LLC","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.11","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9382,7070,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113190","Banshee Pearls (12)","Lithograph printed in black and gray, with aluminum leaf appliqué on cream Japan paper"," Prints","22 3/4 x 30 5/8 in. (57.79 x 77.79 cm) (sheet)
73 1/4 x 66 1/4 in. (186.06 x 168.28 cm) (outer frame, received framed with .1,.2,.6,.7,.9,.12)","Print","North America","United States",,"1991","Not on View","20th century","","Signed with initials and numbered in pencil, verso: KS 16/51","LLC, publisher\'s blindstamp: ULAE (intertwined)","","from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; upside down skull with eyes at center; shadowy images of faces; black negative image of mask/face, LLC","Private collection, Minneapolis; given to MIA, 2011.","From Banshee Pearls suite","Anonymous gift","2011.74.13.12","Artist: Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1991 Kiki Smith","Arts of the Americas","In Copyright","valid",9388,7139,1,"1",1,"Krakow 15; Weitman 60",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"113399","Up Dog","Color lithograph on torn and pasted paper"," Prints; Collages / Assemblages","52 1/16 x 36 5/16 in. (132.24 x 92.23 cm) (image, sheet, irregular)
52 1/2 x 50 in. (133.35 x 127 cm) (outer frame)","Print with collage","North America","United States",,"1988","Not on View","20th century","","Presumedly signed and dated, verso, as issued.","Publisher\'s blindstamp at LR on lowest downward tip: ULAE","","Quadrilateral and triangular pieces of paper collaged together; irregular edges; gestural lines outline general shape of mechanical looking dog; orange, green, blue and black ink; large, round head faces forward with rounded ears on each side; tube-like shapes vertically on R; jagged underbelly; behind Plexiglas in tan wood frame with simple decorative elements at corners and center of each side","Private collection, Minneapolis; given to MIA, 2011.",,"Anonymous gift","2011.94.9","Artist: Elizabeth Murray; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1940-2007","%C2%A92011 The Murray-Holman Family Trust %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",6324,6666,1,"1",1,"Krakow 18",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"7507","Autobiography (Broadside)","Color lithographs; triptych"," Prints","66 × 48 1/2 in. (167.6 × 123.2 cm) (image, each)
198 3/4 × 48 3/4 in. (504.8 × 123.8 cm) (overall)","Print tryptych","North America","United States",,"1968","Not on View","20th century","","Initialed in the image: RR","","One of Rauschenberg's largest prints, Autobirography features content of a more personal nature, including a full-body x-ray of the artist; an astrological chart (Libra); biographical passages arranged in concentric rings; a childhood photograph; and a documentary photograph of the artist's first performance piece Pelican (1963). Printed on a commercial press designed for billboard advertisements, this offset lithograph was intended to serve as a widely distributed broadside, an advertisement of sorts for the artist himself. Like many of his prints from the 1960s, Rauschenberg relies on juxtaposed photographic imagery to generate tthe work's meaning.","","(Leo Castelli Gallery, New York); sold to MIA, 1970.",,"Gift of Mrs. Patrick Butler, by exchange","P.70.26a-c","Artist: Robert Rauschenberg; Printer: Broadside Art, Inc., New York; Publisher: Broadside Art, Inc., New York","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Autobiography %28Broadside%29%2C 1968 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",5136,6926,0,"1",1,"Foster 60",,"[""""]","art",2.2115462,,,,,,,,,,,,,,,,,,,,,,,,,
"43987","Alius","Etching, aquatint, engraving, and drypoint, with chine collé on gray-green Japan paper"," Prints","7 3/16 x 7 3/16 in. (18.26 x 18.26 cm) (image)
25 1/8 x 20 3/8 x 1 3/8 in. (63.82 x 51.75 x 3.49 cm) (outer frame)","Print","North America","United States",,"1987-88","Not on View","20th century","","Signed and dated in pencil, below image: S. Rothenberg 87/88","Numbered in pencil, below image: 16/40
Publisher\'s blindstamp, LL: ULAE","","Two figures one partially superimposed on the other; white light from above on figures","[John Stoller & Co., Minneapolis, sold to Garmezy]; Edith and Norman Garmezy, Edina, Minn.; given to MIA, 1998.",,"Gift of Edith and Norman Garmezy","P.98.26.14","Artist: Susan Rothenberg; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1945 - 2020","%C2%A9 Susan Rothenberg %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",3164,4823,1,"1",1,"Maxwell 34",,"[""""]","art",2.2115462,,,true,,,,,,,,,,,,,,,,,,,,,,
"126130","José Luis Ferrer","Color screenprint and poured resin on museum board"," Prints","37 3/4 × 35 3/4 in. (95.89 × 90.81 cm) (sheet)
46 × 44 × 1 3/4 in. (116.84 × 111.76 × 4.45 cm) (outer frame)","Print","North America","United States",,"1998","Not on View","20th century","","LRC in silver: Julian Schnabel 98","LLC in silver: 13/90","The subject of Schnabel’s print is Spanish actor and filmmaker José Luis Ferrer, a close friend of the artist. Part of a series of three portraits Schnabel made of fellow creative professionals, the portrayal is essentially a psychological consideration of Ferrer, who is depicted standing at the center of an ambiguous pictorial space, wearing a dark, cleric-like robe and collar. Ferrer stares directly at the viewer, with an alert but solemn expression. His feet and left hands are unseen. Is this a portrait of a holy man' A prophet' A sage' To the right of Ferrer, a flowing, jagged wedge of white runs from the top of the composition to its bottom edge, visually competing with the figure. Other colors drip and flow across the background, including several areas of poured translucent resin, a viscous fluid that hardens to a solid over time. With this, Schnabel introduces chance and transience into the work. The portrait is a scene of uncertainty, of mystery, and of an undefined melancholy. Though charged with emotion, its ultimate meaning is left for the viewer to determine.","Standing male figure wearing dark colored clothing with vertical blue irregular stripes on pants; man has dark hair with receding hairline and small goatee; painterly color swaths in background in brown, green, yellow and blue; white vertical painterly line to right of figure; irregularly applied, dripping shiny clear resin over image","[Thomas Smith Fine Art, Fort Wayne, Ind., sold to Mersky, 1999]; Robert B. Mersky, Minneapolis; given to MIA, 2016.","From Portraits series","Gift of Mary and Bob Mersky","2016.122.7","Artist: Julian Schnabel; Printer: Fine Art Printing, New York; Publisher: Lococo Fine Art Publishers, St. Louis","Artist","American","American, born 1951","%C2%A9 1998 Julian Schnabel %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",6157,6463,1,"1",0,,,"[""""]","art",2.2114818,,,,,,,,,,,,,,,,,,,,,,,,,
"136983","Weisman Art Museum by Frank Gehry, University of Minnesota","Colored pencil on paper"," Drawings","8 × 7 5/8 in. (20.32 × 19.37 cm) (sight)
14 7/8 × 11 13/16 × 9/16 in. (37.78 × 30 × 1.43 cm) (outer frame)","Drawing","North America","United States",,"2009","Not on View","21st century","","LR in blue: 09 R Haas | verso in white: Art Museum (F. Gehry) / @ University of Minnesota","","Richard Haas gained fame in the 1970s for his enormous outdoor murals that transformed blank, drab building facades into grand architectural fantasies. In the early to mid-1960s, he was a graduate student and instructor at the University of Minnesota. In 2019, he wrote “I have always retained a strong and positive memory of your city and especially of your institution which I visited on a regular basis and where I learned so much about the history of art.”
He has periodically returned to make watercolor studies of the architecture of Minneapolis. Here he depicted the University’s Weisman Art Museum, designed by starchitect Frank Gehry. His translation of Gehry’s structure into a planar study invites comparison to the Cubist compositions made in the 1910s.","light orange, blue, and pink geometric planes creating simplified version of the Weisman Art Museum building; patch of blue sky at TC; organic shapes at bottom denoting trees and bushes","Richard Haas, New York.","From ","Gift of the artist","2019.153.10","Artist: Richard Haas","Artist","American","American, born 1936","%C2%A9 Richard J. Haas %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",3713,3905,1,"1",0,,,"[""""]","art",2.0772698,,,,,,,,,,,,,,,,,,,,,,,,,
"31128","Second Floor Plan, Minneapolis Museum of Fine Arts (Minneapolis Institute of Arts)","Cyanotype positive process print on paper"," Prints; Photographs; Architecture","24 3/8 x 23 1/4in. (61.9 x 59.1cm)","Photographic print","North America","United States",,"1912","Not on View","20th century","","","","","","McKim, Mead, and White, New York (architectural firm); presented to MIA, 1912.","From ","Transfer from the Archives","99.158.7","Architect: McKim, Mead, and White; Architect: Charles Follen McKim; Architect: William Rutherford Mead; Architect: Stanford White","Artist","American","American, 1853-1906","","Arts of the Americas","No Copyright–United States","valid",7561,7864,0,"1",1,,,"[""""]","art",2.031726,,,,,,,,,,,,,,,,,,,,,,,,,
"31116","Main Floor Plan, Minneapolis Museum of Fine Arts (Minneapolis Insitute of Arts)","Cyanotype positive process print on paper"," Prints; Photographs; Architecture","24 3/8 x 23 1/4in. (61.9 x 59.1cm)","Photographic print","North America","United States",,"1912","Not on View","20th century","","","","","","McKim, Mead, and White, New York (architectural firm); presented to MIA, 1912.",,"Transfer from the Archives","99.158.6","Architect: McKim, Mead, and White; Architect: Charles Follen McKim; Architect: William Rutherford Mead; Architect: Stanford White","Artist","American","American (New York, New York), 1879–1961","","Arts of the Americas","No Copyright–United States","valid",7561,7864,0,"1",1,,,"[""""]","art",2.031726,,,,,,,,,,,,,,,,,,,,,,,,,
"31127","Ground Floor Plan, Minneapolis Museum of Fine Arts (Minneapolis Institute of Arts)","Cyanotype positive process print on paper"," Prints; Photographs; Architecture","24 3/8 x 23 1/4 in. (61.91 x 59.06 cm) (image)","Photographic print","North America","United States",,"1912","Not on View","20th century","","","","","","McKim, Mead, and White, New York (architectural firm); presented to MIA, 1912.",,"Transfer from the Archives","99.158.5","Architect: McKim, Mead, and White; Architect: Charles Follen McKim; Architect: William Rutherford Mead; Architect: Stanford White","Artist","American","American (New York, New York), 1879–1961","","Arts of the Americas","No Copyright–United States","valid",7561,7864,0,"1",1,,,"[""""]","art",2.031726,,,,,,,,,,,,,,,,,,,,,,,,,
"133770","Books Published by Art Resources Transfer Inc.","Color offset lithography, letterpress; bound volume"," Books; Works on Paper","8 1/2 × 5 1/2 × 1/16 in. (21.59 × 13.97 × 0.16 cm) (closed)","Zine",,,,"1996","Not on View","20th century","","","","","Saddle stitched binding, full bleed, color lithographic image and letterpressed text printed on cover; 12 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.92","Publisher: A.R.T. Press, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2940,1,"1",0,,,"[""""]","art",2.0300703,,,,,,,,,,,,,,,,,,,,,,,,,
"134304","Mutant Superpowers & Lithium Pills (cover art: Fly)","Xerography; loose, folded leaves"," Books; Works on Paper","8 1/2 × 5 5/8 × 1/4 in. (21.6 × 14.3 × 0.6 cm) (closed)","Zine",,,,"2006","Not on View","21st century","","","","","Loose, folded leaves, photomechanical illustration of figure biking over cityscape with text printed in offset lithography on wove paper covers; 105 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.626","Artist: Fly NYC; Author: Sascha Scatter; Publisher: Sascha Scatter","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",1800,2520,1,"1",0,,,"[""""]","art",2.0298283,,,,,,,,,,,,,,,,,,,,,,,,,
"14109","An Anatomical Lecture at Royal Academy of Arts","Watercolor, pen and brown ink, over graphite"," Drawings","8 1/4 x 11 in. (20.96 x 27.94 cm) (sheet)",,"Europe","England",,"1780s","Not on View","18th century","Title; Signature","[Rowlandson], in graphite, verso","[Dr. Wm. Hunter\'s Lecture on Anatomy], in graphite, verso;","Rowlandson was a brilliant draftsman, producing complex, comical scenes with rapid, scrolling pen work. Here he represents an anatomy lesson at the Royal Academy of Arts in London where he had studied beginning in 1772 and exhibited works into the 1780s. The background statues and paintings identify the location. The lecturer is most likely Doctor William Hunter, a professor of anatomy at the academy. Rowlandson often poked fun at the sinister side of anatomical studies and dissection, and here he depicts Hunter with an odd grin on his face as he holds a human skull. Next to the doctor is displayed a skeleton of an improbable four-legged creature, a detail that further undermines the seriousness of his lecture. From a scribbled sea of faces, individual figures emerge in the audience, perhaps caricatures of fellow academicians. Their various reactions are masterfully catalogued-fascination, disgust, confusion, smugness, disinterest, boredom. The figure wearing a hat and holding an ear trumpet is probably the partially deaf president of the academy, Sir Joshua Reynolds.","","","From ","John DeLaittre Memorial Collection
Gift of funds from Mrs. Horace Ropes","23.50.57","Artist: Thomas Rowlandson","Artist","British","British, 1756 - 1827","","European Art","Public Domain","valid",4710,3274,0,"1",0,,,"[""""]","art",2.0235455,,,,,,,,,,,,,,,,,,,,,,,,,
"136982","Weisman Art Museum by Frank Gehry, University of Minnesota","Gouache and pencil on paper"," Drawings","8 1/16 × 9 1/4 in. (20.48 × 23.5 cm) (image)
8 1/2 × 9 5/8 in. (21.59 × 24.45 cm) (sheet)
13 × 17 × 3/4 in. (33.02 × 43.18 × 1.91 cm) (outer frame)","Drawing","North America","United States",,"2009","Not on View","21st century","","LR in pencil: R. Haas \'09","verso, printed gallery label: Richard Haas (1936-) / Weisman Art Musem by Frank Gehry, University of Minnesota, 2009 / gouache and pencil on paper / 13 x 17 (framed) / 2009-0000 | verso in red: 1862","Richard Haas gained fame in the 1970s for his enormous outdoor murals that transformed blank, drab building facades into grand architectural fantasies. In the early to mid-1960s, he was a graduate student and instructor at the University of Minnesota. In 2019, he wrote “I have always retained a strong and positive memory of your city and especially of your institution which I visited on a regular basis and where I learned so much about the history of art.”
He has periodically returned to make watercolor studies of the architecture of Minneapolis. Here he depicted the University’s Weisman Art Museum, designed by starchitect Frank Gehry. His translation of Gehry’s structure into a planar study invites comparison to the contraste de formes compositions made by Fernand Léger in the 1910s.","drawing of angular blue and gray building with gridded exterior; yellow and orange trees around building, blue sky above; driveway and street just visible at bottom","Richard Haas, New York.","From ","Gift of the artist","2019.153.9","Artist: Richard Haas","Artist","American","American, born 1936","%C2%A9 Richard J. Haas %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4804,4301,1,"1",0,,,"[""""]","art",2.0160635,,,,,,,,,,,,,,,,,,,,,,,,,
"75942","Les arts et la decence","Hand-colored lithograph"," Prints","11 x 7 3/4 in. (27.94 x 19.69 cm) (image)",,"Europe","France",,"c. 1820","Not on View","19th century","","","","","Caricature","","From Les Metamorphoses du Jour, (Paris, c. 1829)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.17,494","Artist: after (?) Barincou; Lithographer: Les Langlume; Publisher: Martinet Publishing Family","Artist",,,"","European Art","Public Domain","valid",5253,6793,0,"1",0,,,"[""""]","art",2.0123847,,,,,,,,,,,,,,,,,,,,,,,,,
"106230","Wood is expensive and the Arts are not doing well","Lithograph"," Prints","10 1/4 x 8 in. (26.04 x 20.32 cm) (sheet)",,"Europe","France",,"1833","Not on View","19th century","","","","Unable to afford the fuel for their simple heater, these artsits dance around their meager studio to keep warm in the cold Parisian winter.","","Sarah Bernhardt, Paris (until d. 1923; her sale, part 2, Hôtel Drouot, Paris, July 23, 1923, part of 27 albums in no. 723). [Weyhe Gallery, New York, until 1924; sold 27 albums, for $600, to Bovey for MIA]; Mrs. Charles C. Bovey, Minneapolis (1924; gave 27 albums to MIA)","From ","Gift of Mrs.C.C.Bovey, 1924","P.10,289","Artist: Honoré Daumier","Artist","French","French, 1808–1879","","European Art","Public Domain","valid",5617,4639,0,"1",0,"L.D. 146; H-D 530",,"[""""]","art",2.0121055,,,,,,,,,,,,,,,,,,,,,,,,,
"107235","Lincoln Center for the Performing Arts: Music","Color lithograph"," Prints","35 1/8 x 23 1/4 in. (89.22 x 59.06 cm) (sight)
36 1/2 x 24 11/16 in. (92.71 x 62.71 cm) (outer frame)","Poster",,,,"20th century","Not on View","20th century","","","","","blue ground; simplified music stand in yellows, orange, red and white; small red and yellow text at top and LRC","Wells Fargo Bank, Minneapolis; given to MIA, 2009.","From ","Gift of Wells Fargo Bank, Minnesota","2009.11.8.2","Designer: Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York","Artist","Danish","Danish, born 1941","","Prints and Drawings","No Known Copyright","valid",3298,4898,1,"1",0,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"107221","Lincoln Center for the Performing Arts: Opera","Color lithograph"," Prints","35 1/16 x 23 1/8 in. (89.06 x 58.74 cm) (sight)
36 1/2 x 24 9/16 in. (92.71 x 62.39 cm) (outer frame)","Poster",,,,"20th century","Not on View","20th century","","","","","red ground; pair of blue and yellow opera glasses; small text in yellow and blue at top and bottom","Wells Fargo Bank, Minneapolis; given to MIA, 2009.","From ","Gift of Wells Fargo Bank, Minnesota","2009.11.8.1","Designer: Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York","Artist","Danish","Danish, born 1941","","Prints and Drawings","No Known Copyright","valid",2923,4367,1,"1",0,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"107238","Lincoln Center for the Performing Arts: Theater","Color lithograph"," Prints","35 x 23 1/8 in. (88.9 x 58.74 cm) (sight)
36 1/2 x 24 5/8 in. (92.71 x 62.55 cm) (outer frame)","Poster",,,,"20th century","Not on View","20th century","","","","","blue ground; lighter blue coat rack with red, white and blue comedy and tragedy masks with large noses hanging from hooks; small yellow and red text at top and LRC","Wells Fargo Bank, Minneapolis; given to MIA, 2009.","From ","Gift of Wells Fargo Bank, Minnesota","2009.11.8.5","Designer: Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York","Artist","Danish","Danish, born 1941","","Prints and Drawings","No Known Copyright","valid",3308,4915,1,"1",0,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"107236","Lincoln Center for the Performing Arts: Film","Color lithograph"," Prints","35 1/16 x 23 3/16 in. (89.06 x 58.9 cm) (sight)
36 1/2 x 24 11/16 in. (92.71 x 62.71 cm) (outer frame)","Poster",,,,"20th century","Not on View","20th century","","","","","red ground; blue and white director's chair; small text in blue and yellow at top and LLC","Wells Fargo Bank, Minneapolis; given to MIA, 2009.","From ","Gift of Wells Fargo Bank, Minnesota","2009.11.8.3","Designer: Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York","Artist","Danish","Danish, born 1941","","Prints and Drawings","No Known Copyright","valid",3301,4935,1,"1",0,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"107237","Lincoln Center for the Performing Arts: Dance","Color lithograph"," Prints","35 x 23 3/16 in. (88.9 x 58.9 cm) (sight)
36 1/2 x 24 11/16 in. (92.71 x 62.71 cm) (outer frame)","Poster",,,,"20th century","Not on View","20th century","","","","","yellow ground; pair of legs--one blue, one orange; small text in orange at top and bottom","Wells Fargo Bank, Minneapolis; given to MIA, 2009.","From ","Gift of Wells Fargo Bank, Minnesota","2009.11.8.4","Designer: Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York","Artist","Danish","Danish, born 1941","","Prints and Drawings","No Known Copyright","valid",3304,4928,1,"1",0,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"4279","Design for a Plaza at the Minneapolis Institute of Arts","Black and white chalks on tracing paper"," Drawings","13 3/8 x 12 in. (33.97 x 30.48 cm)","Drawing","North America","United States",,"1990","Not on View","20th century","LL:FOR MINNEAPOLIS LR: VIII.90","In black chalk: LR: J.W.","","","","The artist; given to MIA, 1991.",,"Gift of John Willenbecher","91.78.2","Artist: John Willenbecher","Artist","American","American, born 1936","%C2%A9 John Willenbecher","Arts of the Americas","In Copyright–Educational Use","valid",3828,3554,0,"1",1,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"4278","Design for a Plaza at the Minneapolis Institute of Arts","Black, white and colored chalks on tracing paper"," Drawings","13 3/8 x 12 in. (33.97 x 30.48 cm)","Drawing","North America","United States",,"1990","Not on View","20th century","LL: X.90 LC: MINNEAPOLIS","in black chalk LR:[JW","","","","The artist; given to MIA, 1991.",,"Gift of John Willenbecher","91.78.1","Artist: John Willenbecher","Artist","American","American, born 1936","%C2%A9 John Willenbecher","Arts of the Americas","In Copyright–Educational Use","valid",4075,3582,0,"1",1,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"4280","Design for a Plaza at the Minneapolis Institute of Arts","Black and white chalks on tracing paper"," Drawings","13 3/8 x 12 in. (33.97 x 30.48 cm)",,"North America","United States",,"1990","Not on View","20th century","Signature; Date; Inscription
LL: [X.90]; LC: [MINNEAPOLIS]","in black chalk, LR: [JW]","","","","",,"Gift of John Willenbecher","91.78.3","Artist: John Willenbecher","Artist","American","American, born 1936","%C2%A9 John Willenbecher","Arts of the Americas","In Copyright–Educational Use","valid",3930,3603,0,"1",1,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"2515","Untitled [Pennsylvania Academy of Fine Arts]","Albumen print"," Photographs","4 3/16 x 3 1/4 in. (10.64 x 8.26 cm) (image)
6 1/2 x 4 1/4 in. (16.51 x 10.8 cm) (mount)",,"North America","United States",,"c. 1880","Not on View","19th century","","","","","","",,"Mr. and Mrs. Harrison R. Johnston, Jr. Fund","77.67","Photographer: Thomas Eakins","Artist","American","American, 1844 - 1916","","Arts of the Americas","No Copyright–United States","valid",1516,1920,0,"1",0,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"4595","Medical Arts Building, Minneapolis, Minnesota","Gelatin silver print"," Photographs","21 7/8 x 13 7/8 in. (55.56 x 35.24 cm) (image)
23 13/16 x 19 15/16 in. (60.48 x 50.64 cm) (sheet)",,"North America","United States",,"1980","Not on View","20th century","","","","","","",,"Gift of Lora and Martin G. Weinstein","93.70.23","Photographer: Thomas F. Arndt","Artist","American","American, born 1944","%C2%A9 Tom Arndt","Arts of the Americas","In Copyright–Educational Use","valid",2480,3698,0,"1",0,,,"[""""]","art",2.0114071,,,,,,,,,,,,,,,,,,,,,,,,,
"123421","The Seasons","Etching and aquatint"," Prints","19 × 51 1/8 in. (48.26 × 129.86 cm) (plate)
26 3/4 × 58 1/8 in. (67.95 × 147.64 cm) (sheet)
36 1/4 × 68 1/8 × 1 1/4 in. (92.08 × 173.04 × 3.18 cm) (outer frame)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: J Johns / \'89","LLC, in pencil: 23/54; LLC, publisher\'s blindstamp: ULAE","For Jasper Johns, the familiar objects and signs of everyday life are ideal subjects for art. It was a radical notion in the mid-1950s, when he and other young artists rejected the emotionally-charged gestural abstraction of the previous generation. Experimenting with mundane subjects such as flags, targets, maps, letters, and numerals, Johns chose these familiar and conventional motifs as a way to negate the expressive or psychological qualities of his subject matter, presenting them as formal and conceptual entities designed to elicit contemplation. In his 1989 print The Seasons, Johns creates an amalgam of symbolic imagery that suggests the experiences and feelings associated with the fleeting change of seasons, corresponding to the rhythm of life.","black, white, and greys; ten vertical rectangular sections with imagery including standing silhouettes of figures, rabbit's head, Mona Lisa, seahorse, geometric shapes, leaves and bricks, handled cups, snowman silhouette, and handprints","Robert B. Mersky, Minneapolis; given to MIA, 2018.","From ","Gift of Mary and Bob Mersky","2018.104.7","Artist: Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",9431,4434,1,"1",0,"ULAE 244",,"[""""]","art",1.9845346,,,,,,,,,,,,,,,,,,,,,,,,,
"123954","Wanted","Color lithograph"," Prints","24 × 20 in. (60.96 × 50.8 cm) (sheet)","Poster","Asia","China",,"2014","Not on View","21st century","","Not signed","","The Chinese contemporary artist Ai Weiwei is as famous for his art and he is for his provocative stance against the repressive policies of the Chinese government. In the last decade Ai has been the target of numerous government investigations resulting in the destruction of his studio, arrest, and imprisonment. Freed from jail in 2011, the artist remains under close scrutiny by the Chinese authorities, who hold his passport and prohibit his travel abroad. Ai conceived of this poster as an appeal for his freedom. The work closely copies a 1963 exhibition poster by the Surrealist artist Marcel Duchamp, which in turn reproduced an earlier Duchamp print. Ai substituted old mugshot-like photographs of himself and altered the text to make a plea for his passport. The lithograph, conceived as a work to be broadly circulated (with a total edition of 240 works), is both a bold political statement and a savvy artistic appropriation.","""Wanted"" poster in red, black, and white with profile and straight on images from artist's passport and paragraph inviting a reward for information leading to Ai Weiwei's release; set against green square with white border","[Thomas French Fine Art, Fair Lawn, Ohio, 2014-15; given to Mia]","From ","Anonymous gift in honor of Chichi Steiner","2015.126","Artist: Ai Weiwei; Publisher: Francis Naumann Fine Art, New York","Artist","Chinese","Chinese, born 1957","Copyright %C2%A9 2014 Ai Weiwei","Global Contemporary Art","In Copyright","valid",7645,9296,1,"1",0,,,"[""""]","art",1.9823496,,,,,,,,,,,,,,,,,,,,,,,,,
"36705","Scott Fagan Record","Lithograph from two stones and relief printing from a phonograph record; die cut, on Angoumois paper"," Prints","12 1/4 x 12 3/4 in. (31.12 x 32.39 cm) (image)","Print","North America","United States",,"1970","Not on View","20th century","Signature, Date, Edition, Mark
Numbered in pencil, LL: 20/20
","Signed, dated in pencil, LR: J. Johns \'70","LL: (ULAE blind stamp / chop)","Over the course of a career that now spans more than 50 years, American painter and printmaker Jasper Johns has been a leading figure among modern and contemporary artists. Often identified as a member of the group of Neo-Dada or proto-Pop artists that emerged in the 1950s in reaction to the dominance of the abstract expressionists, Johns has consistently relied on the appropriation of everyday objects, signs, and symbols to serve as the subject matter of his art. Johns' use of common objects in his work and his practice of concealing the hand of the artist was in direct opposition to the routine approach of the abstract expressionist painters of the 1940s and 50s, who saw their work as the ultimate expression of spontaneous, automatic, or subconscious creative effort. Along with such artists as Robert Rauschenberg, Jim Dine, John Chamberlain, and Alfred Leslie, Johns emerged as a pioneering figure whose work embraced the anti-painterly, Neo-Dada concept that everything and anything can be the subject of art. Johns' work has been highly influential on an entire generation of younger artists, who recognized both his ingenuity and the psychological and intellectual import of his work.
Johns' lithograph ""Scott Fagan Record"" is both an expression of the idea of the ubiquitous nature of subject matter and a personal homage to singer-songwriter Fagan and his first musical release, an album of Caribbean-inspired love songs titled ""South Atlantic Blues."" Fagan's recording was released by Atlantic Records in 1968 and was reportedly one of Johns' favorite records.
In her history and catalogue of the U.L.A.E. collaborative press, Esther Sparks reports that Johns generally used photographic means to represent objects in his prints, but in the present example chose to represent an object by printing from its surface. ""Although Johns used found objects extensively in his painting, he preferred to use photographs to represent objects in his printmaking. This lithograph is the most direct reference to a real object: Johns","","Kate Butler Peterson, Minnesota; given to MIA, 2007.",,"Gift of Kate Butler Peterson","2007.122.2","Artist: Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",6423,6622,1,"1",1,"Field 131; Sparks 107; ULAE 85",,"[""""]","art",1.9811524,,,,,,,,,,,,,,,,,,,,,,,,,
"134948","red dog chop, no. 4: ARt iS aN ActIoN","Letterpress, offset lithography, block print; bound volume"," Books; Works on Paper","3 5/8 × 2 1/8 × 1/16 in. (9.21 × 5.4 × 0.16 cm) (closed)","Zine",,,,"1991","Not on View","20th century","","","","","Saddle stitched binding, letterpress text and block printed images of a brain and a silhouetted Christmas tree on wove paper covers; 24 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1270.1","Artist: Jake Berry , et al.; Publisher: Jake Berry , et al., Florence, Ala.","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2916,2916,1,"1",0,,,"[""""]","art",1.9795504,,,,,,,,,,,,,,,,,,,,,,,,,
"134418","Plagiarism: Art as Commodity and Strategies for its Negation","Offset lithography, letterpress; bound volume"," Books; Works on Paper","8 1/4 × 5 3/4 × 1/8 in. (20.96 × 14.61 × 0.32 cm) (closed)","Zine",,,,"1988","Not on View","20th century","","","","","Saddle stitched binding, letterpress text and symbols printed in offset lithography on blue wove paper covers; 30 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.740","Author: Stewart Home , et al.; Publisher: Aporia Press","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2400,3360,1,"1",0,,,"[""""]","art",1.9795504,,,,,,,,,,,,,,,,,,,,,,,,,
"134672","Tenacious #13: Art and Writings from Women in Prison","Xerography, offset lithography, letterpress; bound volume"," Books; Works on Paper","8 1/2 × 5 1/2 × 1/8 in. (21.59 × 13.97 × 0.32 cm) (closed)","Zine",,,,"2007","Not on View","21st century","","","","","Saddle stitched binding, photomechanical illustration of visceral figure, with letterpress text, printed in offset lithography on pink wove paper covers; 28 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.994","Editor: Vikki Law; Artist: Barrilee Bannister , et al.; Publisher: Black Star Publishing, New York","Artist","American","American, born 1977","","Global Contemporary Art","Copyright Not Evaluated","valid",2041,2857,1,"1",1,,,"[""""]","art",1.9793085,,,,,,,,,,,,,,,,,,,,,,,,,
"135116","Do you Suffer for Your Art... Or Because Of It?","Xerography; cut and folded leaf"," Books; Works on Paper","4 5/16 × 2 3/4 × 1/16 in. (10.95 × 6.99 × 0.16 cm) (closed)","Comic book",,,,"2010","Not on View","21st century","","","","","Cut and folded leaf, xerographic text and illustration of two figures, one saying ""Everything happens for a reason man..."" printed on wove paper; 8 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1438","Artist: Mission Mini-Comix, San Francisco; Publisher: Mission Mini-Comix, San Francisco","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",1500,2100,1,"1",0,,,"[""""]","art",1.9793085,,,,,,,,,,,,,,,,,,,,,,,,,
"13313","Fashion Exhibition at the Metropolitan Museum of Art, NYC","Gelatin silver print"," Photographs","14 1/16 x 14 1/8 in. (35.72 x 35.88 cm) (image)
19 15/16 x 15 7/8 in. (50.64 x 40.32 cm) (sheet)",,"North America","United States",,"1996","Not on View","20th century","Signature; Date; Title; Edition
in pencil, on back: [106 ([underlined)/Fashion Statement Series Fashion Exhibition @ Metropolitan Museum of Art, NYC/5/25]","in pencil, on back: [Toby Old 1996]","","","elderly woman, seen from PL side, wearing flowered blouse and square earrings, looking at a display of old fashioned costumes behind glass at left","","From ""Fashion Statement Series""","Gift of Michael K. Hsu and Anonymous Gift","2000.68.11","Photographer: Toby Old","Artist","American","American, born 1945","%C2%A9 Toby Old","Arts of the Americas","In Copyright–Non-Commercial Use","valid",1888,1872,0,"1",0,,,"[""""]","art",1.9790865,,,,,,,,,,,,,,,,,,,,,,,,,
"58115","Art Students and Copyists in the Louvre Gallery, Paris","Wood engraving"," Prints","9 1/16 x 13 3/4 in. (23.0 x 34.9 cm)",,"North America","United States",,"1868","Not on View","19th century","","No","","","","","From Harper's Weekly, New York, January 11, 1868, p.725","Gift of Dr. and Mrs. Robert D. Semsch","P.82.40.207","Artist: Winslow Homer","Artist","American","American, 1836–1910","","Arts of the Americas","Public Domain","valid",8088,5657,0,"1",0,,,"[""""]","art",1.9790766,,,,,,,,,,,,,,,,,,,,,,,,,
"10734","State of the Art/ Computer Image Enhancement and Analysis","Lithograph with color coupler print"," Photographs","19 7/8 x 14 7/8 in. (50.48 x 37.78 cm) (image, sheet)","","North America","United States",,"1976","Not on View","20th century","","","","","","","From ""Silver See"" portfolio","National Endowment for the Arts Photography Purchase Grant","77.39.7","Photographer: Robert Heinecken","Artist","American","American, 1931 - 2006","%C2%A9 Robert Heinecken %2F Pace Wildenstein MacGill Gallery","Arts of the Americas","In Copyright–Educational Use","valid",1904,2523,0,"1",0,,,"[""""]","art",1.9789369,,,,,,,,,,,,,,,,,,,,,,,,,
"133842","Brundu a Parigi opere: 1965, 1966, 1967","Color and black-and-white offset lithography, letterpress; bound volume"," Books; Works on Paper","7 3/4 × 7 3/4 × 1/8 in. (19.69 × 19.69 × 0.32 cm) (closed)","Zine",,,,"1996","Not on View","20th century","","","","","Saddle stitched binding, image of Parisian residence card printed in offset lithography with letterpressed text on coated cover; 38 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.164","Author: Gaetano Brundu , et al.; Publisher: Time + Art, Cagliari, Italy","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",3000,3000,1,"1",0,,,"[""""]","art",1.9566699,,,,,,,,,,,,,,,,,,,,,,,,,
"134717","""The Inspirator"" ""Parco San Giorgio People,"" Collage #1","Xerography; bound volume"," Books; Works on Paper","8 1/2 × 5 1/2 × 1/8 in. (21.59 × 13.97 × 0.32 cm) (closed)","Zine",,,,"June 1996","Not on View","20th century","","","","","Saddle stitched volume, photocopied drawings and text printed in xerography on yellow wove paper; 46 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1039","Artist: Andrea Adamo , et al.; Publisher: Time + Art, Cagliari, Italy","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2940,1,"1",0,,,"[""""]","art",1.9566699,,,,,,,,,,,,,,,,,,,,,,,,,
"134300","Acrylic Paintings on Canvas by Motohiko Takuta","Color offset lithography, letterpress; bound volume"," Books; Works on Paper","7 × 5 × 1/8 in. (17.78 × 12.7 × 0.32 cm) (closed)","Zine",,,,"1993-1995","Not on View","20th century","","","","","Perfect bound volume reinforced with tape, psychedelic-kaleidoscope-like image printed in color offset lithography on coated paper; 10 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.622","Artist: Motohiko Tokuta; Publisher: Pangea Art Gallery, Chicago","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2700,1929,1,"1",0,,,"[""""]","art",1.9566699,,,,,,,,,,,,,,,,,,,,,,,,,
"134958","Bklyn Chicks Fuck'n Rock!","Offset lithography, letterpress; bound volume"," Books; Works on Paper","4 1/4 × 5 1/2 × 1/16 in. (10.8 × 13.97 × 0.16 cm) (closed)","Zine",,,,"21st century","Not on View","21st century","","","","","Saddle stitched binding, photographic image of pins featuring text and illustration of a nude female figure printed in offset lithography on coated paper covers; 12 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1280","Artist: Adam Suerte; Publisher: Urban Folk Art Studios, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2961,2115,1,"1",0,,,"[""""]","art",1.9566699,,,,,,,,,,,,,,,,,,,,,,,,,
"134445","Psycho Moto Zine, no. 24","Color offset lithography, letterpress; bound volume"," Books; Works on Paper","8 1/2 × 5 1/2 × 1/16 in. (21.59 × 13.97 × 0.16 cm) (closed)","Zine",,,,"2015","Not on View","21st century","","","","","Saddle stitched binding, photomechanical illustration of figure with hammer-and-sickle symbol on mask, with designs and text printed in color offset lithography on coated paper covers; 26 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.767","Artist: Dimitri Drjuchin; Publisher: Antagonist Art Movement Press, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2400,3360,1,"1",0,,,"[""""]","art",1.9566699,,,,,,,,,,,,,,,,,,,,,,,,,
"7252","Au Concert","Offset color lithograph"," Prints","12 5/8 x 9 3/4 in. (32.07 x 24.77 cm) (image)
16 11/16 x 13 1/2 in. (42.39 x 34.29 cm) (sheet)","Print","Europe","France",,"1896 (printed 1946)","Not on View","19th century","","","","","","Art Institute of Chicago; sold to MIA.",,"The John R. Van Derlip Fund","P.12,173","Artist: Henri de Toulouse-Lautrec; Publisher: Art Institute of Chicago","Artist","French","French, 1864–1901","","European Art","Public Domain","valid",4838,5964,0,"1",1,"D 365; WP 28",,"[""54846"",""54857"",""54865"",""54873"",""54882"",""7252""]","art",1.9566699,,,,,,,,,,,,,,,,,,,,,,,,,
"54882","Au Concert","Offset color lithograph in green-brown, red, and yellow inks"," Prints","12 5/8 x 9 13/16 in. (32.07 x 24.92 cm) (image)
16 5/8 x 13 9/16 in. (42.23 x 34.45 cm) (sheet)","Print","Europe","France",,"1896 (printed 1946)","Not on View","19th century","","","","","","Art Institute of Chicago; sold to MIA.","From C5/C","The John R. Van Derlip Fund","P.12,172","Artist: Henri de Toulouse-Lautrec; Publisher: Chicago Art Institute","Artist","French","French, 1864–1901","","European Art","Public Domain","valid",4893,5993,0,"1",0,"D 365; WP 28",,"[""54846"",""54857"",""54865"",""54873"",""54882"",""7252""]","art",1.9566699,,,,,,,,,,,,,,,,,,,,,,,,,
"134730","The Next Book","Offset lithography; bound volume"," Books; Works on Paper","8 1/2 × 6 7/8 × 1/8 in. (21.59 × 17.46 × 0.32 cm) (closed)","Zine",,,,"2011","Not on View","21st century","Inside of front cover, black ink pen: FOR / THE FLIEST / FLY Jason Mitchell
Inside of front cover, graphite pencil: 13/50 JASON MITCHELL \'11","Inside of front cover, black ink pen: Jason Mitchell","","","Saddle stitched binding, photomechanical illustration of text printed in offset lithography on wove paper covers; 40 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1052","Artist: Jason Shithead; Publisher: Urban Folk Art Studios, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2700,3780,1,"1",0,,,"[""""]","art",1.9564279,,,,,,,,,,,,,,,,,,,,,,,,,
"65381","Tile with Floral Medallion","Glazed ceramic"," Ceramics","4 3/16 x 4 1/4 x 3/8 in. (10.64 x 10.8 x 0.95 cm)","Tile with Floral Medallion","North America","United States",,"1881-1883","Not on View","19th century","Stamp","","on back, stamped: [J & J. G. LOW,/ PATENT ART TILE/ WORKS,/ CHELSEA,/ MASS./ U.S.A./ COPYRIGHT 1881 by J & J. G. LOW]","","organic design, floral-like medallion with brownish-yellow glaze","","From ","Gift of Christopher Monkhouse in honor of Siri and Bob Marshall","2002.268.5","Manufacturer: J. & J.G. Low Patent Art Tile Works","Artist",,"Chelsea, Massachussets, 1877-1907","","Arts of the Americas","Public Domain","valid",3248,3228,0,"1",0,,,"[""""]","art",1.9564036,,,,,,,,,,,,,,,,,,,,,,,,,
"60499","Tile with geometric design","Glazed earthenware"," Ceramics","6 x 6 x 7/16 in. (15.24 x 15.24 x 1.11 cm)","Tile with geometric design","North America","United States",,"1881-1883","Not on View","19th century","","","\""J.&J.G. LOW/PATENT/ART TILE WORKS/CHELSEA/MASS. USA./COPYRIGHT 1881 J.& J.G. LOW.\"", stamped, on back","","floral design at center with lines and arcs; green glaze","","From ","Gift of Christopher Monkhouse in honor of Nancy Rose","2001.279.12","Manufacturer: J. & J.G. Low Patent Art Tile Works","Artist",,"Chelsea, Massachussets, 1877-1907","","Arts of the Americas","Public Domain","valid",3620,3616,0,"1",0,,,"[""""]","art",1.9564036,,,,,,,,,,,,,,,,,,,,,,,,,
"49758","Vase","Glazed ceramic, silver"," Ceramics","4-1/8 x 3-3/4 x 3-3/4 in. (10.5 x 9.5 x 9.5 cm)","Vase","Europe","England",,"1878","Not on View","19th century","","","\""DOULTON/LAMBETH\"", \""1878\"", \""199\"", \""EHB\"", \""C\"", \""O\"", with other stamps, on bottom; \""JENNER & KNEWSTUB 33 ST JAMES ST SW\"" and other stamps, at rim","","narrow base with flaring mouth and 3 subtile corners; tan interior; incised decoration of 3 wolves standing in front of grasses; metal rim","",,"Gift of Peg McNally","2001.121","Manufacturer: Doulton Art Pottery; Decorator: Hannah B. Barlow","Artist","English","Staffordshire, England, 1871-1901","","European Art","Public Domain","valid",631,815,0,"1",0,,,"[""""]","art",1.9564036,,,true,,,,,,,,,,,,,,,,,,,,,,
"65380","Tile with Floral Design","Glazed ceramic"," Ceramics","4 3/8 x 4 3/8 x 3/8 in. (11.11 x 11.11 x 0.95 cm)","Tile with Floral Design","North America","United States",,"1881-1883","Not on View","19th century","Stamp","","on back, stamped: [J & J. G. LOW,/ PATENT ART TILE/ WORKS,/ CHELSEA,/ MASS./ U.S.A./ COPYRIGHT 1883 by J & J. G. LOW]","","four-lobed floral design with greenish-brown glaze","",,"Gift of Christopher Monkhouse in honor of Stephanie Stebich","2002.268.4","Manufacturer: J. & J.G. Low Patent Art Tile Works","Artist",,"Chelsea, Massachussets, 1877-1907","","Arts of the Americas","Public Domain","valid",3112,3072,0,"1",0,,,"[""""]","art",1.9564036,,,,,,,,,,,,,,,,,,,,,,,,,
"67474","Recent Still Life","Lithograph; proof of first stone in black"," Prints","33 1/4 x 19 in. (84.46 x 48.26 cm) (image)
40 x 28 in. (101.6 x 71.12 cm) (sheet)","Poster","North America","United States",,"1966","Not on View","20th century","","","Watermark: crown; Chopmark: ULAE","","trial proof of RISD poster","Robert H. Luck, New York; given to MIA, 1984.",,"Gift of Robert H. Luck","P.84.34.1","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",6839,9641,1,"1",1,"Field 50",,"[""""]","art",1.9564036,,,,,,,,,,,,,,,,,,,,,,,,,
"65377","Tile with Basketweave Design","Glazed ceramic"," Ceramics","4 7/16 x 4 7/16 x 7/16 in. (11.27 x 11.27 x 1.11 cm)","Tile with Basketweave Design","North America","United States",,"1881-1883","Not on View","19th century","Inscription and Stamp
on back, in pencil: [5-428] + [428]","","on back, stamped: [J & J. G. LOW,/ PATENT ART TILE/ WORKS,/ CHELSEA,/ MASS./ U.S.A./ COPYRIGHT 1881 by J & J. G. LOW]","","basketweave design with dark blue-green glaze","","From ","Gift of Christopher Monkhouse in honor of Ann Kenefick, President of the Decorative Arts Council","2002.268.2","Manufacturer: J. & J.G. Low Patent Art Tile Works","Artist",,"Chelsea, Massachussets, 1877-1907","","Arts of the Americas","Public Domain","valid",3238,3124,0,"1",0,,,"[""""]","art",1.9562061,,,,,,,,,,,,,,,,,,,,,,,,,
"65379","Tile with Sunflower Design","Glazed ceramic"," Ceramics","4 7/16 x 4 1/2 x 1/2 in. (11.27 x 11.43 x 1.27 cm)","Tile with Sunflower Design","North America","United States",,"1881-1883","Not on View","19th century","Inscription and Stamp
on back, in pencil: [9]","","on back, stamped: [J & J. G. LOW,/ PATENT ART TILE/ WORKS,/ CHELSEA,/ MASS./ U.S.A./ COPYRIGHT 1881 by J & J. G. LOW]","","yellowish-brown glaze; large sunflower bloom inside a border","","From ","Gift of Christopher Monkhouse in honor of Barbara Longfellow","2002.268.3","Manufacturer: J. & J.G. Low Patent Art Tile Works","Artist",,"Chelsea, Massachussets, 1877-1907","","Arts of the Americas","Public Domain","valid",3228,3244,0,"1",0,,,"[""""]","art",1.9562061,,,,,,,,,,,,,,,,,,,,,,,,,
"67484","Recent Still Life","Lithograph; proof of first and second stone in black and gray-brown"," Prints","33 1/4 x 19 in. (84.46 x 48.26 cm) (image)
40 x 28 in. (101.6 x 71.12 cm) (sheet)","Poster","North America","United States",,"1966","Not on View","20th century","Printer\'s notes in pencil","","Watermark: crown; Chopmark: ULAE","","trial proof for RISD poster","Robert H. Luck, New York.; given to MIA, 1984","From ","Gift of Robert H. Luck","P.84.34.4","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",6868,9726,1,"1",1,"Field 50",,"[""""]","art",1.9562061,,,,,,,,,,,,,,,,,,,,,,,,,
"67483","Recent Still Life","Lithograph; proof of second stone in black"," Prints","33 1/4 x 19 in. (84.46 x 48.26 cm) (image)
40 x 28 in. (101.6 x 71.12 cm) (sheet)","Poster","North America","United States",,"1966","Not on View","20th century","Mark","","Watermark: crown; Chopmark: ULAE","","trial proof for RISD poster","Robert H. Luck, New York; given to MIA, 1984.","From ","Gift of Robert H. Luck","P.84.34.3","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",6871,9686,1,"1",1,"Field 50",,"[""""]","art",1.9562061,,,,,,,,,,,,,,,,,,,,,,,,,
"67482","Recent Still Life","Lithograph; proof of second stone in gray-brown"," Prints","33 1/4 x 19 in. (84.46 x 48.26 cm) (image)
40 x 28 in. (101.6 x 71.12 cm) (sheet)","Poster","North America","United States",,"1966","Not on View","20th century","","","Watermark: crown; Chopmark: ULAE","","trial proof for RISD poster","Robert H. Luck, New York; given to MIA, 1984.","From ","Gift of Robert H. Luck","P.84.34.2","Artist: Jasper Johns; Printer: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",6854,9700,1,"1",1,"Field 50",,"[""""]","art",1.9562061,,,,,,,,,,,,,,,,,,,,,,,,,
"7549","Target","Color lithograph"," Prints","13 1/8 x 13 1/8 in. (33.34 x 33.34 cm) (image)
23 1/8 x 23 1/8 in. (58.74 x 58.74 cm) (sheet)","Print","North America","United States",,"1967","Not on View","20th century","Signature, Date, Edition, Chop Mark
see Signed
Numbered in pencil, LL: [26/28]","Signed, dated in pencil, LR: [J. Johns \'67]","ULAE blind stamp","","","(Locksley-Shea Gallery, Minnepolis); sold to MIA, 1974.",,"The Putnam Dana McMillan Fund","P.74.68","Artist: Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",3257,3325,1,"1",0,"Field 63
U.L.A.E.",,"[""""]","art",1.9562061,,,,,,,true,,,,,,,,,,,,,,,,,,
"54852","Target I","Etching"," Prints","3 3/4 x 3 3/4 in. (9.53 x 9.53 cm) (plate)
11 15/16 x 7 11/16 in. (30.32 x 19.53 cm) (sheet)","Print","North America","United States",,"1967","Not on View","20th century","Signature, Date, Edition, and Chop Mark
see Signed
Numbered in pencil, LL: [8/8]","Signed, dated in pencil LR [J. Johns \'67]","ULAE blindstamp","","","(Lockley-Shea Gallery, Minneapolis); sold to MIA, 1974.",,"The Putnam Dana McMillan Fund","P.74.69","Artist: Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4253,6469,1,"1",1,"Field 64",,"[""""]","art",1.9562061,,,,,,,,,,,,,,,,,,,,,,,,,
"7563","Brush After Eating","Color lithograph"," Prints","30 x 42 3/8 in. (76.2 x 107.63 cm) (image)","Print","North America","United States",,"1963","Not on View","20th century","","","","","","Dr. Thomas Edblom; given to MIA, 1979.",,"Gift of Thomas Edblom","P.79.153","Artist: Jim Dine; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1935","%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",10272,7277,1,"1",0,"D. 23",,"[""""]","art",1.9561962,,,,,,,,,,,,,,,,,,,,,,,,,
"67637","Drifts","Color lithograph"," Prints","42 x 30 in. (106.68 x 76.2 cm) (image)","Print","North America","United States",,"1969","Not on View","20th century","","","Publisher\'s blindstamp: ULAE","","","(Dayton's Gallery 12, Minneapolis); sold to MIA, 1970.","From ","The Herschel V. Jones Fund, by exchange","P.70.28","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Drifts%2C 1969 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",4164,5847,0,"1",1,"Foster 69",,"[""""]","art",1.9560565,,,,,,,,,,,,,,,,,,,,,,,,,
"79248","Smoke Cancerettes, Pox in Every Puff","Color lithograph"," Prints","28 5/8 x 21 1/4 in. (72.71 x 53.98 cm) (sheet)","Poster","North America","United States",,"1970","Not on View","20th century","","","","","image of woman smoking a cigarette and holding a pack of cigarettes on a green background","Michael and Rosalyn Baker, MInneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.5","Designer: Seymour Chwast; Collaborator: Art direction by Martin Geisler","Artist","American","American, born 1931","","Arts of the Americas","No Known Copyright","valid",7107,9439,1,"1",0,,,"[""""]","art",1.9560565,,,,,,,,,,,,,,,,,,,,,,,,,
"13075","Novalis","Etching, open bite etching and aquatint"," Prints","37 1/4 x 26 3/4 in. (94.62 x 67.95 cm) (plate)
42 1/2 x 31 in. (107.95 x 78.74 cm) (sheet)","Print","North America","United States",,"1983-89","Not on View","20th century","
","in graphite, LC: Terry Winters 1983/1989","Publisher\'s blindstamp, LLC: ULAE (intertwined)
Numbered in pencil, LL: 41/50","","","Diane and Richard Cohen, Edina, Minn.; given to MIA, 2000.",,"Gift of Diane and Richard Cohen","2000.237.13","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",2032,3056,1,"1",1,"Sojka 48",,"[""""]","art",1.9560565,,,,,,,,true,,,,,,,,,,,,,,,,,
"13076","Wave","Color etching"," Prints","40 7/8 x 60 7/8 in. (103.82 x 154.62 cm) (plate)
53 1/4 x 73 3/4 in. (135.26 x 187.33 cm) (sheet)","Print","North America","United States",,"1988-1990","Not on View","20th century","Signature; Date; Edition
in graphite, LC: [43/43]
in graphite, LR: [1988-1990]
","In graphite, LL: [Carroll Dunham]","","","","Diane and Richard Cohen; given to MIA, 2000.",,"Gift of Diane and Richard Cohen","2000.237.2","Artist: Carroll Dunham; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Carroll Dunham","Arts of the Americas","In Copyright","valid",3056,2032,1,"1",0,"Addison Gallery A13",,"[""""]","art",1.9560565,,,,,,,,,,,,,,,,,,,,,,,,,
"43206","Untitled (Hair)","Color lithograph"," Prints","35 3/4 x 36 in. (90.81 x 91.44 cm) (image)
36 x 36 in. (91.44 x 91.44 cm) (sheet)","Print","North America","United States",,"1990","Not on View","20th century","
","Signed, dated in pencil, LR: Kiki Smith 1990","Numbered in pencil, LR: 7/54
Publisher\'s blindstamp, LR: ULAE","","","[John C. Stoller Gallery, Minneapolis]; sold to MIA",,"Gift of funds from the Print and Drawing Council","P.91.7.1","Artist: Kiki Smith; Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 1990 Kiki Smith","Arts of the Americas","In Copyright","valid",5253,5250,1,"1",1,"Krakow 14; Weitman 43",,"[""""]","art",1.9560565,,,true,,,,,,,,,,,,,,,,,,,,,,
"67636","Gulf","Color lithograph"," Prints","42 x 30 in. (106.68 x 76.2 cm) (image)","Print","North America","United States",,"1969","Not on View","20th century","","","Publisher\'s blindstamp: ULAE","","","(Dayton's Gallery 12, Minneapolis); sold to MIA, 1970.",,"The Herschel V. Jones Fund, by exchange","P.70.27","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Gulf%2C 1969 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",4245,5886,0,"1",1,"Foster 70",,"[""""]","art",1.9560565,,,,,,,,,,,,,,,,,,,,,,,,,
"65382","Tile with leaf and berry design","Glazed ceramic"," Ceramics","4 5/16 x 4 5/16 x 7/16 in. (10.95 x 10.95 x 1.11 cm)","Tile with leaf and berry design","North America","United States",,"1881-1883","Not on View","19th century","","","","","leaves on long, thin stems with ten berries; dark blue glaze","",,"Gift of Christopher Monkhouse in honor of Michele Callahan","2002.268.6","Manufacturer: J. & J.G. Low Patent Art Tile Works","Artist",,"Chelsea, Massachussets, 1877-1907","","Arts of the Americas","Public Domain","valid",3212,3148,0,"1",0,,,"[""""]","art",1.9560565,,,,,,,,,,,,,,,,,,,,,,,,,
"59520","Ninth Stone","Lithograph"," Prints","10 3/4 x 14 in. (27.31 x 35.56 cm) (image)
20 x 24 3/4 in. (50.8 x 62.87 cm) (sheet)","Print","North America","United States",,"1965-1968","Not on View","20th century","\""16-34\"", in graphite, LL","\""BONTECOU 1965-68\"", in graphite, LR","","","","",,"Gift of the Print and Drawing Council","2001.252.1","Artist: Lee Bontecou; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1931 - 2022","%C2%A9 Lee Bontecou","Arts of the Americas","In Copyright","valid",2298,1947,1,"1",1,"Field 9, Sparks (1989) 23",,"[""""]","art",1.9560565,,,true,,,,,,,,,,,,,,,,,,,,,,
"113167","Double Standard","Color lithograph"," Prints","78 x 42 1/2 in. (198.12 x 107.95 cm) (image, sheet)
82 1/2 x 47 1/2 in. (209.55 x 120.65 cm) (outer frame)","Print","North America","United States",,"1984","Not on View","20th century","","LRC, in black marking pencil: TW 1984","URC, in black marking pencil: 31/40
LLC, publisher\'s blindstamp: ULAE (intertwined)","","abstract image in black and brown; round black elements filled with hexagonal shapes in black; some round elements have tail-like protrusions; brown circle with black outline at right center; black bar at left; smudges throughout background","Private collection, Minneapolis; given to MIA, 2011.","From ","Anonymous gift","2011.74.16","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",4854,8872,1,"1",1,"Sojka 6",,"[""""]","art",1.9559168,,,,,,,,,,,,,,,,,,,,,,,,,
"59661","Female Concerns","Color screenprint with collaged fabric elements, thread"," Prints; Collages / Assemblages","18 11/16 x 9 15/16 in. (47.47 x 25.24 cm) (image, irregular)","Print and collage","North America","United States",,"1976","Not on View","20th century","Titled in pencil, verso: Female Concerns","Signed and dated in pencil, verso: Miriam Schapiro 1976","Numbered in pencil, verso: 12/20","","","The artist, New York; sold to MIA, 1976.","From ","The Ethel Morrison Van Derlip Fund","P.76.11","Artist: Miriam Schapiro; Workshop: Minneapolis College of Art and Design","Artist","American (born Canada)","American (born Canada), 1923 - 2015","%C2%A9 The Estate of Miriam Schapiro %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",3670,6399,1,"1",1,,,"[""""]","art",1.9559168,,,true,,,,,,,,,,,,,,,,,,,,,,
"113396","Fifth Stone","Lithograph in black and yellow"," Prints","41 1/4 x 29 3/4 in. (104.78 x 75.57 cm) (sheet)
43 1/8 x 31 1/2 in. (109.54 x 80.01 cm) (outer frame)","Print","North America","United States",,"1964","Not on View","20th century","
see Signed
Numbered below image toward L side, in pencil: [23-27]","below image at center, in pencil: Bontecou-64","Publisher\'s blindstamp, LLC","","cream paper; concentric ovals at center in black and yellow ink; black rectangular background; behind glass in black wood frame","Private collection, Minneapolis; given to MIA, 2011.",,"Anonymous gift","2011.94.6","Artist: Lee Bontecou; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1931 - 2022","%C2%A9 Lee Bontecou","Arts of the Americas","In Copyright","valid",6562,9082,1,"1",1,"Field 5; Sparks (1989) 5",,"[""""]","art",1.9559168,,,,,,,,,,,,,,,,,,,,,,,,,
"8268","Rockaway Beach, N.Y.","Color screenprint reproduction after watercolor"," Prints","13 1/2 x 17 13/16 in. (34.29 x 45.24 cm) (image)
16 7/8 x 21 in. (42.86 x 53.34 cm) (sheet)","Print","North America","United States",,"c. 1948","Not on View","20th century","Publisher\'s paper label affixed in lower margin","UL, printed as part of image: H. Glassgold -\'36","","","beach scene with sunbathers","Eva Gruschka, Minneapolis; given to MIA, 1991.","From Portfolio of Michigan Artists","Gift of Eva Gruschka","P.91.27","Artist: after Harry Glassgold; Publisher: Regional Art Editions, Detroit, Michigan","Artist","American (born Russia)","American (born Russia), 1908 - 1984","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",4239,3230,0,"1",0,,,"[""""]","art",1.9559168,,,,,,,,,,,,,,,,,,,,,,,,,
"9904","Domestic Landscape","Color woodcut on Japan paper"," Prints","11 7/8 x 9 3/8 in. (30.16 x 23.81 cm) (plate)
15 5/8 x 12 in. (39.69 x 30.48 cm) (sheet)","Print","North America","United States",,"1984","Not on View","20th century","Signature, Date, Edition
see Signed
Dated in pencil, LR: [1984]; numbered in pencil, LL: [20/150]","Signed in pencil, LC: [Michael Graves]","","","","",,"Gift of Members of the Print and Drawing Council's Chicago Tour, 1984","P.84.40","Artist: Michael Graves; Publisher: Ikkan Art International USA, New York","Artist","American","American, 1934 - 2015","%C2%A9 Michael Graves Design Group","Arts of the Americas","In Copyright–Educational Use","valid",3375,4299,0,"1",0,,,"[""""]","art",1.9559168,,,,,,,,,,,,,,,,,,,,,,,,,
"57378","A la pintura: White 3 - 6 (Oy / Yo)","Etching"," Prints","6 3/8 x 8 1/4 in. (16.19 x 20.96 cm) (image)
12 1/8 x 13 3/4 in. (30.8 x 34.93 cm) (sheet)","Print","North America","United States",,"1971-1972","Not on View","20th century","Inscribed in pencil, LL: trial","Signed in pencil, LR: Motherwell","Publisher\'s blindstamp, LL: ULAE","","","(Dayton's Gallery 12, Minneapolis); sold to MIA, 1980.","From A la pintura","The Ethel Morrison Van Derlip Fund","P.80.47","Artist: Robert Motherwell; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1915-1991","%C2%A9 Estate Robert Motherwell %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",1962,1637,1,"1",0,"see Belknap 97; see Engberg & Banach 126; ULAE 31",,"[""""]","art",1.9559168,,,,,,,,,,,,,,,,,,,,,,,,,
"59524","The Hero Leaves His Ship II (Hero)","Lithograph"," Prints","19 3/4 x 12 3/4 in. (50.17 x 32.39 cm) (image)
29 7/8 x 21 3/8 in. (75.88 x 54.29 cm) (sheet)","Print","North America","United States",,"1960","Not on View","20th century","","Signed and dated in pencil, LR: Hartigan \'60","Numbered in pencil, LL: 3/26","","From a suite of four lithographs","[G.W. Einstein Company, New York]; sold to MIA, 2001.","From The Hero Leaves His Ship suite","Gift of the Print and Drawing Council","2001.252.2","Artist: Grace Hartigan; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1922 - 2008","%C2%A9 Estate of Grace Hartigan","Arts of the Americas","In Copyright–Educational Use","valid",4481,6134,0,"1",1,"Sparks 341",,"[""""]","art",1.9559168,,,true,,,,,,,,,,,,,,,,,,,,,,
"60498","Tile with botanical design","Glazed earthenware, metal"," Ceramics","6 x 6 x 7/16 in. (15.24 x 15.24 x 1.11 cm)","Tile with botanical design","North America","United States",,"1879","Not on View","19th century","","","\""REG. TRADE MARK\"" and 2 keys(?) inside a circle, stamped, on back; \""Pat. Feb. 18.79\"", in black, on back","","green; impressed decorations from nature of leaves and branch in one corner and 2 stems with small flowers in a squared-off rectangle","",,"Gift of Christopher Monkhouse in honor of Matthew Welch","2001.279.11","Manufacturer: J. & J.G. Low Patent Art Tile Works","Artist",,"Chelsea, Massachussets, 1877-1907","","Arts of the Americas","Public Domain","valid",4080,4076,0,"1",0,,,"[""""]","art",1.9559168,,,,,,,,,,,,,,,,,,,,,,,,,
"106313","Landmark","Color lithograph"," Prints","42 11/16 x 30 1/8 in. (108.43 x 76.52 cm) (sheet)
49 1/4 × 37 1/4 × 2 in. (125.1 × 94.62 × 5.08 cm) (outer frame)","Print","North America","United States",,"1968","Not on View","20th century","","LRC, in pencil: (TRIGRAM) RAUSCHENBERG 3/5 68","LRC, publisher\'s blindstamp: ULAE","In composing ""Landmark,"" Rauschenberg assembled various photographic images clipped from popular news magazines, including several from the August 2, 1968 issue of Life magazine. Using a technique known as solvent transfer, he prepared his composition by arranging the magazine clippings facedown on a limestone printing matrix. He then brushed solvent (such as turpentine) on the reverse side of the images, which dissolved the ink present in the clippings and deposited it directly onto the limestone in the exact proportion of the original images. After transfering images to the matrix, the lithographic stone is prepared for printing in the normal manner. In this procedure, the original magazine images are reversed twice, once during the solvent transfer process and again during final printing, thus allowing the magazine images to appear in their original orientation.
For this photographic assemblege, Rauschenberg included pictures of train travel in America, Soviet Army activities in Czechoslovakia during the Cold War, and a then-groundbreaking heart transplant operation. In juxtaposing seemingly unrelated images, Rauschenberg invites viewers to draw their own understanding and conclusions about the work, using personal experiences, memories, and their imaginations to find meaning.","thirteen small images-some repeated-including spray can, drawing of the heart, man wearing round glasses, two men on a train platform and two people in a horse-drawn cart; printed in black and orange","Private collection, Kansas City, Mo.; (Robert Carlson, St. Louis, Mo. - private dealer); (Gottheiner Contemporary Art, St. Louis, Mo.); sold to MIA, 2008.",,"Gift of funds from the Print and Drawing Curatorial Council and Allen Brookins-Brown","2008.54.2","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Landmark%2C 1968 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",3557,4995,0,"1",1,"Foster 59; Sparks/ULAE 34",,"[""""]","art",1.955811,,,,,,,,,,,,,,,,,,,,,,,,,
"67635","Tides","Color lithograph"," Prints","41 7/8 x 29 in. (106.36 x 73.66 cm) (image)","Print","North America","United States",,"1969","Not on View","20th century","Signature, Date, Edition","","","Along with the prints Drifts and Gulf, this lithograph was produced in the summer of 1969 using photosensitive printing matrices, one of four methods Rauschenberg and the U.L.A.E. printing staff devised for transferring existing photographic images onto a limestone surface. Photosensitive emulsion was applied to the lithographic stones, which in turn were exposed to projected photographic images (negatives). The light sensitive surface of the limestone accepted the images in the exact proportions and in the same orientation as the original photographs (although the original negatives could be reversed, if desired, during projection). The varying tones and the distinctive moiré pattern seen in these prints was achieved by preparing negatives of overlapping transparent sheets of Ben-day dots, a commercial printing process, and projecting them onto the light sensitive limestone matrix. These moiré patterns reminded Rauschenberg of reflections on the surface of water and chose titles that evoke this association.","","(Dayton's Gallery 12, Minneapolis); sold to MIA with gift of funds, 1969","From ","Gift of funds from Mr. and Mrs. Russell Cowles","P.69.200","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Tides%2C 1969 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",4701,6603,0,"1",1,"Foster 68",,"[""""]","art",1.9557772,,,,,,,,,,,,,,,,,,,,,,,,,
"98949","Born","Color lithograph"," Prints","68 x 56 1/4 in. (172.72 x 142.88 cm) (sheet)
72 1/2 x 60 1/2 in. (184.15 x 153.67 cm) (outer frame)","Print","North America","United States",,"2002","Not on View","21st century","
","LRC, in pencil: K.K. Smith 2002","Numbered in pencil, LLC: 28/28
Publisher\'s blindstamp, LL: ULAE","In this imposing color lithograph, Kiki Smith creates a new mythology from the well-known children's folktale ""Little Red Riding Hood."" Smith visually and psycholgically merges human and animal as Red Riding Hood's grandmother fearlessly recovers her young charge from the belly of the now prone wolf. The scene is a metaphor for the rebirth and renewal, but may also represent sexual awakening, a theme common to Smith's work. Here, the figures of the grandmother and child are rendered as artist self-portraits, suggesting the endless cycle of life, death, and rebirth.","woman wearing white dress and red cloak with hood and girl wearing yellow blouse, blue skirt and red cloak with hood emerging from the belly of a dead brown wolf","[Mary Ryan Gallery, New York]; sold to MIA, 2006.","From ","The Richard Lewis Hillstrom Fund","2006.15","Artist: Kiki Smith; Publisher: Universal Limited Art Editions (ULAE)","Artist","German-American","American, born Germany, 1954","%C2%A9 2002 Kiki Smith","Arts of the Americas","In Copyright","valid",4763,5779,1,"1",1,,,"[""""]","art",1.9557772,,,true,,,,,,,,,,,,,,,,,,,,,,
"113153","Full House","Color etching, drypoint, aquatint, screenprint, lithograph, and collage on Japan paper"," Prints; Collages / Assemblages","78 1/2 x 51 in. (199.39 x 129.54 cm) (sheet)
84 3/4 x 57 1/4 in. (215.27 x 145.42 cm) (outer frame)","Print and collage","North America","United States",,"1992-93","Not on View","20th century","","LLC, in pencil: Jane Hammond 1992-3","Numbered in pencil, LRC: 11/32
Publisher\'s blindstamp at lower edge, right of center: ULAE (intertwined)","","central image of an empty house, with some walls cut away--two floors on bottom and two separate floors above with roof; variously-colored repeated images of chairs, tables, pots, ballerina, dancing figure with elk headdress, people in oversized clown costumes, a child in a cage, sword swallower; shadowy silhouettes of same images overall on background","Private collection, Minneapolis; given to MIA, 2011.","From ","Anonymous gift","2011.74.6","Artist: Jane Hammond; Publisher: Universal Limited Art Editions (ULAE)","Artist",,"West Islip, New York","%C2%A9 Jane Hammond","Arts of the Americas","In Copyright","valid",5640,8591,1,"1",1,,,"[""""]","art",1.9557772,,,true,,,,,,,,,,,,,,,,,,,,,,
"113152","The Street","Lithograph"," Prints","19 13/16 x 26 1/4 in. (50.32 x 66.68 cm) (image)
21 1/8 x 27 1/16 in. (53.66 x 68.74 cm) (sight)
22 5/16 x 30 1/16 in. (56.67 x 76.36 cm) (sheet)
31 1/2 x 37 in. (80.01 x 93.98 cm) (outer frame)","Print","North America","United States",,"1970 (published 1971)","Not on View","20th century","","LRC, in pencil: Philip Guston \'70","Inscribed in pencil, LLC: [a.p.]","","gloved fist in ULQ; falling brick-like forms; abstract skyscrapers at left and right; shoes, seen from bottom, in a pile of debris with pipe and board with nails at bottom center","Private collection, Minneapolis; given to MIA, 2011.","From From ""Ten Lithographs by Ten Artists""","Anonymous gift","2011.74.5","Artist: Philip Guston; Publisher: Skowhegan School of Art, Maine","Artist","American (born Canada)","American (born Canada), 1913 - 1980","%C2%A9 The Estate of Philip Guston Courtesy the Estate and Hauser %26 Wirth","Arts of the Americas","In Copyright–Educational Use","valid",8673,6448,0,"1",0,,,"[""""]","art",1.9557772,,,,,,,,,,,,,,,,,,,,,,,,,
"7877","Then","Color lithograph and screenprint"," Prints","22 x 30 in. (55.88 x 76.2 cm) (image, sheet)","Print","North America","United States",,"1993","Not on View","20th century","","","","Suzanne McClelland feels that the emotional nuance of the spoken word is frequently missing from printed texts. Her vigorous gestures and repetitions counter this tendency, forcing the written word to perform like its spoken form and meaning.
In this print, McClelland draws layers of images on a page from The New York Times to obscure or reveal portions of the underlying surface. She relishes the accidental meanings found in the absurd juxtapositions of news articles with advertisements. According to the artist, the print's title-Then-written backwards across the composition, ""…has something about it that relates to the newspaper for me because it has a lot to do with permanence. 'Then' is always something that happened before and somewhere else.""","","(John C. Stoller & Co., Minneapolis); sold to MIA, 1994.",,"Gift of funds from the Print and Drawing Council","P.94.23","Artist: Suzanne McClelland; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1959","%C2%A9 Suzanne McClelland","Arts of the Americas","In Copyright","valid",4661,3484,1,"1",0,"PCN vol. XXIV no. 4",,"[""""]","art",1.9557772,,,,,,,,,,,,,,,,,,,,,,,,,
"8476","Accident","Lithograph"," Prints","41 × 29 1/4 in. (104.14 × 74.3 cm) (image)
49 1/4 × 37 1/4 × 2 in. (125.1 × 94.62 × 5.08 cm) (outer frame)","Print","North America","United States",,"1963","Not on View","20th century","","Signed, dated, titled, inscribed in pencil below image at LRC: Accident Artist\'s Proof, RAUSCHENBERG 1963","","Rauschenberg's penchant for experimentation and the role of chance was never more apparent than in this editioned lithograph of 1963 that became one of his best known prints. Aptly titled Accident, this rare lithograph was the result of a studio mishap in which the limestone printing matrix was broken during the proofing process. Capitalizing on what he saw as an opportunity, he printed the lithograph from the pieces of broken stone, incorporating gestural brushstrokes and appropriated photographic images into a semi-abstract assemblage. In keeping with his usual working method, Rauschenberg allowed for serendipity and unexpected meanings to emerge, creating an intriguing intersection of content and process.
This print was awarded the Grand Prix at the International Print Exhibition V at Ljubljana, Yugoslavia, 1963.","","(Dayton's Gallery 12, Minneapolis); sold to MIA, 1971.",,"The Mr. and Mrs. Hall James Peterson Fund","P.71.1","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Accident%2C 1963 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",3354,4686,0,"1",1,"Foster 12",,"[""""]","art",1.9557772,,,,,,,,,,,,,,,,,,,,,,,,,
"67645","Front Roll","Color lithograph"," Prints","41 1/4 x 29 in. (104.78 x 73.66 cm) (sheet)","Print","North America","United States",,"1964","Not on View","20th century","","Signed, dated in pencil, LR: RAUSCHENBERG 1964","Numbered in pencil, LR","This print represents a second method that Rauschenberg devised for transferring existing images onto lithographic stones. In this case, commercial photoscreenprints were prepared from Rauschenberg's own photographs and other images. Lithographic tusche, a liquefied inky substance, was screened directly onto the printing stone, which was then prepared in the normal manner. Front Roll is one of four editioned lithographs that Rauschenberg completed at U.L.A.E. during May-June, 1964.","","(Dayton's Gallery 12, Minneapolis); sold to MIA, 1970.",,"The Francisca S. Winston Fund, by exchange","P.70.65","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Front Roll%2C 1964 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",4667,6450,0,"1",1,"Foster 25",,"[""""]","art",1.9557772,,,,,,,,,,,,,,,,,,,,,,,,,
"59966","Stunt Man I","Color lithograph on Japan paper"," Prints","17 x 13 1/8 in. (43.18 x 33.34 cm) (image)
22 3/4 x 17 3/4 in. (57.79 x 45.09 cm) (sheet)","Print","North America","United States",,"1962","Not on View","20th century","
","Signed, dated in pencil, LR: RAUSCHENBERG 1962","Numbered in pencil, LR: 32/37","Rauschenberg produced seven lithographs during his first year at U.L.A.E. Among these editions was a three-print series called Stunt Man (I, II, and III), so named for the artist's attempt to blend unlikely combinations of color, something he considered a ""brash stunt."" In these early prints, Rauschenberg arranged seemingly unrelated images-typically cut from newspapers and magazines of the day-in a collaged composition on which he painted gestural brushstrokes using lithographic tusche. The resulting lithograph was an amalgam of abstract and representational imagery, which often yielded unforeseen results. Indeed, Rauschenberg often relied on chance and unforeseen connections among images as a crucible for new and multiple meanings.","","(Dayton's Gallery 12, Minneapolis); sold to MIA, 1970.",,"The Francisca S. Winston Fund, by exchange","P.70.62","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Stunt Man I%2C 1962 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",3761,4771,0,"1",1,"Foster 9",,"[""""]","art",1.9557772,,,,,,,,,,,,,,,,,,,,,,,,,
"54550","Night Grip","Color lithograph"," Prints","25 x 18 1/4 in. (63.5 x 46.36 cm) (image)
31 5/8 x 22 5/8 in. (80.33 x 57.47 cm) (sheet)","Print","North America","United States",,"1966","Not on View","20th century","","Signed and dated in pencil, LR: RAUSCHENBERG 66","Numbered n pencil, LR: 20/35 | Watermark: handmade + (shield) | Publisher\'s blindstamp: ULAE","Produced as a benefit for the New Lincoln School, a private experimental school in New York City, this editioned lithograph was based directly on a photographic collage Rauschenberg made for the project. The inclusion of the image of the rocket anticipates Rauschenberg's important series of prints, the Stoned Moon series, which were completed in 1969 at Gemini G.E.L. print workshop, Los Angeles, in commemoration of the Apollo 11 moon landing. This lithograph was the only editioned print that Rauschenberg completed in 1966.","","Dr. Thomas Edblom, Minneapolis; given to MIA, 1979.",,"Gift of Thomas Edblom","P.79.151","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Night Grip%2C 1966 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",3279,4551,0,"1",1,"Foster 36",,"[""""]","art",1.9557772,,,,,,,,,,,,,,,,,,,,,,,,,
"115691","Untitled (plate 6), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 13/16 x 6 7/16 in. (19.84 x 16.35 cm) (plate, top image)
3 9/16 x 3 3/16 in. (9.05 x 8.1 cm) (plate, bottom image)
18 5/8 x 14 1/4 in. (47.31 x 36.2 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: cream ground with splatter spots of different sizes in black; bottom image: x-ray image of shoulder","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.6","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 39",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115696","Untitled (plate 11), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 7/8 x 6 1/2 in. (20 x 16.51 cm) (plate, top image)
5 3/8 x 3 11/16 in. (13.65 x 9.37 cm) (plate, bottom image)
18 5/8 x 14 1/8 in. (47.31 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: abstract image of two curved and looping black lines with black dots along lines; thinner, light curves and lines on grey background; bottom image: x-ray image of hip joint","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.11","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 44",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115697","Untitled (plate 12), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 7/8 x 6 1/2 in. (20 x 16.51 cm) (plate, top image)
4 7/8 x 3 1/4 in. (12.38 x 8.26 cm) (plate, bottom image)
18 11/16 x 14 1/8 in. (47.47 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: abstract image; two groups of concentric circles, one above the other, with arcing lines on top of them; grey ground; bottom image: x-ray image of elbow or knee joint","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.12","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 45",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115693","Untitled (plate 8), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 7/8 x 6 5/8 in. (20 x 16.83 cm) (plate, top image)
2 9/16 x 2 3/8 in. (6.51 x 6.03 cm) (plate, bottom image)
18 11/16 x 14 1/8 in. (47.47 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: circle with black spots; large black oval at bottom of circle; smaller black circle outline at bottom, right of center; bottom image: x-ray image of elbow","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.8","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 41",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115695","Untitled (plate 10), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","8 x 6 11/16 in. (20.32 x 16.99 cm) (plate, top image)
5 1/16 x 3 7/16 in. (12.86 x 8.73 cm) (plate, bottom image)
18 11/16 x 14 1/16 in. (47.47 x 35.72 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: dark grey hexagon and square; hexagon made up of triangles with black dots at their corners; square has irregular black dots and lines; light grey ground with some black spots and lines; bottom image: x-ray image of hand","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.10","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 43",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115698","Untitled (plate 13), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 7/8 x 6 9/16 in. (20 x 16.67 cm) (plate, top image)
5 5/16 x 3 7/16 in. (13.49 x 8.73 cm) (plate, bottom image)
18 11/16 x 14 1/8 in. (47.47 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: abstract image; black circle with slightly irregular hexagon shapes, honeycomb fashion, inside; grey ground; bottom image: x-ray image of knee joint with kneecap at right","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.13","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 46",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115692","Untitled (plate 7), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 7/8 x 6 5/8 in. (20 x 16.83 cm) (plate, top image)
3 1/2 x 2 3/8 in. (8.89 x 6.03 cm) (plate, bottom image)
18 11/16 x 14 1/8 in. (47.47 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: abstract image; outline of rounded form with three lobes on top; black spots on form; grey ground; bottom image: x-ray image of knee","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.7","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 40",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115690","Untitled (plate 5), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 13/16 x 6 9/16 in. (19.84 x 16.67 cm) (plate, top image)
3 7/16 x 3 7/8 in. (8.73 x 9.84 cm) (plate, bottom image)
18 5/8 x 14 1/8 in. (47.31 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: sphere made of triangular forms with white lines and black dots where corners meet; grey sketchy ground; bottom image: x-ray image of shoulder","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.5","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 38",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115689","Untitled (plate 4), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 13/16 x 6 7/16 in. (19.84 x 16.35 cm) (plate, top image)
5 7/16 x 3 1/2 in. (13.81 x 8.89 cm) (plate, bottom image)
18 5/8 x 14 3/16 in. (47.31 x 36.04 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: cartoonish flower form in greys; bottom image: x-ray image of ribcage and spine","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.4","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 37",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115687","Untitled (plate 2), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 13/16 x 6 1/2 in. (19.84 x 16.51 cm) (plate, top image)
5 3/16 x 3 9/16 in. (13.18 x 9.05 cm) (plate, bottom image)
18 3/4 x 14 1/4 in. (47.63 x 36.2 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: abstract image of dark concentric circles against grey ground; bottom image: x-ray image of skull and neck","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.2","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 35",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115686","Untitled (plate 1), from ""Fourteen Etchings""","Etching, aquatint, photogravure, and hand-drawn Mylar gravure on Japan paper"," Prints","7 13/16 x 6 1/2 in. (19.84 x 16.51 cm) (plate)
18 11/16 x 14 1/8 in. (47.47 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","
see Signed","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","abstract image; organic black ovoid shape with grey loops inside at top center; radiating black lines; grey ground","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.1","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",1,"Sojka 34",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115699","Untitled (plate 14), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 7/8 x 6 1/2 in. (20 x 16.51 cm) (plate, top image)
5 3/8 x 2 9/16 in. (13.65 x 6.51 cm) (plate, bottom image)
18 11/16 x 14 1/8 in. (47.47 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC; ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: abstract image; dark grey circles filled with irregular geometric shapes; dark grey mottled ground; bottom image: x-ray image of foot","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.14","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 47",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115688","Untitled (plate 3), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 15/16 x 6 5/8 in. (20.16 x 16.83 cm) (plate, top image)
3 13/16 x 3 15/16 in. (9.68 x 10 cm) (plate, bottom image)
18 3/4 x 14 1/8 in. (47.63 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: abstract image; grey and black concentric ovals at top center, with black curved shapes in URQ of circles; black organic forms behind and below circles; dark ground; bottom image: x-ray image of skull and neck, facing right","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.3","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 36",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"115694","Untitled (plate 9), from ""Fourteen Etchings""","Etching, aquatint and photogravure on Japan paper"," Prints","7 7/8 x 6 9/16 in. (20 x 16.67 cm) (plate, top image)
3 15/16 x 3 in. (10 x 7.62 cm) (plate, bottom image)
18 11/16 x 14 1/8 in. (47.47 x 35.88 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","","LRC, in pencil: TW","Publisher\'s blindstamp, LLC: ULAE (intertwined)","""Fourteen Etchings"" was originally conceived to illustrate Edgar Allan Poe’s prose poem ""Eureka"" (1848), a lengthy and mostly intuitive exposition on the origin, essence, and destiny of the material and spiritual universe. Winters later altered his approach to focus on the dichotomous interplay between invented and natural forms, juxtaposing hand-drawn images of forms that imitate natural systems with luminous photogravures of X-ray images of human skulls, legs, arms, and hands. Though Winters abandoned a more literal interpretation of Poe’s poem, he nonetheless addressed some of the themes found there, such as the origin and meaning of the universe and man’s destiny after death. In their totality, Winters’s images evoke the mysteries of the natural world, tempered by the haunting reality of human mortality.","top image: dots radiating from two open, undefined circular forms; dots connecting between two forms at center--similar to image of cells dividing; splotchy grey ground; bottom image: x-ray image of bent elbow","Don McNeil and Emily Galusha, Minneapolis; given to MIA, 2012.","From Fourteen Etchings","Gift of Emily Galusha and Donald McNeil","2012.102.9","Artist: Terry Winters; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Terry Winters","Arts of the Americas","In Copyright","valid",6846,8892,1,"1",0,"Sojka 42",,"[""""]","art",1.9557073,,,,,,,,,,,,,,,,,,,,,,,,,
"120472","Bellini #3 (Allegory of Perseverance)","Color photogravure, aquatint and etching"," Prints","58 5/8 × 37 5/16 in. (148.91 × 94.77 cm) (sheet)
71 × 49 × 1 1/2 in. (180.34 × 124.46 × 3.81 cm) (outer frame)","Print","North America","United States",,"1988","Not on View","20th century","","LRC, in pencil: RAUSCHENBERG 88","LRC, in pencil: 29/49 | LRC, publisher\'s blindstamp: ULAE","Bellini #3 is part of a series of prints based in part on a celebrated set of allegorical paintings by Italian Renaissance master Giovanni Bellini (1430–1516). Rauschenberg’s print prominently features a photographic image of Bellini’s “Falsehood” allegory, depicting a man holding a large snake as he emerges from an enormous sea shell carried by two other men. Though the precise meaning of Bellini’s motif remains uncertain, it is believed by some to represent a generative source of virtue and wisdom. The allegorical image acts as an anchoring visual device, onto which Rauschenberg assembles various secondary images that visually and conceptually relate to the central image. Like the allegory, Rauschenberg’s print is enigmatic, allowing the viewer to assign and generate meaning by interpreting the interrelationships of the juxtaposed images.","collage-like image; central rectangular band printed in blue with image of central figure holding a snake (?) emerging from a pod-like element held by a man in profile at right, with another man leaning on a staff at left; legs of two standing men in black and white at bottom of image; black and white image in LRC of graffiti on a city building with image of torso and legs of a woman wearing jean shorts, boots and a bikini top, straddling a taxi cab; two grey splotches with red at top of image; barbed wire, LLQ; irregular plate mark","Mary and Robert Mersky, Minneapolis, given to MIA, 2014","From Bellini series","Gift of Mary and Bob Mersky in celebration of the 100th anniversary of the Minneapolis Institute of Arts","2014.128","Artist: Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Bellini %233%2C 1988 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",5181,8135,0,"1",0,,,"[""""]","art",1.9556376,,,,,,,,,,,,,,,,,,,,,,,,,
"137264","Case for red dog chop, no. 4: ARt iS aN ActIoN","Block print"," Books; Works on Paper","4 1/4 × 2 1/2 × 1/16 in. (10.8 × 6.35 × 0.16 cm) (closed)","Case",,,,"1991","Not on View","20th century","","","","","Manila envelope with an image of a dog block printed in black ink","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1270.2","Artist: Jake Berry , et al.; Publisher: Jake Berry , et al., Florence, Ala.","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2914,2914,1,"1",0,,,"[""""]","art",1.9290305,,,,,,,,,,,,,,,,,,,,,,,,,
"64332","Art Deco","Color illustrations; letterpress"," Books","9 1/2 x 8 1/4 x 3/4 in. (24.13 x 20.96 x 1.91 cm)","Exhibition catalogue","North America","United States",,"1971","Not on View","20th century","","","","","soft-cover book with black and white illustrations and several color illustration pages","","From ","Gift of Brian and Julia Morrison Palmer","2002.242.4","Author: David Ryan and Bevis Hillier, et al.; Publisher: Minneapolis Institute of Art , publisher; Designer: Bentley, Farrell and Burnett , designers","Artist",,,"%C2%A9 Text Bevis Hillier 1971","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""64115"",""64332""]","art",1.8919975,,,,,,,,,,,,,,,,,,,,,,,,,
"31121","South Hall, Proposed Color Scheme, Minneapolis Institute of Art","Watercolor over graphite on paper, mounted on board"," Drawings; Architecture","17 3/8 x 13in. (44.1 x 33cm)","Drawing","North America","United States",,"c. 1930-1931","Not on View","20th century","","","Stamp in violet ink (twice), verso: ROBERSON / OF LONDON / 24, EAST SIXTY-SEVENTH STREET / NEW YORK","","Design for proposed color scheme for the Fountain Court, Minneapolis Instutute of Art","MIA Archives; transferred to permanent collection, 1999.","From ","Transfer from the Archives","99.158.13","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",7560,9130,0,"1",0,,,"[""""]","art",1.7911228,,,,,,,,,,,,,,,,,,,,,,,,,
"54123","Scissors to Cut Out, from the ""National Collection of Fine Arts"" portfolio","Color lithograph"," Prints","30 x 20 in. (76.2 x 50.8 cm) (sheet)","Print","North America","United States",,"1967","Not on View","20th century","","In pencil: C.O.","","","","[Phyllis Kind Gallery, Chicago]; sold to MIA, 1970.",,"Gift of Mrs. Patrick Butler, by exchange","P.70.40","Artist: Claes Oldenburg; Printer: Atelier Mourlot (New York); Publisher: HKL Ltd., Boston and New York , for the List Art Poster Program, New York","Artist","American (born Sweden)","American (born Sweden), 1929 - 2022","%C2%A9 Claes Oldenburg","Arts of the Americas","In Copyright–Educational Use","valid",5350,3563,0,"1",1,"Axsom + Platzker 50",,"[""""]","art",1.7905599,,,,,,,,,,,,,,,,,,,,,,,,,
"7511","Scissors as Monument, from the ""National Collection of Fine Arts"" portfolio","Color lithograph"," Prints","30 x 20 in. (76.2 x 50.8 cm) (image)","Print","North America","United States",,"1967","Not on View","20th century","Signature, Edition
Numbered in pencil, LL: [135/144]","Signed in pencil, LR: [Oldenburg]","","Famous for his monumental sculptures of ordinary objects, Oldenburg also produced works on paper that, like his sculptures, present ideas of function, scale, and material. By manipulating and transforming familiar objects, the artist questions and challenges one's perceptions and assumptions of the visual world. In this study for a proposed monument, Oldenburg offers a visual paradox in the form of an oversized pair of scissors that attempts to pique viewers' curiosity, intellect, and sense of humor.","","[Phyllis Kind Gallery, Chicago]; sold to MIA, 1970.","From ""National Collection of Fine Arts"" portfolio (1968)","The Mrs. Patrick Butler Fund, by exchange","P.70.39","Artist: Claes Oldenburg; Printer: Atelier Mourlot (New York); Publisher: HKL Ltd., Boston and New York , for the List Art Poster Program, New York","Artist","American (born Sweden)","American (born Sweden), 1929 - 2022","%C2%A9 Claes Oldenburg","Arts of the Americas","In Copyright–Educational Use","valid",4204,6187,0,"1",1,"Axsom + Platzker 49",,"[""""]","art",1.7902806,,,,,,,,,,,,,,,,,,,,,,,,,
"31130","Drawng No. 2: Elevations of Foyer to Auditorium, The Minneapolis Institute of Art","Cyanotype negative process (blueprint)"," Prints; Architecture","18 5/8 x 34in. (47.3 x 86.4cm)","Blueprint","North America","United States",,"December 22, 1930","Not on View","20th century","","","Stamp in violet ink, verso: ROBERSON / OF LONDON / 24, EAST SIXTY-SEVENTH STREET / NEW YORK","","Original design for the Fountain Court, Minneapolis Institute of Art.","MIA Archives; transferred to permanent collection, 1999.","From ","Transfer from the Archives","99.158.9","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",10986,6108,0,"1",0,,,"[""""]","art",1.7650393,,,,,,,,,,,,,,,,,,,,,,,,,
"31118","Drawing No. 3: Elevations of Foyer to Auditorium, Minneapolis Institute of Art","Cyanotype negative process (blueprint)"," Prints; Architecture","18 3/4 x 33 5/8in. (47.6 x 85.4cm)","Blueprint","North America","United States",,"December 22, 1930","Not on View","20th century","","","Stamp in violet ink, verso: ROBERSON / OF LONDON / 24, EAST SIXTY-SEVENTH STREET / NEW YORK","","Original design for the Fountain Court, Minneapolis Institute of Art.","MIA Archives; transferred to permanent collection, 1999.",,"Transfer from the Archives","99.158.10","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",10986,6108,0,"1",0,,,"[""""]","art",1.7650393,,,,,,,,,,,,,,,,,,,,,,,,,
"31123","Central Gallery, Showing Proposed Color Scheme (Variant A), Minneapolis Institute of Art","Watercolor over graphite on paper"," Drawings; Architecture; Works on Paper","29 7/8 x 20in. (75.9 x 50.8cm)","Drawing","North America","United States",,"c. 1931","Not on View","20th century","","","","","Design for proposed color scheme for the second floor rotunda gallery, Minneapolis Institute of Art","MIA Archives; transferred to permanent collection, 1999.",,"Transfer from the Archives","99.158.15","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",6634,9764,0,"1",0,,,"[""""]","art",1.7406029,,,,,,,,,,,,,,,,,,,,,,,,,
"31120","Drawing No. 1: Furniture Designed Especially for Foyer to Auditorium, Minneapolis Institute of Art","Cyanotype negative process (blueprint)"," Prints; Architecture","12 3/8 x 33 13/16in. (31.4 x 85.9cm)","Blueprint","North America","United States",,"December 22, 1930","Not on View","20th century","","","Stamp in violet ink, verso: ROBERSON / OF LONDON / 24, EAST SIXTY-SEVENTH STREET / NEW YORK","","Original designs for furniture for the Fountain Court, Minneapolis Institute of Art","MIA Archives; transferred to permanent collection, 1999.",,"Transfer from the Archives","99.158.12","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",10893,4153,0,"1",0,,,"[""""]","art",1.7406029,,,,,,,,,,,,,,,,,,,,,,,,,
"133773","Artists of Conscience: 06 Victoria Internaional Arts Symposium","Color and black-and-white offset lithography, letterpress; bound volume"," Books; Works on Paper","8 1/2 × 5 1/2 × 1/8 in. (21.59 × 13.97 × 0.32 cm) (closed)","Brochure",,,,"2006","Not on View","21st century","","","","","Saddle stitched binding, designs and text printed in color offset lithography on coated paper covers; 52 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.95","Maker: Unknown","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2940,1,"1",0,,,"[""""]","art",1.7266849,,,,,,,,,,,,,,,,,,,,,,,,,
"134153","Howl!: 3rd Annual Festival of East Village Arts","Color and black-and-white offset lithography, letterpress; bound volume"," Books; Works on Paper","8 1/4 × 5 1/8 in. (20.96 × 13.02 cm) (closed)","Zine",,,,"2005","Not on View","21st century","","","","","Saddle stitched binding, photomechanic image of woodcut printed in color offset lithography on coated paper covers; 18 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.475","Artist: Seth Tobocman; Author: Phil Hartman; Publisher: Federation of East Village Artists, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2940,1,"1",0,,,"[""""]","art",1.7266849,,,,,,,,,,,,,,,,,,,,,,,,,
"43332","L'Academie des Sciences et des Beaux Arts","Etching and engraving"," Prints","9 3/4 x 15 5/16 in. (24.77 x 38.89 cm) (plate)
10 x 15 5/16 in. (25.4 x 38.89 cm) (sheet)",,"Europe","France",,"c. 1706","Not on View","18th century","","","","","","",,"Gift of the Estate of Kemper Kirkpatrick","P.92.8.80","Artist: Sébastien Le Clerc","Artist","French","French, 1637 - 1714","","European Art","Public Domain","valid",6019,4052,0,"1",0,"BN IFF 859 viii/viii",,"[""""]","art",1.7264775,,,,,,,,,,,,,,,,,,,,,,,,,
"113544","Medici Coat of Arts with Figures from Callot","Pen and brown ink"," Drawings","7 7/16 x 9 5/8 in. (18.89 x 24.45 cm) (sight)
18 5/8 x 25 9/16 in. (47.31 x 64.93 cm) (outer frame)","Drawing","Europe","Italy",,"17th century","Not on View","17th century","Label","","on backing paper: Fine Arts Gallery of San Diego loan label","","various small sketches on sheet; round coat of arms medallion with acanthus leaves surrounding small irregularly-shaped shield mounted with a helmet of armor and a small scroll with text at top, at right center of sheet; sketch of helmet of armor in LLC; small sketches of figures in various poses overall, including scene of flogging at left center and soldiers with flags and spears","Sale, Sotheby's, London, April 9, 1970, no.287. [Pietro Scarpa, Venice, until 1970; sold for 220,000 lire to Moir]; Alfred Moir, Santa Barbara (1970-d. 2010; bequeathed to MIA)","From ","Bequest of Professor Alfred Moir","2012.58.102","Artist: Ercole Bazzicaluva","Artist","Italian (Tuscan)","Italian (Tuscan), ca. 1600-after 1641","","European Art","Public Domain","valid",3944,3229,0,"1",0,,,"[""""]","art",1.7260586,,,,,,,,,,,,,,,,,,,,,,,,,
"127915","Picture of Shanaō Learning Martial Arts on Mount Kurama","Woodblock print (nishiki-e); ink and color on paper"," Prints","14 5/16 × 19 3/4 in. (36.3 × 50.1 cm) (vertical ōban diptych)","Print (ukiyo-e / musha-e)","Asia","Japan",,"January 1888","Not on View","19th century","","芳年画 {Yoshitoshi ga}","Artist’s seal: 大蘇 {Taiso} | Carver’s seal: 円活刀 {Enkatsu tō}","","two separate sheets; old man at right, with long white hair and beard and long nose, wearing black hat, red blouse and light blue pants with white circular patterns, holding a blossoming branch in his PR hand; jumping figure at left, holding sword or staff, wearing white pants and green blouse with yellow scrolls and grey spots","","From Sketches by Yoshitoshi (Yoshitoshi manga 芳年漫画)","The Mary Griggs Burke Endowment Fund established by the Mary Livingston Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift of Edmond Freis in memory of his parents, Rose and Leon Freis","2017.106.183a,b","Artist: Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu","Artist","Japanese","Japanese, 1839 - 1892","","Asian Art","Public Domain","valid",6691,5060,0,"1",0,"Keyes, Courage and Silence (1982), no. 482.7; Iwakiri, Yoshitoshi (2014), fig. 209, p. 290.",,"[""""]","art",1.7260586,,,,,,,,,,,,,,,,,,,,,,,,,
"4426","Pageant of the Civic Players of Minneapolis, The Minneapolis Institute of Arts","Gelatin silver print"," Photographs","9 1/16 x 6 15/16 in. (23.02 x 17.62 cm) (image, sheet)","Photograph","North America","United States",,"1918 (?)","Not on View","20th century","","","","","","",,"Transfer from Archives","92.21","Photographer: Jessie Tarbox Beals","Artist","American (born Canada)","American (born Canada), 1870 - 1942","","Arts of the Americas","No Copyright–United States","valid",1467,1920,0,"1",0,,,"[""""]","art",1.7255,,,true,,,,,,,,,,,,,,,,,,,,,,
"134330","New York Post Office Employees' 19th Annual Art Exhibit","Letterpress; bound volume"," Books; Works on Paper","8 1/2 × 5 1/2 × 1/16 in. (21.59 × 13.97 × 0.16 cm) (closed)","Pamphlet",,,,"May 23-July 3, 1975","Not on View","20th century","","","","","Saddle stitched binding, various fonts of letterpress text printed on wove paper covers; 6 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.652","Maker: Unknown; Publisher: John R. Strachan","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2400,3360,1,"1",0,,,"[""""]","art",1.6936435,,,,,,,,,,,,,,,,,,,,,,,,,
"22278","Blue Right Angle, Albright-Knox Art Gallery, Buffalo, New York","Color coupler print"," Photographs","7 5/8 x 9 7/8 in. (19.37 x 25.08 cm) (image)
8 x 10 in. (20.32 x 25.4 cm) (sheet)",,"North America","United States",,"1975","Not on View","20th century","","","","","","",,"Gift of funds from the Photography Council of The Minneapolis Institute of Arts","80.20.1","Photographer: John Pfahl","Artist","American","American, born 1939","%C2%A9 John Pfahl%2C Courtesy Janet Borden Gallery","Arts of the Americas","In Copyright–Educational Use","valid",2320,1784,0,"1",0,,,"[""""]","art",1.69303,,,,,,,,,,,,,,,,,,,,,,,,,
"64090","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","rocky landscape with waterfall at R; builidng nestled between rocks at L, preceeded by steps; from an album of 12 drawings in ink and wash; short inscription and stamps in red","","From ","Gift of Ruth and Bruce Dayton","2000.38.3.9","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",1531,1920,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64088","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","field in LLC; buildings nestled in rocky mountainous landscape; stepped path through mountains vertically through center of image; from an album of 12 drawings in ink and wash; short inscription and stamps in red","","From ","Gift of Ruth and Bruce Dayton","2000.38.3.7","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",3818,4831,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64092","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","buildings in LRC and LLC in a rocky landscape; building near top center on top of mountain peak; 2 figures, LLC; from an album of 12 drawings in ink and wash; short inscription and stamps in red","","From ","Gift of Ruth and Bruce Dayton","2000.38.3.11","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",1538,1920,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64086","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","sailboats on water at center; buildings and trees at bottom in rocky landscape; 2 islands at top; from an album of 12 drawings in ink and wash; short inscription and stamps in red","","From ","Gift of Ruth and Bruce Dayton","2000.38.3.5","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",3774,4752,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64084","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Album Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","buildings at LRC; tower at bottom near center; 3 boats at bottom center; water at L; rocky landscape with walkways and bridges; from an album of 12 drawings in ink and wash; short inscription and stamps in red","","From ","Gift of Ruth and Bruce Dayton","2000.38.3.3","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",3750,4745,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64083","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Album Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Jiangsu province, Wang Chen was a descendant of the great literatus Wang Shimin and a great grandson of the artist Wang Yuanqi. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Qing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Chu, a Warring States (475-221 BCE) kingdom located south of the Yangzi River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Chu is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Bo; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Sichuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shuming (Wang Meng) to paint the style of
Old Man Songxue (Zhao Mengfu). There is resemblance because
they are from the same family.","buildings and figures in a small boat at bottom right; 2 boats at top; from an album of 12 drawings in ink and wash; short inscription and stamps in red","",,"Gift of Ruth and Bruce Dayton","2000.38.3.2","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",1537,1920,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64085","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Album Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","2 boats, LLC, with 3 figures seated in one boat; figure on a walkway near bottom center; rocky, mountainous landscape with bare trees; from an album of 12 drawings in ink and wash; short inscription and stamps in red","",,"Gift of Ruth and Bruce Dayton","2000.38.3.4","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",3780,4771,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64087","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","2 buildings at center in a rocky landscape with trees; 2 sailboats partially hidden by rocks at L; from an album of 12 drawings in ink and wash; short inscription and stamps in red","",,"Gift of Ruth and Bruce Dayton","2000.38.3.6","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",3806,4788,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64089","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","buildings in mountains; steep valley between cliffs at center; from an album of 12 drawings in ink and wash; short inscription and stamps in red","",,"Gift of Ruth and Bruce Dayton","2000.38.3.8","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",3816,4805,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64091","Album Leaf, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","rocky landscape with spotty trees; from an album of 12 drawings in ink and wash; short inscription and stamps in red","",,"Gift of Ruth and Bruce Dayton","2000.38.3.10","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",1536,1920,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"64093","Album Leaf from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Born in Kiangsu province, Wang Ch'en was a descendant of the great literatus Wang Shih-min and a great grandson of the artist Wang Yuan-ch'i. He served for a while in the Grand Secretariat and as a prefect in Hunan province. Wang's illustrious family heritage strengthened his reputation as an orthodox painter and he is one of the so-called Four Minor Wangs of the later Ch'ing.
Wang's inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Ch'u, a Warring States (480-221 BCE) kingdom located south of the Yangtze River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences along with natural scenery inspired the various scenes here, which were based on sketches made at the sites themselves.
The inscriptions read:
1) The landscape of Ch'u is extremely scenic.
I came across one place and sketched it but neglected to ask its name.
2) One morning I entered the sea in search of Li Po; looking in vain among
the paintings of mere mortals for the ""Immortal of Ink.""
3) The ceremonial burial mounds and Szechuan are neat.
This is a scene of entering the gorge.
4) I have used the brushwork of Shu-ming (Wang Meng) to paint the style of
Old Man Sung-hsueh (Chao Meng-fu). There is resemblance because
they are from the same family.","2 figures on horseback accompanied by 2 other figures, bottom center; 2 figures, ULC; sparse rocky landscape with trees and buildings; from an album of 12 drawings in ink and wash; short inscription and stamps in red","",,"Gift of Ruth and Bruce Dayton","2000.38.3.12","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",3834,4827,0,"1",0,,,"[""""]","art",1.6927845,,,,,,,,,,,,,,,,,,,,,,,,,
"112640","Untitled (Art Deco image of figure in sky and figure in water in a landscape)","Reproduction (?) of pen and ink drawing"," Casts and Copies","7 1/8 x 5 7/8 in. (18.1 x 14.92 cm)
11 1/16 x 8 in. (28.1 x 20.32 cm) (mount)","Reproduction","North America","United States",,"20th century","Not on View","20th century","","LRC, in white: R / H","","","Art Deco style; nude woman with very long stylized flowing hair seated inside a ring floating in space at left, looking down at a figure in water, clutching a tree trunk at right; starry sky; skull with snake in LLC; mounted to brown paper; probably a reproduction","The artist; his stepson, Jim Hogan, Hudson, WI.","From ","Gift of James C. and Kathryn L. Hogan","2012.61.36","Artist: Richard Holzschuh","Artist","American","American, 1889–1968","%C2%A9 James C. Hogan","Arts of the Americas","In Copyright–Non-Commercial Use","valid",5638,7693,0,"1",0,,,"[""""]","art",1.6915326,,,,,,,,,,,,,,,,,,,,,,,,,
"57247","Art Lovers","Color screenprint"," Prints","15 x 10 3/4 in. (38.1 x 27.31 cm) (image)
14 9/16 x 14 in. (36.99 x 35.56 cm) (sheet)",,"North America","United States",,"1947","Not on View","20th century","","on sheet","","","","","From ","1961","P.12,864","Artist: Syd Fossum","Artist","American","American, 1909–1978","Copyright of the artist%2C artist%27s estate%2C or assignees","Prints and Drawings","In Copyright–Rights-holder(s) Unlocatable","invalid","","",0,"1",0,,,"[""""]","art",1.6876519,,,,,,,,,,,,,,,,,,,,,,,,,
"87199","Marble Art","Cotton; screen print; dyed"," Textiles","overall (Untrimmed): 27 1/2 x 55 in. (69.85 x 139.7 cm)",,"Europe","Switzerland",,"1990","Not on View","20th century","","","","This design was inspired by the elaborate marble inlaid tables popular at the courts and homes of the elite in seventeenth and eighteenth century Europe. The sinuous interplay of diverse flowers and dragonflies embodies the same energy as the baroque style of the pietre dure decorative objects made by celebrated Italian craftsman.
The Larsen Design Studio spent more time on design development and refinement than most textile producers, yet they were keenly aware of total production costs. Archive records indicate that this pattern originally required twenty-four separate screens, or colors, but by using the salmon/rose color of the carnations for the centers of the white flowers instead of yellow and pale grey instead of a pearlized hue, 1,300 Swiss francs were saved.","Marbled wavy lines with roses, lilies & tulips. Vert. Rpt. 27""; horiz. Rpt. 18"". Rust, blue, green on brown. Rosa Verde","","From Unknown","Gift of Cowtan & Tout, Inc.","99.1.474","Designer: Paul Gedeohn; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Paul Gedeohn","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",1.6874424,,,,,,,,,,,,,,,,,,,,,,,,,
"80903","Traces suspectes en surface (Things are Not What They Seem)","Color lithographs and offset lithographs"," Prints; Books","27 x 20 in. (68.58 x 50.8 cm)","Artist's book","North America","United States",,"1972-1978","Not on View","20th century","
","Signed by the author, and signed and dated by the artist in pencil at the bottom center of each double-page spread: Robbe-Grillet Rauschenberg 72-78 | Signed in pencil by the author and artist on the colophon page: Robbe-Grillet Rauschenberg.","Numbered in pencil, LR of each left-hand page: 28/36 | WM: Author\'s and artist\'s facsimile signature on each sheet. | ULAE blindstamp, LRC of each sheet. | Blindstamped page numbers.","Traces suspectes en surface is the result of a six-year collaboration between Rauschenberg and French novelist, poet, and filmmaker Alain Robbe-Grillet (1922-2008). In this celebrated artist's book, Robbe-Grillet's unconventional, but captivating mystery story, written in his own hand on lithographic plates, is accompanied by 25 original lithographic collages of photographic imagery provided by Rauschenberg. Robbe-Grillet practiced the nouveau roman (""new novel"") approach to writing, which emphasized experimentation and breaking with the conventions of classic literary genres.
In commenting on collaborations with artists, and the relationship between words and images, Robbe-Grillet noted that, ""My novels ""are never 'about' anything, nor are they about ideas of images."" The author's enigmatic pronouncement suggests that this artist's book represents something less than a true collaboration, and more of Rauschenberg's subjective response to Robbe-Grillet's intentionally ambiguous text.","70 ff (31 bifolia, 1 title page bifolia, and 4 colophon bifolia); pages not bound; clamshell box: red silk exterior, title printed twice on cover; gray silk interior; pages deckle-edged","ULAE, West Islip, N.Y. (publisher); sold to MIA, 1989.","From ","Gift of funds from the National Endowment of the Arts and The Print and Drawing Council","B.89.10","Artist: Robert Rauschenberg; Author: Alain Robbe-Grillet; Publisher: Universal Limited Art Editions (ULAE) , Long Island, NY; Printer: Universal Limited Art Editions (ULAE)","Artist","American","American, 1925–2008","Robert Rauschenberg%2C Traces suspectes en surface %28Things are Not What They Seem%29%2C 1972-1978 %C2%A9 Robert Rauschenberg Foundation","Arts of the Americas","In Copyright–Educational Use","valid",7322,9641,0,"1",1,"Manet to Hockney 344-345",,"[""""]","art",1.6611739,,,,,,,,,,,,,,,,,,,,,,,,,
"133768","ABC No Rio: Art Effects - Decadent Performance Era @ ABC No Rio","Xerography; bound volume"," Books; Works on Paper","8 1/2 × 5 1/2 × 1/8 in. (21.59 × 13.97 × 0.32 cm) (closed)","Zine",,,,"20th century","Not on View","20th century","","","","","Saddle stitched binding, xerographic photo-collage of text, a spray painted design, and various textured materials such as tape and cardboard, printed on wove paper covers; 26 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.90","Author: Victoria Law , et al.; Publisher: ABC No Rio, New York","Artist","American","American, born 1977","","Global Contemporary Art","Copyright Not Evaluated","valid",2400,3360,1,"1",0,,,"[""""]","art",1.6428818,,,,,,,,,,,,,,,,,,,,,,,,,
"134521","SCAM, no. 6: In the Shadows of the Streets: The Stencil Art of the New Argentina","Color offset lithography, xerography; bound volume"," Books; Works on Paper","8 5/8 × 5 5/8 × 1/8 in. (21.91 × 14.29 × 0.32 cm) (closed)","Zine",,,,"21st century","Not on View","21st century","","","","","Saddle stitched binding, photographic image of a wall with several stenciled images, with text, printed in color offset lithography on coated paper covers; 52 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.843","Artist: Erick Lyle; Publisher: Erick Lyle , San Francisco","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2400,3360,1,"1",0,,,"[""""]","art",1.6428818,,,,,,,,,,,,,,,,,,,,,,,,,
"51809","The Progress of Art","Color lithograph with crayon"," Prints","7 3/8 x 6 1/8 in. (18.73 x 15.56 cm) (image, sheet)",,"North America","United States",,"1978","Not on View","20th century","Signature, Title; Inscription
Title: [The Progress of Art]
","","","","","","From ","The Ethel Morrison Van Derlip Fund","P.79.140","Artist: John Hunter; Printer: The Lakeside Studio, Lakeside, Michigan / John Hunter","Artist","American","American, born 1934","%C2%A9 John Hunter","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.6373346,,,,,,,,,,,,,,,,,,,,,,,,,
"11368","Fashion or Art?","gelatin silver print"," Photographs","9 7/16 x 7 7/16 in. (23.97 x 18.89 cm) (image)
19 15/16 x 12 15/16 in. (50.64 x 32.86 cm) (mount)",,"North America","United States",,"c. 1932","Not on View","20th century","Signature; Inscriptions; Label","","\'Sigismund Blumann\', in graphite, below LRC of sheet; mount verso: \'M063\', in graphite, ULC; \'BOG\', \'TR1510.102\' and \'16\' in graphite, along bottom edge; photographer\'s label","","woman with walking stick standing in front of backdrop; man stepping toward camera; speckled border","","From ","Gift of Holly and James Bogin","99.232.21","Photographer: Sigismund Blumann","Artist","American","American, 1872 - 1956","Copyright of the artist%2C artist%27s estate%2C or assignees","Photography and New Media","In Copyright–Rights-holder(s) Unlocatable","invalid","","",0,"1",0,,,"[""""]","art",1.6369925,,,,,,,,,,,,,,,,,,,,,,,,,
"13072","Head and Foot","Cast ductile iron"," Multiples","4 x 4 15/16 x 7 1/4 in. (10.2 x 12.5 x 18.4 cm) (.10, ""Head"")
3 7/8 x 4 x 10 5/16 in. (9.84 x 10.16 x 26.19 cm) (.11, ""Foot"")","Multiple; diptych","North America","United States",,"1991","Not on View","20th century","Signature, Date","On back of head, incised: SR-91","PR side on back of head, incised, and incised on heel of foot: AFE · 1/13","Although in her formal training Susan Rothenberg studied sculpture, she is known primarily for her large canvases featuring the simple outlines of animal or human forms. Among the artists affiliated with the New Image painting movement of the mid 1970s, she favored nontraditional figurative imagery which emphasized form rather than content. A rare example of Rothenberg's editioned multiples, Head and Foot are typical representations of the isolated body fragments most often seen in her paintings. They were cast at the Art Foundry near her home in Santa Fe, New Mexico in 1991.",".10: earless animal head with long, flattened snout, slightly open mouth; crooked eyes; irregularly shaped at back of skull; .11: PR human foot with 4 toes; flat spot where big toe should be; irregularly shaped","Diane and Richard Cohen, Minneapolis; given to MIA, 2000.",,"Gift of Diane and Richard Cohen","2000.237.10,.11","Artist: Susan Rothenberg; Caster: Art Foundry, Inc., Santa Fe, New Mexico","Artist","American","American, 1945 - 2020","%C2%A9 Susan Rothenberg %2F Artists Rights Society %28ARS%29%2C New York","Global Contemporary Art","In Copyright","valid",2259,1951,1,"1",0,,,"[""""]","art",1.597954,,,true,,,,,,,,,,,,,,,,,,,,,,
"1905","Hallway window (left)","Oak, pine, glass, copper-coated zinc caming, porcelain, brass hardware, metal screens, cotton canvas upholstery, fabric-covered shades"," Architecture",,"Window","North America","United States",,"1912-1914","Not on View","20th century","","","","In 1908 Francis and Mary Little commissioned Frank Lloyd Wright, the architect of their previous home in Peoria, to design a summer residence for them on their property overlooking scenic Lake Minnetonka. The home that Wright designed for the Littles was one of his last great Prairie School houses. Characteristically long and low, with a hipped roof, the house featured windows spanning the entire lakeside elevation, giving the Littles full advantage of the impressive view. Although Wright drew elaborate designs for these windows, Mr. Little did not want an intricate pattern to obscure his view of the lake. As a compromise, large expanses of glass throughout the house have a central area of plain glass ""framed"" with an intricate border. In this hallway, the framed area becomes increasingly complex in the design of the three right windows facing a grove of trees.\u000b\u000bBy the late 1960s the large size of the house, rising property taxes, inflexible built-in furnishings, inadequate insulation, and many uninvited visitors placed the owners, at that time the Littles' daughter and her husband, in a difficult situation. They made every effort to find a purchase, but no local buyer or institution could be found to save the house on the site. A group of Wright enthusiasts contacted officials at the Metropolitan Museum of Art in New York to see if they might be able to purchase it for installation. The Metropolitan bought only the house in 1972, allowing the current owners to retain the property. Portions of the interior were dismantled for future installation in the Metropolitan and for sale to other institutions. The Minneapolis Institute of Arts purchased this hallway, which led to the master bedroom of the house. It has been installed without its fourth wall of closets, allowing a broader view of the windows. A model of the house is located directly across from the hallway.","Stained glass window (left) from Frank Lloyd Wright Little House cat. card dims 50-3/16 x 18-15/16'","",,"The David Draper Dayton Fund","72.11.1a","Architect: Frank Lloyd Wright; Manufacturer: Temple Art Glass Company; Designer: Frank Lloyd Wright","Artist","American","American, 1867–1959","","Arts of the Americas","No Copyright–United States","valid",3909,3894,0,"1",0,,,"[""""]","art",1.5884603,,,,,,,,,,,,,,,,,,,,,,,,,
"131202","United Opposition","Oil on canvas"," Paintings","68 3/16 × 47 1/8 in. (173.2 × 119.7 cm) (canvas)
69 3/4 × 48 3/4 × 3 1/2 in. (177.17 × 123.83 × 8.89 cm) (outer frame)","Painting","North America","United States",,"1975","Not on View","20th century","on back, on wood support beam, in center, in pencil: \""United Opposition\"" 1975 Vancouver, BC","on back, on wood support beam in top center on right side of beam, in pencil: art green","","Art Green’s Unified Opposition plays with layers and levels of optical illusions. He has painted the image to appear as a succession of layers of metal and mesh, partially obscuring the partially revealed scenes beneath. An oversized ice cream cone, fire-themed wallpaper and finally a seascape can be glimpsed through the matrix.","colorful chain link fencing in blue, darker green and lighter green pigments, with thicker bands intersecting in top center, in center and bottom center, forming a diamond shape in the center, as well as 'V' shapes in the top and bottom in blue, red and brown pigments; green patches with red threading in LLQ and LRQ; gray border with red lines in top center, center left and center right; fiery border encloses a splitting seam depicting an ice cream cone with blue and pink ice cream, enfolding a purple border that reveals the hint of a green mountainous landscape with a green sky","",,"Gift of Garth Greenan, New York","2018.114","Artist: Art Green","Artist","American","American, born 1941","%C2%A9 Art Green","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.5830323,,,,,,,,,,,,,,,,,,,,,,,,,
"40422","""Sea Urchin"" double-spouted vessel","Glazed ceramic"," Ceramics","7 x 5 1/2 x 5 3/4in. (17.8 x 14 x 14.6cm)",,"Europe","England",,"1879-1882","Not on View","Art Nouveau","Inscription","","[Linthorpe Chr. Dresser](Facsimile signature), [312M]","","Ceramic, golden-brown and green glaze","","From ","The Modernism Collection, gift of Norwest Bank Minnesota","98.276.84","Designer: Christopher Dresser; Manufacturer: Linthorpe Art Pottery, Middlesbrough, Yorkshire, England, 1879-1889","Artist","Scottish","Scottish, 1834-1904","","European Art","Public Domain","valid",1765,2009,0,"1",0,,,"[""""]","art",1.5678797,,,,,,,,,,,,,,,,,,,,,,,,,
"135203","S#!THE@D DOES TOUCH CROWD DUDLEY DOES BLACK SABBATH","Xerography; bound volume"," Books; Works on Paper","4 1/4 × 3 1/2 × 1/16 in. (10.8 × 8.89 × 0.16 cm) (closed)","Comic book",,,,"2004","Not on View","21st century","","","","","Saddle stitched binding, xerographic text prnted on wove paper covers; 24 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1525","Artist: Jason Shithead , et al.; Publisher: Urban Folk Art Studios, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",1650,2310,1,"1",0,,,"[""""]","art",1.5676378,,,,,,,,,,,,,,,,,,,,,,,,,
"134091","Graphic Radicals: 30 Years of World War 3 Illustrated","Color offset lithography, letterpress; folded leaf"," Books; Works on Paper","22 5/8 × 30 in. (57.47 × 76.2 cm) (open)","Poster",,,,"2011","Not on View","21st century","","","","","Folded leaf, photomechanical images of World War 3 Illustrated covers printed in color offset lithography on wove paper","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.413","Artist: Papo Colo; Artist: Peter Kuper; Publisher: Exit Art, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",3300,2357,1,"1",0,,,"[""""]","art",1.5676378,,,,,,,,,,,,,,,,,,,,,,,,,
"133998","Dudley V: 1997 - 2002","Xerography; bound volume"," Books; Works on Paper","8 1/2 × 6 7/8 × 1/8 in. (21.6 × 17.5 × 0.3 cm) (closed)","Zine",,,,"2002","Not on View","21st century","Rear cover, written vertically along the left edge, black marker: JASON $HITHEAD UFA \'02","","","","Saddle stitched binding, illustration of a duck with a small goatee, wearing a hat and glasses, with text and designs; 28 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.320","Artist: Jason Shithead; Artist: Adam Suerte; Publisher: Urban Folk Art Studios, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2940,1,"1",0,,,"[""""]","art",1.5673958,,,,,,,,,,,,,,,,,,,,,,,,,
"134342","Noise, vol. 2, no. 1","Orange and black-and-white offset lithography, letterpress; loose, folded leaves"," Books; Works on Paper","16 3/4 × 11 1/2 × 1/16 in. (42.55 × 29.21 × 0.16 cm) (closed)","Periodical",,,,"March 1991","Not on View","20th century","","","","","Loose, folded leaves, photomechanical illustration of soldier wearing a gas mask with letterpress text printed in offset lithography with details in orange offset lithography, on newsprint; 15 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.664","Artist: C. Moiseiwitsch; Author: Vince Beiser , et al.; Printer: Transcontinental West; Publisher: Normal Art Society, Vancouver","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",3300,4620,1,"1",0,,,"[""""]","art",1.5673958,,,,,,,,,,,,,,,,,,,,,,,,,
"134341","Noise, vol. 1, no. 6","Red and black-and-white offset lithography, letterpress; loose, folded leaves"," Books; Works on Paper","17 × 12 × 1/16 in. (43.18 × 30.48 × 0.16 cm) (closed)","Periodical",,,,"September 1990","Not on View","20th century","","","","","Loose, folded leaves, blurred photographic image of figures with letterpress text printed in offset lithography with details in red offset lithography on newsprint; 19 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.663","Artist: C. Moiseiwitsch; Author: Edwin Lefrancois , et al.; Printer: Transcontinental West; Publisher: Normal Art Society, Vancouver","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",3300,4620,1,"1",0,,,"[""""]","art",1.5673958,,,,,,,,,,,,,,,,,,,,,,,,,
"3842","Vase","Glazed stoneware"," Ceramics","8 1/8 x 5 5/8 in. (20.64 x 14.29 cm)","Vase","Europe","Austria",,"c. 1905","Not on View","20th century","","","\'KGwSch\' Wiener Kunstgewerbeschule (Vienna School of Applied Arts)","","Pupil of Hoffman and Moser, attributed to Bruno Emmel by Tran Turner, Dec. Arts Cur. Ass't. Designed and executed at Vienna School of the Applied Arts.","",,"The John R. Van Derlip Fund","89.39","Artist: attributed to Bruno Emmel; Manufacturer: Vienna School of Applied Art (Wiener Kunstgewerbeschule)","Artist","Austrian","Austrian, active 1900 – 1920","","European Art","No Copyright–United States","valid",3022,4419,0,"1",0,,,"[""""]","art",1.5673715,,,,,,,,,,,,,,,,,,,,,,,,,
"45799","Potpourri bowl","Glazed earthenware"," Ceramics","6 x 8-1/8 x 8-1/8 in. (15.2 x 20.6 x 20.6 cm)","Potpourri bowl",,,,"c. 1880","Not on View","19th century","\""AB [intertwined]\"", incised, on bottom of cover; \""LINTHORPE/HT [intertwined]\"", incised, on bottom of bowl","","","","dark green bowl with turquoise interior; dark green cover with central floral openwork design surrounded by openwork circles and teardrop shapes; yellow on bottom of cover","",,"The Mrs. Ethelyn Bros Purchase Fund","2001.11a,b","Decorator: Alec Burns; Manufacturer: Linthorpe Art Pottery, Middlesbrough, Yorkshire, England, 1879-1889","Artist","English or Scottish","English or Scottish","","European Art","Public Domain","valid",2444,1827,0,"1",0,,,"[""""]","art",1.5673715,,,,,,,,,,,,,,,,,,,,,,,,,
"54851","Bird and Mouse","Color lithograph"," Prints","24 3/4 × 19 1/2 in. (62.87 × 49.53 cm) (image)
25 7/8 × 19 7/8 in. (65.72 × 50.48 cm) (sheet)
28 7/8 × 22 7/8 × 1 1/2 in. (73.34 × 58.1 × 3.81 cm) (outer frame)","Print","Europe","England",,"1968","Not on View","20th century","
","Signed in pencil, LR: Sutherland. (underscored)","Numbered in pencil, LL: 52/70","","Perched bird of prey peering at a mouse; no. 9 from a portfolio of 25 lithographs","Mr. and Mrs. Patrick Butler, St. Paul; given to MIA, 1979.","From A Bestiary and Some Correspondences (1965-68)","Gift of Mr. and Mrs. Patrick Butler","P.79.3","Artist: Graham Sutherland; Printer: Atelier Mourlot, Paris; Publisher: Marlborough Fine Art Ltd., London","Artist","British","British, 1903 - 1980","%C2%A9 The Estate of Graham Sutherland","European Art","In Copyright","valid",3002,3972,1,"1",1,"Man 83; Tassi 92",,"[""""]","art",1.567174,,,,,,,,,,,,,,,,,,,,,,,,,
"143749","Message from Degas","Color etching, aquatint, and liquid brandy aquatint"," Prints; Works on Paper","7 1/4 × 9 5/8 in. (18.4 × 24.4 cm) (plate)
13 7/8 × 17 1/16 in. (35.2 × 43.3 cm) (sheet)
16 5/8 × 19 1/2 × 1 1/8 in. (42.2 × 49.5 × 2.9 cm) (outer frame)","Print","North America","United States",,"1972-74","Not on View","20th century","","LRC in pencil: Frankenthaler / \'71-74","LLC in pencil: 12/36","","abstract image; mottled grey forms with tan arc from left edge extending toward LRC; green wavy line from tan arc through topmost grey form; two grey lines on tan arc; received in silver frame","","From ","Gift of Harriet and Walter Pratt","2022.64.18","Artist: Helen Frankenthaler; Printer: Donn Steward , at ULAE workshop; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1928-2011","","Global Contemporary Art","In Copyright","valid",9727,7965,1,"1",0,"Harrison 45; Sparks 31",,"[""""]","art",1.567174,,,,,,,,,,,,,,,,,,,,,,,,,
"4702","Vase","Porcelain with lustre and other glazes"," Ceramics","12 3/4 x 9 3/4 in. (32.39 x 24.77 cm)","Vase","Europe","Hungary",,"c. 1906","Not on View","20th century","Stamp","","Wafer Stamp of \'Five Churches\'; \'7898\', below glaze","","wide shouldered globular vase with extended neck which widens above the base of the neck and tapers slightly to the top; decorated with landscape scene of sumac, other trees and a castle in dramatic polychrome glazes and lustres; earthenware with metallic red Eosin glaze, blue Labrador glaze and other iridescent and matte glazes","",,"Gift of the Decorative Arts Council","94.36","Artist: Terez Mattyasovsky; Manufacturer: Zsolnay Art Pottery; Designer: Sándor Hidasy Pilló","Artist","Hungarian","Hungarian","","European Art","No Copyright–United States","valid",3946,5065,0,"1",0,,,"[""""]","art",1.567174,,,,,,,,,,,,,,,,,,,,,,,,,
"7494","Untitled (Ruler) I","Etching and aquatint"," Prints","28 7/8 x 19 1/2 in. (73.34 x 49.53 cm) (plate)
36 1/4 x 24 1/4 in. (92.08 x 61.6 cm) (sheet)","Print","North America","United States",,"1969","Not on View","20th century","
","Signed and dated in pencil, LR: J. Johns \'69","Numbered in pencil, LL: 11/11
Watermark: Angoumois","","","[Dayton's Gallery 12, Minneapolis]; sold to MIA, 1969.",,"Gift of funds from Mr. and Mrs. Russell Cowles","P.69.202","Artist: Jasper Johns; Printer: Donn Steward , at ULAE; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4050,6020,1,"1",1,"Field (1970) 125: ULAE 78",,"[""""]","art",1.567174,,,,,,,,,,,,,,,,,,,,,,,,,
"63129","Summer (Blue)","Color lithograph on blue paper"," Prints","9 9/16 x 6 5/16 in. (24.29 x 16.03 cm) (image)
16 5/16 x 11 1/4 in. (41.43 x 28.58 cm) (sheet)","Print","North America","United States",,"1985-1991","Not on View","20th century","Signature, Date, Edition and Chop Mark
see Signed
Numbered LLC below image, in pencil: [33/225]","Signed, dated LRC below image, in pencil: [Jasper Johns / \'85 - \'91]","ULAE blindstamp","","abstract image with seahorse, Mona Lisa's face, stars, squares, circles and triangles in dark blue","Mary and Bob Mersky, Minneapolis; given to MIA, 2002.",,"Gift of Mary and Bob Mersky","2002.239","Artist: Jasper Johns; Publisher: Brooke Alexander Editions, New York; Printer: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1930","Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",1960,2712,1,"1",1,"ULAE 254",,"[""""]","art",1.567174,,,,,,,,,,,,,,,,,,,,,,,,,
"8267","Organic Variant","Color screenprint"," Prints","12 3/16 x 19 5/16 in. (30.96 x 49.05 cm) (image)",,"North America","United States",,"1956","Not on View","20th century","Signature","On sheet","Chop marks: NORWOOD","","","",,"Gift of Mr. Carl O. Schniewind, 1957","P.12,569","Artist: Dean Jackson Meeker; Publisher: Print & Drawing Club of the Art Institute of Chicago , 1956","Artist","American","American, 1920 - 2002","%C2%A9 Dean Jackson Meeker","Arts of the Americas","In Copyright","valid",4471,2898,1,"1",0,,,"[""""]","art",1.5671641,,,,,,,,,,,,,,,,,,,,,,,,,
"53743","Night Palette","Lithograph in white ink on black paper"," Prints","26 5/8 x 20 1/4 in. (67.63 x 51.44 cm) (image, sheet)","Print","North America","United States",,"1965","Not on View","20th century","","In pencil: Jim Dine","","","","(Galerie Gerald Cramer, Generva, Switzerland); sold to MIA, 1966.",,"The Ethel Morrison Van Derlip Fund, 1966","P.13,748","Artist: Jim Dine; Printer: Ben Berns; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1935","%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",4225,5487,1,"1",1,"Sparks 15; Mikro 30; D. 30",,"[""""]","art",1.5670244,,,,,,,,,,,,,,,,,,,,,,,,,
"86508","Favrile","Linen; dyed"," Textiles","overall: 106 1/4 x 52 in. (269.88 x 132.08 cm)",,"North America","United States",,"1957-1961","Not on View","20th century","","","","","Plain weave. Handprinted overlapping squiggles. Vert. Rpt. 35.5"". Plain linen weave, Hand print design. Amethyst on Eidelweiss","","From Tiffany","Gift of Cowtan & Tout, Inc.","99.1.282.3","Designer: Robert Deuble; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist",,,"%C2%A9 Jack Lenor Larsen%2C Inc.%2C Robert Deuble","Arts of the Americas","In Copyright–Educational Use","valid",2193,1209,0,"1",0,,,"[""""]","art",1.5670244,,,,,,,,,,,,,,,,,,,,,,,,,
"89401","The 20th Century Poster: Design of the Avant-Garde","Lithograph"," Prints","50 9/16 x 35 5/8 in. (128.43 x 90.49 cm) (sheet)","Poster","North America","United States",,"1984","Not on View","20th century","","","","","black and white; Cubist-Modernist building-like shapes; radiating circle at L center; black border with white shapes","",,"Gift of Heidi S. Raatz","2004.63","Designer: Wolfgang Weingart; Publisher: Walker Art Center, Minneapolis; Printer: Wassermann AG","Artist","German","German, born 1941","%C2%A9 Wolfgang Weingart","Arts of the Americas","In Copyright","valid",6152,8658,1,"1",0,,,"[""""]","art",1.5670244,,,,,,,,,,,,,,,,,,,,,,,,,
"67039","Phil / Rubber Stamp","Rubber stamp relief print"," Prints","8 x 8 in. (20.32 x 20.32 cm) (sheet)","Print","North America","United States",,"1976","Not on View","20th century","","","","","","Parasol Press, New York (publisher); sold to MIA, 1979.","From Rubber Stamp portfolio","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.23.4","Artist: Chuck Close; Publisher: Parasol Press Ltd., New York; Distributor: Museum of Modern Art, New York","Artist","American","American, 1940 - 2021","%C2%A9 Chuck Close%2C courtesy PaceWildenstein%2C New York","Arts of the Americas","In Copyright–Educational Use","valid",3282,3246,0,"1",1,"Butler Institute 7",,"[""""]","art",1.5670244,,,,,,,,,,,,,,,,,,,,,,,,,
"95973","Three Somerset Towers","Color screenprint"," Prints","25 13/16 x 35 3/8 in. (65.56 x 89.85 cm) (image)
27 11/16 x 37 7/8 in. (70.33 x 96.2 cm) (sheet)
34 5/8 x 43 5/16 in. (87.95 x 110.01 cm) (mat)","Print","Europe","England",,"1973","Not on View","20th century","","Signed in pencil, LR: John Piper","Numbered in pencil, LL: 58/70","","three panels, each with a square tower; each tower slightly different with different number and placement of windows, different archways at base of tower; colors primarily dark red, black and a grayish bluewith white accents","(Margery Parr Gallery, London, sold to Garmezy, May 28, 1976); Edith and Norman Garmezy, Edina, Minn.; given to MIA, 2004 (partial gift, completed in 2009).","From ","Gift of Edith and Norman Garmezy","2004.254.12","Artist: John Piper; Printer: Kelpra Studio, Ltd., London; Publisher: Marlborough Fine Art Ltd., London","Artist","British","British, 1903-1992","%C2%A9 John Piper %2F Artists Rights Society %28ARS%29%2C New York","European Art","In Copyright","valid",4436,3265,1,"1",1,"Levinson 236",,"[""""]","art",1.5669764,,,,,,,,,,,,,,,,,,,,,,,,,
"3731","Mantel clock","Brass, glazed earthenware"," Horology","12 1/16 x 9 3/4 x 5 7/8 in. (30.64 x 24.77 x 14.92 cm)","Mantel clock","North America","United States",,"c. 1884","Not on View","19th century","Marks","","[J. & J.G. Low/ Patent/ Art Tile Works,/ Chelsea,/ Mass., U.S.A./ Copyright 1884/ by J.G. and J.E. Low]","The high-glaze tiles incorporated into this clock feature leaves and insects in the Japanese style, while the brass clock case’s form and feet are related to Chinese furniture. They reflect the popularity of Asian prints and decorative objects at this time in Europe and the United States. Tiles were also all the rage, as their easy maintenance appealed to the Victorian-era obsession with cleaning. Tiles had endless design potential and were used to decorate objects from fireplace surrounds to furniture.","","",,"The John R. Van Derlip Fund","88.46a,b","Manufacturer: J. & J.G. Low Patent Art Tile Works; Manufacturer: New Haven Clock Company (works)","Artist",,"Chelsea, Massachussets, 1877-1907","","Arts of the Americas","Public Domain","valid",3644,4472,0,"1",0,,,"[""""]","art",1.5669764,,,,,,,,,,,,,,,,,,,,,,,,,
"13079","Blue Body","Color lithograph"," Prints","47 1/4 x 31 5/8 in. (120.02 x 80.33 cm) (image)
47 3/4 x 31 5/8 in. (121.29 x 80.33 cm) (sheet)","Print","North America","United States",,"1986-1987","Not on View","20th century","Signature; Date; Edition; Mark
In graphite, LL: [37/70]
","In graphite LL: [Elizabeth Murray 86 87]","Publisher\'s blindstamp","","","Diane and Richard Cohen; given to MIA, 2000.",,"Gift of Diane and Richard Cohen","2000.237.5","Artist: Elizabeth Murray; Publisher: Universal Limited Art Editions (ULAE) , West Islip, NY","Artist","American","American, 1940-2007","%C2%A92011 The Murray-Holman Family Trust %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",2032,3056,1,"1",1,,,"[""""]","art",1.5668846,,,true,,,,,,,,,,,,,,,,,,,,,,
"42710","O'Hara Reading","Color lithograph, cut and collaged onto color lithograph"," Prints; Collages / Assemblages","32 3/4 x 27 1/2 in. (83.19 x 69.85 cm) (image)
41 x 29 in. (104.14 x 73.66 cm) (sheet)","Print and collage","North America","United States",,"1967","Not on View","20th century","","in graphite pencil at LRC: \""O\'Hara Reading\"" / Rivers \'67","Publisher\'s blindstamp, LL: ULAE
Numbered in pnecil, LL: 10/31","","","Mr. and Mrs. Robert U. Reid, Minneapolis; given to MIA, 1982.",,"Gift of Mr. and Mrs. Robert U. Ried","P.82.16","Artist: Larry Rivers; Publisher: Universal Limited Art Editions (ULAE); Printer: Donn Steward","Artist","American","American, 1923 - 2002","%C2%A9 Estate Larry Rivers %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",10250,7409,1,"1",1,"Sparks 46",,"[""""]","art",1.5668846,,,,,,,,,,,,,,,,,,,,,,,,,
"54510","Plate 7, from ""Work from Instructions""","Lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","Freehand lines within one inch squares","","From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.12","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",3728,3739,1,"1",1,"Tate L8; Krakow 1971.18",,"[""""]","art",1.5668846,,,,,,,,,,,,,,,,,,,,,,,,,
"132707","Untitled plate from ""Minded Mind"" portfolio","Oil pastel over lithograph in black ink"," Drawings; Prints; Works on Paper","30 × 21 7/8 in. (76.2 × 55.56 cm) (sheet)","Print with pastel additions","South America","Chile",,"1966","Not on View","20th century","None","Unsigned","WM: BFK Rives","Roberto Matta was a leading Surrealist painter, draftsman, and printmaker, whose work taps into the creative unconscious through the use of chance and automatic drawing techniques. Matta developed a visionary visual language of vaguely figurative biomorphic forms inhabiting an eerie dream-like world of violent conflict and deep anxiety. He described his own work as “the subconscious in its burning, liquid state; a conscious daytime substitution of the phenomenon of dreams.” In this characteristic hand-colored lithograph from the “Minded Mind” portfolio of 1966, Matta presents an enigmatic landscape with two figures, one in a vehicle, who appear to be fighting or confronting one another. Though ambiguous in meaning, the scene is disquieting and draws on our curiosity to help shape meaning. Made when the United States was dramatically increasing it involvement in the Vietnam War with the drafting of more than 382,000 young men, the lithograph may in fact be an anti-war statement that demonstrates the absurdity of armed conflict.","abstract image; orange figure with yellow wings (?) driving an open red and yellow car, being chased by another orange figure","[Walker Art Center Museum Shop, Minneapolis, sold to Silha 1972]; Otto A. Silha, Edina, Minn., until d. 1999; Helen Fitch Silha, Edina, Minn., until d. 2017; by descent to his daughter Alice S. Reimann, Greenwood, Minn.; given to MIA, 2019.","From Minded Mind portfolio","Gift of the Otto A. and Helen F. Silha family","2019.97.3","Artist: Roberto Sebastian Matta; Printer: Kinji Akagawa; Publisher: Minneapolis School of Art","Artist","Chilean (active France & United States)","Chilean (active France & United States), 1911–2002","%C2%A9 Roberto Matta %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",6620,8945,1,"1",0,"Not in Sabatier",,"[""""]","art",1.5667789,,,,,true,,,,true,,,,,,,,,,,,,,,,
"105215","Untitled","Lithograph on pale pink paper"," Prints","23 1/4 x 17 3/4 in. (59.06 x 45.09 cm) (sheet)
26 7/8 x 21 13/16 in. (68.26 x 55.4 cm) (outer frame)","Print","North America","United States",,"1972","Not on View","20th century","Signature, Edition, Stamp and Chop mark","ULC, in pencil: [R. Motherwell 24/25]; LLC, in olive green, stamped: [ROBERT/ spanish/ refugee aid/ MOTHERWELL (inside an oval); LRC, blindstamp: [ULAE]","See signed","","abstract image of roughly upside-down U-shaped brushstroke-like mark on white ground","Bob and Carolyn Nelson, Wayzata, Minn.; given to MIA, 2007.","From ","Gift of Carolyn and Bob Nelson","2007.139.4","Artist: Robert Motherwell; Publisher: Spanish Refugee Aid, New York; Printer: Universal Limited Art Editions (ULAE)","Artist","American","American, 1915-1991","%C2%A9 Estate Robert Motherwell %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",5777,7417,1,"1",1,"Belknap 81; ULAE 39; Engberg & Banach 110",,"[""""]","art",1.566745,,,,,,,,,,,,,,,,,,,,,,,,,
"95686","Handwoven High Pile Rug","Wool"," Textiles","12 3/4 x 18 1/2 in. (32.39 x 46.99 cm)","Handwoven High Pile Rug","North America","United States",,"20th century","Not on View","20th century","","","","","wool on chenille backing","","From ","Gift of Marianne Strengell","84.64.17","Weaver: Cranbrook Art Museum","Artist",,,"","Decorative Arts, Textiles and Sculpture","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.5617161,,,,,,,,,,,,,,,,,,,,,,,,,
"95672","Handwoven fabric for floor pillows","Cotton, wool"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven fabric for floor pillows","North America","United States",,"20th century","Not on View","20th century","","","","","handwoven fabric for floor pillows, warp: cotton boucle; weft: wool chenille, chartrouse, Cranbrook; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.6","Weaver: Cranbrook Art Museum","Artist",,,"","Decorative Arts, Textiles and Sculpture","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.5616462,,,,,,,,,,,,,,,,,,,,,,,,,
"95677","Handwoven Fabric for Floor Pillows","Rayon and metallic warp"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Fabric for Floor Pillows","North America","United States",,"20th century","Not on View","20th century","","","","","rayon and metallic warp, black and orange; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.11","Weaver: Cranbrook Art Museum","Artist",,,"","Decorative Arts, Textiles and Sculpture","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.5616462,,,,,,,,,,,,,,,,,,,,,,,,,
"95676","Handwoven Fabric for Floor Pillows","Wool and cotton"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Fabric for Floor Pillows","North America","United States",,"20th century","Not on View","20th century","","","","","wool and cotton warps, novelty spun synthetic plus wool chenille; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.10","Weaver: Cranbrook Art Museum","Artist",,,"","Decorative Arts, Textiles and Sculpture","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.5616462,,,,,,,,,,,,,,,,,,,,,,,,,
"95673","Handwoven Upholstery Material","Gray linen boucle and charcoal metallic warp"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Upholstery Material","North America","United States",,"20th century","Not on View","20th century","","","","","gray linen filler; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.7","Weaver: Cranbrook Art Museum","Artist",,,"","Decorative Arts, Textiles and Sculpture","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.5616462,,,,,,,,,,,,,,,,,,,,,,,,,
"95675","Handwoven Upholstery sample","Cotton and rayon"," Textiles","12 x 12 in. (30.48 x 30.48 cm) (approx.)","Handwoven Upholstery sample","North America","United States",,"20th century","Not on View","20th century","","","","","cotton and rayon boucle, black novelty filler; mounted on masonite with staples or tacks","","From ","Gift of Marianne Strengell","84.64.9","Weaver: Cranbrook Art Museum","Artist",,,"","Decorative Arts, Textiles and Sculpture","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.5616462,,,,,,,,,,,,,,,,,,,,,,,,,
"40372","Paris - 1925. Exposition Internationale des Arts Décoratifs et Industriels Modernes","Color lithograph"," Prints","23 x 15 in. (58.4 x 38.1 cm) (sheet)
31 1/2 x 23 1/2 in. (80.01 x 59.69 cm) (outer frame)","Poster","Europe","France",,"1925","Not on View","20th century","","","","Robert Bonfils’s iconic poster, featuring a stylized gazelle and nymph, announces the 1925 international Paris fair, a showcase of avant-garde architecture, industrial design, and decorative art. Besides its presentation of the latest in applied arts, the six-month exhibition helped popularize the term “Art Deco,” coined to describe a modern design style characterized by a streamlined classicism, geometric symmetry, opulent ornamentation, and sleek machine-age materials.","","Norwest Corporation, Minneapolis; given to MIA, 1998.",,"The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.43","Artist: Robert Bonfils; Printer: Imprimerie de Vangirand, Paris","Artist","French","French, 1886 - 1972","","European Art","No Known Copyright","valid",5016,7618,1,"1",0,"Weill 316; Art Deco Graphics p. 2",,"[""""]","art",1.4973495,,,,,,,,,,,,,,,,,,,,,,,,,
"31124","Central Gallery, Showing Proposed Color Scheme (Variant B), Minneapolis Institute of Art","Watercolor over graphite on paper"," Drawings; Architecture; Works on Paper","29 7/8 x 20in. (75.9 x 50.8cm)","Drawing","North America","United States",,"c. 1930-1931","Not on View","20th century","","","","","Design for proposed color scheme for the second floor rotunda gallery, Minneapolis Institute of Art","MIA Archives; transferred to permanent collection, 1999.",,"Transfer from the Archives","99.158.16","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",6634,9764,0,"1",0,,,"[""""]","art",1.4546958,,,,,,,,,,,,,,,,,,,,,,,,,
"31129","Main Floor Plan, Showing Present Building and Proposed Auditorium Addition, Minneapolis Institute of Art","Graphite on tracing paper"," Drawings; Architecture","13 3/4 x 20 1/4in. (34.9 x 51.4cm)","Drawing","North America","United States",,"1926","Not on View","20th century","Inscription in pencil,LC: MAIN FLOOR PLAN / MINNEAPOLIS INSTITUTE OF FINE ARTS","","","","Architectural plan of main floor of Minneapolis Institute of Art showing proposed addition of Pillsbury Auditorium.","MIA Archives; transferred to permanent collection, 1999.",,"Transfer from the Archives","99.158.8","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",7950,5559,0,"1",0,,,"[""""]","art",1.4546958,,,,,,,,,,,,,,,,,,,,,,,,,
"31119","Drawing No. 4: Floor Plan & Reflected Plan of Ceiling of Foyer to Auditorium, Minneapolis Institute of Art","Cyanotype negative process (blueprint)"," Prints; Architecture","17 x 32 1/4in. (43.2 x 81.9cm)","Blueprint","North America","United States",,"December 22, 1930","Not on View","20th century","","","Stamp in violet ink, verso: ROBERSON / OF LONDON / 24, EAST SIXTY-SEVENTH STREET / NEW YORK","","Original design for the Fountain Court, Minneapolis Institute of Art.","MIA Archives; transferred to permanent collection, 1999.","From ","Transfer from the Archives","99.158.11","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",10430,5576,0,"1",0,,,"[""""]","art",1.4538723,,,,,,,,,,,,,,,,,,,,,,,,,
"115551","The Palace of Fine Arts, Seen from the Garden of the Universal Exposition of 1889","Wood engraving"," Prints","7 5/8 x 8 3/16 in. (19.37 x 20.8 cm) (sheet)
8 3/4 x 9 1/2 in. (22.23 x 24.13 cm) (mount)","Print","Europe","France",,"1889","Not on View","19th century","Signature, Title, Inscription and Stamp
LLC on mount, in pencil: [FA7721] and [06022]; LLC, in pencil: [no 194]; on back, in pencil: [756/25]; LRC on mount, in pencil: [Quelques (illegible)]","right edge center, in the print: [A. LEPERE]; LRQ, in pencil: [A Lepère]; at bottom edge, in pencil: [Le Palais des Beaux Arts]","LLC, stamped in red: [ALL (intertwined)]; bottom left of center, stamped in black: [JB (?--intertwined)]","","woman seated on chair, seen from back, LLQ; figures seated and walking on grand steps at center; figures walking at left in middle ground; buildings, sculptures, colonnade in background, with domed building in ULC","Alfred Beurdeley, Lugt 421 (1847-1919), Paris. [Thomas French Fine Art, Fairlawn, Ohio, until 2011; sold in April for PITO, to Drake]; Harry Drake, St. Paul (2011-d. 2012; bequeathed to MIA)","From ","Bequest of Harry Drake","2013.35.638","Artist: Auguste Louis Lepère","Artist","French","French, Paris 1849–Domme, Dordogne 1918","","European Art","No Copyright–United States","valid",5471,5060,0,"1",0,"Lotz-Brissonneau 194 (proofs only)",,"[""""]","art",1.4403831,,,,,,,,,,,,,,,,,,,,,,,,,
"31117","North Elevation, Proposed Building, Minneapolis Museum of Fine Arts","Pen and ink, ink wash and graphite on paper, mounted on board"," Drawings; Architecture; Works on Paper","10 5/16 x 38 7/16 in. (26.19 x 97.63 cm) (image)","Drawing","North America","United States",,"March 18, 1912","Not on View","20th century","At bottom center, Iin pencil: NORTH ELEVATION - PROPOSED BUILDING / MINNEAPOLIS MUSEUM OF FINE ARTS","","","","Architectural drawing of proposed design for the Minneapolis Institute of Arts.","McKim, Mead, and White, New York (architectural firm); presented to MIA, 1912.",,"Transfer from the Archives","99.158.1","Architect: McKim, Mead, and White; Architect: Charles Follen McKim; Architect: William Rutherford Mead; Architect: Stanford White","Artist","American","American (New York, New York), 1879–1961","","Arts of the Americas","No Copyright–United States","valid",10576,3057,0,"1",1,,,"[""""]","art",1.4395931,,,,,,,,,,,,,,,,,,,,,,,,,
"26685","Sheila and Arnie, Seven Arts Coffee Gallery, New York City","Gelatin silver print (printed 1962)"," Photographs","6 11/16 x 9 1/8 in. (16.99 x 23.18 cm) (image)
8 x 9 15/16 in. (20.32 x 25.24 cm) (sheet)",,"North America","United States",,"c. 1957","Not on View","20th century","","","","","","","From ""A Dialogue with Solitude"" series","The John R. Van Derlip Fund and Gift of funds from Jud and Lisa Dayton","90.49.25","Photographer: Dave Heath","Artist","American","American, 1931–2016","%C2%A9 Dave Heath%2C Courtesy Howard Greenberg Gallery%2C NYC","Arts of the Americas","In Copyright","valid",2636,1942,1,"1",0,,,"[""""]","art",1.4395931,,,,,,,,,,,,,,,,,,,,,,,,,
"31125","West Elevation, Proposed Building, Minneapolis Museum of Fine Arts","Pen and ink, ink wash and graphite on paper, mounted on board"," Drawings; Architecture; Works on Paper","10 1/4 x 38 7/16 in. (26.04 x 97.63 cm) (image)","Drawing","North America","United States",,"March 18, 1912","Not on View","20th century","","","","","","McKim, Mead, and White, New York (architectural firm); presented to MIA, 1912.",,"Transfer from the Archives","99.158.2","Architect: McKim, Mead, and White; Architect: Charles Follen McKim; Architect: William Rutherford Mead; Architect: Stanford White","Artist","American","American (New York, New York), 1879–1961","","Arts of the Americas","No Copyright–United States","valid",10576,3057,0,"1",1,,,"[""""]","art",1.4395931,,,,,,,,,,,,,,,,,,,,,,,,,
"31126","North Elevation, Present Building, Minneapolis Museum of Fine Arts","Pen and ink, ink wash and graphite on paper, mounted on board"," Drawings; Architecture; Works on Paper","18 x 49 3/8 in. (45.72 x 125.41 cm) (sight)","Drawing","North America","United States",,"March 18, 1912","Not on View","20th century","","","","","","McKim, Mead, and White, New York (architectural firm); presented to MIA, 1912.",,"Transfer from the Archives","99.158.3","Architect: McKim, Mead, and White; Architect: Charles Follen McKim; Architect: William Rutherford Mead; Architect: Stanford White","Artist","American","American (New York, New York), 1879–1961","","Arts of the Americas","No Copyright–United States","valid",11213,4234,0,"1",1,,,"[""""]","art",1.4395931,,,,,,,,,,,,,,,,,,,,,,,,,
"31131","Side Elevation of Present Building, Minneapolis Museum of Fine Arts","Graphite on paper, mounted on board"," Drawings; Architecture; Works on Paper","18 1/8 x 27 3/4in. (46 x 70.5cm)","Drawing","North America","United States",,"March 18, 1912","Not on View","20th century","Inscribed in pencil, LC: SIDE ELEVATION OF PROPOSED BUILIDNG / MINNEAPOLIS MUSEUM OF FINE ARTS; in pencil, LL: McKIM, MEAD AND WHITE, ARCHTS / 160 FIFTH AVE., NEW YORK; in pencil, LR: SCALE 1/8\"" = 1\'0\"" / MARCH 18, 1912","","","","","McKim, Mead, and White, New York (architectural firm); presented to MIA, 1912.",,"Transfer from the Archives","99.158.4","Architect: McKim, Mead, and White; Architect: Charles Follen McKim; Architect: William Rutherford Mead; Architect: Stanford White","Artist","American","American (New York, New York), 1879–1961","","Arts of the Americas","No Copyright–United States","valid",8995,5923,0,"1",1,,,"[""""]","art",1.4395931,,,,,,,,,,,,,,,,,,,,,,,,,
"59963","Untitled (4)","Engraving and drypoint"," Prints","14 9/16 x 17 3/4 in. (36.99 x 45.09 cm) (plate)
19 7/8 x 27 5/16 in. (50.48 x 69.37 cm) (sheet)","Print","North America","United States",,"c. 1944-45 (printed 1967)","Not on View","20th century","","Unsigned","Numbered in pencil, LR margin: 17/50
Blindstamp of the Estate of Jackson Pollock, LL margin: \""Estate of Jackson Pollock JP\"" in a circle
Blindstamp of the printer Emiliano Sorini: \""ES\"" in a square","Jackson Pollock's semi-abstract engraving is one of a series of intaglio prints he produced in 1944-45 at Atelier 17 in New York. Pollock was one of a group of young American artists for whom Hayter's studio in exile became an important meeting place for the exchange of new ideas and technical innovations. There they also met émigré European artists, including such luminaries as Joan Miró, Marc Chagall, Salvador Dali, and André Masson.
Though not editioned at the time, Pollock's intaglio prints of the mid-1940s are often cited as precursors to the fully resolved abstract style seen in his famous ""drip"" paintings. Pollock was fascinated with automatic drawing as practiced by Hayter, Masson and others. This spontaneous technique was well known among Dada artists of the early 20th century and later adopted by the surrealists as a way to reveal subconscious impulses. Unleashing his inner self, Pollock produced a frenzied arrangement of surrealist-inspired biomorphic forms interspersed with dynamic non-descriptive line.","One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.","(Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.","From From a series of seven untitled intaglio prints","The Christina N. and Swan J. Turnblad Memorial Fund","P.78.31.4","Artist: Jackson Pollock; Printer: Emiliano Sorini; Publisher: Lee Krasner in association with the Museum of Modern Art, New York","Artist","American","American, 1912-1956","%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",4272,3764,1,"1",1,"O'Connor and Thaw 1074",,"[""""]","art",1.4333539,,,,,,,,,,,,,,,,,,,,,,,,,
"59404","Untitled (7)","Engraving and drypoint with plate tone printed in brown-black"," Prints","8 15/16 x 12 in. (22.7 x 30.48 cm) (plate)
18 1/4 x 21 5/16 in. (46.36 x 54.13 cm) (sheet)","Print","North America","United States",,"c. 1944-45 (printed 1967)","Not on View","20th century","","Unsigned","Numbered in pencil, LR margin: 17/50
Blindstamp of the Estate of Jackson Pollock, LL margin: \""Estate of Jackson Pollock JP\"" in a circle
Blindstamp of the printer Emiliano Sorini: \""ES\"" in a square","Jackson Pollock's semi-abstract engraving is one of a series of intaglio prints he produced in 1944-45 at Atelier 17 in New York. Pollock was one of a group of young American artists for whom Hayter's studio in exile became an important meeting place for the exchange of new ideas and technical innovations. There they also met émigré European artists, including such luminaries as Joan Miró, Marc Chagall, Salvador Dali, and André Masson.
Though not editioned at the time, Pollock's intaglio prints of the mid-1940s are often cited as precursors to the fully resolved abstract style seen in his famous ""drip"" paintings. Pollock was fascinated with automatic drawing as practiced by Hayter, Masson and others. This spontaneous technique was well known among Dada artists of the early 20th century and later adopted by the surrealists as a way to reveal subconscious impulses. Unleashing his inner self, Pollock produced a frenzied arrangement of surrealist-inspired biomorphic forms interspersed with dynamic non-descriptive line.","One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.","(Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.","From a series of seven untitled intaglio prints","The Christina N. and Swan J. Turnblad Memorial Fund","P.78.31.7","Artist: Jackson Pollock; Printer: Emiliano Sorini; Publisher: Lee Krasner in association with the Museum of Modern Art, New York","Artist","American","American, 1912-1956","%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",4888,3558,1,"1",1,"O'Connor and Thaw 1075",,"[""""]","art",1.4333539,,,,,,,,,,,,,,,,,,,,,,,,,
"127278","The Portable Hairy Who!","Color offset lithography on newsprint and coated paper (covers); bound volume"," Prints; Books","11 × 7 in. (27.94 × 17.78 cm) (closed)","Exhibition catalogue","North America","United States",,"1966","Not on View","20th century","","","","These four illustrated booklets or “art zines” were published to accompany the Hairy Who’s first group exhibitions held between 1966 and 1968. Forerunners of the Chicago Imagist movement, the Hairy Who were figurative artists who drew inspiration from Surrealism, cartoons and comic books, advertising, and vernacular culture. Their eclectic and often provocative work featured distorted cartoon-like characters, irreverent subjects, silly puns and gags, sexual innuendo, satire, and social and political commentary. Styled after comic books, each of the booklets features artwork made especially for the publication by the six members of the group. Part memento, part art project, the publications were inexpensively printed and issued in unknown quantities. Each booklet sold for one dollar. Most have not survived.","cover printed in red ink; muscle-bound man flexing with hands over head, wearing wrestling belt with ""approved"" on buckle; figure is spitting; bursts with text and title also in red; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side","Private collection, Chicago; (Karen Lennox Gallery, Chicago); sold to MIA, 2017.","From ","The Mary and Robyn Campbell Fund for Art Books","2017.118.1","Artist: James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum","Artist","American","American, born 1938","%C2%A9 James Falconer%2C Arthur Green%2C Gladys Nilsson%2C Wallace Nutting%2C Suellen Rocca%2C and Karl Wirsum","Arts of the Americas","In Copyright","valid",3957,6099,1,"1",1,"Adrian/Born (The Chicago Imagist Print) 453; Nadel (Collected Hairy Who), pp. 2-24",,"[""""]","art",1.4096346,,,true,,,,,,,,,,,,,,,,,,,,,,
"127279","The Hairy Who Sideshow","Color offset lithography; bound volume"," Prints; Books","11 × 7 in. (27.94 × 17.78 cm) (closed)","Exhibition catalogue","North America","United States",,"1967","Not on View","20th century","","","","These four illustrated booklets or “art zines” were published to accompany the Hairy Who’s first group exhibitions held between 1966 and 1968. Forerunners of the Chicago Imagist movement, the Hairy Who were figurative artists who drew inspiration from Surrealism, cartoons and comic books, advertising, and vernacular culture. Their eclectic and often provocative work featured distorted cartoon-like characters, irreverent subjects, silly puns and gags, sexual innuendo, satire, and social and political commentary. Styled after comic books, each of the booklets features artwork made especially for the publication by the six members of the group. Part memento, part art project, the publications were inexpensively printed and issued in unknown quantities. Each booklet sold for one dollar. Most have not survived.","yellow cover with green text and image: obese humanlike figure wearing starred top and jeans; two wide-set legs, each branching off into several other smaller legs with feet; face with stitches and several abstract chins; title at top; cross LLC; wraparound cover, 32 unnumbered pp. (16 folios), stapled at the side","Private collection, Chicago; (Karen Lennox Gallery, Chicago); sold to MIA, 2017.","From ","The Mary and Robyn Campbell Fund for Art Books","2017.118.2","Artist: James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum","Artist","American","American, born 1938","%C2%A9 James Falconer%2C Arthur Green%2C Gladys Nilsson%2C Wallace Nutting%2C Suellen Rocca%2C and Karl Wirsum","Arts of the Americas","In Copyright","valid",4008,6031,1,"1",1,"Adrian/Born (The Chicago Imagist Print) 455; Nadel (Collected Hairy Who), pp. 26-65",,"[""""]","art",1.4096346,,,true,,,,,,,,,,,,,,,,,,,,,,
"127280","Hairy Who (I'm Juan Dollar)","Color offset lithography on coated paper; bound volume"," Prints; Books","11 × 7 in. (27.94 × 17.78 cm) (closed)","Exhibition catalogue","North America","United States",,"1968","Not on View","20th century","","","","These four illustrated booklets or “art zines” were published to accompany the Hairy Who’s first group exhibitions held between 1966 and 1968. Forerunners of the Chicago Imagist movement, the Hairy Who were figurative artists who drew inspiration from Surrealism, cartoons and comic books, advertising, and vernacular culture. Their eclectic and often provocative work featured distorted cartoon-like characters, irreverent subjects, silly puns and gags, sexual innuendo, satire, and social and political commentary. Styled after comic books, each of the booklets features artwork made especially for the publication by the six members of the group. Part memento, part art project, the publications were inexpensively printed and issued in unknown quantities. Each booklet sold for one dollar. Most have not survived.","white cover with large male figure with painted face in gray and white zoot suit, stepping on a pile of waste; back cover is upside down, and features a woman slipping on a puddle on checkered floor; book flips upside down halfway through; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side","Private collection, Chicago; (Karen Lennox Gallery, Chicago); sold to MIA, 2017.","From ","The Mary and Robyn Campbell Fund for Art Books","2017.118.3","Artist: James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum","Artist","American","American, born 1938","%C2%A9 James Falconer%2C Arthur Green%2C Gladys Nilsson%2C Wallace Nutting%2C Suellen Rocca%2C and Karl Wirsum","Arts of the Americas","In Copyright","valid",3957,6099,1,"1",1,"Adrian/Born (The Chicago Imagist Print) 457; Nadel (Collected Hairy Who), pp. 66-88",,"[""""]","art",1.4096346,,,true,,,,,,,,,,,,,,,,,,,,,,
"127281","Hairy Who (cat-a-log)","Color offset lithography on coated paper; bound volume"," Prints; Books","11 × 7 in. (27.94 × 17.78 cm) (closed)","Exhibition catalogue","North America","United States",,"1968","Not on View","20th century","","","","These four illustrated booklets or “art zines” were published to accompany the Hairy Who’s first group exhibitions held between 1966 and 1968. Forerunners of the Chicago Imagist movement, the Hairy Who were figurative artists who drew inspiration from Surrealism, cartoons and comic books, advertising, and vernacular culture. Their eclectic and often provocative work featured distorted cartoon-like characters, irreverent subjects, silly puns and gags, sexual innuendo, satire, and social and political commentary. Styled after comic books, each of the booklets features artwork made especially for the publication by the six members of the group. Part memento, part art project, the publications were inexpensively printed and issued in unknown quantities. Each booklet sold for one dollar. Most have not survived.","yellow cover; shirtless male figure with birdlike features wearing pink trunks stands at C holding a pair of pink trunks with black design in wing like hands; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side","Private collection, Chicago; (Karen Lennox Gallery, Chicago); sold to MIA, 2017.","From ","The Mary and Robyn Campbell Fund for Art Books","2017.118.4","Artist: James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum","Artist","American","American, born 1938","%C2%A9 James Falconer%2C Arthur Green%2C Gladys Nilsson%2C Wallace Nutting%2C Suellen Rocca%2C and Karl Wirsum","Arts of the Americas","In Copyright","valid",3974,6082,1,"1",1,"Adrian/Born (The Chicago Imagist Print) 458; Nadel (Collected Hairy Who), pp. 90-112",,"[""""]","art",1.4096346,,,true,,,,,,,,,,,,,,,,,,,,,,
"67122","Untitled","Color screenprint"," Prints","9 x 12 in. (22.86 x 30.48 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature, Edition","in LC: [T.P. Mark 1/4]","","","","Steven M. Andersen, Minneapolis (former printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.6","Artist: Mark di Suvero; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American (born China)","American (born China), 1933","%C2%A9 Mark di Suvero","Arts of the Americas","In Copyright","valid",7047,5353,1,"1",1,,,"[""""]","art",1.3728553,,,,,,,,,,,,,,,,,,,,,,,,,
"67121","Peaches, 1969","Color screenprint"," Prints","8 15/16 x 11 15/16 in. (22.7 x 30.32 cm) (image)","Print","North America","United States",,"1973","Not on View","20th century","Signature, Edition","LL: [Jim Dine 1/4 T.P.]","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.5","Artist: Jim Dine; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, born 1935","%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",6988,5280,1,"1",1,"Not in W.C.",,"[""""]","art",1.3726579,,,,,,,,,,,,,,,,,,,,,,,,,
"7904","For My People: Walking Blindly","Color lithograph"," Prints","15 3/4 x 13 5/8 in. (40.01 x 34.61 cm) (image)
22 3/4 x 18 5/8 in. (57.79 x 47.31 cm) (sheet)","Print","North America","United States",,"1992","Not on View","20th century","Titled in pencil, LC margin: Walking Blindly
","Signed and dated in pencil, LR margin: E. Catlett \'92","Numbered in pencil, LL margin: 26/99","","","Limited Editions Club, New York (publisher); sold to MIA, 1998.","From ""For My People"" portfolio","The Ethel Morrison Van Derlip Fund","P.98.1.2.2","Artist: Elizabeth Catlett; Printer: J. K. Fine Art Editions Co., Union City, N.J.; Publisher: The Limited Editions Club","Artist","American and Mexican (dual citizen)","American and Mexican, 1915-2012","Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4929,6062,1,"1",1,,,"[""""]","art",1.3726579,,,true,,,,,,,true,,,,,,,,,,,,,,,
"7562","M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965)","Screenprint and lithograph, hand-dusted with ground chalk"," Prints","12 x 9 in. (30.48 x 22.86 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Inscription; Stamp; Label
In LL: [t. p. ICO]","Signed in white pencil, LL: [CO]","Rubber stamp on label on verso, LL: [COPYRIGHT 1973 BY CLAES OLDENBURG / PRINTED AT STYRIA STUDIO]","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, Ltd., New York); sold to MIA, 1979.","From The New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.17","Artist: Claes Oldenburg; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York; Printer: Styria Studio, New York","Artist","American (born Sweden)","American (born Sweden), 1929 - 2022","%C2%A9 Claes Oldenburg","Arts of the Americas","In Copyright–Educational Use","valid",3334,4408,0,"1",1,"Axsom + Platzker 109",,"[""""]","art",1.3726579,,,,,,,,,,,,,,,,,,,,,,,,,
"7561","Finger Pointing","Color screenprint"," Prints","11 15/16 x 8 15/16 in. (30.32 x 22.7 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Edition; Inscription
Numbered in pencil, verso: [ T.P. 1/4]
Stamped inscription, verso: [(c) copyright 1973 by Roy Lichtenstein / Printed at Styria Studio]","Unsigned as issued","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); until 1979; sold to MIA.","From The New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.13","Artist: Roy Lichtenstein; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1923–1997","%C2%A9 Estate of Roy Lichtenstein","Arts of the Americas","In Copyright","valid",3456,4561,1,"1",1,"Corlett 126",,"[""""]","art",1.3726579,,,,,,,,,,,,,,,,,,,,,,,,,
"7905","For My People: To Marry","Color lithograph"," Prints","15 3/4 x 13 5/8 in. (40.01 x 34.61 cm) (image)
22 3/4 x 18 5/8 in. (57.79 x 47.31 cm) (sheet)","Print","North America","United States",,"1992","Not on View","20th century","Titled in pencil, LC margin: To marry
","Signed and dated in pencil, LR margin: E. Catlett \'92","Numbered in pencil, LL margin: 26/99","","","Limited Editions Club, New York (publisher); sold to MIA, 1998.","From ""For My People"" portfolio","The Ethel Morrison Van Derlip Fund","P.98.1.2.3","Artist: Elizabeth Catlett; Printer: J. K. Fine Art Editions Co., Union City, N.J.; Publisher: The Limited Editions Club","Artist","American and Mexican (dual citizen)","American and Mexican, 1915-2012","Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4936,5976,1,"1",1,,,"[""""]","art",1.3726579,,,true,,,,,,,true,,,,,,,,,,,,,,,
"7906","For My People: All the People","Color lithograph"," Prints","15 5/8 x 13 5/8 in. (39.69 x 34.61 cm) (image)
22 3/4 x 18 3/4 in. (57.79 x 47.63 cm) (sheet)","Print","North America","United States",,"1992","Not on View","20th century","Titled in pencil, LC margin: All the People
","Signed and dated in pencil, LR margin: E. Catlett \'92","Numbered in pencil, LL margin: 26/99","","","Limited Editions Club, New York (publisher); sold to MIA, 1998.","From ""For My People"" portfolio","The Ethel Morrison Van Derlip Fund","P.98.1.2.4","Artist: Elizabeth Catlett; Printer: J. K. Fine Art Editions Co., Union City, N.J.; Publisher: The Limited Editions Club","Artist","American and Mexican (dual citizen)","American and Mexican, 1915-2012","Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4956,6033,1,"1",1,,,"[""""]","art",1.3726579,,,true,,,,,,,true,,,,,,,,,,,,,,,
"7903","For My People: Singing their Songs","Color lithograph"," Prints","15 3/4 x 13 5/8 in. (40.01 x 34.61 cm) (image)
22 7/8 x 18 3/4 in. (58.1 x 47.63 cm) (sheet)","Print","North America","United States",,"1992","Not on View","20th century","Titled in pencil, LC margin: Singing their Songs
","Signed and dated in pencil, LR margin: E. Catlett \'92","Numbered in pencil, LL margin: 26/99","","","Limited Editions Club, New York (publisher); sold to MIA, 1998.","From ""For My People"" portfolio","The Ethel Morrison Van Derlip Fund","P.98.1.2.1","Artist: Elizabeth Catlett; Printer: J. K. Fine Art Editions Co., Union City, N.J.; Publisher: The Limited Editions Club","Artist","American and Mexican (dual citizen)","American and Mexican, 1915-2012","Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",4938,5984,1,"1",1,,,"[""""]","art",1.3726579,,,true,,,,,,,true,,,,,,,,,,,,,,,
"45839","An E.A.T. Expedition","Screenprint"," Prints","9 x 12 in. (22.86 x 30.48 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Date; Edition
see Signed
LL: [1/4 T.P.]
","in pencil, LRC: [Red Grooms 1973]","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.8","Artist: Red Grooms; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, born 1937","%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",7062,5383,1,"1",1,"K.42",,"[""""]","art",1.3726579,,,,,,,,,,,,,,,,,,,,,,,,,
"54867","Untitled","Screenprint in black ink"," Prints","12 x 9 in. (30.48 x 22.86 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","
Numbered in pencil, LL: [T.P. 1/4]","Initialed in pencil, LR margin: E.K.","Stamp, verso","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.12","Artist: Ellsworth Kelly; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1923–2015","%C2%A9 Ellsworth Kelly Foundation","Arts of the Americas","In Copyright","valid",3460,4563,1,"1",1,"Axsom 92",,"[""""]","art",1.3726579,,,,,,,,,,,,,,,,,,,,,,,,,
"7662","Brushstrokes","Color screenprint"," Prints","22 x 30 in. (55.88 x 76.2 cm) (image)
23 x 31 in. (58.42 x 78.74 cm) (sheet)","Print","North America","United States",,"1967","Not on View","20th century","Signature; Edition
Numbered in pencil, lower right: [169/300]","Signed In pencil, lower right: [rf Lichtenstein]","","Among Lichtenstein's recurring subjects, the brushstroke is perhaps his most enduring motif. In a parody of the painterly gesture closely associated with Abstract Expressionism, he presents the brushstroke—the principal 'signature' of the fine artist—as an object in its own right, a visual pun of sorts frozen in time and space. Set against a field of colored dots, Lichtenstein's motif mimics the photomechanical printing methods commonly used to produce comic strips, a reflection of his abiding interest in popular culture and preference for the impersonal and machine-made image.","","Leo Castelli Gallery, New York (publisher); Walker Art Center, Museum Shop, Minneapolis, sold to Hillstrom, 1967; Rev. Richard L. Hillstrom, St. Paul, 1967-1984; given to MIA.",,"Gift of Reverend Richard L. Hillstrom in memory of Edward and Irene Hillstrom","P.84.42","Artist: Roy Lichtenstein; Publisher: Leo Castelli Gallery , for the Pasadena Art Museum, California; Printer: Aetna Silkscreen Products, New York","Artist","American","American, 1923–1997","%C2%A9 Estate of Roy Lichtenstein","Arts of the Americas","In Copyright","valid",4425,3246,1,"1",1,"Corlett 45",,"[""""]","art",1.3724604,,,,,,,,true,,,,,,,,,,,,,,,,,
"84878","Obelisk","Linen; printed"," Textiles","overall (Length does not include 16 (40.5cm)of sewn-on slee): 138 1/2 x 46 1/2 in. (351.79 x 118.11 cm)",,"North America","United States",,"1958-1960","Not on View","20th century","","","","Many of the fabrics the company produced owe their success to the input of several people. Jack Larsen might suggest a source of inspiration, while other designers offered color and technical suggestions. Obelisk, however, which uses overprinting to enrich the color possibilities, is a rare example of a design developed solely by Jack Larsen. The pattern name may have been a company favorite. In 1981 and 1989, the company introduced two completely unrelated printed fabrics using the pattern name Obelisk, presenting an interesting challenge to those cataloguing the Larsen Archive.","Printed, Multi colored, Chevron design.Length is 138.5"" PLUS another 16"" of sheer sleeve sewn on top edge. Side & bottom are hemmed. 48.5"" pattern rpt. Polychrome on Edelweiss","","From Collection ' 59","Gift of Cowtan & Tout, Inc.","99.1.1078","Designer: Larsen Design Studio, New York; Designer: Jack Larsen; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American, born 1927","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","valid",1652,2972,0,"1",0,,,"[""""]","art",1.372229,,,,,,,,,,,,,,,,,,,,,,,,,
"112648","Tan Lejos de Dios; Tan Cerca de los Estados Unidos","Lithograph on Okawara paper"," Prints","32 1/4 x 56 3/4 in. (81.92 x 144.15 cm)","Print","North America","United States",,"2001","Not on View","21st century","","LRC, in pencil: (c) Luis Jimenez 2001","LLC, in pencil: 46/50
LLC, blindstamp: arrow-like symbol","So Far from God humanizes the contentious political issue of border crossing, capturing the desperation, determination, and resilience of these hopeful immigrants. Jimenez's expressive figures and montage-like narrative reflect his affinity for early twentieth century Mexican murals by Orozco, Rivera, and Siquieros, while the jagged edges from his broken lithography stone echo the rugged quality of Jose Guadalupe Posada's late nineteenth century political cartoons. The title refers to a quote by Mexican president Porfirio Díaz (1876–1911). Regarding Mexico's depressed economy, Díaz remarked, ""¡Pobre México! ¡Tan lejos de Dios y tan cerca de los Estados Unidos!"" (Poor Mexico! So far from God and so close to the United States!) Forever suspended in a torturous purgatory, Jimenez's immigrants are so close to paradise, yet so far from salvation.","figures carrying children and bundles at right, with man with two guns at right edge; screaming woman with one bare breast at center, with a dog at her feet; helicopter and plane in top corners; three black birds flying overhead; dead girl lying face down, nude from waist down, at left; car at far left; cactus and barbed wire at bottom in foreground","Lawrence Lithography Workshop, Kansas City, Missouri (publisher); sold to MIA, 2011","From ","The Richard Lewis Hillstrom Fund","2011.76.3","Artist: Luis Jimenez; Printer: Michael Sims; Publisher: Published by the Art Department at Western Michigan University, Kalamazoo, Michigan","Artist","American","American, 1940–2006","%C2%A9 Estate of Luis A. Jimenez%2C Jr. %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",6820,3924,1,"1",1,,,"[""""]","art",1.3721591,,,,,,,,,,,true,,,,,,,,,,,,,,
"79924","Ben Shahn Graphics. November 15th-December 31st 1967","Color lithograph"," Prints","45 x 30 in. (114.3 x 76.2 cm) (sheet)","Poster","North America","United States",,"1967","Not on View","20th century","","","","","man with patchwork colored torso; ""Ben Shan Graphics"" in red at top","Michael and Rosalyn Baker, Minneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.41","Publisher: Philadelphia Museum of Art","Artist",,,"","Prints and Drawings","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.3671302,,,,,,,,,,,,,,,,,,,,,,,,,
"133877","Collective Chaos, Bay Area Flyer Art 1988-2012: Absolutely Zippo, no. 49","Photocopy; bound volume"," Books; Works on Paper","11 × 8 1/2 × 3/8 in. (27.94 × 21.59 × 0.95 cm) (closed)","Zine",,,,"November 2, 2012","Not on View","21st century","","","","","Stab stitched binding with tape, collage of images, designs, and text photocopied on wove paper cover; 43 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.199","Artist: Robert Eggplant; Publisher: Robert Eggplant","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2786,3900,1,"1",0,,,"[""""]","art",1.3572166,,,,,,,,,,,,,,,,,,,,,,,,,
"13442","Album Leaf and Two Text Leaves, from ""Landscapes from Nature, Poetry, and Art""","Ink on paper"," Paintings","16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)
19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (closed)
19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2 cm) (entire album, overall, closed)","Leaf","Asia","China",,"1774","Not on View","18th century","","","","Wang Chen was a descendant of the great scholar-official Wang Shimin. His inscriptions here indicate that the basis for this album of large landscapes was the natural scenery of Chu, a region located south of the Yangzi River. In 1774, Wang was serving as a low-level official in this region. His inscriptions also mention earlier poets and painters whose conceptual and stylistic influences, along with the natural scenery, inspired the various scenes here, which were based on sketches made at the sites themselves.","2 leaves of text followed by image of small figure at center contemplating a vase with foliage, in a rocky landscape; from an album of 12 drawings in ink and wash; short inscription and stamps in red","",,"Gift of Ruth and Bruce Dayton","2000.38.3.1","Artist: Wang Chen","Artist",,"1720 - 1797","","Asian Art","Public Domain","valid",3797,4853,0,"1",1,,,"[""""]","art",1.3565553,,,,,,,,,,,,,,,,,,,,,,,,,
"24093","Objet d' Art - Montparnasse (Dreaming Dreams No One Had Dared to Dream Before)","Black chalk on paper"," Drawings","10 5/8 x 8 3/16in. (27 x 20.8cm)","Drawing","North America","United States",,"1931","Not on View","20th century","Inscription
verso, in blue pencil: [A 9216]
recto: [75]
on old backing, red felt tip pen: [Easter 1973/Cass-Happy Easter/I\'d like to add this to your drawing collection./A collection I admire/so very much./Fondly,/Phyllis]","In black chalk, LR: peggy Bacon. / 1931","","In 1931 Peggy Bacon sailed to Europe with her artist husband, Alexander Brook (1898-1980). The title of this drawing, done among the cafés in Paris's storied artist hangout, shows her gift for satire. Bacon's métier was her droll wit, and she was celebrated in the 1920s and 1930s for her caricatures. A student of George Bellows and John Sloan, she had a marvelous eye for revealing character.","","Cass Canfield, New York (acquired 1973); (The Cass Canfield Collection at the F.A.R. Gallery, New York). (Kraushaar Galleries, New York). John and Colles Larkin, Dellwood, Minn.; given to MIA, 1983.
",,"Gift of Dr. and Mrs. John E. Larkin, Jr.","83.166.1","Artist: Peggy Bacon","Artist","American","American, 1895-1987","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",3418,4552,0,"1",0,,,"[""""]","art",1.356324,,,true,,,,,,,,,,,,,,,,,,,,,,
"95737","Art Deco Panel","Wool velvet; printed"," Textiles","56 x 35 3/4 in. (142.24 x 90.81 cm)","Art Deco Panel",,,,"20th century","Not on View","20th century","","","","","abstract geometric design in brown, tan, rust red, cream; brown borders","","From ","Gift of funds from Richard Simmons","2004.203","","Artist",,,"","Decorative Arts, Textiles and Sculpture","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",1.3515264,,,,,,,,,,,,,,,,,,,,,,,,,
"27129","Art Deco Textile","Cotton, viscose rayon; jacquard woven"," Textiles","69 x 49in. (175.3 x 124.5cm)","cloth","North America","United States",,"20th century","Not on View","20th century","","","","","","","From ","The Tess Armstrong Fund","91.105","","Artist",,,"","Decorative Arts, Textiles and Sculpture","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",1.351295,,,,,,,,,,,,,,,,,,,,,,,,,
"42997","The Art Police Lithograph","Hand-colored lithograph"," Prints; Works on Paper","20 7/8 x 13 1/4 in. (53.02 x 33.66 cm) (image)
23 3/16 x 14 7/8 in. (58.9 x 37.78 cm) (sheet)","Print","North America","United States",,"October 1977","Not on View","20th century","Titled in pencil, LL: Art Police Lithograph
Inscribed in pencil along bootem edge of sheet: For Evan M. Maurer Mai Day 1991 ~ Merci ~ Frankie","Signed in pencil, LR: Frank Gaard","Numbered in pencil, LC: 6/26
Unidentified blindstamp LLC","","","Frank Gaard, Minneapolis, 1977-91; given to Evan M. Maurer, Minneapolis (former MIA Director); given to MIA, 1991.",,"Gift of Evan M. Maurer","P.91.20","Artist: Frank Gaard; Publisher: Artpolice, Minneapolis","Artist","American","American, born 1944","%C2%A9 Frank Gaard","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",1,,,"[""""]","art",1.35123,,,,,,,,,,,,,,,,,,,,,,,,,
"112219","Ex-Libris: Art Miller","Process print"," Prints","4 x 3 7/16 in. (10.16 x 8.73 cm) (image)
5 7/8 x 4 11/16 in. (14.92 x 11.91 cm) (image, sheet)",,,,,"Date Unknown","Not on View",,"","","","","","Leroy Truman Goble, Chicago","From ","Gift of Frans C. Goble","P.99.29.38","Artist: Franz von Bäyros","Artist","Austrian","Austrian, 1866 - 1924","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",1.3512251,,,,,,,,,,,,,,,,,,,,,,,,,
"139533","You Art Fuckers","Screenprinting on Arches 88"," Prints","30 1/4 x 22 1/2 in.","Proof","North America","United States",,"2009","Not on View","21st century","","","","","","","From ","Highpoint Editions Archive, The Friends of Bruce B. Dayton Acquisition Fund and the Christina N. and Swan J. Turnblad Memorial Fund","2021.58.230","Artist: Todd Norsten","Artist","American","American, born 1967","","Arts of the Americas","In Copyright","invalid","","",1,"1",1,,,"[""128428"",""137532"",""137533"",""137534"",""137535"",""137536"",""137537"",""137538"",""137539"",""137540"",""137541"",""137542"",""137543"",""137544"",""137545"",""137546"",""137547"",""137548"",""137549"",""139533""]","art",1.3511553,,,,,,,,,,,,,,,,,,,,,,,,,
"127306","Morning Security Briefing at the Minneapolis Institute of Art, basement door open onto the Guard Lounge Pet Wall","Oil on linen"," Paintings","95 × 75 in. (241.3 × 190.5 cm)
76 7/8 × 97 1/16 × 2 1/2 in. (195.3 × 246.5 × 6.4 cm) (outer frame)","Painting","North America","United States",,"2017","Not on View","21st century","","","","Upon arriving at Mia, Aliza Nisenbaum, like most visitors, was first met by the museum’s guards. While Mia’s guards represent the museum’s first line of defense against theft and damage to the collection, they also serve a vital role in facilitating the museum-going experience.
Clad in their uniforms, our museum guards are an often- overlooked community unto themselves, some of whom live in the surrounding Phillips and Whittier
neighborhoods. Over the course of her residency, Nisenbaum befriended a number of guards, learning about their hobbies, pets, and life stories during their time together in her studio. Here, six guards are shown at rest in the lounge, a private space where they take breaks and gather before and after their shifts.
Sitters from left to right: Jason Ressler, Desmond Griffin, Bruce Morrow, Katherine Lamb, Gina Carchedi, Jesse Nagamatsu","seated portrait of six people; woman with blond bobbed haircut seated in center wearing blue knee high socks, tan skirt, tie blue sweater and blue shirt with radio at waist; three men to PR of woman wearing similar clothing as seated woman; man to PR of seated woman wearing dark pants, white shirt, sunglasses and orange backwards baseball hat with radio at hip; woman with short gray hair to PL of seated woman who wears white shirt, dark slacks and zippered bag around waist; man with long dark hair, glasses and beard sitting to PL of seated woman also dressed in tie, tan pants, blue shirt and dark sweater; blue wall in background, sign in top middle reading ""Lounge""; bulletin board behind man wearing hat with various pamphlets attached; several photos of pets attached to wall behind seated long haired man; green and brown checkered floor","",,"The Mary Ingebrand-Pohlad Endowment for Twentieth Century Paintings","2018.13.1","Artist: Aliza Nisenbaum","Artist","Mexican (active U.S.)","Mexican (active U.S.), born 1977","%C2%A9 Aliza Nisenbaum","Global Contemporary Art","In Copyright–Educational Use","valid",8137,6442,0,"1",0,,,"[""""]","art",1.3310978,,,true,,,,,,,,,true,,,,,,,,,,,,,
"134654","Taking it to the Streets! The Art + Design of Posters and Flyers on the Lower East Side in the 80s + 90s","Offset lithography, letterpress; bound volume"," Books; Works on Paper","8 1/2 × 7 × 1/16 in. (21.59 × 17.78 × 0.16 cm) (closed)","Zine",,,,"2017","Not on View","21st century","","","","","Saddle stitched binding, letterpress printed on wove paper covers; 5 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.976","Author: Seth Tobocman; Publisher: ABC No Rio, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2700,3780,1,"1",0,,,"[""""]","art",1.3066968,,,,,,,,,,,,,,,,,,,,,,,,,
"59920","Art House is Not a Home","Etching, drypoint, cold chisel"," Prints","17 3/4 x 11 7/8 in. (45.09 x 30.16 cm) (plate)
22 5/16 x 15 in. (56.67 x 38.1 cm) (sheet)",,"North America","United States",,"1981","Not on View","20th century","Signature","In pencil in margin","Watermarks: ","","","","From ","Gift of the artist","P.87.15.2","Artist: Steven R. Mignone","Artist","American","American, born 1954","%C2%A9 Steven R. Mignone","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.3007053,,,,,,,,,,,,,,,,,,,,,,,,,
"19068","Two Women in an Art Gallery","Watercolor and gouache over graphite"," Drawings","10 11/16 x 9 1/16 in. (27.15 x 23.02 cm) (image)","Watercolor","Europe","France",,"1827-1888","Not on View","19th century","Inscription
in pencil, LR verso: [Axx No. 1]","","","","","","From La Revue de la Mode, (Paris, 1872-1888)","The Minnich Collection
The Ethel Morrison Van Derlip Fund","66.25.273","","Artist",,,"","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"Colas, 2545 (dates wrong)
Holland, pp. 134, 144, etc.",,"[""""]","art",1.3007053,,,,,,,,,,,,,,,,,,,,,,,,,
"142977","Not a Good Day","Color screenprint"," Works on Paper","15 7/8 × 27 5/8 in. (40.3 × 70.2 cm) (image)
18 × 30 1/8 in. (45.7 × 76.5 cm) (sheet)","Print","North America","United States",,"1993","G261","20th century","","BC in pencil: A Thompson Dec 1993 | LR in pencil: \""Not a Good Day\""","LL in pencil: 194/200 | Publisher\'s blindstamp, LRC: Pacific Editions Limited","","eagle and serpent depicted surrounding a whale","",,"Anonymous gift in memory of John M. and Janet B. McKelvey","2021.116.11","Artist: Art Thompson; Publisher: Pacific Editions Ltd.","Artist","Canadian, 1948–2003","Canadian, 1948–2003","","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.2897989,,,,,,,,,,,,,,,,,,,,,,,,,
"61815","""Chicorée"" style buffet","Black walnut"," Furniture","100 1/2 x 88 1/2 x 22 in. (255.27 x 224.79 x 55.88 cm)",,"Europe","France",,"c. 1902","G352","Art Nouveau","","","","","Art nouveau","","From ","The Modernism Collection, gift of Norwest Bank Minnesota","98.276.324","Designer: Louis Majorelle","Artist","French","French, 1859-1926","","European Art","Public Domain","valid",3381,3896,0,"1",0,,,"[""""]","art",1.2811368,,,,,,,,,,,,,,,,,,,,,,,,,
"137513","Entropia (review)","Color screenprint and lithograph"," Prints","29 × 40 in. (73.66 × 101.6 cm) (image)
33 1/2 × 44 in. (85.09 × 111.76 cm) (sheet)","Print","North America","United States",,"2004","Not on View","21st century","","LR in pencil below image: Mehretu 2004
","LL in pencil below image: archive proof 1/2 | Publisher\'s blindstamp, LL below image: HP
","Painter and printmaker Julie Mehretu finds inspiration for her imagery in the complex infrastructure of the constructed world. Entropia (review) typifies Mehretu's longstanding interest in using architectural language to express ideas of power, particularly how power is conveyed in public spaces. Visually complex, her print combines decontextualized elements of maps, diagrams, plans, and architectural drawings of socially-charged spaces--streets, plazas, airports, government buildings, schools, parks--with Mehretu's personal language of signs and symbols. She refers to these layered, multidimensional compositions as ""psycho-geographic"" abstractions, essentially hybrids of various urban structures, settings, and identities that call to mind multicultural and global concerns of contemporary society, especially the cultural and political role of power.","32-color screenprint and lithograph co-published by Highpoint and the Walker Art Center produced from computer files and drawings by the artist hand-printed from photosensitive screens and lithographic plates. The four lithographic elements were retained for possible reworking and inclusion in separate project.","Highpoint Editions, Minneapolis (publisher); sold to MIA, 2020.","From ","Highpoint Editions Archive, The Friends of Bruce B. Dayton Acquisition Fund and the Christina N. and Swan J. Turnblad Memorial Fund","2020.85.68","Artist: Julie Mehretu; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis","Artist","American (born Ethiopia)","American (born Ethiopia), 1970","Copyright %C2%A9 Julie Mehretu%2C published by Highpoint Editions and Walker Art Center","Global Contemporary Art","In Copyright–Educational Use","valid",9787,7449,0,"1",0,,,"[""137513"",""139452"",""139453"",""139454"",""139455"",""139456"",""139457"",""139458"",""139459"",""139460"",""139461"",""139462""]","art",1.2270046,,,,,,,true,,,true,,,,,,,,,,,,,,,
"56924","Praise","Rubber stamp print"," Prints","11 x 11 in. (27.94 x 27.94 cm) (sheet)","Print","North America","United States",,"1976 (published 1977)","Not on View","20th century","Stamped title in gold ink, LR: praise
","Stamped signature in gold ink, LR: a. martin","Numbered in pencil, LR: 928","Agnes Martin rose to prominence in the 1960s and 1970s with geometric abstractions that explored the expressive and meditative possibilities of squares, grids, and lines. Though her work is often associated with Minimalism, Martin felt more closely aligned with the Abstract Expressionists, whose emphasis on the spiritual and existential aspects of art was more in keeping with her own philosophy. Her preference for painting entirely by hand using subdued colors and ritualized processes was central to her practice and revealed the highly subjective and idiosyncratic nature of her work.","","Parasol Press, New York (publisher); sold to MIA, 1979.","From Rubber Stamp Portfolio","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.23.9","Artist: Agnes Martin; Publisher: Parasol Press Ltd., New York; Printer: Triton Press, New York; Distributor: Museum of Modern Art, New York","Artist","American (born Canada)","American (born Canada), 1912 - 2004","%C2%A9 Agnes Martin %2F Artists Rights Society %28ARS%29%2C New York","Global Contemporary Art","In Copyright","valid",4816,4834,1,"1",1,,,"[""""]","art",1.2113588,,,true,,,,,,,,,,,,,,,,,,,,,,
"137499","ɹǝɯɯnS ɟo","Sugar-lift aquatint, spit-bite aquatint, drypoint (scribes, sandpaper), scraping, burnishing, woodcut in dark blue on gampi paper, screenprint in light blue, and color digital pigment print on gampi paper with cutouts"," Prints","34 × 24 in. (86.36 × 60.96 cm) (image)
41 × 30 1/2 in. (104.14 × 77.47 cm) (sheet)","Print","North America","United States",,"2016","Not on View","21st century","","LR in pencil below image: Jim Hodges 2016 | BC in pencil below image: of Summer [written upside down and backwards]","LL in pencil below image: Archive 2/3 | Publisher\'s blindstamp, LL below image: HP","","Woodcut: Hand-printed in dark blue with a barren on a sheet of white gampi from laser-cut luan plywood created from the artist's drawing and mounted to the Revere Silk sheet with wheat starch. Intaglio: Two steel-faced copper plates drawn by the artist using sugar-lift, spit-bite, scraping, burnishing, and extensive drypoint using sandpaper, twisted scribes, and scrapers printed in black ink. Screenprinting: Solid light blue shapes created using Rubylith material per colored paper shapes cut by the artist printed after the prints were dried and flattened. Digital: Digital pigment printing on white gampi from the artist's drawing on tracing paper adhered to BEV A conservation film and cut by a programed knife cutter and applied to the print with heat. Of Summer is the second print by Jim Hodges co-published by the Walker Art Center and Highpoint Editions intended to be part of a four print series concerning the four seasons. To match the presentation of the first print, Winter Speaks, each Of Summer print was mounted using kozo-shi strips to museum board with an 8-ply museum board window over mat.","Highpoint Editions, Minneapolis (publisher); sold to MIA, 2020.","From Seasons","Highpoint Editions Archive, The Friends of Bruce B. Dayton Acquisition Fund and the Christina N. and Swan J. Turnblad Memorial Fund","2020.85.53","Artist: Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis","Artist","American","American, born 1957","Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center","Global Contemporary Art","In Copyright–Non-Commercial Use","valid",4050,5250,0,"1",0,,,"[""137499"",""139285"",""139286"",""139287"",""139288"",""139289"",""139290"",""139291"",""139292"",""139293"",""139294"",""139295"",""139296"",""139297"",""139298"",""139299"",""139300"",""139301"",""139302"",""139303"",""139304"",""139305"",""139306"",""139307"",""139308"",""139309"",""139310"",""139311"",""139312"",""139313"",""139314"",""139315"",""139316"",""139317"",""139318"",""139319"",""139320"",""139321"",""139322"",""139323"",""139324"",""139325"",""139326"",""139327"",""139328"",""139329"",""139330"",""139331"",""139332"",""139333"",""139334"",""139335"",""139336"",""139337"",""139338"",""139339"",""139340"",""139341"",""139342"",""139343"",""139344"",""139345"",""139346"",""139347"",""139348"",""139349"",""139350"",""139367"",""139368"",""139369"",""139370"",""139371"",""139372"",""139373"",""139374"",""139375"",""139376"",""139377"",""139378"",""139379"",""139380"",""139381"",""139382"",""139383"",""139384"",""139385"",""139386"",""139387"",""139388"",""139389"",""139390"",""139391"",""139392"",""139393"",""139394"",""139395"",""139396"",""139397"",""139398"",""139399"",""139400"",""139401"",""139402"",""139403"",""139404"",""139405"",""139406"",""139407"",""139408"",""139409"",""139410"",""139411"",""139412"",""139413"",""139414"",""139415"",""139416"",""139417"",""139418"",""139419"",""139420"",""139421"",""139422"",""139423"",""139424"",""139425"",""139426"",""139427"",""139428"",""139429"",""139430"",""139431"",""139432"",""139433"",""139434"",""139435"",""139436"",""139437"",""139438"",""139439"",""139440"",""139441"",""139442"",""139443"",""139444"",""139448"",""139449"",""140793"",""140794"",""140798"",""140799"",""140808"",""140809"",""140810"",""140811""]","art",1.202289,,,,,,,true,,,,,,,,,,,,,,,,,,
"137500","Finally","Aquatint, drypoint, sugar-lift, spit-bite, screenprint, and digital pigment print with chine collé; hand-cut and folded with a hand-cut, folded, and assembled holographic foil element"," Prints","34 × 24 in. (86.36 × 60.96 cm) (image)
43 × 33 in. (109.22 × 83.82 cm) (sheet)","Print","North America","United States",,"2017","Not on View","21st century","","LR in pencil below image: Jim Hodges 2017 | BC in pencil below image: Finally","LL in pencil below image: Archive | Publisher\'s blindstamp, LL below image: HP","","• Digital pigment print of scanned green floral drawing on verso of the Somerset Velvet paper. • Digital pigment print of scanned Sumi ink drawing printed onto Asuka paper. • Asuka hand-cut and chine colléd onto the Somerset Velvet paper, prior to intaglio. • Intaglio from one steel-faced copper plate drawn by the artist using aquatint, spit-bite, sugar-lift, and drypoint in black ink. • Screenprint in light gray on Coventry Rag paper. Screenprint in blue on museum board. • Butterfly element made of gampi holographic foil, stainless steel wire, and BEVA conservation film. • Coventry Rag border cut and adhered to Somerset Velvet intaglio print using BEVA conservation film and gampi paper. • Three-dimensional elements hand-cut and folded forward to the artist's specifications. • Coventry/Somerset print attached to museum board using BEVA conservation film and gampi paper. • lnserted the hand-cut and folded butterfly element through the museum board and attached with BEVA conservation film and gampi paper. Finally is the third print by Jim Hodges co-published by the Walker Art Center and Highpoint Editions intended to be part of a four-print series concerning the four seasons.","Highpoint Editions, Minneapolis (publisher); sold to MIA, 2020.","From Seasons","Highpoint Editions Archive, The Friends of Bruce B. Dayton Acquisition Fund and the Christina N. and Swan J. Turnblad Memorial Fund","2020.85.54","Artist: Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis","Artist","American","American, born 1957","Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center","Global Contemporary Art","In Copyright–Non-Commercial Use","valid",4500,5700,0,"1",0,,,"[""137500"",""139285"",""139286"",""139287"",""139288"",""139289"",""139290"",""139291"",""139292"",""139293"",""139294"",""139295"",""139296"",""139297"",""139298"",""139299"",""139300"",""139301"",""139302"",""139303"",""139304"",""139305"",""139306"",""139307"",""139308"",""139309"",""139310"",""139311"",""139312"",""139313"",""139314"",""139315"",""139316"",""139317"",""139318"",""139319"",""139320"",""139321"",""139322"",""139323"",""139324"",""139325"",""139326"",""139327"",""139328"",""139329"",""139330"",""139331"",""139332"",""139333"",""139334"",""139335"",""139336"",""139337"",""139338"",""139339"",""139340"",""139341"",""139342"",""139343"",""139344"",""139345"",""139346"",""139347"",""139348"",""139349"",""139350"",""139367"",""139368"",""139369"",""139370"",""139371"",""139372"",""139373"",""139374"",""139375"",""139376"",""139377"",""139378"",""139379"",""139380"",""139381"",""139382"",""139383"",""139384"",""139385"",""139386"",""139387"",""139388"",""139389"",""139390"",""139391"",""139392"",""139393"",""139394"",""139395"",""139396"",""139397"",""139398"",""139399"",""139400"",""139401"",""139402"",""139403"",""139404"",""139405"",""139406"",""139407"",""139408"",""139409"",""139410"",""139411"",""139412"",""139413"",""139414"",""139415"",""139416"",""139417"",""139418"",""139419"",""139420"",""139421"",""139422"",""139423"",""139424"",""139425"",""139426"",""139427"",""139428"",""139429"",""139430"",""139431"",""139432"",""139433"",""139434"",""139435"",""139436"",""139437"",""139438"",""139439"",""139440"",""139441"",""139442"",""139443"",""139444"",""139448"",""139449"",""140793"",""140794"",""140798"",""140799"",""140808"",""140809"",""140810"",""140811""]","art",1.202289,,,,,,,true,,,,,,,,,,,,,,,,,,
"40381","Plate 14, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","20 7/8 x 15 5/8in. (53 x 39.7cm)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","Plate 14","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.15","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","valid",1260,1920,0,"1",0,,,"[""""]","art",1.1887369,,,true,,,,,,,,,,,,,,,,,,,,,,
"40378","Plate 11, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","20 7/8 x 15 5/8in. (53 x 39.7cm)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","Plate 11","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.12","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","valid",1260,1920,0,"1",0,,,"[""""]","art",1.1887368,,,true,,,,,,,,,,,,,,,,,,,,,,
"40382","Plate 10, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","20 7/8 x 15 5/8in. (53 x 39.7cm)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","Plate 10","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.11","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","valid",1260,1920,0,"1",0,,,"[""""]","art",1.1887368,,,true,,,,,,,,,,,,,,,,,,,,,,
"108335","Plate 2, from ""Meister der Innen: Kunst II: Charles Rennie Mackinstosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","12 1/2 x 18 in. (31.75 x 45.72 cm) (sight)
22 7/8 x 28 3/8 x 1 3/8 in. (58.1 x 72.07 x 3.49 cm) (outer frame)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","west elevation of building; green door lowest level left side; below image center: ""OST: WEST""; title upper left; number ""2"" upper right; below image: ""EMIL HOCHDANZ STUTTGART C. R. MACKINTOSH. GLASGOW. HAUS EINES KUNST - FREUNDES/ VERLAGS - ANSTALT: ALEXANDER KOCH-DARMSTADT. - TAFEL II""","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.3","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","valid",1260,1920,0,"1",0,,,"[""108335"",""53671""]","art",1.1885394,,,true,,,,,,,,,,,,,,,,,,,,,,
"108298","Plate 6, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Photolithograph"," Prints","12 3/4 x 17 1/8 in. (32.39 x 43.5 cm) (sight)
22 7/8 x 28 3/8 x 1 3/8 in. (58.1 x 72.07 x 3.49 cm) (outer frame)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","black and white drawing; vaguely rectangular multistory building with flat roof; one peak at far left; oval section with antenna on top next; oval projection at far right; multisegmented windows in various sizes; flower-like design lower left corner of image; below image: ""C.R. MACKINTOSH. GLASGOW. HAUS EINES KUNST-FREUNDS/ VERLAGS-ANSTALT: ALEXANDER KOCH-DARMSTADT.-TAFEL VI.""; title above image with the number ""6"" at UR corner","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.7","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","valid",1260,1920,0,"1",0,,,"[""108298"",""53671""]","art",1.1883419,,,true,,,,,,,,,,,,,,,,,,,,,,
"108299","Plate 3, from ""Meister der Innen: Kunst II: Charles Rennie Mackinstosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","12 x 19 1/8 in. (30.48 x 48.58 cm) (sight)
22 7/8 x 28 3/8 x 1 3/8 in. (58.1 x 72.07 x 3.49 cm) (outer frame)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","rectangular multistory building; one peak at far left; section with antenna on top next; multisegmented windows in various sizes; green tree-like objects with round heads along right front and above stairway on left; below image: ""C.R. MACKINTOSH. GLASGOW. HAUS EINES KUNST-FREUNDS/ VERLAGS-ANSTALT:ALEXANDER KOCH-DARMSTADT.-TAFEL III."" title above image; number 3"" at right; publisher's name, ""NORD"" and scale below image","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.4","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","valid",1260,1920,0,"1",0,,,"[""108299"",""53671""]","art",1.1883419,,,true,,,,,,,,,,,,,,,,,,,,,,
"81535","Blessed Art Thou Among Women","Photogravure"," Photographs","9 5/16 x 5 1/2 in. (23.65 x 13.97 cm) (image)
10 5/8 x 7 5/8 in. (26.99 x 19.37 cm) (sheet)",,"North America","United States",,"1899","Not on View","19th century","","","","","","","From From ""Camera Notes,"" July 1900 (vol. 4, no. 1)","The Miscellaneous Works of Art Purchase Fund","90.111.13.2","Photographer: Gertrude Käsebier","Artist","American","American, 1852-1934","","Arts of the Americas","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.1832141,,,,,,,,,,,,,,,,,,,,,,,,,
"54869","Untitled","Lithograph and color screenprint"," Prints","8 15/16 x 11 15/16 in. (22.7 x 30.32 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Edition
see Signed
Numbered in pencil, LR: [T.P. 1/4]","on stone, on sheet: [Judd]","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.11","Artist: Donald Judd; Printer: Styria Studio, New York copyright 1973 by George Segal; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1928 - 1994","%C2%A9 Judd Foundation %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",6413,4811,1,"1",1,"S. App. B.",,"[""""]","art",1.1781418,,,,,,,,,,,,,,,,,,,,,,,,,
"83464","A Midnight Race on the Mississippi","Color lithograph with hand-coloring"," Prints","15 3/8 x 22 3/4 in. (39.05 x 57.79 cm) (sight)","Print","Europe","England",,"1871","Not on View","19th century","Printed title, bottom margin: A MIDNIGHT RACE ON THE MISSISSIPPI","","","","two steamships on a river; nightscape with moon and clouds; shore with trees at L; one boat labeled ""Lincoln,"" one labeled ""Davies""","U.S. Bank, Minneapolis; sold to MIA, 2003.",,"Gift of funds from Dennis Michael Jon","2003.213.13","Artist: Frances Flora Palmer; Artist: after H. D. Manning; Publisher: R. Rogerson, Leeds, England , for Yorkshire Fine Art Distribution. Leeds; Printer: Yates and Co., London","Artist","American (born England)","American (born England), 1812 - 1876","","European Art","Public Domain","valid",2964,2032,0,"1",1,"see Gale ""Currier & Ives"" 4476",,"[""""]","art",1.1781418,,,true,,,,,,,,,,,,,,,,,,,,,,
"137498","Winter Speaks","Color aquatint, sugar-lift aquatint, spit-bite aquatint, etching, drypoint, scraping, burnishing, and brown chine collé, with a hand-cut screenprinted over-sheet"," Prints","34 × 24 in. (86.36 × 60.96 cm) (image)
41 × 30 1/2 in. (104.14 × 77.47 cm) (sheet)","Print","North America","United States",,"2015","Not on View","21st century","","LR in pencil below image: Jim Hodges 2015 | BC in pencil below image: Winter Speaks","LL in pencil below image: Arch 2/3 | Publisher\'s blindstamp, LL below image: HP","","Six-color etching and screenprint with chine collé and hand-cut gampishi oversheet: The first plate is printed in light green, light blue, light brown, and light gray inks from an aquatint with a brown chine collé element. The second plate is printed in black ink with etching, sugar-lift, spit-bite, drypoint, scraping, burnishing with the two lower comers cut at diagonals and reassembled after inking and prior to printing. The oversheet is white gampishi which was screenprinted. 136 diamond shapes were hand-cut according to placements designated by the artist and attached using 10 diamond shapes cut from BEVA in placements designated by the artist. The gampishi oversheet being attached at irregular intervals will dynamically respond to its environment with changes described by the artist as ""expected and welcome."" To allow movement and protect the oversheet from damage, each print was mounted using kozo-shi strips to museum board with an 8-ply museum board window overmat.","Highpoint Editions, Minneapolis (publisher); sold to MIA, 2020.","From Seasons","Highpoint Editions Archive, The Friends of Bruce B. Dayton Acquisition Fund and the Christina N. and Swan J. Turnblad Memorial Fund","2020.85.52","Artist: Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis","Artist","American","American, born 1957","Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center","Global Contemporary Art","In Copyright–Non-Commercial Use","valid",4050,5250,0,"1",0,,,"[""137498"",""139285"",""139286"",""139287"",""139288"",""139289"",""139290"",""139291"",""139292"",""139293"",""139294"",""139295"",""139296"",""139297"",""139298"",""139299"",""139300"",""139301"",""139302"",""139303"",""139304"",""139305"",""139306"",""139307"",""139308"",""139309"",""139310"",""139311"",""139312"",""139313"",""139314"",""139315"",""139316"",""139317"",""139318"",""139319"",""139320"",""139321"",""139322"",""139323"",""139324"",""139325"",""139326"",""139327"",""139328"",""139329"",""139330"",""139331"",""139332"",""139333"",""139334"",""139335"",""139336"",""139337"",""139338"",""139339"",""139340"",""139341"",""139342"",""139343"",""139344"",""139345"",""139346"",""139347"",""139348"",""139349"",""139350"",""139367"",""139368"",""139369"",""139370"",""139371"",""139372"",""139373"",""139374"",""139375"",""139376"",""139377"",""139378"",""139379"",""139380"",""139381"",""139382"",""139383"",""139384"",""139385"",""139386"",""139387"",""139388"",""139389"",""139390"",""139391"",""139392"",""139393"",""139394"",""139395"",""139396"",""139397"",""139398"",""139399"",""139400"",""139401"",""139402"",""139403"",""139404"",""139405"",""139406"",""139407"",""139408"",""139409"",""139410"",""139411"",""139412"",""139413"",""139414"",""139415"",""139416"",""139417"",""139418"",""139419"",""139420"",""139421"",""139422"",""139423"",""139424"",""139425"",""139426"",""139427"",""139428"",""139429"",""139430"",""139431"",""139432"",""139433"",""139434"",""139435"",""139436"",""139437"",""139438"",""139439"",""139440"",""139441"",""139442"",""139443"",""139444"",""139448"",""139449"",""140793"",""140794"",""140798"",""140799"",""140808"",""140809"",""140810"",""140811""]","art",1.177759,,,,,,,true,,,,,,,,,,,,,,,,,,
"137501","Bringing in the Ghosts","Color lithograph, relief, screen and pigment printing with hand-cutting, collage, and metallic foil"," Prints","43 × 33 in. (109.22 × 83.82 cm) (sheet)","Print","North America","United States",,"2019","Not on View","21st century","","LRC in pencil: Jim Hodges 2019 | BC in pencil: Bringing in the ghosts","LLC in pencil: Archive 2/3 | Publisher\'s blindstamp, LLC: HP","","Seventy-nine color print with lithographic, relief, screen and pigment printing with hand-cutting, collage, and metallic foil. Printing order: Coventry Rag: A gradation from light gray on the left to medium gray on the right was digitally pigment printed and seven colors (3 golds, copper, red, yellow, and orange) of foil were applied individually using metal leaf size screenprinted through screen stencils created from the artist's drawing. Kozo-shi: 92 shapes in 62 colors printed from 14 lithographic plates and one run of blended color screenprinting. The plates were created by relief printing black ink from wood panels onto tracing paper. The artist selected shapes from the printed tracing paper which were used to create photolithographic plates. After the lithographic plates were printed, an overprint of gradated screen ink transitioning from clear on the left side to transparent black on the right was applied. The printed kozo-shi was cut into strips and mounted on the printed Coventry Rag sheets using BEVA film adhesive. The kozo-shi mounted on the Coventry Rag was then screenprinted with eight colors (3 metallic golds, metallic copper, metallic bronze, red, orange, and yellow) through screen stencils created using the artist's drawings.","Highpoint Editions, Minneapolis (publisher); sold to MIA, 2020.","From Seasons","Highpoint Editions Archive, The Friends of Bruce B. Dayton Acquisition Fund and the Christina N. and Swan J. Turnblad Memorial Fund","2020.85.55","Artist: Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis","Artist","American","American, born 1957","Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center","Global Contemporary Art","In Copyright–Non-Commercial Use","valid",4350,5400,0,"1",0,,,"[""137501"",""139285"",""139286"",""139287"",""139288"",""139289"",""139290"",""139291"",""139292"",""139293"",""139294"",""139295"",""139296"",""139297"",""139298"",""139299"",""139300"",""139301"",""139302"",""139303"",""139304"",""139305"",""139306"",""139307"",""139308"",""139309"",""139310"",""139311"",""139312"",""139313"",""139314"",""139315"",""139316"",""139317"",""139318"",""139319"",""139320"",""139321"",""139322"",""139323"",""139324"",""139325"",""139326"",""139327"",""139328"",""139329"",""139330"",""139331"",""139332"",""139333"",""139334"",""139335"",""139336"",""139337"",""139338"",""139339"",""139340"",""139341"",""139342"",""139343"",""139344"",""139345"",""139346"",""139347"",""139348"",""139349"",""139350"",""139367"",""139368"",""139369"",""139370"",""139371"",""139372"",""139373"",""139374"",""139375"",""139376"",""139377"",""139378"",""139379"",""139380"",""139381"",""139382"",""139383"",""139384"",""139385"",""139386"",""139387"",""139388"",""139389"",""139390"",""139391"",""139392"",""139393"",""139394"",""139395"",""139396"",""139397"",""139398"",""139399"",""139400"",""139401"",""139402"",""139403"",""139404"",""139405"",""139406"",""139407"",""139408"",""139409"",""139410"",""139411"",""139412"",""139413"",""139414"",""139415"",""139416"",""139417"",""139418"",""139419"",""139420"",""139421"",""139422"",""139423"",""139424"",""139425"",""139426"",""139427"",""139428"",""139429"",""139430"",""139431"",""139432"",""139433"",""139434"",""139435"",""139436"",""139437"",""139438"",""139439"",""139440"",""139441"",""139442"",""139443"",""139444"",""139448"",""139449"",""140793"",""140794"",""140798"",""140799"",""140808"",""140809"",""140810"",""140811""]","art",1.177759,,,,,,,true,,,,,,,,,,,,,,,,,,
"79941","Calder Circus. April 20-June 11, 1972","Offset color lithograph"," Prints","36 x 27 3/16 in. (91.44 x 69.06 cm) (sheet)","Poster","North America","United States",,"1972","Not on View","20th century","","","","","acrobat hanging from trapeze; drawing on yellow background","Michael and Rosalyn Baker, Minneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.58","Publisher: Whitney Museum of American Art","Artist",,,"","Prints and Drawings","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.1726141,,,,,,,,,,,,,,,,,,,,,,,,,
"4131","New Art of Africa: Cement sculpture bas-relief by Felix Idubor, decorates the side facade of the new 25-story Independence House, In Lagos, Nigeria","Gelatin silver print"," Photographs","13 1/4 x 9 9/16 in. (33.66 x 24.29 cm) (image, sheet)",,"North America","United States",,"20th century","Not on View","20th century","Title and mark","titled verso","photographers\'stamp verso","","","",,"Gift of Lora and Martin G. Weinstein","91.123.16","Photographer: Marc Bernheim; Photographer: Evelyne Bernheim","Artist","American","American","%C2%A9 Marc and Evelyne Bernheim","Arts of the Americas","In Copyright","valid",1346,1920,1,"1",0,,,"[""""]","art",1.1631299,,,true,,,,,,,,,,,,,,,,,,,,,,
"113254","Peter Beard, Art Edition, No. 1073","Offset lithography"," Books","20 1/8 x 14 1/4 x 3 1/4 in. (51.12 x 36.2 x 8.26 cm) (closed, book only)","Illustrated book","North America","United States",,"2006","Not on View","21st century","Signature","at bottom of third page, in black: [Peter Beard]","","","reproductions in color of Beard's photo collages and diaries; maroon cover with brown leather (?) spine and corners; maroon ribbon marker; cover photo image in black and white of elephant; ""PETER BEARD"", ""TASCHEN"", and silhouette of elephant in gold on spine; received in maroon fabric-covered clamshell box with gold silhouette of elephant and embossed ""PETER BEARD"" on front","","From ","Gift of George Slade in honor of bibliophile and scholar Christian Peterson","2011.69.1","Artist: Peter Beard; Author: Essay by Owen Edwards; Publisher: Taschen","Artist","American","American, 1938-2020","%C2%A9 Peter Beard %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.1576121,,,,,,,,,,,,,,,,,,,,,,,,,
"64151","Interieur de Mme. C. Modiste, Place St. André des Arts, Paris","Albumen print"," Photographs","image, sheet: 8 9/16 x 7 1/8 in. (21.75 x 18.1 cm)",,"Europe","France",,"1910","Not on View","20th century","Title and Inscription
on back, in pencil: [7 35 (underlined)]","on back, in pencil: [Interieur de M me (underlined) C / Modiste -- Place St André / des Arts]","","","corner of room with elaborately-carved sideboard; 2 pictures and large mirror on wall at left; low-hanging chandelier over table with flowers","",,"Gift of Mr. Christopher Cardozo","2002.276.1","Photographer: Jean-Eugène-Auguste Atget","Artist","French","French, 1857 - 1927","","European Art","No Copyright–United States","valid",1851,2274,0,"1",0,,,"[""""]","art",1.1543843,,,,,,,,,,,,,,,,,,,,,,,,,
"128325","Taller de Gráfica Popular: Exposición 20 Litografias, Galeria de Arte de la Universidad Nacional","Lithograph in black and red inks on newsprint"," Prints","17 1/8 × 23 1/2 in. (43.5 × 59.69 cm) (sheet)","Poster","North America","Mexico",,"1939","Not on View","20th century","Printed text: Taller de Gráfica Popular. Exposicion 20 Litografias. Galeria de arte de la universidad nacional. Dolores 11. Del 3 al 13 de May.","In the stone, lower right (by tear duct): F.2.A (rebus signature: Francisco Dos Amantes)","","Francisco Dosamantes was a leading Mexican graphic artist, educator, and founding member of the Taller de Gráfica Popular (TGP), a historically important print collective that produced pamphlets, illustrations, and editioned prints in support of progressive social and political ideals. Dosamantes designed this now-iconic poster to announce the TGP’s first exhibition, which took place in 1939 at the National University of Mexico and featured twenty lithographs. The poster’s dramatic, surrealist-influenced “all-seeing eye” design is exceptional among TGP publications and stands as an important example of modernist Latin American graphic design.","shaded sketch of a large eye; red block lettering in top and bottom eyelids: Exposicion Litografias; red block 20 in pupil; black and red text; buff colored paper","(Stevens Fine Art, Phoenix, Ariz.); sold to MIA, 2018.","From ","The James and Maureen Duffey Endowment for Prints and Drawings","2018.34","Artist: Francisco Dosamantes; Publisher: Taller de Grafica Popular, Mexico City","Artist","Mexican","Mexican, 1911 - 1986","%C2%A9 Francisco Dosamantes %2F Taller de Gr%C3%A1fica Popular","Arts of the Americas","In Copyright","valid",8641,6457,1,"1",1,"Prignitz 37",,"[""""]","art",1.1541748,,,,,,,,,true,,,,true,true,,,,,,,,,,,
"4492","Pharoah Character from the Minneapolis Civic Player's Pageant ""Swords and Plowshares,"" The Minneapolis Institute of Arts","Gelatin silver print"," Photographs","9 9/16 x 7 7/16 in. (24.29 x 18.89 cm) (image, sheet)","Photograph","North America","United States",,"1919","Not on View","20th century","Signature","","Signed LR recto: \'Beals/NY\'; Verso:photographer\'s stamp","","","",,"Transfer from the Archives","92.84.1","Photographer: Jessie Tarbox Beals","Artist","American (born Canada)","American (born Canada), 1870 - 1942","","Arts of the Americas","No Copyright–United States","valid",1511,1920,0,"1",0,,,"[""""]","art",1.153686,,,true,,,,,,,,,,,,,,,,,,,,,,
"120932","Viewing Martial Arts","Woodblock print (nishiki-e); ink and color on paper"," Prints","14 × 27 3/4 in. (35.56 × 70.49 cm) (image, vertical ōban triptych)","Print (ukiyo-e / fūkei-ga)","Asia","Japan",,"June 1897","Not on View","19th century","Signature, Title, and Seals","Signed LLQ: Yo_shu_ Kunichika | Title URQ","Seal (red), LLQ: Yo_ | Seals (black), LLQ: Printed and published by Fukuda Hatsujiro_ in June of Meiji 30 / Carver: Horiei the second
","","triptych, three pages attached, folded in album: male audience seated in a building behind open shades viewing kendo matches","","From ","Bequest of Louis W. Hill, Jr.","96.146.158g","Artist: Toyohara Chikanobu; Publisher: Fukuda Hatsujirō","Artist","Japanese","Japanese, 1838 - 1912","","Japanese and Korean Art","Public Domain","invalid","","",0,"1",0,,,"[""120932"",""37336""]","art",1.1490062,,,,,,,,,,,,,,,,,,,,,,,,,
"59282","Le Pont des Arts","Drypoint"," Prints","8 x 12-3/4 in. (20.3 x 32.4 cm)",,"Europe","France",,"c. 1930","Not on View","20th century","\""68/75\"", in graphite, LL","\""M Myr\"", in graphite, LR","","","","","From ","Gift of Allen Brookins-Brown","2005.132.22","Artist: Louis Marcel Myr","Artist","French","French, 1893 - 1964","Copyright of the artist%2C artist%27s estate%2C or assignees","Prints and Drawings","In Copyright–Rights-holder(s) Unlocatable","invalid","","",0,"1",0,,,"[""""]","art",1.1486571,,,,,,,,,,,,,,,,,,,,,,,,,
"32685","The Art and Craft of Lino Cutting and Printing","Illustrations; letterpress"," Books","8 1/2 x 8 1/2in. (21.6 x 21.6cm)","Illustrated book","Europe","England",,"1934","Not on View","20th century","","","","","illustrations by various artists","[Sims-Reed Rare Books, London]; sold to MIA, 1994.","From ","Gift of funds from the Print and Drawing Council","B.94.3.1","Artist: Claude Flight; Publisher: B.T. Batsford, Ltd. , London","Artist","British","British, 1881-1955","%C2%A9 The Estate of Claude Flight %2F Bridgeman Copyright","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",1.1324221,,,,,,,,,,,,,,,,,,,,,,,,,
"67678","First New York Film Festival","Color lithograph"," Prints",,"Poster","North America","United States",,"1963","Not on View","20th century","Printed inscription within composition: [FIRST / NEW YORK FILM / FESTIVAL / SEPT / 10-19 / LINCOLN CENTER / EVENINGS / MUSEUM of MODERN ART / AFTERNOONS]
Printed inscription, LRC: [(C) LARRY RIVERS / --ONE THOUSAND POSTERS PRINTED-- / UNIVERSAL LIMITED ART EDITIONS / U.S.A.]","Signed and dated on the stone, CR : [Rivers \'63]","","","Poster for first annual New York Film Festival, 1963","New York Film Festival, New York, given to MIA, 1964.","From ","Festival, 1964","P.13,280","Artist: Larry Rivers; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1923 - 2002","%C2%A9 Estate Larry Rivers %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",1.1060764,,,,,,,,,,,,,,,,,,,,,,,,,
"113400","Between the Eyes","Color lithograph and woodcut, with hand-coloring and paper collage"," Prints; Collages / Assemblages","65 1/2 x 41 7/8 in. (166.37 x 106.36 cm) (outer frame)
57 1/2 x 33 7/8 in. (146.05 x 86.04 cm) (sheet)","Print and collage","North America","United States",,"1983-84","Not on View","20th century","","Signed and dated in pencil, LR margin: S. Rothenberg 1983-84","Numbered in pencil, LL margin: 35/36
Publisher\'s blindstamp, LL: ULAE","","sketchy light image including two figures in black ink; body of figure at L in silver; rectangular strip of yellow paper attached over eyes of figure at L; red fingerprint at LRC; behind Plexiglas in black wood frame with repetitive gouge pattern","Private collection, Minneapolis; given to MIA, 2011.","From ","Anonymous gift","2011.94.10","Artist: Susan Rothenberg; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1945 - 2020","%C2%A9 Susan Rothenberg %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Maxwell 21",,"[""""]","art",1.1057731,,,,,,,,,,,,,,,,,,,,,,,,,
"126156","Documents d'atelier : art décoratif moderne [1ère série]","Color process prints after watercolors"," Prints","12 1/2 x 8 7/8 in. (31.75 x 22.54 cm) (sheet, each, approximate)","Prints","Europe","France",,"1898","Not on View","19th century","","","","","seven loose plates from Documents d'atelier : art décoratif moderne [1ème série]","","From Documents d'atelier : art décoratif moderne. 1ème série","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.64.1a-g","Artist: Victor Champier","Artist","French","French, 1851–1929","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",1.063908,,,,,,,,,,,,,,,,,,,,,,,,,
"143596","Don't Tell Her Art Can't Hurt","Gelatin silver print"," Photographs","58 3/8 × 40 in. (148.3 × 101.6 cm) (sheet)","Photograph","North America","United States",,"1993","Not on View","20th century","","","","","black and white image; standing figure wearing a dark shirt with four quadrants, each containing a loosely rendered face, and words that read ""Art Can't Hurt You"" in each box; text in black marker at B","","From ","The Linda and Lawrence Perlman Photography Endowment","2022.41.1.1","Photographer: Laura Aguilar","Artist","American","American, 1959 - 2018","","Global Contemporary Art","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.0455806,,,,,,,,,,,,,,,,,,,,,,,,,
"143733","Don't Tell Her Art Can't Hurt","Gelatin silver print"," Photographs","56 7/8 × 40 in. (144.5 × 101.6 cm) (sheet)","Photograph","North America","United States",,"1993","Not on View","20th century","","in C, verso, in black ink: Laura Aguilar 1993","","","black and white image; close-up portrait of a woman holding a gun in her outh, eyes closed; text in black marker that reads: ""So don't tell her ART can't hurt, she knows better. The believing can pull at one’s soul. So much that one wants to give up.""","","From ","The Linda and Lawrence Perlman Photography Endowment","2022.41.1.3","Photographer: Laura Aguilar","Artist","American","American, 1959 - 2018","","Global Contemporary Art","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.0393506,,,,,,,,,,,,,,,,,,,,,,,,,
"40343","Munich Poster Art (Muenchner Plakat Kunst)","Color lithograph"," Prints","46 3/4 x 33 3/4 in. (118.7 x 85.7 cm)","Poster for Spanish Medical Convention","Europe","Germany",,"1931","Not on View","20th century","","","","","","","From ","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.19","Artist: Hermann Keimel","Artist","German","German, 1889 - 1948","","European Art","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.0150995,,,,,,,,,,,,,,,,,,,,,,,,,
"143734","Don't Tell Her Art Can't Hurt","Gelatin silver print"," Photographs","57 1/2 × 40 in. (146.1 × 101.6 cm) (sheet)","Photograph","North America","United States",,"1993","Not on View","20th century","","","","","black and white image; figure with bare shoulders and dark hair, holding a gun to the lips of mouth; text in black marker in B margin","","From ","The Linda and Lawrence Perlman Photography Endowment","2022.41.1.4","Photographer: Laura Aguilar","Artist","American","American, 1959 - 2018","","Global Contemporary Art","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27181","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","36 1/2 x 11 1/4in. (92.7 x 28.6cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.26","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27156","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","36 1/2 x 11 1/4in. (92.7 x 28.6cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.25","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27150","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","40 x 14 1/4in. (101.6 x 36.2cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.30","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27154","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","36 1/2 x 11 1/4in. (92.7 x 28.6cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.27","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27161","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","36 1/2 x 11 1/4in. (92.7 x 28.6cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.28","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27159","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","40 x 14 1/4in. (101.6 x 36.2cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.32","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27157","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","36 1/2 x 11 1/4in. (92.7 x 28.6cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.24","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27149","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","40 x 14 1/4in. (101.6 x 36.2cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.31","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"27152","Art-glass panel, Purcell-Cutts House","Glass, zinc caming"," Glass; Architecture","36 1/2 x 11 1/4in. (92.7 x 28.6cm)","Art-glass panel, Purcell-Cutts House","North America","United States",,"c. 1913","Purcell-Cutts House","20th century","","","","","writing nook bookcase","","From ","Bequest of Anson Cutts","90.92.29","Designer: William Gray Purcell; Designer: George Grant Elmslie","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0150007,,,,,,,,,,,,,,,,,,,,,,,,,
"63136","Documents d'atelier : art décoratif moderne [2ème série]","Color process prints after watercolors"," Prints","12 1/2 x 8 7/8 in. (31.75 x 22.54 cm) (sheet, each, approximate)","Portfolio","Europe","France",,"1899","Not on View","19th century","","","","","portfolio cover with title page and 52 colored plates of various designs and scenes; incomplete set","","From Documents d'atelier : art décoratif moderne. 2ème série","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.64a-zz","Artist: Victor Champier","Artist","French","French, 1851–1929","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,,,"[""48840"",""63136""]","art",1.014902,,,,,,,,,,,,,,,,,,,,,,,,,
"143732","Don't Tell Her Art Can't Hurt","Gelatin silver print"," Photographs","57 × 40 in. (144.8 × 101.6 cm) (sheet)","Photograph","North America","United States",,"1993","Not on View","20th century","","","","","black and white image; standing figure wearing a dark shirt with four quadrants, each containing a loosely rendered face; figure holds a gun upwards and looks directly at camera; text in black marker along B margin","","From ","The Linda and Lawrence Perlman Photography Endowment","2022.41.1.2","Photographer: Laura Aguilar","Artist","American","American, 1959 - 2018","","Global Contemporary Art","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.014902,,,,,,,,,,,,,,,,,,,,,,,,,
"78721","1 Issue, from Art. Gout. Beaute",""," Prints",,,"Europe","France",,"May 1930","Not on View","20th century","","","","","10e Annee-No. 117","","From ","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.22,067","","Artist",,,"","Prints and Drawings","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0148681,,,,,,,,,,,,,,,,,,,,,,,,,
"107364","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,472","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","European Art","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0061923,,,,,,,,,,,,,,,,,,,,,,,,,
"107366","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,402dup","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","European Art","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0061923,,,,,,,,,,,,,,,,,,,,,,,,,
"74444","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,612","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74183","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,448","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74453","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,621","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74324","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,568","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74315","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,560","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74442","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,610","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74341","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,581","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74169","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,435","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74208","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,473","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74331","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,574","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74325","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,569","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74307","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,555","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74476","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,643","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74196","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,461","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74269","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,524","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74279","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,533","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74127","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,395","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74301","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,550","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74249","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,510","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74272","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,527","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74216","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,481","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74199","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,463","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74346","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,585","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74203","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,467","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74133","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,401","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74277","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,531","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74130","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,398","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74438","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,606","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74452","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,620","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74152","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,419","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74312","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,558","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74280","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,534","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74135","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,403","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74160","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,427","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74457","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,625","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74245","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,506","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74348","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,587","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74244","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,505","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74349","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,588","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74215","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,480","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74138","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,406","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74440","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,608","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74347","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,586","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74295","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,545","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74260","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,518","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74489","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,656","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74146","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,413","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74224","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,488","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74447","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,615","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74433","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,601","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74284","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,536","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74149","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,416","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74360","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,598","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74496","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,663","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74267","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,523","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74318","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,563","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74206","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,470","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74274","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,528","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74498","Classic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,665","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74362","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,600","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74258","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,516","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74167","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,433","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74286","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,538","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74137","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,405","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74480","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,647","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74179","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,444","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74197","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,462","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74296","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,546","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74232","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,496","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74246","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,507","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74336","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,578","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74357","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,595","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74485","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,652","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74484","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,651","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74194","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,459","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74139","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,407","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74311","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,557","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74481","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,648","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74302","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,551","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74359","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,597","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74275","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,529","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74344","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,584","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74441","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,609","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74212","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,477","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74192","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,457","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74177","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,442","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74231","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,495","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74142","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,410","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74474","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,641","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74356","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,594","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74322","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,567","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74205","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,469","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74176","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,441","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74155","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,422","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74317","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,562","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74358","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,596","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74204","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,468","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74248","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,509","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74141","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,409","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74151","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,418","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74157","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,424","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74171","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,437","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74353","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,591","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74445","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,613","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74448","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,616","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74202","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,466","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74320","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,565","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74243","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,504","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74305","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,553","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74271","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,526","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74490","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,657","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74187","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,452","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74338","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,580","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74451","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,619","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74270","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,525","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74483","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,650","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74182","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,447","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74170","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,436","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74290","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,541","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74200","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,464","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74259","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,517","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74222","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,486","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74136","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,404","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74450","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,618","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74184","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,449","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74434","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,602","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74493","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,660","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74156","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,423","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74174","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,439","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74333","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,575","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74228","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,492","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74241","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,502","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74500","Classic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,667","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74306","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,554","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74454","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,622","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74462","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,630","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74154","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,421","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74330","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,573","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74282","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,535","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74237","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,500","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74221","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,485","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74439","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,607","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74449","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,617","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74262","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,520","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74190","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,455","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74207","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,471","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74298","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,547","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74459","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,627","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74495","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,662","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74219","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,483","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74334","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,576","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74436","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,604","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74472","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,640","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74477","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,644","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74189","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,454","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74316","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,561","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74254","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,514","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74255","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,515","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74326","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,570","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74209","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,474","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74300","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,549","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74223","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,487","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74134","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,402","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74164","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,430","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74213","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,478","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74437","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,605","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74226","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,490","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74352","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,590","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74355","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,593","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74294","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,544","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74291","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,542","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74180","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,445","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74210","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,475","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74229","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,493","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74242","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,503","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74354","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,592","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74236","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,499","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74264","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,521","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74168","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,434","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74211","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,476","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74191","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,456","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74285","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,537","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74487","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,654","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74144","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,411","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74131","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,399","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74335","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,577","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74309","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,556","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74265","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,522","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74140","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,408","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74186","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,451","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74239","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,501","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74491","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,658","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74328","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,571","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74319","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,564","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74247","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,508","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74293","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,543","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74252","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,513","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74193","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,458","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74129","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,397","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74458","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,626","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74148","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,415","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74128","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,396","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74261","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,519","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74132","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,400","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74499","Classic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,666","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74214","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,479","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74227","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,491","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74251","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,512","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74304","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,552","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74234","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,497","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74494","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,661","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74195","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,460","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74460","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,628","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74230","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,494","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74492","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,659","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74475","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,642","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74456","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,624","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74225","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,489","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74159","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,426","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74178","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,443","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74343","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,583","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74299","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,548","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74153","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,420","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74220","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,484","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74501","Pedestrian Hobbyhorse, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,668","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74455","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,623","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74443","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,611","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74482","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,649","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74329","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,572","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74175","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,440","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74161","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,428","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74150","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,417","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74479","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,646","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74147","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,414","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74165","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,431","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74173","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,438","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74188","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,453","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74461","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,629","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74478","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,645","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74288","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,539","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74361","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,599","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74446","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,614","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74486","Houses and Plans, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,653","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74321","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,566","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74337","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,579","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74342","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,582","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74218","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,482","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74276","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,530","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74162","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,429","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74488","Curtains and Beds, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,655","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74497","Classic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,664","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74145","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,412","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74201","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,465","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74278","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,532","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74351","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,589","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74158","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,425","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74235","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,498","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74185","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,450","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74289","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,540","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74166","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,432","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74250","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1816-1822","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1816- December, 1822), Vol. I-Vol. XIV","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,511","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74181","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1815","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,446","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74314","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,559","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"74435","Fashion Plate, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1823-1828 (-1829)","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, January, 1823- December, 1828 (-1829)), Vol. I-Vol. XII","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,603","Artist: Thomas Uwins; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"51124","Antonin Proust, Minister of Fine Arts","Drypoint on cream paper"," Prints","9 x 7 in. (22.86 x 17.78 cm) (plate)
12 1/4 x 8 1/2 in. (31.12 x 21.59 cm) (sheet)","Print","Europe","France",,"1885","Not on View","19th century","inscribed in pencil verso: [a34128]; inscribed in pencil in lower margin:[ plate destroyed/ Autonin Proust, Minister of Fine Arts, etched by the sculptor Rodin]","","","","full margin, before reduction of plate","","From ","The William M. Ladd Collection
Gift of Herschel V. Jones, 1916","P.3,309","Artist: Auguste Rodin","Artist","French","French, 1840–1917","","Prints and Drawings","No Copyright–United States","invalid","","",0,"1",0,"LD (Delteil?) 10 iv/vii; T 10 iv/vii",,"[""51124"",""51186""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"51696","Georgian Room, Minneapolis Institute of Arts","Pen and black ink and wash, with white heightening"," Drawings","6 1/2 x 8 15/16 in. (16.51 x 22.7 cm) (sight)",,"North America","United States",,"c. 1972","Not on View","20th century","Signature; Inscription; Title
label on back of frame: [To Olivia-with love, and happy Georgian and other memories-Carl·22 January 1972]
in black ink, LLC: [Georgian Room]","in black ink, R edge of drawing: [F. Keister]","","","drawing of a room with fireplace at L; chandelier, 3 paintings and decorative plasterwork","Olivia Carpenter Coan
Patricia Spencer Ringer","From ","Given in memory of Olivia Carpenter Coan, by her family","2001.164.24","Artist: Florinda Keister","Artist","American","American","%C2%A9 Florinda Keister","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"12917","Design for a Cassapancha for the Minneapolis Institute of Arts","Graphite on cream paper"," Drawings; Architecture","H.42 x W.77-1/2 in.","Drawing","North America","United States",,"1931","Not on View","20th century","Stamp; Inscriptions","","\'Wm. A. French Furniture Co./Minneapolis, Minn\', with other inscriptions in graphite, recto","","","Richard Erickson; given to MIA, 2000.","From ","Gift of Richard Erickson in memory of John Erickson and Conrad Ericson","2000.16.2","Designer: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"12916","Design for a Cassapancha for the Minneapolis Institute of Arts","Graphite on cream paper"," Drawings; Architecture","42 x 66 1/4in. (106.7 x 168.3cm)","Drawing","North America","United States",,"1931","Not on View","20th century","Inscriptions; Stamp
stamp with inscriptions, recto: [Wm. A. French Furniture Co./Minneapolis. Minn.]","","","","","Richard Erickson; given to MIA, 2000.","From ","Gift of Richard Erickson in memory of John Erickson and Conrad Ericson","2000.16.1","Designer: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",1.0057036,,,,,,,,,,,,,,,,,,,,,,,,,
"28343","Art-glass panel for a bay window, one of six","Glass, zinc caming"," Glass; Architecture","60 x 24 in. (152.4 x 60.96 cm)","Art-glass panel for a bay window, one of six","North America","United States",,"1909","Not on View","Prairie School","","","","","","","From From the George W. Stricker house, Minneapolis, Minnesota","The Ethel Morrison Van Derlip Fund","94.28.6","Designer: William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.989642,,,,,,,,,,,,,,,,,,,,,,,,,
"28341","Art-glass panel for a bay window, one of six","Glass, zinc caming"," Glass; Architecture","60 x 24 in. (152.4 x 60.96 cm)","Art-glass panel for a bay window, one of six","North America","United States",,"1909","Not on View","Prairie School","","","","","","","From From the George W. Stricker house, Minneapolis, Minnesota","The Ethel Morrison Van Derlip Fund","94.28.2","Designer: William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.); Maker: Pittsburgh Plate Glass Co.","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.989642,,,,,,,,,,,,,,,,,,,,,,,,,
"28342","Art-glass panel for a bay window, one of six","Glass, zinc caming"," Glass; Architecture","60 x 24 in. (152.4 x 60.96 cm)","Art-glass panel for a bay window, one of six","North America","United States",,"1909","Not on View","Prairie School","","","","","","","From From the George W. Stricker house, Minneapolis, Minnesota","The Ethel Morrison Van Derlip Fund","94.28.5","Designer: William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.98964196,,,,,,,,,,,,,,,,,,,,,,,,,
"28305","Art-glass panel for a bay window, one of six","Glass, zinc caming"," Glass; Architecture","60 x 24 in. (152.4 x 60.96 cm)","Art-glass panel for a bay window, one of six","North America","United States",,"1909","Not on View","Prairie School","","","","","","","From From the George W. Stricker house, Minneapolis, Minnesota","The Ethel Morrison Van Derlip Fund","94.28.4","Designer: William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)","Artist","American","American, 1880–1965","","Decorative Arts, Textiles and Sculpture","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.98964196,,,,,,,,,,,,,,,,,,,,,,,,,
"59997","Opening at Metropolitan Museum of Art, New York City","Gelatin silver print"," Photographs","9 3/16 x 9 5/8 in. (23.34 x 24.45 cm) (image)
13 15/16 x 10 15/16 in. (35.4 x 27.78 cm) (sheet)",,"North America","United States",,"1996","Not on View","20th century","Signature; Title; Edition
in pencil, bottom edge, on back: [54 (underlined)/Night Series Opening @ Metropolitan Museum/of Art/ 5/10]","in pencil, LRC on back: [Toby Old 1996]","","","woman, seen from back, wearing satin dress; older man in tuxedo with large glasses and woman in a dark outfit talking to first woman; torso, arms and legs of a nude male classical sculpture in background","","From From ""Night Series""","Gift of the Artist","2001.193.19","Photographer: Toby Old","Artist","American","American, born 1945","%C2%A9 Toby Old","Arts of the Americas","In Copyright–Non-Commercial Use","invalid","","",0,"1",0,,,"[""""]","art",0.98954326,,,,,,,,,,,,,,,,,,,,,,,,,
"79253","Art in Science. Sept. 24-Oct. 31, 1965","Color lithograph"," Prints","37 15/16 x 24 9/16 in. (96.36 x 62.39 cm) (sheet)","Poster","North America","United States",,"1965","Not on View","20th century","","","","","row of colors: red, orange, yellow, green, blue, purple at center; astrological chart and symbols top half; triangle LLC","Michael and Rosalyn Baker, MInneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.9","Designer: Jim Dine; Publisher: American Federation of Arts, New York","Artist","American","American, born 1935","%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.98946846,,,,,,,,,,,,,,,,,,,,,,,,,
"44271","Art Students and Copyists in the Louvre Gallery, Paris","Wood engraving"," Prints","9 1/16 x 13 13/16 in. (23.02 x 35.08 cm) (image)
10 15/16 x 15 7/8 in. (27.78 x 40.32 cm) (sheet)",,"North America","United States",,"January 11, 1868","Not on View","19th century","","","","","","","From From Harper's Weekly, January 11, 1868","Gift of 3M Company","P.99.18.1","Artist: after Winslow Homer","Artist","American","American, 1836–1910","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"G 166; K 151; F 82",,"[""""]","art",0.98946846,,,,,,,,,,,,,,,,,,,,,,,,,
"123586","Artpolice: ""a triquarterly journal of fine art, politics & culture""","Offset lithography; bound zine"," Prints; Works on Paper","8 1/2 × 11 in. (21.59 × 27.94 cm) (closed)","Zine","North America","United States",,"Summer 1986","Not on View","20th century","","","","","24 pages, saddle-stapled; b/w cardstock covers; black-and-white publication with head of frightened looking person in UR corner holding a flag in PR hand and word ""squinch"" next to person; a two headed dragon holding a book in PR hand with lettering ""Artpolice to the End""; behind dragon is black starburst type background","","From ","Transfer from the Reference Collection","2015.100.23","Artist: Andy Baird; Artist: Michael Brehm; Artist: Robert Corbit; Artist: Mike DeVoni; Artist: Frank Gaard; Artist: Chris Karcher; Artist: Tim Larsen; Artist: Mike McCoy; Artist: Joe McDonnell; Artist: Greg Miller; Artist: Ann Morgan; Artist: Timothy G. Piotrowski; Artist: Ed Rath; Artist: Kevin Riordan; Artist: Alyn Silberstein; Artist: Craig Smith; Artist: Jennifer Sobin; Artist: Terre van Haren; Artist: Nancy Waller; Artist: Tim Walton; Artist: Jon West; Artist: Fritz Wolfmeyer; Artist: Chris Woodward; Artist: Chris Wunderlich; Publisher: Artpolice, Minneapolis","Artist","American","American, born 1944","%C2%A9 1986 Artpolice%2C Minneapolis","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.9893288,,,,,,,,,,,,,,,,,,,,,,,,,
"32688","Edward Ruscha (ED-WERD REW-SHAY) Young Artist","Offset lithographs, letterpress; bound volume, with loose inserted business cards for Ruscha and Foster"," Books","4 1/2 x 3 3/4 x 1 1/2 in. (3.8 x 9.5 x 11.4 cm) (closed)","Artist's book","North America","United States",,"1972","Not on View","20th century","","","","","Hardcover exhibition catalogue; green printed paper over boards; cover and spine printed with palm tree images from Ruscha's ""A Few Palm Trees, "" (1971); glued spine; 436 pp. (261 with text or images; 175 blank pp.).","Minneapolis Institute of Arts (publisher); Sandra and Peter Butler, Minneapolis; given to MIA, 1995.",,"Gift of Sandra and Peter Butler","B.95.7","Artist: Edward Ruscha; Author: Edward A. Foster; Designer: Co-designed by Edward Ruscha; Designer: Co-designed by Edward A. Foster; Printer: Kolorpress, Inc., Minneapolis; Publisher: Minneapolis Institute of Art","Artist","American","American, born 1937","%C2%A9 Ed Ruscha","Arts of the Americas","In Copyright–Educational Use","valid",3381,4038,0,"1",1,"Engberg M25",,"[""""]","art",0.9831969,,,,,,,,,,,,,,,,,,,,,,,,,
"53713","Elephant","Lithograph"," Prints","18 1/4 x 24 in. (46.36 x 60.96 cm) (image)
22 1/4 x 30 in. (56.52 x 76.2 cm) (sheet)","Print","North America","United States",,"1965","Not on View","20th century","","In pencil, LR: Crutchfield 65","Numbered in pencil, LR: 3/50
Watermark: BFK","","","Minneapolis School of Art; (publisher) sold to MIA, 1965.","From Minneapolis School of Art, Portfolio #2","The Discretionary Purchase Fund, 1965","P.13,439.1","Artist: William Crutchfield; Publisher: Minneapolis School of Art","Artist","American","American, 1932 - 2015","%C2%A9 William Crutchfield","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.97833496,,,,,,,,,,,,,,,,,,,,,,,,,
"54873","Au Concert","Offset color lithograph in red and yellow inks"," Prints","12 9/16 x 9 3/4 in. (31.91 x 24.77 cm) (image)
14 7/16 x 11 1/16 in. (36.67 x 28.1 cm) (sheet)","Print","Europe","France",,"1896 (printed 1946)","Not on View","19th century","","","","","","Art Institute of Chicago; sold to MIA.","From ","The John R. Van Derlip Fund","P.12,171","Artist: Henri de Toulouse-Lautrec; Publisher: Chicago Art Institute","Artist","French","French, 1864–1901","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"D 365; WP 28",,"[""54846"",""54857"",""54865"",""54873"",""54882"",""7252""]","art",0.9782018,,,,,,,,,,,,,,,,,,,,,,,,,
"54857","Au Concert","Offset color lithograph in yellow ink"," Prints","9 1/2 x 9 5/8 in. (24.13 x 24.45 cm) (image)
15 5/8 x 12 9/16 in. (39.69 x 31.91 cm) (sheet)","Print","Europe","France",,"1896 (printed 1946)","Not on View","19th century","Stamp and mark","","Source is stamped on back including: [printed...for Print and Drawing Club], [original zinc plate]; numbered: [C2/C]","","","Art Institute of Chicago; sold to MIA.","From ","The John R. Van Derlip Fund","P.12,169","Artist: Henri de Toulouse-Lautrec; Publisher: Chicago Art Institute","Artist","French","French, 1864–1901","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"D 365; WP 28",,"[""54846"",""54857"",""54865"",""54873"",""54882"",""7252""]","art",0.97810304,,,,,,,,,,,,,,,,,,,,,,,,,
"66628","Etalages","Printed plates"," Prints","10 x 13 1/16 in. (25.4 x 33.18 cm)","Portfolio","Europe","France",,"1939","Not on View","20th century","","","","","portfolio of 50 plates; in black and white and color; pink and cream cover with tie; complete","","From Etalages","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.98a-xx","Artist: A. Manera; Publisher: Editions Art et Architecture, Paris","Artist","French","French","","Prints and Drawings","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.9780981,,,,,,,,,,,,,,,,,,,,,,,,,
"79344","Jackson Pollock","Color lithograph"," Prints","32 x 24 1/8 in. (81.28 x 61.28 cm) (sheet)","Poster","North America","United States",,"1967","Not on View","20th century","","","","","detail of ""Lucifer"" painting at top; ""Jackson Pollock"" in black on silver background at bottom","Michael and Rosalyn Baker, Minneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.21","Designer: Kathleen Haven; Publisher: Museum of Modern Art, New York","Artist","American","American, 20th century","","Prints and Drawings","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.97802824,,,,,,,,,,,,,,,,,,,,,,,,,
"79341","Figures / Environments. May 15-June 13, 1970","Color screenprint"," Prints","28 3/4 x 22 1/4 in. (73.03 x 56.52 cm) (sheet)","Poster","North America","United States",,"1970","Not on View","20th century","","","","","image of doughnut girl making doughnuts at the discount store","Michael and Rosalyn Baker, Minneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.19","Artist: Red Grooms; Publisher: Walker Art Center, Minneapolis","Artist","American","American, born 1937","%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.97802824,,,,,,,,,,,,,,,,,,,,,,,,,
"43226","Geronimo","Color screenprint on board"," Prints","36 x 36 in. (91.44 x 91.44 cm) (image, sheet)","Print","North America","United States",,"1986","Not on View","20th century","","","","","","Raymond D. Rossini and Susann L.Salmela; given to MIA, 1991.","From Cowboys and Indians portfolio","Gift of Raymond D. Rossini and Susann L. Salmela","P.91.48.2","Artist: Andy Warhol; Publisher: Gaultney-Klineman Art, New York","Artist","American","American, 1928–1987","%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"F/S.II.384",,"[""""]","art",0.97802824,,,,,,,,,,,,,,,,,,,,,,,,,
"43225","Geronimo","Color screenprint on board"," Prints","36 x 36 in. (91.44 x 91.44 cm) (image, sheet)","Print","North America","United States",,"1986","Not on View","20th century","","","","","","Raymond D. Rossini and Susann L.Salmela; given to MIA, 1991.","From Cowboys and Indians portfolio","Gift of Raymond D. Rossini and Susann L.Salmela","P.91.48.1","Artist: Andy Warhol; Publisher: Gaultney-Klineman Art, New York","Artist","American","American, 1928–1987","%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"F/S. II.384",,"[""""]","art",0.97802824,,,,,,,,,,,,,,,,,,,,,,,,,
"47432","The Bellman","Etching"," Prints","6 9/16 x 9 1/4 in. (16.67 x 23.5 cm) (plate)","Print","Europe","England",,"1879","Not on View","19th century","","","","","","William M. Ladd, Portland, Ore., sold to Jones; Herschel V. Jones, Minneapolis; given to MIA, 1916.","From ","The William M. Ladd Collection
Gift of Herschel V. Jones, 1916","P.4,193","Artist: Samuel Palmer; Publisher: Fine Art Society, London","Artist","English","British, 1805–1881","","Prints and Drawings","Public Domain","invalid","","",0,"1",1,"Hardie 11; Lister E11 v/vii",,"[""""]","art",0.97802824,,,,,,,,,,,,,,,,,,,,,,,,,
"59926","French Curve","Etching in brown ink"," Prints","7 3/4 x 10 1/2 in. (19.69 x 26.67 cm) (plate)","Print","North America","United States",,"1970","Not on View","20th century","","Signed n pencil, bottom center: Marisol","Publisher\'s blindstamp: ULAE
Numbered in pencil, LL: 4/26","","","Dayton Hudson Corporation, Minneapolis; given to MIA, 1978.","From ","Gift of Dayton's","P.78.44","Artist: Marisol (Marisol Escobar); Publisher: Universal Limited Art Editions (ULAE)","Artist","Venezuelan","Venezuelan (born France, active United States), 1930 - 2016","Copyright %C2%A9 Marisol %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"Loring 13",,"[""""]","art",0.97802824,,,,,,,,,,,,,,,,,,,,,,,,,
"59928","Forest","Lithograph"," Prints","13 1/8 x 21 in. (33.34 x 53.34 cm) (image)","Print","North America","United States",,"1973","Not on View","20th century","","Signed and dated in pencil, LR: Marisol 1973","Publisher blindstamp: ULAE; Watermark
Numbered in pencil, LR: 5/25","","","Dayton Hudson Corporation, Minneapolis; given to MIA, 1978.","From ","Gift of Dayton's","P.78.45","Artist: Marisol (Marisol Escobar); Publisher: Universal Limited Art Editions (ULAE)","Artist","Venezuelan","Venezuelan (born France, active United States), 1930 - 2016","Copyright %C2%A9 Marisol %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"Loring 29",,"[""""]","art",0.97802824,,,,,,,,,,,,,,,,,,,,,,,,,
"42922","Untitled","Color etching, soft-ground etching, aquatint, and spitbite"," Prints","23 x 17 3/4 in. (58.42 x 45.09 cm) (plate)
32 5/8 x 23 7/8 in. (82.87 x 60.64 cm) (sheet)","Print","North America","United States",,"1989","Not on View","20th century","Text within composition: Orange / Red / Violet / Blue / Yellow / Green","Signed and dated in pencil, lower right margin: E. Henderson 89","","","","",,"Gift of Marion and John Andrus","P.91.22","Artist: Edward Henderson; Publisher: Walker Art Center, Minneapolis","Artist","American","American, born 1951","%C2%A9 Edward Henderson","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.97802824,,,,,,,,,,,,,,,,,,,,,,,,,
"54699","Expo 67 Mural - Firepole 33' x 17'","Color lithograph"," Prints","33 3/4 x 18 1/2 in. (85.73 x 46.99 cm) (image)
33 7/8 x 18 5/8 in. (86.04 x 47.31 cm) (sheet)","Print","North America","United States",,"1967","Not on View","20th century","","Signed and dated in pencil, LR: Jim Rosenquist 1967","Numbered and titled in pencil, LL: 34/41 Expo 67 Mural - Firepole 33\' x 17\'
Publisher\'s blindstamp, LL: ULAE","","","Dr. and Mrs. Thomas Edblom; given to MIA, 1979.","From ","Gift of Dr. and Mrs. Thomas Edblom","P.79.148","Artist: James Rosenquist; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1933 - 2017","%C2%A9 James Rosenquist %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Glenn 17; Sparks 9",,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"54196","Spaghetti and Grass","Color lithograph"," Prints","28 5/16 x 17 1/8 in. (71.91 x 43.5 cm) (image)
31 1/4 x 19 1/2 in. (79.38 x 49.53 cm) (sheet)","Print","North America","United States",,"1964-65","Not on View","20th century","Titled in pencil, CL: Spaghetti & Grass","Signed and dated in pencil, CR: James Rosenquist 1965","Numbered in pencil, CR: 22/23
Watermark: handmade & shield
Publisher\'s blindstamp: ULAE","","","(Dayton's Gallery 12, Minneapolis); Dr. Thomas Edblom; given to MIA, 1979.","From ","Gift of Thomas Edblom","P.79.149","Artist: James Rosenquist; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, 1933 - 2017","%C2%A9 James Rosenquist %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Glenn 5",,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"113148","Green (4th), from ""Red Shift""","Color lithograph"," Prints","29 7/8 x 22 1/4 in. (75.88 x 56.52 cm) (sheet)
37 x 29 1/2 in. (93.98 x 74.93 cm) (outer frame)","Print","North America","United States",,"1987-1988","Not on View","20th century","Signature, Date and Stamp","bottom edge, right of center, in pencil: [C.D. 1987-88]","LLC, impressed in paper: [ULAE (intertwined)]","","one of a suite of five lithographs (framed separately); painterly abstract image in red, orange, yellow, green, purple and blue of horizontal marks and some rounded linear forms; green circle, ULQ","Wells Fargo Bank, Minneapolis; given to MIA, 2011","From Red Shift series","Gift of Wells Fargo","2011.88.1.4","Artist: Carroll Dunham; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Carroll Dunham","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"Addison Gallery A11.4",,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"113398","Babylon","Color etching and aquatint with roulette"," Prints","19 3/4 x 15 1/8 in. (50.17 x 38.42 cm) (sheet, irregular)","Print","North America","United States",,"1985-1988","Not on View","20th century","Signature, Date, Title, Edition, Chop mark
see Signed
see Mark(s)
Titled, dated, numbered in pencil, verso: [\""Babylon\"" / 1985-1988 / 12/50]","Signed in pencil, verso: [Bill Jensen]","Publisher\'s chop at LLC: [ULAE]","","white paper; central rectangular plate impression; organic shapes in multi-colors; blue, white and black at LLQ; two larger yellow/brown ovals near center; peaked shapes in upper one-third of sheet; yellow and black swooping shapes in LRQ; upper edge mainly yellow at R and blue at L; behind Plexiglas in silver wood frame","Private collection, Minneapolis","From ","Anonymous gift","2011.94.8","Artist: Bill Jensen; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1945","%C2%A9 Bill Jensen","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"113146","Blue (2nd), from ""Red Shift""","Color lithograph"," Prints","29 7/8 x 22 1/4 in. (75.88 x 56.52 cm) (sheet)
37 x 29 1/2 in. (93.98 x 74.93 cm) (outer frame)","Print","North America","United States",,"1987-1988","Not on View","20th century","Signature, Date and Stamp","ULC, in pencil: [C.D. 1987-88]","LLC, impressed in paper: [ULAE (intertwined)]","","one of a suite of five lithographs (framed separately); abstract image in predominately blue and red; rounded, bulbous shapes at top center with organic, coral-like image in URC; horizontal painterly marks at bottom","Wells Fargo Bank, Minneapolis; given to MIA, 2011","From Red Shift series","Gift of Wells Fargo","2011.88.1.2","Artist: Carroll Dunham; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Carroll Dunham","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"Addison Gallery A11.2",,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"113145","Red (1st), from ""Red Shift""","Color lithograph"," Prints","29 7/8 x 22 1/4 in. (75.88 x 56.52 cm) (sheet)
37 x 29 1/2 in. (93.98 x 74.93 cm) (outer frame)","Print","North America","United States",,"1987-1988","Not on View","20th century","Signature, Date and Stamp","top center, in pencil: [C.D. 1987-88]","LLC, impressed in paper: [ULAE (intertwined)]","","one of a suite of five lithographs (framed separately); abstract image in predominately red with rounded blue, green and yellow shape at center and horizontal arcs of color in painterly manner","Wells Fargo Bank, Minneapolis; given to MIA, 2011","From Red Shift series","Gift of Wells Fargo","2011.88.1.1","Artist: Carroll Dunham; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Carroll Dunham","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"Addison Gallery A11.1",,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"113147","Purple (3rd), from ""Red Shift""","Color lithograph"," Prints","29 7/8 x 22 1/4 in. (75.88 x 56.52 cm) (sheet)
37 x 29 1/2 in. (93.98 x 74.93 cm) (outer frame)","Print","North America","United States",,"1987-1988","Not on View","20th century","Signature, Date and Stamp","at bottom edge, right of center, in pencil: [C.D. 1987- / 88]","LLC, impressed in paper: [ULAE (intertwined)]","","one of a suite of five lithographs (framed separately); abstract image in predominately red with purple vertical mark in URQ and blue-purple painterly horizontal marks and bottom center","Wells Fargo Bank, Minneapolis; given to MIA, 2011","From Red Shift series","Gift of Wells Fargo","2011.88.1.3","Artist: Carroll Dunham; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Carroll Dunham","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"Addison Gallery A11.3",,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"113149","Black (5th), from ""Red Shift""","Color lithograph"," Prints","29 7/8 x 22 1/4 in. (75.88 x 56.52 cm) (sheet)
37 x 29 1/2 in. (93.98 x 74.93 cm) (outer frame)","Print","North America","United States",,"1987-1988","Not on View","20th century","Signature, Date and Stamp","bottom center, in pencil: [C.D. 1987-88]","LLC, impressed in paper: [ULAE (intertwined)]","","one of a suite of five lithographs (framed separately); abstract image with black painterly swirling and horizontal arcing marks","Wells Fargo Bank, Minneapolis; given to MIA, 2011","From Red Shift series","Gift of Wells Fargo","2011.88.1.5","Artist: Carroll Dunham; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1949","%C2%A9 Carroll Dunham","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"Addison Gallery A11.5",,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"125651","Material for Walls","Photographic and drawn illustrations"," Books","6 x 6-1/8 in.","Artist's book",,,,"1999","Not on View","20th century","Signature","Signed in pencil by the artist on first page: [For Bill │ David Tremlett │ 2005]","","","softcover book bound with staples; cover has photographic image of a bunker with orange, yellow, green, brown, and red color splotches; black and white photographic images alternating with pages of printed designs on orange and yellow paper; bound volume; lender's archive # 34","William P. Kosmas, London, England (d. 2017); Estate of William P. Kosmas, Minneapolis","From ","Gift of William P. Kosmas","2018.123.139","Artist: David Tremlett; Publisher: Shiraishi Contemporary Art, Tokyo","Artist","British","British, born 1945","%C2%A9 David Tremlett %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"115891","La Blusa Rosa I","Color screenprint with hand-painted color and poured resin on museum board"," Prints","40 x 32 in. (101.6 x 81.28 cm) (sheet)","Print","North America","United States",,"1995","Not on View","20th century","","LRC, in pencil: Julian Schnabel","Publisher\'s blindstamp","","Salmon-colored heart, LRQ; ""LA BLUSA ROSA"" in black, URQ; eight blue and white painterly spots at top 1/3 of image and at right; green and tan areas; red numbers and letters stenciled at right edge, below center; waxy tan resin on and to left of heart; received framed with 2012.119.4.2","Robert B. Mersky, Minneapolis; given to MIA, 2012.","From Sexual Spring-Like Winter","Gift of Mary and Bob Mersky","2012.119.4.1","Artist: Julian Schnabel; Publisher: Lococo Fine Art Publishers, St. Louis","Artist","American","American, born 1951","%C2%A9 1995 Julian Schnabel %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"115892","La Blusa Rosa II","Color screenprint with hand-painted color and poured resin on museum board"," Prints","40 x 32 in. (101.6 x 81.28 cm) (sheet)","Print","North America","United States",,"1995","Not on View","20th century","","LRC, in pencil: Julian Schnabel","Publisher\'s blindstamp","","Salmon-colored bean shape with ""tail"", URQ; ""LA BLUSA ROSA"" in black, top, center and LRQ; black shape with topped white and small red spot at center left; green and tan areas; waxy tan resin on bean shape; received framed with 2012.119.4.1","Robert B. Mersky, Minneapolis; given to MIA, 2012","From Sexual Spring-Like Winter","Gift of Mary and Bob Mersky","2012.119.4.2","Artist: Julian Schnabel; Publisher: Lococo Fine Art Publishers, St. Louis","Artist","American","American, born 1951","%C2%A9 1995 Julian Schnabel %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.9779584,,,,,,,,,,,,,,,,,,,,,,,,,
"107365","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,631dup","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","European Art","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86323875,,,,,,,,,,,,,,,,,,,,,,,,,
"74515","Country Seats: Marine Villa, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,682","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74506","Country Seats: Chiswick House, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,673","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74466","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,634","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74502","Country Seats: Guy's Cliff, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,669","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74465","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,633","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74512","Country Seats: Wanstead House, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,679","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74468","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,636","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74464","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1808-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,632","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74505","Country Seats: Ditton, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,672","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74469","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,637","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74504","Country Seats: Frogmore House, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,671","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74510","Country Seats: West Farm, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,677","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74471","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,639","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74467","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,635","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74463","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,631","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74514","Country Seats: Sophia Lodge, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,681","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74508","Country Seats: Holly Grove, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,675","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74470","Pugin's Gothic Furniture, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,638","Artist: Augustus Charles Pugin; Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74513","Country Seats: Beaumont Lodge, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,680","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"74511","Country Seats: Hampton Hall, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,678","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.86275,,,,,,,,,,,,,,,,,,,,,,,,,
"53866","Die Kunstismen / Les ismes de l'Art / The Isms of Art, 1914-1924","Photographic reproductions, typography, and letterpress; bound in color-printed paper over boards"," Books","8 1/16 x 10 1/4in. (20.5 x 26cm)","Illustrated book","Asia","Russia",,"1925","Not on View","20th century","","","","El Lissitsky and Hans Arp collaborated in the design of this trilingual (German, French, English) publication produced for the 1925 Paris Exposition des Arts Décoratifs et Industriel Moderne. Its text attempts to summarize and lavishly illustrate the major art movements from 1914 until 1924: Constructivism, Verism, Prouns, Compressionism, Merzbild, Neoplasticism, Purism, Dadaism, Simultaneity, Suprematism, Metaphysical Art, Abstraction, Cubism, Futurism and Expressionism.
Its powerful cover design with the bold black ""K""(unst) and the strident red ""ISM"" framing the dates 1914 and 1924 and the list of art movements reflects the avant-garde extreme of Russian graphic design and typography during this era of experimentation and innovation. Kunstismen is the final example of book design rendered by Lissitsky outside of Russia.","Book of photographs of works by numerous 20th century artists; typography and printed paper covers (over board) designed by Lissitzky.","Norwest Corporation, Minneapolis; given to MIA, 1998.","From ","The Modernism Collection, gift of Norwest Bank Minnesota","B.98.10.5","Designer: El Lissitzky (Lazar Markovich Lissitzky); Designer: Hans (Jean) Arp; Publisher: Eugen Rentsch Verlag, Zurich","Artist","Russian","Russian, 1890–1941","Copyright %C2%A9 1925 Eugen Rentsch Verlag%2C Zurich","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"Municipal Van Abbemuseum, El Lissitzky 215",,"[""""]","art",0.845906,,,,,,,,,,,,,,,,,,,,,,,,,
"54201","Circle Lithograph","Color lithograph"," Prints","20 1/8 x 20 1/8 in. (51.12 x 51.12 cm) (sheet, diameter)","Print","North America","United States",,"1971","Not on View","20th century","","Signed and dated, in pencil, lower left: Ryman 71","Numbered in pencil, lower right: 2/50
Printer\'s marks: Wallace Brannen / Robert Rogers (2 R\'s back to back)
","","geometric abstraction","(John Weber Gallery, New York); sold to MIA, 1971.","From ","The Ethel Morrison Van Derlip Fund","P.71.180","Artist: Robert Ryman; Printer: Nova Scotia College of Art and Design, Halifax, Canada; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1930 - 2019","%C2%A9 Robert Ryman %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Lithography Workshop, NSCAD 158",,"[""""]","art",0.8307845,,,,,,,,,,,,,,,,,,,,,,,,,
"2573","Deny IV","Acrylic on canvas"," Paintings","60 1/4 x 60 1/4 x 3 in. (153.04 x 153.04 x 7.62 cm) (canvas)","Painting","Europe","England",,"1966","Not on View","20th century","","","","","Op art","",,"Gift of Willard M. Bollenbach, Jr.","78.74.1","Artist: Bridget Riley","Artist","British","British, born 1931","Copyright %C2%A9 1966 Bridget Riley. All Rights Reserved.","Global Contemporary Art","In Copyright","valid",3852,3887,1,"1",0,,,"[""""]","art",0.8259872,,,true,,,,,,,,,true,,,true,,,,,,,,,,
"12919","Stu Mead & Frank Gaard: The Immortal Man Bag Journal of Art","Color offset lithography; bound volume"," Prints; Books","7 3/4 x 5 1/2 x 1/2in. (19.7 x 14 x 1.3cm)","Illustrated book","North America","United States",,"1999","Not on View","20th century","","","","","Published compendium of Man Bag zines (six issues; 1991-1998).","Artpolice Journals, Inc., Minneapolis (publisher); given to MIA, 2000.","From ","Gift of Artpolice Journals, Inc.","2000.17","Artist: Stuart Mead; Artist: Frank Gaard; Author: Stuart Mead; Author: Frank Gaard; Publisher: Le Dernier CRI, Marseille, France","Artist","American","American, born 1944","%C2%A9 Frank Gaard","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",1,,,"[""""]","art",0.82125515,,,,,,,,,,,,,,,,,,,,,,,,,
"124485","View of the Art Museum at the Second National Industrial Exposition in Ueno Park","Woodblock print (nishiki-e); ink and color on paper"," Prints","14 1/4 × 29 3/16 in. (36.2 × 74.14 cm) (vertical ōban triptych)","Print (ukiyo-e / fūkei-ga)","Asia","Japan",,"March 1881","Not on View","19th century","","","出版人新いづミ町壱番地 楢葉周兵衛 画工南こんや町廿七番地 安藤徳兵衛; 御届明治十四年三月","","three sheets make up image of view of a Western-style brick building with two levels; large fountain in foreground surrounded by figures in Western and Japanese gaments from accordion-folded album with black soft cover","","From Famous Places in Tokyo (Tōkyō meisho 東京名所)","Gift of Markle Karlen","2012.75c","Artist: Utagawa Hiroshige III; Publisher: Naraha Shūbei","Artist","Japanese","Japanese, 1843-1894","","Japanese and Korean Art","Public Domain","invalid","","",0,"1",0,,,"[""114267"",""124485""]","art",0.8212312,,,,,,,,,,,,,,,,,,,,,,,,,
"125504","Cervo Volante: International Review of Art and Poetry, No. 13/14","Black and white illustrations; poster with screenprinting"," Prints; Books","8-7/8 x 6-7/16 in.","Periodical",,,,"1983","Not on View","20th century","","","","","orange swirled paper cover with two bound booklets attached inside (""arte"" and ""poesia""); cardboard pocket containing printed poem and artwork on folded poster; lender's archive #218","William P. Kosmas, London, England (d. 2017); Estate of William P. Kosmas, Minneapolis; given to MIA, 2018.","From ","Gift of William P. Kosmas","2018.123.65","Artist: Mimmo Paladino , et al.","Artist","Italian","Italian, born 1948","%C2%A9 Mimmo Paladino %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.8211853,,,,,,,,,,,,,,,,,,,,,,,,,
"73072","La dame qui cultive les arts (A Lady Who Devotes Herself to the Arts)","Lithograph, hand-colored"," Prints","13 13/16 x 10 1/4 in. (35.08 x 26.04 cm) (sheet)",,"Europe","France",,"1846","Not on View","19th century","","","","","","","From the series Les beaux jours de la vie","Bequest of Mrs. Charles S. Pillsbury","P.58.152","Artist: Honoré Daumier","Artist","French","French, 1808–1879","","European Art","Public Domain","invalid","","",0,"1",0,"L.D. 1175",,"[""""]","art",0.81418496,,,,,,,,,,,,,,,,,,,,,,,,,
"75184","La dame qui cultive les arts (A Lady Who Devotes Herself to the Arts)","Lithograph, hand-colored"," Prints","11 1/4 x 8 3/4 in. (28.58 x 22.23 cm) (image)",,"Europe","France",,"1840","Not on View","19th century","","","","","","","From the series Les beaux jours de la vie","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.17,598","Artist: Honoré Daumier; Printer: d'Aubert & Co.","Artist","French","French, 1808–1879","","European Art","Public Domain","invalid","","",0,"1",0,"HD 812",,"[""""]","art",0.81418496,,,,,,,,,,,,,,,,,,,,,,,,,
"59405","Untitled (6)","Engraving and drypoint with plate tone printed in brown-black"," Prints","11 13/16 x 8 15/16 in. (30 x 22.7 cm) (plate)
20 1/16 x 13 3/4 in. (50.96 x 34.93 cm) (sheet)","Print","North America","United States",,"c. 1944-45 (printed 1967)","Not on View","20th century","","Unsigned","Numbered in pencil, LR margin: 17/50
Blindstamp of the Estate of Jackson Pollock, LL margin: \""Estate of Jackson Pollock JP\"" in a circle
Blindstamp of the printer Emiliano Sorini: \""ES\"" in a square","","One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.","(Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.","From From a series of seven untitled intaglio prints","The Christina N. and Swan J. Turnblad Memorial Fund","P.78.31.6","Artist: Jackson Pollock; Printer: Emiliano Sorini; Publisher: Museum of Modern Art, New York","Artist","American","American, 1912-1956","%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"O'Connor and Thaw P.18",,"[""""]","art",0.8140337,,,,,,,,,,,,,,,,,,,,,,,,,
"54150","Untitled (5)","Engraving and drypoint"," Prints","15 5/8 x 23 5/8 in. (39.69 x 60.01 cm) (plate)
19 13/16 x 27 1/4 in. (50.32 x 69.22 cm) (sheet)","Print","North America","United States",,"c. 1944-45 (printed 1967)","Not on View","20th century","","Unsigned","Numbered in pencil, LR margin: 17/50
Blindstamp of the Estate of Jackson Pollock, LL margin: \""Estate of Jackson Pollock JP\"" in a circle
Blindstamp of the printer Emiliano Sorini: \""ES\"" in a square","Jackson Pollock's semi-abstract engraving is one of a series of intaglio prints he produced in 1944-45 at Atelier 17 in New York. Pollock was one of a group of young American artists for whom Hayter's studio in exile became an important meeting place for the exchange of new ideas and technical innovations. There they also met émigré European artists, including such luminaries as Joan Miró, Marc Chagall, Salvador Dali, and André Masson.
Though not editioned at the time, Pollock's intaglio prints of the mid-1940s are often cited as precursors to the fully resolved abstract style seen in his famous ""drip"" paintings. Pollock was fascinated with automatic drawing as practiced by Hayter, Masson and others. This spontaneous technique was well known among Dada artists of the early 20th century and later adopted by the surrealists as a way to reveal subconscious impulses. Unleashing his inner self, Pollock produced a frenzied arrangement of surrealist-inspired biomorphic forms interspersed with dynamic non-descriptive line.","One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.","(Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.","From From a series of seven untitled intaglio prints","The Christina N. and Swan J. Turnblad Memorial Fund","P.78.31.5","Artist: Jackson Pollock; Printer: Emiliano Sorini; Publisher: Museum of Modern Art, New York","Artist","American","American, 1912-1956","%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"O'Connor and Thaw P.19",,"[""""]","art",0.813935,,,,,,,,,,,,,,,,,,,,,,,,,
"59400","Untitled (1)","Engraving and drypoint"," Prints","11 3/4 x 9 7/8 in. (29.85 x 25.08 cm) (plate)
20 x 13 1/4 in. (50.8 x 33.66 cm) (sheet)","Print","North America","United States",,"c. 1944 (printed 1967)","Not on View","20th century","","Unsigned","Numbered in pencil, LR margin: 17/50
Blindstamp of the Estate of Jackson Pollock, LL margin: \""Estate of Jackson Pollock JP\"" in a circle
Blindstamp of the printer Emiliano Sorini: \""ES\"" in a square","Jackson Pollock's semi-abstract engraving is one of a series of intaglio prints he produced in 1944-45 at Atelier 17 in New York. Pollock was one of a group of young American artists for whom Hayter's studio in exile became an important meeting place for the exchange of new ideas and technical innovations. There they also met émigré European artists, including such luminaries as Joan Miró, Marc Chagall, Salvador Dali, and André Masson.
Though not editioned at the time, Pollock's intaglio prints of the mid-1940s are often cited as precursors to the fully resolved abstract style seen in his famous ""drip"" paintings. Pollock was fascinated with automatic drawing as practiced by Hayter, Masson and others. This spontaneous technique was well known among Dada artists of the early 20th century and later adopted by the surrealists as a way to reveal subconscious impulses. Unleashing his inner self, Pollock produced a frenzied arrangement of surrealist-inspired biomorphic forms interspersed with dynamic non-descriptive line.","One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.","(Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.","From From a series of seven untitled intaglio prints","The Christina N. and Swan J. Turnblad Memorial Fund","P.78.31.1","Artist: Jackson Pollock; Printer: Emiliano Sorini; Publisher: Museum of Modern Art, New York","Artist","American","American, 1912-1956","%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"O'Connor and Thaw P.13",,"[""""]","art",0.813935,,,,,,,,,,,,,,,,,,,,,,,,,
"59401","Untitled (2)","Engraving and drypoint"," Prints","11 3/4 x 9 7/8 in. (29.85 x 25.08 cm) (plate)
20 x 13 5/8 in. (50.8 x 34.61 cm) (sheet)","Print","North America","United States",,"c. 1944-45 (printed 1967)","Not on View","20th century","","Unsigned","Numbered in pencil, LR margin: 17/50
Blindstamp of the Estate of Jackson Pollock, LL margin: \""Estate of Jackson Pollock JP\"" in a circle
Blindstamp of the printer Emiliano Sorini: \""ES\"" in a square","Jackson Pollock's semi-abstract engraving is one of a series of intaglio prints he produced in 1944-45 at Atelier 17 in New York. Pollock was one of a group of young American artists for whom Hayter's studio in exile became an important meeting place for the exchange of new ideas and technical innovations. There they also met émigré European artists, including such luminaries as Joan Miró, Marc Chagall, Salvador Dali, and André Masson.
Though not editioned at the time, Pollock's intaglio prints of the mid-1940s are often cited as precursors to the fully resolved abstract style seen in his famous ""drip"" paintings. Pollock was fascinated with automatic drawing as practiced by Hayter, Masson and others. This spontaneous technique was well known among Dada artists of the early 20th century and later adopted by the surrealists as a way to reveal subconscious impulses. Unleashing his inner self, Pollock produced a frenzied arrangement of surrealist-inspired biomorphic forms interspersed with dynamic non-descriptive line.","One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.","(Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.","From From a series of seven untitled intaglio prints","The Christina N. and Swan J. Turnblad Memorial Fund","P.78.31.2","Artist: Jackson Pollock; Printer: Emiliano Sorini; Publisher: Museum of Modern Art, New York","Artist","American","American, 1912-1956","%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"O'Connor and Thaw P.14",,"[""""]","art",0.813935,,,,,,,,,,,,,,,,,,,,,,,,,
"59403","Untitled (3)","Engraving and drypoint"," Prints","11 11/16 x 8 7/8 in. (29.69 x 22.54 cm) (plate)
20 x 13 3/4 in. (50.8 x 34.93 cm) (sheet)","Print","North America","United States",,"c. 1944 (printed 1967)","Not on View","20th century","","Unsigned","Numbered in pencil, LR margin: 17/50
Blindstamp of the Estate of Jackson Pollock, LL margin: \""Estate of Jackson Pollock JP\"" in a circle
Blindstamp of the printer Emiliano Sorini: \""ES\"" in a square","Jackson Pollock's semi-abstract engraving is one of a series of intaglio prints he produced in 1944-45 at Atelier 17 in New York. Pollock was one of a group of young American artists for whom Hayter's studio in exile became an important meeting place for the exchange of new ideas and technical innovations. There they also met émigré European artists, including such luminaries as Joan Miró, Marc Chagall, Salvador Dali, and André Masson.
Though not editioned at the time, Pollock's intaglio prints of the mid-1940s are often cited as precursors to the fully resolved abstract style seen in his famous ""drip"" paintings. Pollock was fascinated with automatic drawing as practiced by Hayter, Masson and others. This spontaneous technique was well known among Dada artists of the early 20th century and later adopted by the surrealists as a way to reveal subconscious impulses. Unleashing his inner self, Pollock produced a frenzied arrangement of surrealist-inspired biomorphic forms interspersed with dynamic non-descriptive line.","One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.","(Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.","From From a series of seven untitled intaglio prints","The Christina N. and Swan J. Turnblad Memorial Fund","P.78.31.3","Artist: Jackson Pollock; Printer: Emiliano Sorini; Publisher: Museum of Modern Art, New York","Artist","American","American, 1912-1956","%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"O'Connor and Thaw P.15",,"[""""]","art",0.813935,,,,,,,,,,,,,,,,,,,,,,,,,
"74120","Interior View, Ackermann's Repository of Arts, 101 Strand, from The Repository of Arts, Vol. 1","Etching with hand-colored aquatint"," Prints","5 5/8 x 9 1/4 in. (14.29 x 23.5 cm) (sheet)",,"Europe","England",,"January 1909","Not on View","20th century","","","
","","Plate 2","","From The Repository of Arts, (London, January, 1809- December, 1815), Vol. 1-Vol. 14","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,394","Artist: Augustus Charles Pugin; Artist: Thomas Rowlandson; Publisher: Rudolph Ackermann","Artist","British","British, 1756 - 1827","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.81369615,,,,,,,,,,,,,,,,,,,,,,,,,
"124286","A Collaborative Cabinet: A Postcard Exchange with Mark Dion","Color inkjet printing on paper; bound volume"," Books","10 1/2 × 7 7/8 × 3/16 in. (26.67 × 20 × 0.48 cm) (closed)","Catalogue","North America","United States",,"2015","Not on View","21st century","","","","""A Collaborative Cabinet"" is an exchange project between MFA students at the Minneapolis College of Art and Design and conceptual artist Mark Dion. Organized by Andy DuCett, a visiting artist in the MFA program at MCAD, the project was designed as a “call and response” interaction between the students and Dion using subjects and themes developed through visits with curators, archivists, and researchers at the Bell Museum of Natural History in Minneapolis. During the month-long project, students were each tasked with creating an image (drawing, photograph, or collage) on a 4 × 6 inch postcard, which were then sent to Dion, who responded directly to the student with a postcard drawing or image of his own. The students were encouraged to consider the idea of the Wunderkammer (cabinet of wonder) in preparing their postcards, and to think about how these images might be interpreted in isolation, outside of their original context or paired with other images in the collaboration. Despite the diversity of approaches employed by the students, the project effectively explores and critiques how museum presentations and conventions shape our understanding of history, knowledge, and perception, all themes that appear regularly in the work of Dion and DuCett.","printed catalogue with green cover describing the project, ""A Collaborative Cabinet: A Postcard Exchange with Mark Dion,"" with reproductions of accompanying artworks/postcards and a glossary of terms","The artists and the Minneapolis College of Art and Design; given to MIA, 2016.","From ","Gift of Mark Dion and The Minneapolis College of Art and Design","2016.63.37","Collaborator: Mark Dion; Collaborator: Andy DuCett; Publisher: Minneapolis College of Art and Design","Artist","American","American, born 1961","%C2%A9 Mark Dion%2C Andy DuCett","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.794275,,,,,,,,,,,,,,,,,,,,,,,,,
"54853","Insect (Simulating seeds)","Color lithograph"," Prints","19 1/2 x 25 3/4 in. (49.53 x 65.41 cm) (image)","Print","Europe","England",,"1968","Not on View","20th century","","Signed in pencil, LR: Sutherland","Watermark: Arches
Numbered in pencil, LL: 55/70","","","(Marlborough Fine Art, Ltd., London); sold to MIA, 1969.","From A Bestiary and Some Correspondences (1965-68)","The Ethel Morrison Van Derlip Fund","P.69.9","Artist: Graham Sutherland; Printer: Atelier Mourlot, Paris; Publisher: Marlborough Fine Art Ltd., London","Artist","British","British, 1903 - 1980","%C2%A9 The Estate of Graham Sutherland","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tassi 105",,"[""""]","art",0.78368574,,,,,,,,,,,,,,,,,,,,,,,,,
"55188","Juggler and Two Horses, Blue, Yellow and Black","Color lithograph"," Prints","23 3/4 x 15 3/8 in. (60.33 x 39.05 cm) (image)
26 x 19 7/8 in. (66.04 x 50.48 cm) (sheet)","Print","Europe","Italy",,"1953","Not on View","20th century","","","Watermark: ","","","Harold Joachim, Chicago; given to MIA, 1957.",,"Gift of Harold Joachim, 1957","P.12,568","Artist: Marino Marini; Printer: Mourlot Freres, Paris; Publisher: Art Institute of Chicago","Artist","Italian","Italian, 1901 - 1980","%C2%A9 Marino Marini %2F Artists Rights Society %28ARS%29%2C New York","European Art","In Copyright","invalid","","",1,"1",0,"Gustalla L45; Klepac 62; Toninelli 45",,"[""""]","art",0.78368574,,,,,,,,,,,,,,,,,,,,,,,,,
"66400","Psyche: The Blue Martin","Color woodcut, aquatint and etching"," Prints","22 7/16 x 22 7/16 in. (56.99 x 56.99 cm)","Print","North America","United States",,"1985","Not on View","20th century","LLC on back, in pencil: 0449-35 / TS85-860","bottom edge, in pencil: T.L. Solein \'85","LRC: Tyler Graphics blindstamp
Numbered in pencil, lower margin: 35/50","","blue bird with orange breast perched on a twig; open spherical cage enclosing bird; black radiating dot, ULC, with 7 other dots of various colors throughout; yellow and pink ""sky,"" grey ""ground""","Walker Art Center, Minneapolis (co-publisher); given to MIA, 2003.","From ","Gift of Walker Art Center, Minneapolis
Commissioned with funds provided by the Surdna Foundation, 2003","2003.81","Artist: T.L. Solien; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York; Publisher: Walker Art Center, Minneapolis","Artist","American","American, born 1949","%C2%A9 T. L. Solien","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"TGL print documentation, 1985; Walker Art Center (1987), 529",,"[""""]","art",0.7836518,,,,,,,,,,,,,,,,,,,,,,,,,
"6116","Postcards from Trakl","Artist's book: Mixed intaglio, woodcut; letterpress"," Books","14 1/4 x 11 7/8 in. (36.2 x 30.16 cm)","Artist's book","North America","United States",,"1994","Not on View","20th century","","","","Jensen's evocative abstract imagery and his penchant for intaglio printmaking are fully realized in this artist's book that celebrates the memory of the Austrian Expressionist poet and author Georg Trakl (1887-1914). In collaboration with American poet John Yau, Jensen invokes the spirit of Trakl's modernist vision with a series of atmospheric compositions that use landscape as a nominal point of departure.","Box and binding by Claudia Cohen","[John C. Stoller, Minneapolis]","From ","Gift of funds from the Print and Drawing Council","B.95.2","Artist: Bill Jensen; Author: John Yau; Publisher: Universal Limited Art Editions (ULAE)","Artist","American","American, born 1945","Art %C2%A9 Bill Jensen%0D%0AText %C2%A9 John Yau","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.783587,,,,,,,,,,,,,,,,,,,,,,,,,
"100715","At Ibiza","Wool, cotton; tapestry weave"," Textiles","60 3/4 x 76 1/2 in. (154.31 x 194.31 cm)",,"Asia","Japan",,"1973","Not on View","20th century","Label","","LLC, on back: producer\'s label; LRC, on back, sewn on label: [(symbol) / kawashima textile mills, ltd. / Kyoto, Japan]","","predominately cream, black and grey, with orange, turquoise, purple; abstract image; paintery lines with two vertical lines and a horizontal stripe at top. Former Classification: Textiles - Tapestry","","From ","Gift of Nobuko Kajitani","2008.12.2","Designer: Don Cameron; Weaver: Kawashima Textile Mills, Ltd.; Producer: Shuttle Art Ltd.","Artist",,,"%C2%A9 Kawashima Textile Mills%2C Ltd. %2F At Ibiza%2C Don Cameron%2C 1973","Asian Art","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.783587,,,,,,,,,,,,,,,,,,,,,,,,,
"100714","Continuity","Wool, cotton; tapestry"," Textiles","59 1/2 x 78 in. (151.13 x 198.12 cm) (without wood heading band/hanger)",,"Asia","Japan",,"1973 (designed 1971)","Not on View","20th century","Signature, Date and Label","LLC, in grey threads: [Lassaw 1971]","LLC, on back: producer\'s label; LRC, on back, sewn on label: [(symbol) / kawashima textile mills, ltd. / Kyoto, Japan]","","black and cream; black ground with cream organic shapes in various sizes; weft-faced plain weave Former Classification: Textiles - Tapestry","","From ","Gift of Nobuko Kajitani","2008.12.1","Designer: Ibram Lassaw; Weaver: Kawashima Textile Mills, Ltd.; Producer: Shuttle Art Ltd.","Artist",,,"%C2%A9 Kawashima Textile Mills%2C Ltd. %2F Continuity%2C Ibram Lassaw%2C 1971","Asian Art","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.783587,,,,,,,,,,,,,,,,,,,,,,,,,
"87435","Nile Grass","Linen; dyed"," Textiles","overall (Untrimmed): 25 x 23 in. (63.5 x 58.42 cm)",,"North America","United States",,"1955-1958","Not on View","20th century","","","","","See below Gold on white Golds on Linen","","From Fall 1957","Gift of Cowtan & Tout, Inc.","99.1.542","Designer: Don Wight; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.78358203,,,,,,,,,,,,,,,,,,,,,,,,,
"136943","Silent Electric Fish Tattoo","Etching on off-white wove paper"," Prints","16 13/16 × 5 5/8 in. (42.7 × 14.29 cm) (plate)
18 1/8 × 6 15/16 × 1/2 in. (46.04 × 17.62 × 1.27 cm) (outer frame)","Print","North America","United States",,"1964","Not on View","20th century","","UR in plate: Art Green | LC in plate (bicep): Vera Berdich | RC in plate: S. Rocca | LL in plate: Wm. Schwedler","","","abstract image of female-esque figure, divided into four sections: face consists of two eyes, a mouth, several boxes, steps, and horn-like shapes; the upper torso is dominated by a heart filled with springs, screws, a scale, and other industrial components, being hugged by a pair of arms; a skirt-like flap opens over the hips; the legs widen at the knees, with a crossed flag on the PR leg and a scaffold in place of the PL, with drops falling out from between; only the second section (the chest) has a background (abstracted)","","From ","Gift of Cynthia Carlson","2019.145.2","Artist: Vera Berdich; Artist: Art Green; Artist: Suellen Rocca; Artist: William Schwedler","Artist","American","American, 1943 - 2020","%C2%A9 Vera Berdich%2C Art Green%2C Suellen Rocca%2C William Schwedler","Paintings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.78357697,,,,,,,,,,,,,,,,,,,,,,,,,
"67829","Twin Planes","Color screenprint on canvas, laminated to board"," Prints","58 3/4 x 6 1/4 in. (149.23 x 15.88 cm) (image)","Print","North America","United States",,"1969","Not on View","20th century","","Signed and dated <5/5/69> in ink, verso","Publishers\' ink stamps, verso","","","Dayton Hudson Corporation, Minneapolis; given to MIA, 1978.","From ","Gift of Dayton's","P.78.46","Artist: Kenneth Noland; Publisher: Sarah Lawrence Art Press, New York , and Chiron Press, Inc., New York","Artist","American","American, 1924 - 2010","%C2%A9 Kenneth Noland %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"79944","Word Image","Color screenprint"," Prints","48 3/4 x 17 3/16 in. (123.83 x 43.66 cm) (sheet)","Poster","North America","United States",,"1968","Not on View","20th century","","not signed","","","blue eye with blue and red stripes, bottom half; four mouths on black background, top half","Michael and Rosalyn Baker, Minneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.60","Designer: Tadanori Yokoo; Publisher: Museum of Modern Art, New York; Printer: Poster Originals Ltd., New York","Artist","Japanese","Japanese, born 1936","","Prints and Drawings","No Known Copyright","invalid","","",1,"1",1,"Museo de l'Affiche/Yokoo 546; Yokoo 546",,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"86983","Laurelton (em)","Linen; dyed"," Textiles","overall (Untrimmed): 29 1/2 x 24 1/2 in. (74.93 x 62.23 cm)",,"North America","United States",,"1957-1961","Not on View","20th century","","","","","Very large abstract branches & leaves. Vert. rpt. 18 3/4""; horiz. 23.5"". Red & khaki Reds with Khaki","","From Tiffany","Gift of Cowtan & Tout, Inc.","99.1.428.1","Designer: Win Anderson; Designer: Hugo Zuhr; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American, born 1922","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Win Anderson","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"86509","Favrile","Linen; dyed"," Textiles","overall (Untrimmed): 34 3/4 x 52 1/2 in. (88.27 x 133.35 cm)",,"North America","United States",,"1957-1961","Not on View","20th century","","","","","Plain weave. Handprinted overlapping squiggles. Vert. Rpt. 35.5"". Purple, green, blue, yellow. Spring Green","","From Tiffany","Gift of Cowtan & Tout, Inc.","99.1.282.2","Designer: Robert Deuble; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Robert Deuble","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"86507","Favrile","Linen; dyed"," Textiles","overall (Untrimmed): 36 x 25 3/4 in. (91.44 x 65.41 cm)",,"North America","United States",,"1957-1961","Not on View","20th century","","","","","Plain weave. Handprinted overlapping squiggles. Vert. Rpt. 35.5"". Purple, green, blue, yellow. Spring Green","","From Tiffany","Gift of Cowtan & Tout, Inc.","99.1.282.1","Designer: Robert Deuble; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Robert Deuble","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"116615","Organic Variant","Color screenprint"," Prints","12 3/16 x 19 5/16 in. (30.96 x 49.05 cm) (image)",,"North America","United States",,"1956","Not on View","20th century","Signature","On sheet","Chop marks: NORWOOD","","","","From ","Gift of Mr. Carl O. Schniewind, 1957","P.12,569a","Artist: Dean Jackson Meeker; Publisher: Print & Drawing Club of the Art Institute of Chicago , 1956","Artist","American","American, 1920 - 2002","Copyright of the artist%2C artist%27s estate%2C or assignees","Prints and Drawings","In Copyright–Rights-holder(s) Unlocatable","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"106873","Kunstoff-Objekte, 1860-1960","Offset color lithograph"," Prints","50 x 35 in. (127 x 88.9 cm) (sight)","Poster","Europe","Switzerland",,"1984","Not on View","20th century","","","","","white ground; grid lines in red, yellow and blue with photos of objects placed at intersections, such as clocks and telephones; framed behind plexi with black frame","","From ","Gift of Wells Fargo Bank, Minnesota","2009.4.3","Designer: Jorg Hamburger; Designer: Georg Staehelin; Printer: Denz Lith-Art AG; Printer: Birchler Siebdruck AG","Artist","Swiss","Swiss","","Decorative Arts, Textiles and Sculpture","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"86984","Laurelton (em)","Linen; dyed"," Textiles","overall (Untrimmed): 28 1/2 x 50 in. (72.39 x 127 cm)",,"North America","United States",,"1957-1961","Not on View","20th century","","","","","Very large abstract branches & leaves. Vert. rpt. 18 3/4""; horiz. 23.5"". Greens & browns. Greens with Brown","","From Tiffany","Gift of Cowtan & Tout, Inc.","99.1.428.2","Designer: Win Anderson; Designer: Hugo Zuhr; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American, born 1922","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Win Anderson","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"88064","Shadow Dance","Silk"," Textiles","overall: 80 1/2 x 44 in. (204.47 x 111.76 cm)","cloth","Asia","China",,"1980","Not on View","20th century","","","","","Handwoven crepe brush print. Vert. rpt. 53"". Silk crepe ivory wiith mint green smudges. Vert. Rpt. 50.75"" Meadow Haze","","From Unknown","Gift of Cowtan & Tout, Inc.","99.1.717.1","Designer: Larsen Design Studio, New York; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"88066","Shadow Dance","Silk"," Textiles","overall: 139 1/2 x 41 1/2 in. (354.33 x 105.41 cm)","cloth","Asia","China",,"1980","Not on View","20th century","","","","","Handwoven crepe brush print. Vert. rpt. 53"". Silk crepe ivory with blue-gray smudges. Vert. Rpt. 52.5"" Sea Haze","","From Unknown","Gift of Cowtan & Tout, Inc.","99.1.717.2","Designer: Larsen Design Studio, New York; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"88065","Shadow Dance","Silk; dyed"," Textiles","overall (Untrimmed): 61 x 43 3/4 in. (154.94 x 111.13 cm)",,"Asia","China",,"1980","Not on View","20th century","","","","","Handwoven crepe brush print. Vert. rpt. 53"". Tan & beige Sylvan Haze","","From Unknown","Gift of Cowtan & Tout, Inc.","99.1.717.3","Designer: Larsen Design Studio, New York; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"85429","Canterbury (and Canterbury Stripe)","Mohair (dacron, cotton?); printed"," Textiles","overall (Bottom hem 3.5): 117 x 90 3/4 in. (297.18 x 230.51 cm)",,"North America","United States",,"1963","Not on View","20th century","","","","","Both Patterns are on one piece of fabric. Top 42"" are Canterbury. Canterbury Stripe has been machine stitched to top. White, silver & gold. Silver & Old Gold","","From Unknown","Gift of Cowtan & Tout, Inc.","99.1.1146.2","Designer: Warren Platner; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Warren Platner","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"42587","Untitled","Rubber stamp, hand-applied"," Prints","8 x 8 in. (20.32 x 20.32 cm) (sheet)","Print","North America","United States",,"1976","Not on View","20th century","Inscriptions
Ink stamp, verso, UR: [R. Artschwager /1000]; inscribed by hand, verso., UR: [0319]","Stamped signature, verso: [R. Artschwager]","","","","[Parasol Press, New York]","From The Rubber Stamp Portfolio","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.23.2","Artist: Richard Artschwager; Publisher: Parasol Press Ltd., New York; Distributor: Museum of Modern Art, New York","Artist","American","American, 1923 - 2013","%C2%A9 Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.7835122,,,,,,,,,,,,,,,,,,,,,,,,,
"54507","Plate 6, from ""Work from Instructions""","Lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","10,000 lines at random within 20 in. square-4 colors","","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.11","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (6); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"54505","Plate 10, from ""Work from Instructions""","Color lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","Straight lines within 4 contiguous 10-inch squares","","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.15","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (10); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"54513","Plate 2, from ""Work from Instructions""","Lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","One color-connecting lines","","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.7","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (2); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"54514","Plate 9, from ""Work from Instructions""","Color lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","Perpendicular lines within 20 in. square","","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.14","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (9); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"54516","Plate 3, from ""Work from Instructions""","Color lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","Four colors, 10,000 freehand lines within 20 in. square","","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.8","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (3); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"54512","Plate 5, from ""Work from Instructions""","Lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","10,000 lines random within a 20 in. square","","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.10","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (5); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"54518","Plate 4, from ""Work from Instructions""","Lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)North America","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","10,000 freehand lines within 20 inch square","","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.9","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (4); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"54515","Plate 1, from ""Work from Instructions""","Color lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","Four colors with single connecting lines","Acquired directly from the publisher","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.6","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (1); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"54517","Plate 8, from ""Work from Instructions""","Color lithograph"," Prints","20 x 20 in. (50.8 x 50.8 cm) (image)
28 1/8 x 28 in. (71.44 x 71.12 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition
see Signed
Numbered in pencil, LL: [14/25]","Signed in pencil, LR: [LeWitt]","","","Diagonal or crossing lines within one-inch squares","","From From ""Work from Instructions"" portfolio","The Ethel Morrison Van Derlip Fund","P.72.13","Artist: Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.8 (8); Krakow 1971.18",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"81038","Untitled (D)","Color screenprint"," Prints","21 15/16 x 22 1/16 in. (55.72 x 56.04 cm) (image)
28 7/8 x 28 3/16 in. (73.34 x 71.6 cm) (sheet)","Print","North America","United States",,"1980","Not on View","20th century","","LRC, in pencil: JY 80","LLC, in pencil: 9/50","","blue and black woodgrain in background; brown lines at corners; two brown swirls inside a blue circle; abstract image","Terrence D. Curley, Golden Valley, Minn.; given to MIA, 2003.","From Untitled Suite A-H","Gift of Terrence D. Curley","2003.255.4","Artist: Jack Youngerman; Printer: Henning Screenprint Workshop, New York; Publisher: Prestige Art, Ltd.","Artist","American","American, 1926 - 2020","%C2%A9 Jack Youngerman %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"81035","Untitled (A)","Color screenprint"," Prints","21 15/16 x 22 1/16 in. (55.72 x 56.04 cm) (image)
28 7/8 x 28 1/8 in. (73.34 x 71.44 cm) (sheet)","Print","North America","United States",,"1980","Not on View","20th century","","LRC, in pencil: JY 80","LLC, in pencil: 9/50","","blue and brown woodgrain in background; brown lines at corners; two blue swirls inside a pink circle; abstract image","Terrence D. Curley, Golden Valley, Minn.; given to MIA, 2003.","From Untitled Suite A-H","Gift of Terrence D. Curley","2003.255.1","Artist: Jack Youngerman; Printer: Henning Screenprint Workshop, New York; Publisher: Prestige Art, Ltd.","Artist","American","American, 1926 - 2020","%C2%A9 Jack Youngerman %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"81037","Untitled (C)","Color screenprint"," Prints","21 15/16 x 22 1/16 in. (55.72 x 56.04 cm) (image)
28 7/8 x 28 3/16 in. (73.34 x 71.6 cm) (sheet)","Print","North America","United States",,"1980","Not on View","20th century","","LRC, in pencil: JY 80","LLC, in pencil: 9/50","","dark blue and brown woodgrain in background; brown lines at corners; three blue swirling shapes inside a turquoise circle; abstract image","Terrence D. Curley, Golden Valley, Minn.; given to MIA, 2003.","From Untitled Suite A-H","Gift of Terrence D. Curley","2003.255.3","Artist: Jack Youngerman; Printer: Henning Screenprint Workshop, New York; Publisher: Prestige Art, Ltd.","Artist","American","American, 1926 - 2020","%C2%A9 Jack Youngerman %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"81041","Untitled (G)","Color screenprint"," Prints","21 15/16 x 22 1/16 in. (55.72 x 56.04 cm) (image)
28 7/8 x 28 3/16 in. (73.34 x 71.6 cm) (sheet)","Print","North America","United States",,"1980","Not on View","20th century","","LRC, in pencil: JY 80","LLC, in pencil: 9/50","","blue and black woodgrain in background; brown lines at corners; three turquoise swirling shapes inside a purple circle; abstract image","Terrence D. Curley, Golden Valley, Minn.; given to MIA, 2003.","From Untitled Suite A-H","Gift of Terrence D. Curley","2003.255.7","Artist: Jack Youngerman; Printer: Henning Screenprint Workshop, New York; Publisher: Prestige Art, Ltd.","Artist","American","American, 1926 - 2020","%C2%A9 Jack Youngerman %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"81039","Untitled (E)","Color screenprint"," Prints","21 15/16 x 22 1/16 in. (55.72 x 56.04 cm) (image)
28 7/8 x 28 3/16 in. (73.34 x 71.6 cm) (sheet)","Print","North America","United States",,"1980","Not on View","20th century","","LRC, in pencil: JY 80","LLC, in pencil: 9/50","","purple and olive green woodgrain in background; brown lines at corners; three brown swirling shapes inside a blue circle; abstract image","Terrence D. Curley, Golden Valley, Minn.; given to MIA, 2003.","From Untitled Suite A-H","Gift of Terrence D. Curley","2003.255.5","Artist: Jack Youngerman; Printer: Henning Screenprint Workshop, New York; Publisher: Prestige Art, Ltd.","Artist","American","American, 1926 - 2020","%C2%A9 Jack Youngerman %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"81040","Untitled (F)","Color screenprint"," Prints","21 15/16 x 22 1/16 in. (55.72 x 56.04 cm) (image)
28 7/8 x 28 3/16 in. (73.34 x 71.6 cm) (sheet)","Print","North America","United States",,"1980","Not on View","20th century","","LRC, in pencil: JY 80","LLC, in pencil: 9/50","","red-brown and black woodgrain in background; red-brown lines at corner; three blue swirling shapes inside a pink circle; abstract image","Terrence D. Curley, Golden Valley, Minn.; given to MIA, 2003.","From Untitled Suite A-H","Gift of Terrence D. Curley","2003.255.6","Artist: Jack Youngerman; Printer: Henning Screenprint Workshop, New York; Publisher: Prestige Art, Ltd.","Artist","American","American, 1926 - 2020","%C2%A9 Jack Youngerman %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"81036","Untitled (B)","Color screenprint"," Prints","21 15/16 x 22 1/16 in. (55.72 x 56.04 cm) (image)
28 7/8 x 28 3/16 in. (73.34 x 71.6 cm) (sheet)","Print","North America","United States",,"1980","Not on View","20th century","","LRC, in pencil: JY 80","LLC, in pencil: 9/50","","purple and olive green woodgrain in background; brown lines at corners; two brown swirls inside a blue circle; abstract image","Terrence D. Curley, Golden Valley, Minn.; given to MIA, 2003.","From Untitled Suite A-H","Gift of Terrence D. Curley","2003.255.2","Artist: Jack Youngerman; Printer: Henning Screenprint Workshop, New York; Publisher: Prestige Art, Ltd.","Artist","American","American, 1926 - 2020","%C2%A9 Jack Youngerman %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"81042","Untitled (H)","Color screenprint"," Prints","21 15/16 x 22 1/16 in. (55.72 x 56.04 cm) (image)
28 7/8 x 28 3/16 in. (73.34 x 71.6 cm) (sheet)","Print","North America","United States",,"1980","Not on View","20th century","","LRC, in pencil: JY 80","LLC, in pencil: 9/50","","brown and black woodgrain in background; brown lines at corners; two purple swirling shapes inside a turquoise circle; abstract image","Terrence D. Curley, Golden Valley, Minn.; given to MIA, 2003.","From Untitled Suite A-H","Gift of Terrence D. Curley","2003.255.8","Artist: Jack Youngerman; Printer: Henning Screenprint Workshop, New York; Publisher: Prestige Art, Ltd.","Artist","American","American, 1926 - 2020","%C2%A9 Jack Youngerman %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"85430","Canterbury (and Canterbury Stripe)","Mohair (dacron, cotton?); printed"," Textiles","overall (Untrimmed): 48 1/4 x 49 in. (122.56 x 124.46 cm)",,"North America","United States",,"1963","Not on View","20th century","","","","","Both Patterns are on one piece of fabric. Top 42"" are Canterbury. Canterbury Stripe has been machine stitched to top. This length of fabric shows two designs: ""Canterbury"" 99.1.116.2 and ""Canterbury Stripe"" 99.1.118.2 Lavender and Gold","","From Unknown","Gift of Cowtan & Tout, Inc.","99.1.1146.1","Designer: Warren Platner; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Warren Platner","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"125650","Ruin","Black and white illustrations"," Books","5-1/4 x 5-1/8 in.","Artist's book",,,,"1987","Not on View","20th century","Signature","Signed in pencil by the artist, LRQ first page: [For Bill │ David Tremlett │ 2005]","","","brown softcover booklet; inside pages alternate between black background with gray geometric image, and brown page with occasional text; bound volume; lender's archive # 33","William P. Kosmas, London, England (d. 2017); Estate of William P. Kosmas, Minneapolis; given to MIA, 2018.","From ","Gift of William P. Kosmas","2018.123.138","Artist: David Tremlett; Publisher: Art and Project, Amsterdam; Publisher: Mlunguzi Top Press, Malawi","Artist","British","British, born 1945","%C2%A9 David Tremlett %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"59970","Drawing Announcement","Lithograph in black, with colored inks sprayed through stencils on graph paper"," Prints","11 x 16 9/16 in. (27.94 x 42.07 cm) (image)
19 1/4 x 24 1/4 in. (48.9 x 61.6 cm) (sheet)","Print","North America","United States",,"1966","Not on View","20th century","","Signed in graphite pencil, LR: Rivers","Publisher\'s blindstamp, LL: ULAE
Numbered in pencil, LR: 3/15","","","(G.W. Einstein Co., New York): sold to MIA, 1979.","From ","The Ethel Morrison Van Derlip Fund","P.79.34","Artist: Larry Rivers; Publisher: Universal Limited Art Editions (ULAE); Printer: Frank Akers","Artist","American","American, 1923 - 2002","%C2%A9 Estate Larry Rivers %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Sparks 42",,"[""""]","art",0.7834423,,,,,,,,,,,,,,,,,,,,,,,,,
"7500","Is this Che Guevara?","Color screenprint with collage, gelatin silver photograph, and metal paper clips"," Prints; Collages / Assemblages","40 x 27 in. (101.6 x 68.58 cm) (image)","Print and collage","Europe","England",,"1969","Not on View","20th century","printed in ink (in image) UL: October 8th / 1968 | printed in ink (in image) UR: October 8th / 1968 | printed in ink on paper collage LR: IS THIS \""CHE\"" GUEVARA?? / AFP [?] K8700 13.10.67 / THE BODY OF THE MAN NAMED AS ERNESTO (circled in pen and ink) / \""CHE\"" GUEVARA, (circled in pen and ink) A FORMER CUBAN REVOLUTIONARY, / HAS BEEN BURIED IN AN UNMARKED GRAVE / NEAR THE SPOT WHERE THE BOLIVIAN ARMY SAY / HE DIED ON MONDAY. THE COMMANDER OF THE / BOLIVIANARMED FORCES SAID THAT GUEVARA / IDENTIFIED HIMSELF BEFORE HE DIED, AND SAID / THAT HIS FIGUREPRINTS MATCHED THOSE SUPPLIED / BY THE AU THORITIES OF ARGENTINE, WHERE HE / WAS BORN. / GUEVARA, WHO WAS ONCE A MINISTER IN / CUBA, AND A CLOSE COLLABORATOR / OF DR CASTRO, THE PRIME MINISTER, HAD BEEN HUNTED BY A / NUMBER OF SOUTH AMERICAN GOVERNME NTS SI NCE / HE DISAPPEARED. FROM CUBA TWO YEARS A GO. / HE PREACHED REVOLUTION FOR THE WHOLE OF / SOUTH AMERICA. / PHOTO SHOWS: / A CLOSE UP OF THE BODY SAID BY THE BOLIVIAN / ARMY TO BE THAT OF THE LATIN AMERICAN REVOLUT- / IONARY \""CHE\"" GUEVARA. | printed in ink, visible through this paper collage, LR: JOE TILSON / 11.Argyll road / Kensington / London, W.8. / U.K. | printed in ink, visible through this paper collage, LL: date / scale / job","Signed and dated in pencil, LRC: Joe Tilson 1969","Numbered in pencil, LRC: 12/70
Printer\'s stamp in ink, verso: K (in square) 7184","By the end of the 1960s, Joe Tilson had become intensely involved in anti-authoritarian politics, portraying such figures as Ho Chi Minh, Malcolm X, and the Argentine-born physician and Marxist firebrand Ernesto ""Che"" Guevara (1928-1967). Guevara began his political and social activities in Guatemala and later served as Fidel Castro's chief lieutenant during the Cuban revolution that toppled the corrupt regime of Fulgencio Batista. After unsuccessful efforts to foment socialist revolution in Africa and South America, Guevara was captured and murdered without the benefit of a trial in 1967 by soldiers of the Bolivian army. With the help of declassified government documents, the United States Central Intelligence Agency was implicated in the assassination of Guevara as well as the cover-up that followed. In a macabre and cruel act, Bolivian soldiers cut off Guevara's hands to provide proof he was actually dead. In the wake of his slaying, Guevara became a martyr and a symbol for socialist revolutionary movements around the world.","","[Marlborough Graphics, New York]; sold to MIA, 1970.",,"Gift of funds from Mr. and Mrs. Russell Cowles and Mr. and Mrs. Roger Mandle","P.70.103","Artist: Joe Tilson; Printer: Kelpra Studio, Ltd., London; Publisher: Marlborough Fine Art Ltd., London","Artist","British","British, 1928 - 2023","%C2%A9 Joe Tilson %2F Artists Rights Society %28ARS%29%2C New York","European Art","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.7833401,,,,,,,,,,,,,,,,,,,,,,,,,
"61859","Her Story","Color etchings, lithographs, letterpress"," Prints; Books","12 11/16 x 10 3/16 x 1 3/4 in. (32.23 x 25.88 x 4.45 cm) (box, closed)","Artist's book","North America","United States",,"1988-1990","Not on View","20th century","Signature, Date, Stamp","LLC of each numbered page in pencil: [Anne Waldman]
LRC of each numbered page: [Elizabeth Murray 88-90]","LRQ at bottom edge, R of center, each numbered page: [ULAE intertwined)]","Long recognized as one of America's preeminent painters, Elizabeth Murray has also been active as a printmaker and draftsman. In Her Story, Murray collaborated with acclaimed American performance-poet Anne Waldman (born 1945) to create a highly personal and consciously feminine reaction to modern life. Murray's engaging color prints, which may at first glance seem like abstract compositions, are actually amalgams of recognizable subject matter--cups and saucers, chairs, paint brushes, and human figures-that she uses as starting points for her visual and emotional explorations of her environment.
Like her oil paintings, Murray's prints are vividly colored, exuberantly decorative, and strongly sculptural in feeling. And while her images reveal an obvious penchant for elaborate geometric arrangements of form and color, it is Murray's emotional reaction to the world and its physicality that lies at the heart of her work and lends it such a potent vitality.","13 etchings and lithographs printed opposite letterpress poems on folded pages; pages inside a paper cover and green box; pages numbered","[Pace Prints, New York]; sold to MIA, 2002.","From ","Gift of the Print and Drawing Council","2002.117a-p","Artist: Elizabeth Murray; Publisher: Universal Limited Art Editions (ULAE); Author: Anne Waldman","Artist","American","American, 1940-2007","%C2%A92011 The Murray-Holman Family Trust %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.7833376,,,,,,,,,,,,,,,,,,,,,,,,,
"123641","La Policia De Arte, Vol. 20, No. 2: ""All Death Issue""","Offset lithography; bound publication"," Prints; Works on Paper","5 1/2 × 5 1/2 in. (13.97 × 13.97 cm) (closed)","Zine","North America","United States",,"Fall 1993","Not on View","20th century","","","","","18 pages, saddle-stapled; two-color offset cardstock covers; red and black on white publication with ""La Policia De Arte"" lettered across the top; lettered down the left side of the front cover: ""All Death Issue""'; ""Art Police"" down right side; image in center of man putting toothpaste on toothbrush","","From ","Transfer from the Reference Collection","2015.100.43","Artist: Andy Baird; Artist: Michael Brehm; Artist: Tres Davis; Artist: Mike DeVoni; Artist: Frank Gaard; Artist: Phillip Kalinowski; Artist: Chris Karcher; Artist: Mike McCoy; Artist: Bruce Peterson; Artist: Bruce Tapola; Artist: Jon West; Artist: W. C. Wormley; Publisher: Artpolice, Minneapolis","Artist","American","American, born 1944","%C2%A9 1993 Artpolice%2C Minneapolis","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.74458206,,,,,,,,,,,,,,,,,,,,,,,,,
"74509","Country Seats: Princess Elizabeth's House, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,676","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.71979654,,,,,,,,,,,,,,,,,,,,,,,,,
"74507","Country Seats: Chiswick, Garden Side, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,674","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.71979654,,,,,,,,,,,,,,,,,,,,,,,,,
"74503","Country Seats: St. Leonard's Hall, from The Repository of Arts","Etching with hand-colored aquatint"," Prints",,,"Europe","England",,"1809-1828","Not on View","19th century","","","
","","","","From The Repository of Arts, (London, 1809-1828)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.20,670","Editor: Frederic Shoberl; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"W.J. Burke, Rudolph Ackermann, N.Y. 1935",,"[""""]","art",0.71979654,,,,,,,,,,,,,,,,,,,,,,,,,
"67830","A California Landscape","Color lithograph"," Prints","21 x 31 1/4 in. (53.34 x 79.38 cm) (image)
25 1/2 x 39 5/8 in. (64.77 x 100.65 cm) (sheet)","Print","North America","United States",,"1934","Not on View","20th century","Printed inscription, LL margin: PRINTED BY WILL A. KISTLER COMPANY - LOS ANGELES; LR margin: CONTRIBUTED BY MILLARD SHEETS TO PUBLIC WORKS OF ART PROJECT 14TH REGION","Signed in pencil, LR margin: Millard Sheets; initialed on the stone, LRC: M.S.","Stamped in black ink, LLC of sheet: 95","Horses, often in idealized rural landscapes, were a regular feature of Millard Sheets’s paintings and prints. This scene of frolicking horses dates from the height of the Great Depression (1929–39). It was distributed throughout the United States as part of the Public Works of Art Project, a federal government work relief program for unemployed artists.","Seaside rural landscape with houses, barns, and horses in pasture","Public Works of Art Project (PWAP), State of California; given to MIA, 1935.","From ","Gift of Public Works of Art Project, State of California, 1935","P.35.6","Artist: Millard Sheets; Printer: Will A. Kistler Co., Los Angeles; Publisher: Public Works Art Project, State of California","Artist","American","American, 1907 - 1989","","Prints and Drawings","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.7078457,,,,,,,,,,,,,,,,,,,,,,,,,
"2805","The Birthplace of Herbert Hoover, West Branch, Iowa","Oil on masonite"," Paintings","29 5/8 × 39 3/4 in. (75.2 × 101 cm)
47 1/4 × 37 × 3 1/16 in. (120.02 × 93.98 × 7.78 cm)","Painting","North America","United States",,"1931","G323","20th century","Signature and Date","LL: [Grant Wood, 1931]","","Grant Wood, born and raised in Iowa, was the foremost artist of the American Regionalist movement, which focused on the human condition and the values of a rural environment. This well-organized landscape, with its linear precision and repetition of forms, emphasizes the order and harmony of country life. A group of Iowa businessmen commissioned this painting to present to President Herbert Hoover, who was born in the white frame cabin situated immediately behind the two-story house in the middle of the scene. The president, who had stressed his humble origins during his campaign, refused the painting because the inclusion of the larger, later house obscured the cabin. Wood eventually sold it through a dealer.","Landscape. Painting is owned jointly by the MIA and the Des Moines Art Center","",,"Purchased jointly by The Minneapolis Institute of Arts and the Des Moines Art Center; with funds from the John R. Van Derlip Fund, Mrs. Howard H. Frank, and the Edmundson Art Foundation, Inc.","81.105","Artist: Grant Wood","Artist","American","American, 1891 - 1942","%C2%A9 Figge Art Museum%2C successors to the Estate of Nan Wood Graham %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","valid",5866,4405,1,"1",0,,,"[""""]","art",0.7073941,"[{""title"":""Wood, Birthplace of Herbert Hoover"",""_id"":""2805"",""objectId"":""2805"",""link"":""http://audio-tours.s3.amazonaws.com/p452.mp3"",""number"":""452"",""type"":""audio""}]",,,,,,,true,,,,,,,,true,true,,,,,,,,
"64490","A Complete Course of Lithography, Containing Clear and Explicit Instructions in all the Different Branches and Manners of that Art...","Lithographs; letterpress; bound volume"," Prints; Books","11 1/4 x 9 inches (closed)
","Illustrated technical manual","Europe","England",,"1819","Not on View","19th century","","","","","342 [2] pp., 14 plates (1 folding), including color frontispiece, portraits, facsimiles. A technical manual describing apparatus, papers, colors, chemicals, presses, etc., in detail. PART FIRST: HISTORY OF THE ART OF LITHOGRAPHY and then, PART II: ART OF LITHOGRAPHY, CONTAINING INSTRUCTIONS IN THE DIFFERENT BRANCHES AND MANNERS.","Source unknown, possibly transferred from MIA Library (no library markings noted).","From ","","P.6,056","Author: Alois Senefelder; Author: Preface by Fredrich von Schlichtegroll; Translator: Alois Senefelder; Publisher: Rudolph Ackermann","Artist","British","British (born Germany), 1764 - 1834","","Prints and Drawings","Public Domain","invalid","","",0,"1",1,,,"[""""]","art",0.7004157,,,,,,,,,,,,,,,,,,,,,,,,,
"40258","Stapling pliers","Enamel on chromium-plated metal"," Metalwork","2 3/4 x 5 11/16 x 1/2in. (7 x 14.4 x 1.3cm)","Stapling pliers","North America","United States",,"c. 1935","Not on View","Art Deco","","","","These stapling pliers showed how high style fused with efficiency in the office. Its Cubist-inspired design, in enamel on chrome-plated metal, was popular in the early Art Deco period in American industrial design, similar to the Kodak Camera and box, also seen in this exhibition.
Fridolin Polzer received a patent in 1934 for this design manufactured by Hotchkiss, whose front can be removed to load a strip of staples onto a guide. A squeeze on the handles quickly staples the paper, and repetitive use did not tire the user as conventional staplers could.","Geometric art deco design","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.182.1","Designer: Fridolin Polzer; Manufacturer: E.H. Hotchkiss Company","Artist","American (born Austria)","American (born Austria), born c. 1879","","Arts of the Americas","No Copyright–United States","valid",2560,1768,0,"1",0,,,"[""""]","art",0.6958999,,,,,,,,,,,,,,,,,,,,,,,,,
"67709","Diagram for Sculpture","Lithograph"," Prints","9 x 12 in. (22.86 x 30.48 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature, Edition, Stamp, Date
","","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.15","Artist: Robert Morris; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1931 - 2018","%C2%A92001 Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"",,"[""""]","art",0.68642765,,,,,,,,,,,,,,,,,,,,,,,,,
"42454","Untitled","Lithograph"," Prints","9 x 12 in. (22.86 x 30.48 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Edition; Date","on image, LR: [Robert Breer 1/4 T.P. 1973]","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.2","Artist: Robert Breer; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1926-2011","%C2%A9 Robert Breer","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.68642765,,,,,,,,,,,,,,,,,,,,,,,,,
"51061","Untitled","Color screenprint, printed on both sides"," Prints","12 x 18 in. (30.48 x 45.72 cm) (image)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Date; Edition
see Signed","pencil: [1/4 T.P. R Whitman 1973]","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.24","Artist: Robert Whitman; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist",,"N.Y.","%C2%A9 Robert Whitman","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.68642765,,,,,,,,,,,,,,,,,,,,,,,,,
"49832","Untitled","Color screenprint"," Prints","12 x 9 in. (30.48 x 22.86 cm) (image, sheet)","Print","Europe","Germany",,"1973","Not on View","20th century","Edition
Numbered, verso: [T.P. 1/4]","Unsigned as issued","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.9","Artist: Hans Haacke; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American (born Germany)","American, born Germany 1936","%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Germany","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.68642765,,,,,,,,,,,,,,,,,,,,,,,,,
"59521","Untitled","Lithograph and color screenprint"," Prints","11 15/16 x 8 15/16 in. (30.32 x 22.7 cm) (sheet)","Print","North America","United States",,"1973","Not on View","20th century","
","Signed,dated, numbered in pencil, verso: T.P.1/4 C.T. - 73","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.23","Artist: Cy Twombly; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1928-2011","%C2%A9 Cy Twombly Foundation","Arts of the Americas","In Copyright","invalid","","",1,"1",1,"Bastian 38",,"[""""]","art",0.68642765,,,,,,,,,,,,,,,,,,,,,,,,,
"56033","Circles","Color screenprint"," Prints","8 15/16 x 8 15/16 in. (22.7 x 22.7 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature, Edition, Stamp
see Signed
","Signed and numbered, verso
in pencil, verso: [TP 1/4 Lewitt]","stamped in ink, verso: [copyright 1973 by Sol Lewitt printed at Styria Studio]","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.14","Artist: Sol LeWitt; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York; Printer: Styria Studio, New York","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate L.9; Krakow 1973.02",,"[""""]","art",0.68632895,,,,,,,,,,,,,,,,,,,,,,,,,
"79369","Lincoln Center","Color lithograph"," Prints","45 x 29 5/8 in. (114.3 x 75.25 cm) (sheet)","Poster","North America","United States",,"1966","Not on View","20th century","Printed inscription, verso, lower left: [Roy Lichtenstein / commissioned by Lincoln Center for the Performing Arts / for the List Art Poster Program of The American Federation of Arts 1966]
Printed inscription, verso, lower right: [Amalgamated Lithorgahers / Local One New York / Union Label 74 (with small logo)]
","unsigned","","","title on blue background on bottom; red and blue dot design and yellow spotlights top half","Michael and Rosalyn Baker, Minneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.25","Designer: Roy Lichtenstein; Publisher: Lincoln Center for the Performing Arts, New York / List Art Poster and Print Program","Artist","American","American, 1923–1997","%C2%A9 Estate of Roy Lichtenstein","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Corbett III.21",,"[""""]","art",0.68632895,,,,,,,,,,,,,,,,,,,,,,,,,
"58505","Untitled (A New Design for TV-Chair)","Color screenprint"," Prints","12 x 9 in. (30.48 x 22.86 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","","In pencil, LR: Paik \'73 1/4 T.P.","Stamp in black ink, verso, LL: COPYRIGHT BY NAM JUNE PAIK / PRINTED AT STYRIA STUDIO","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.18","Artist: Nam June Paik; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist",,"N.Y.","%C2%A9 Nam June Paik","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.68632895,,,,,true,,,,,,,,,,,,,,,,,,,,
"42448","Untitled","Color lithograph on Mylar, printed on both sides"," Prints","8 15/16 x 8 15/16 in. (22.7 x 22.7 cm) (image)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Edition","LL: 1/4 T.P. Chamberlain","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.3","Artist: John Chamberlain; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1927-2011","%C2%A9 2019 Fairweather %26 Fairweather LTD %2F Artists Rights Society %28ARS%29%2C New York. Courtesy the John Chamberlain Estate and Hauser %26 Wirth.","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.68632895,,,,,,,,,,,,,,,,,,,,,,,,,
"45848","$108 Bill","Color screenprint"," Prints","12 x 9 in. (30.48 x 22.86 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","
","on sheet, LR: Oyvind Fahlstrom T.P. 1/4","","","From a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.7","Artist: Öyvind Fahlström; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","Swedish (born Brazil)","Swedish (born Brazil) 1928-1976","%C2%A9 %C3%96yvind Fahlstr%C3%B8m %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.68632895,,,,,,,,,,,,,,,,,,,,,,,,,
"59257","Untitled","Lithograph"," Prints","11 15/16 x 8 15/16 in. (30.32 x 22.7 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Date; Stamp
see Signed
","in pencil at LL on print: [R. Stankiewicz \'73]","Stamp, verso: [Copyright 1973 by Richard Stankiewicz]
[Printed at Styria Studio]","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.22","Artist: Richard Stankiewicz; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist",,"N.Y.","%C2%A9 Estate Richard Stankiewicz","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.68632895,,,,,,,,,,,,,,,,,,,,,,,,,
"59231","Untitled","Lithograph"," Prints","9 1/2 x 9 1/16 in. (24.13 x 23.02 cm) (image)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Date; Edition; Inscription (stamped)
see Signed
Numbered in pencil, LLC: [1/4]
Stamped in black ink, verso: [© Copyright 1973 By Richard Serra Printed at Styria Studio]","Signed, dated in pencil, LRC: [Serra 73]","Stamped inscription, verso (see Inscriptions)","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.21","Artist: Richard Serra; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist",,"N.Y.","%C2%A9 Richard Serra %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Not in Berswordt-Wallrabe",,"[""""]","art",0.68632895,,,,,,,,,,,,,,,,,,,,,,,,,
"58952","Ten Days","Color screenprint"," Prints","9 x 12 in. (22.86 x 30.48 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","","Signed and dated in pencil, LC: Rosenquist 1973","Numbered in pencil, LL: 1/4 T.P.","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.19","Artist: James Rosenquist; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1933 - 2017","%C2%A9 James Rosenquist %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Glenn 68",,"[""""]","art",0.68632895,,,,,,,,,,,,,,,,,,,,,,,,,
"89035","Circles","Linen, cotton, fortisan; printed"," Textiles","overall: 95 x 45 1/2 in. (241.3 x 115.57 cm)",,"North America","United States",,"1955-1962","Not on View","20th century","","","","","Printed 1.5"" colored circle on natural backing. 32.25"" Vert. Rpt; 23.75"" horiz. Rpt. Gold and blue on natural bkg. Blue & Gold","","From Pre-Collection","Gift of Cowtan & Tout, Inc.","99.1.978","Designer: Larsen Design Studio, New York; Designer: Sari Dienes; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Sari Dienes%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"87261","Midsummer Casement","Dacron, rayon, linen; dyed"," Textiles","overall (Not trimmed): 14 x 41 1/4 in. (35.56 x 104.78 cm)",,"North America","United States",,"1959-1965","Not on View","20th century","","","","","Large multi-shaped flowers & leaves. Casement Ecru and slate grey (ecru)","","From Collection '59","Gift of Cowtan & Tout, Inc.","99.1.495.1","Designer: Larsen Design Studio, New York; Designer: Don Wight; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"87263","Midsummer Casement","Dacron/rayon/linen; printed"," Textiles","overall: 34 x 39 in. (86.36 x 99.06 cm)",,"North America","United States",,"1959-1965","Not on View","20th century","","","","","Large multi-shaped flowers & leaves. Casement Oranges & golds on off-white. (orange)","","From Collection '59","Gift of Cowtan & Tout, Inc.","99.1.495.3","Designer: Larsen Design Studio, New York; Designer: Don Wight; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"88371","Spring Day","Cotton; dyed"," Textiles","overall (Machine overcast top & bottom): 36 x 49 3/4 in. (91.44 x 126.37 cm)",,"North America","United States",,"1962-1965","Not on View","20th century","","","","","Large abstract free-hand style blossoms without stems. 36"" rpt. Fuchia, aqua, grey. Anemone","","From Pre-Collection","Gift of Cowtan & Tout, Inc.","99.1.780.1","Designer: Larsen Design Studio, New York; Designer: Don Wight; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"88370","Spring Day","Cotton; dyed"," Textiles","overall (Untrimmed): 18 x 49 1/2 in. (45.72 x 125.73 cm)",,"North America","United States",,"1962-1965","Not on View","20th century","","","","","Large abstract free-hand style blossoms without stems. 36"" rpt. Pastel orange, blue & yellow on white Marigold","","From Pre-Collection","Gift of Cowtan & Tout, Inc.","99.1.780.3","Designer: Larsen Design Studio, New York; Designer: Don Wight; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"88267","Cosmos (1957)","Linen; dyed"," Textiles","overall (Machine overcast on 3 sides.): 37 x 17 in. (93.98 x 43.18 cm)",,"North America","United States",,"1957-1962","Not on View","20th century","","","","","Stylized flower/tree pattern. Pattern rpt 55"". Green & beige (green/beige)","","From Pre-Collection","Gift of Cowtan & Tout, Inc.","99.1.751.1","Designer: Larsen Design Studio, New York; Designer: Eugene Feldman; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Eugene Feldman%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"87262","Midsummer Casement","Dacron, rayon, linen; dyed"," Textiles","overall (Not trimmed): 11 1/4 x 52 in. (28.58 x 132.08 cm)",,"North America","United States",,"1959-1965","Not on View","20th century","","","","","Large multi-shaped flowers & leaves. Casement Blue and Green on ecru (blue)","","From Collection '59","Gift of Cowtan & Tout, Inc.","99.1.495.2","Designer: Larsen Design Studio, New York; Designer: Don Wight; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"88266","Cosmos (1957)","Linen; dyed"," Textiles","overall (Machine overcast top, bottom, & left edges.): 37 x 18 1/2 in. (93.98 x 46.99 cm)",,"North America","United States",,"1957-1962","Not on View","20th century","","","","","Stylized flower/tree pattern. Pattern rpt 55"". Toffee & white. (gold)","","From Pre-Collection","Gift of Cowtan & Tout, Inc.","99.1.751.2","Designer: Larsen Design Studio, New York; Designer: Eugene Feldman; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Eugene Feldman%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"88372","Spring Day","Cotton; dyed"," Textiles","overall (Untrimmed): 34 1/4 x 36 in. (87 x 91.44 cm)",,"North America","United States",,"1962-1965","Not on View","20th century","","","","","Large abstract free-hand style blossoms without stems. 36"" rpt. Fuchia, aqua, lavender (pink,purples)","","From Pre-Collection","Gift of Cowtan & Tout, Inc.","99.1.780.2","Designer: Larsen Design Studio, New York; Designer: Don Wight; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"88373","Spring Day","Cotton; dyed"," Textiles","overall (Untrimmed): 6 3/4 x 49 3/4 in. (17.15 x 126.37 cm)",,"North America","United States",,"1962-1965","Not on View","20th century","","","","","Large abstract free-hand style blossoms without stems. 36"" rpt. Yellow, gold and grey flowers on white field Marigold (2)","","From Pre-Collection","Gift of Cowtan & Tout, Inc.","99.1.780.4","Designer: Larsen Design Studio, New York; Designer: Don Wight; Mill: American Art; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"32759","2 for 5: Two Authors – Five Years","Color illustration, letterpress; bound volume"," Books","9 x 5 3/8 x 1/2in. (22.9 x 13.7 x 1.3cm)","Artist's book","North America","United States",,"1999","Not on View","20th century","Signature
signed by designer and authors on colophon page","","","","Housed in stainless steel and cloth clamshell box","","From ","Gift of Ruth and Bruce Dayton","B.99.8","Artist: Wilber H. Schilling; Author: Michael Dennis Browne and Patricia Hampl; Publisher: Frederick R. Weisman Art Museum , Minneapolis","Artist","American","American, born 1962","%C2%A9 Wilber H. Schilling","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.68625414,,,,,,,,,,,,,,,,,,,,,,,,,
"58217","Untitled","Color screenprint"," Prints","9 x 11 11/16 in. (22.86 x 29.69 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature","Stamped signature, verso","","Kenneth Noland is a leading proponent of Color Field painting, which emerged from Abstract Expressionism. In the late 1940s, Noland attended Black Mountain College in North Carolina, where he studied color theory and painting with Josef Albers and Ilya Bolotowsky, two pioneers of 20th-century geometric abstraction. Their influence is apparent in many of Noland's paintings and prints, which typically feature precise geometric arrangements defined by fields or bands of flat, solid color.
Noland's screenprint was published in a portfolio of 30 prints, multiples, and photographs that also included the work of such prominent artists as Donald Judd, Sol LeWitt, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg, and Cy Twombly.","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.16","Artist: Kenneth Noland; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1924 - 2010","%C2%A9 Kenneth Noland %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.6862302,,,,,,,,,,,,,,,,,,,,,,,,,
"79400","Art Medieval du Barry. Vitraux Sculptures. 12 Juillet-23 Septembre 68","Color screenprint"," Prints","30 1/2 x 22 9/16 in. (77.47 x 57.31 cm) (sheet)","Poster","Europe","France",,"1968","Not on View","20th century","","","","","black, white, red, and blue Christian stained glass image at center with white text top and bottom","Michael and Rosalyn Baker, Minneapolis; given to MIA, 2003.","From ","Gift of Michael and Rosalyn Baker","2003.219.27","Publisher: Maison de la Culture de Bourges, Bourges, France","Artist",,,"","Prints and Drawings","No Known Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.67830163,,,,,,,,,,,,,,,,,,,,,,,,,
"40437","Jardinière","Cast iron"," Metalwork","8 x 40 x 9in. (20.3 x 101.6 x 22.9cm)","Jardinière","Europe","France",,"c. 1900","Not on View","Art Nouveau","","","","","Art Nouveau style","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.176","Maker: Hector Guimard","Artist","French","French, 1867-1942","","European Art","Public Domain","valid",2560,1105,0,"1",0,,,"[""""]","art",0.6636305,,,,,,,,,,,,,,,,,,,,,,,,,
"1318","Howling Dog","Oil on canvas"," Paintings","17 1/2 x 22 3/8 in. (44.45 x 56.83 cm) (canvas)
25 1/4 x 30 1/4 x 2 3/4 in. (64.14 x 76.84 x 6.99 cm) (outer frame)","Painting","Europe","Switzerland",,"1928","G376","20th century","On stretcher: 1928 qu.I. \'Heulender Hund\' Klee","UL in gold: KLEE, 1928 qu. I","Bears three labels on backing board:
MIA loan label: L57.18 Lent by F.C. Schang |
Partly torn label: Galerien Flechtheim Berlin W10 Lützwufer 13, Düsseldorf Königsallee 34 / B \'10645\' / D \'Sig. [M?...illegible] / E \'Klee Heulender Hund 1926\' |
Partly torn printed exhibition label: (Co)ll. Tietz, Cologne / Paul Klee / Title: Heulender Hund / Medium: Oil / Year 1928 / Origination: J.B. Neumann / Reproduced p. 48 of Will Grohmann\'s book/ Collection of F.C. Schang","Klee's playful depiction of a solitary dog baying at a radiant moon exemplifies the artist's reliance on a linear style of representation. Using a series of sinuous lines, Klee creates a harmonious arrangement of three distinct forms: a dog, the moon, and in an unusual but charming visualization of sound, the dog's extended howl. Placed at the center of an amorphous ground of swirling colors, the dog's howl assumes a dominant pictorial role, winding, bending on itself, hanging in the night air like a wisp of smoke, while representing a visual as well as temporal record of the emanating sound. Klee's two-dimensional composition effectively supplants traditional spatial illusion, revealing a simple, yet elegant ideogram for the painting's whimsical subject.","Purple, green, orange and white abstraction of a dog howling at the moon. Stylistic and formal differentiation of art.","",,"Gift of F. C. Schang","56.42","Artist: Paul Klee","Artist","Swiss","Swiss, 1879 - 1940","","European Art","No Copyright–United States","valid",5983,4586,0,"1",0,,,"[""102992"",""1318""]","art",0.62126535,"[{""title"":""Paul Klee, Howling Dog"",""_id"":""1318"",""objectId"":""1318"",""link"":""http://audio-tours.s3.amazonaws.com/p852.mp3"",""number"":""852"",""type"":""audio""}]",,,,,,,,,,,,,,,,true,,,,,,,,
"108337","Plate 12, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","12 1/2 x 17 5/8 in. (31.75 x 44.77 cm) (sight)
22 7/8 x 28 3/8 x 1 3/8 in. (58.1 x 72.07 x 3.49 cm) (outer frame)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","watercolor like image of part of building facade; tall section to right ""GALLERIE""; colors browns, blue and some pink; below image in black “DIE DIELE: DIE THUR DES EMPFANGS-RAUMS: DER KAMIN:"" title upper left; number ""12"" upper right; below image: ""ART . ANST EMIL HOCHDANZ STUTTGART C. R. MACKINTOSH. GLASGOW. HAUS EINES KUNST - FREUNDES/ VERLAGS - ANSTALT: ALEXANDER KOCH-DARMSTADT. - TAFEL XII""","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.13","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.6186961,,,,,,,,,,,,,,,,,,,,,,,,,
"9920","Uber das Geistige in der Kunst","Woodcuts, illustrations, and letterpress; bound volume"," Prints; Books","8 1/4 x 7 3/16 x 3/8 in. (20.96 x 18.26 x 0.95 cm)","Illustrated book","Asia","Russia",,"1912","Not on View","20th century","","","","In 1911, Russian-born theorist and pioneer of abstract art Vassily Kandinsky published ""Concerning the Spiritual in Art,"" which ranks among the most significant documents in 20th-century art. Kandinsky writes, “All means [in painting] are sacred when they are dictated by inner necessity. All means are reprehensible when they do not spring from the fountain of inner necessity.” In this treatise, he calls for a spiritual revolution in painting that permits artists to abstractly express their own inner lives through form and color, and to value spirituality over naturalistic or materialistic representations.","treatise on modern art with 10 original woodcuts and text by Vassily Kandinsky; first edition","[Sims Reed Rare Books, London]; sold to MIA, 2000.",,"The Mary and Robyn Campbell Fund for Art Books","2000.14","Artist: Vassily Kandinsky; Publisher: R. Piper and Co. , Munich","Artist","Russian","French, born Russia, 1866–1944","","Prints and Drawings","No Copyright–United States","valid",2833,3618,0,"1",1,,,"[""""]","art",0.61177564,"[{""title"":""Maori House Panel"",""_id"":""9920"",""objectId"":""9920"",""link"":""http://audio-tours.s3.amazonaws.com/p579.mp3"",""number"":""579"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"40380","Plate 8, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","20 7/8 x 15 5/8in. (53 x 39.7cm)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","Plate 8","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.9","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","invalid","","",0,"1",0,,,"[""40380"",""53671""]","art",0.59436846,,,,,,,,,,,,,,,,,,,,,,,,,
"40377","Plate 5, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Photolithograph"," Prints","20 7/8 x 15 5/8in. (53 x 39.7cm)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","Plate 5","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.6","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","invalid","","",0,"1",0,,,"[""40377"",""53671""]","art",0.59436846,,,,,,,,,,,,,,,,,,,,,,,,,
"40383","Plate 9, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","20 7/8 x 15 5/8in. (53 x 39.7cm)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.10","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","invalid","","",0,"1",0,,,"[""40383"",""53671""]","art",0.59436846,,,,,,,,,,,,,,,,,,,,,,,,,
"40379","Plate 7, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","20 7/8 x 15 5/8in. (53 x 39.7cm)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","Plate 7","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.8","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","invalid","","",0,"1",0,,,"[""40379"",""53671""]","art",0.5943684,,,,,,,,,,,,,,,,,,,,,,,,,
"63112","Plate 13, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","11 1/2 x 17 in. (29.21 x 43.18 cm) (sight)
22 3/4 x 28 1/4 in. (57.79 x 71.76 cm) (outer frame)","Print","Europe","Germany",,"1902","Not on View","20th century","Inscription
LR in brown: [C.R. MACKINTOSH.GLASGOW.HAUS EINES KUNST-FREUNDES./ VERGLAS-ANSTALT: ALEXANDER KOCH-DARMSTADT.-TAFEL XIII.]; LL in brown: [ART-ANST-EMIL HOCHDANZ-STUTTGART.]","","","","brown built-in wall unit with shelves, drawers; white dishes and picture on top shelf; blue and white plates on shelf underneath; vase with pink roses on top of shelf","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.14","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","Prints and Drawings","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.5942697,,,,,,,,,,,,,,,,,,,,,,,,,
"108333","Plate 1, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","13 1/2 x 17 1/2 in. (34.29 x 44.45 cm) (sight)
22 7/8 x 28 3/8 x 1 3/8 in. (58.1 x 72.07 x 3.49 cm) (outer frame)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","floor plan of building interior; three levels with each room labeled for function; green and black on off-white paper; title upper left corner; number 1 upper right corner; below image: ""EMIL HOCHDANZ STUTTGART C. R. MACKINTOSH. GLASGOW. HAUS EINES KUNST - FREUNDES/ VERLAGS - ANSTALT:ALEXANDER KOCH-DARMSTADT. - TAFEL I""","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.2","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","invalid","","",0,"1",0,,,"[""108333"",""53671""]","art",0.5942697,,,,,,,,,,,,,,,,,,,,,,,,,
"108336","Plate 4, from ""Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Color photolithograph"," Prints","11 5/8 x 17 1/16 in. (29.53 x 43.34 cm) (sight)
22 7/8 x 28 3/8 x 1 3/8 in. (58.1 x 72.07 x 3.49 cm) (outer frame)","Print","Europe","Germany",,"1902","Not on View","20th century","","","","","south elevation of building; green plantlike objects on balcony and along wall at street level; below image ""SUD"" next to metric scale; title upper left; number ""4"" upper right; below image: ""EMIL HOCHDANZ STUTTGART C. R. MACKINTOSH. GLASGOW. HAUS EINES KUNST - FREUNDES/ VERLAGS - ANSTALT:ALEXANDER KOCH-DARMSTADT. - TAFEL IV""","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.5","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","European Art","No Copyright–United States","invalid","","",0,"1",0,,,"[""108336"",""53671""]","art",0.5942697,,,,,,,,,,,,,,,,,,,,,,,,,
"53869","Portfolio Case, from ""Mesiter der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes (House for an Art Lover)""","Cardboard with photolithographically printed label"," Prints","21 1/4 x 16 in. (53.98 x 40.64 cm)","Portfolio case","Europe","Germany",,"1902","Not on View","20th century","","","","","dark greenish-gray with black spine; black cloth ties at top, middle and bottom; square paper adhered to center with light gray and green text, title and design","","From Meister der Innen: Kunst II: Charles Rennie Mackintosh Haus Eines Kunstfreundes","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.115.16","Artist: Charles Rennie Mackintosh; Artist: Margaret Macdonald Mackintosh","Artist","British (Glasgow)","Scottish, 1868–1928","","Prints and Drawings","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.5941251,,,,,,,,,,,,,,,,,,,,,,,,,
"67109","Hard Core (28 mins, 16 mm, Sound, Color)","Gelatin silver print"," Photographs; Works on Paper","8 15/16 x 8 15/16 in. (22.7 x 22.7 cm) (image)","Photograph","North America","United States",,"1973","Not on View","20th century","Title, Edition
Stamp, verso
","Unsigned as issued","stamped verso: [HARD CORE 28 mins...16 mm sound/color Walter de Maria T.P. 1/4]","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.4","Photographer: Walter de Maria; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York; Printer: Modern Age Photographic Services, New York","Artist","American","American, born 1935","%C2%A9 Walter de Maria","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.5890709,,,,,,,,,,,,,,,,,,,,,,,,,
"51865","Untitled","Color screenprint"," Prints","7 x 7 in. (17.78 x 17.78 cm) (image)
11 15/16 x 8 15/16 in. (30.32 x 22.7 cm) (sheet)","Print","North America","United States",,"1973","Not on View","20th century","Signature; Date; Edition
see Signed
","on sheet, LR: [1/4 T.P. Alex Hay 73]","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York)","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.10","Artist: Alex Hay; Printer: Styria Studio, New York copyright 1973 by George Segal; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist",,"N.Y.","%C2%A9 Alex Hay","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.5890709,,,,,,,,,,,,,,,,,,,,,,,,,
"42452","Untitled","Color screenprint"," Prints","8 15/16 x 11 15/16 in. (22.7 x 30.32 cm) (image, sheet)","Print","North America","United States",,"1973","Not on View","20th century","","on sheet, LR: T.P. 1-4-Bontecou","","","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From The New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.1","Artist: Lee Bontecou; Printer: Styria Studio, New York; Maker: Portfolio box designed and fabricated by Peter Ballantine; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1931 - 2022","%C2%A9 Lee Bontecou","Arts of the Americas","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.5890709,,,,,,,,,,,,,,,,,,,,,,,,,
"6077","Three Young Rats and other Rhymes","Illustrations, letterpress; bound volume"," Books","10 1/4 x 7 3/4 in. (26.04 x 19.69 cm)","Illustrated book","North America","United States",,"1946","Not on View","20th century","","","","","","Bruce B. Dayton, Wayzata, Minn.; given to MIA, 1983.","From ","Gift of Bruce B. Dayton","B.83.13","Artist: Alexander Calder; Author: Introduction by James Johnson Sweeney; Publisher: Museum of Modern Art, New York , New York (facsimile edition); Printer: Crafton Graphic Co., New York","Artist","American","American, 1898–1976","%C2%A9 2015 Calder Foundation%2C New York %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.5889961,,,,,,,,,,,,,,,,,,,,,,,,,
"80826","Jazz","Reproductions of cut-paper collages"," Books","4 7/8 x 7 5/16 in. (12.38 x 18.57 cm)","Book","Europe","France",,"1960","Not on View","20th century","","","","","binding: color-printed paper over board; endpapers: white laid; 51 pp.","","From ","Gift of the Estate of Dorothy Millett Lindeke","B.87.4.49","Artist: Henri Matisse; Translator: Monroe Wheeler; Publisher: Museum of Modern Art, New York; Printer: R. Piper and Co. , Munich (Piper-Bücherei Series, 115)","Artist","French","French, 1869–1954","%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",0,"",,"[""""]","art",0.5889961,,,,,,,,,,,,,,,,,,,,,,,,,
"51059","Remembrance of Marcel","Color lithograph and screenprint on a heavy paper envelope containing one 7-inch vinyl record with color xerographed labels, within a paper sleeve"," Multiples","7 x 7 in. (17.78 x 17.78 cm) (image)","Multiple","North America","United States",,"1973","Not on View","20th century","Inscription in facsimile of Duchamp\'s handwriting printed on back of sleeve: With Segal it\'s not a matter of the found object; / it\'s the chosen object. / Marcel Duchamp
Inscription incised on vinyl record (each side): [CO6152ABS]
Numbered in black ink, verso LL: [1/4 T.P.]
","Signed in black ink, LR: G. Segal","","Part of a multi-artist portfolio project, George Segal's 33 RPM vinyl record and sleeve documents the artist's personal memories of the influential avant-garde artist Marcel Duchamp, who died in 1968. Segal's admiration for Duchamp was returned by the older artist, who observed that ""With Segal, it's not a matter of the found object, it's the chosen object.""","","Steven M. Andersen, Minneapolis (former assistant printer at Styria Studio, New York); sold to MIA, 1979.","From New York Collection for Stockholm","The Miscellaneous Works of Art Purchase Fund","P.79.146.20","Artist: George Segal; Producer: Cook Laboratories, Norwalk, Conn.; Printer: Styria Studio, New York copyright 1973 by George Segal; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York","Artist","American","American, 1924-2000","%C2%A9 Estate George Segal %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Arts of the Americas","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.58897215,,,,,,,,,,,,,,,,,,,,,,,,,
"56923","Plate 1, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.1","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97813","Plate 6, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature , Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.6","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97812","Plate 5, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.5","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97814","Plate 7, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.7","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97811","Plate 4, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.4","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97815","Plate 8, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.8","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97816","Plate 9, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.9","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97817","Plate 10, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.10","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97810","Plate 3, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.3","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"97809","Plate 2, from Squares with a Different Line Direction in Each Half Square","Etching"," Prints","7 1/8 x 7 1/8 in. (18.1 x 18.1 cm) (plate)
14 3/8 x 14 1/2 in. (36.51 x 36.83 cm) (sheet)","Print","North America","United States",,"1971","Not on View","20th century","Signature, Edition, Mark
see Signed
Numbered in pencil, LL: [18/25]","Signed in pencil, LR: [LeWitt]","Chop: K","","from a portfolio of 10 etchings, plus frontispiece","","From Squares with a Different Line Direction in Each Half Square","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.7.2","Artist: Sol LeWitt; Publisher: Parasol Press Ltd., New York; Publisher: Wadsworth Atheneum Museum of Art; Printer: Crown Point Press, San Francisco","Artist","American","American, 1928 - 2007","%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York","Prints and Drawings","In Copyright","invalid","","",1,"1",1,"Tate E.1. (1-10); Krakow 1971.03",,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"42588","1000 Placements","Rubber stamp print in green ink"," Prints","8 x 8 in. (20.32 x 20.32 cm) (sheet)","Print","North America","United States",,"1977","Not on View","20th century","Inscribed in pencil, verso <57>","Not signed","","","","Parasol Press, New York (publisher); sold to MIA, 1979.","From Rubber Stamp Portfolio","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.23.3","Artist: Daniel Buren; Printer: Aaron Arnow; Producer: (Matrix) Unity Engraving Company, Inc., Englewood, New Jersey; Publisher: Parasol Press Ltd., New York; Distributor: Musuem of Modern Art, New York","Artist","French","French, born 1938","%C2%A9 Daniel Buren %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris","Prints and Drawings","In Copyright","invalid","","",1,"1",1,,,"[""""]","art",0.58892626,,,,,,,,,,,,,,,,,,,,,,,,,
"101066","Tzedakah box for the Copenhagen Society for the Care of the Sick","Pewter"," Judaica","4 5/8 x 2 13/16 x 2 1/4 in. (11.75 x 7.14 x 5.72 cm) (overall)","Tzedakah box for the Copenhagen Society for the Care of the Sick","Europe","Denmark",,"1901","G362","20th century","Mark","","on bottom of stopper, incised: [M B]","Approximately 60 of these boxes were commissioned by the Tiferes Jedidim or Society for the Care of the Sick. The box exhibits the influence of German Art Nouveau, also known as Jugendstil, reflecting the design aesthetic of its day, a relatively rare phenomenon in early 20th century Judaica.","Art Nouveau style, Danish inscription: ""To the Society for the Care of the Sick""","",,"The Eloise and Elliot Kaplan Endowment for Judaica","2006.67.2a,b","Designer: Siegfried Wagner; Manufacturer: Mogens Ballin Workshop","Artist","Danish","Danish, 1874–1952","","European Art","No Known Copyright","valid",3997,5205,1,"1",0,,,"[""""]","art",0.58878016,,,,,,,,,,,,,,,,,,,,,,,,,
"73708","La dame qui cultive les arts (Les Beaux Jours de la Vie), from Le Charivari","Lithograph"," Prints","9 13/16 x 8 7/16 in. (25 x 21.5 cm) (sheet)",,"Europe","France",,"1846","Not on View","19th century","","","","","","Sarah Bernhardt, Paris (until d. 1923; her sale, part 2, Hôtel Drouot, Paris, July 23, 1923, part of 27 albums in no. 723). [Weyhe Gallery, New York, until 1924; sold 27 albums, for $600, to Bovey for MIA]; Mrs. Charles C. Bovey, Minneapolis (1924; gave 27 albums to MIA)","From Les Beaux Jours de la Vie","Gift of Mrs. Charles C. Bovey, 1924","P.8,242","Artist: Honoré Daumier","Artist","French","French, 1808–1879","","European Art","Public Domain","invalid","","",0,"1",0,"L.D. 1175; H-D.812",,"[""""]","art",0.5771921,,,,,,,,,,,,,,,,,,,,,,,,,
"76085","Desandern buchs XVII (Apples), from Liber de arte distillandi de Simplicibus","Hand-colored woodcut illustration"," Prints","4 1/2 x 2 7/8 in. (11.43 x 7.3 cm) (image)",,"Europe","Germany",,"1500","Not on View","16th century","
","","","","4 in all-double-sided","","From Liber de arte distillandi de Simplicibus, (Strassburg, 1500)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.14,033","Artist: Jerome of Brunswick","Artist","German","German, c. 1450 - before 1512","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",0.576843,,,,,,,,,,,,,,,,,,,,,,,,,
"65182","Exposition Internationale des Arts Decoratifs et Industriels Modernes, Paris 1925, Volumes I-XIII","Paper"," Prints","11 1/8 x 9 1/4 in. (28.26 x 23.5 cm)","Portfolio",,,,"1925","Not on View","20th century","","","","","exhib. cat. in 13 volumes (complete)","","From Exposition Internationale des Arts Decoratifs et Industriels Modernes, Paris 1925, Volumes I-XIII","The Modernism Collection, gift of Norwest Bank Minnesota","P.98.33.94.1-13","Publisher: Librairie Larousse","Artist","French","Paris, France","","Prints and Drawings","No Copyright–United States","invalid","","",0,"1",0,,,"[""""]","art",0.576843,,,,,,,,,,,,,,,,,,,,,,,,,
"76106","Loiselet/ Marchand D'Estampes/ Graveur-Editeur/ 12 Rue des Beaux-Arts/ Paris","Engraving"," Prints","2 3/4 x 3 7/8 in. (6.99 x 9.84 cm) (plate)","Trade Card","Europe","France",,"19th century","Not on View","19th century","
","","
","","black and white","","From ","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.17,251","Artist: Eugène Loizelet; Engraver: Eugène Loizelet","Artist","French","French, 1842 - 1883","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,"Beillet, inp. q.de. la Tourvelle, 35",,"[""""]","art",0.576843,,,,,,,,,,,,,,,,,,,,,,,,,
"76090","Das. XVII Capitel (Lilies), from Liber de arte distillandi de Simplicibus","Hand-colored woodcut illustration"," Prints","4 1/2 x 2 3/4 in. (11.43 x 6.99 cm) (image)",,"Europe","Germany",,"1500","Not on View","16th century","
","","","","3 prints in all-double-sided","","From Liber de arte distillandi de Simplicibus, (Strassburg, 1500)","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.14,034","Artist: Jerome of Brunswick","Artist","German","German, c. 1450 - before 1512","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",0.576843,,,,,,,,,,,,,,,,,,,,,,,,,
"26684","Peter Orlovsky Reading his Poetry at the Seven Arts Coffee Gallery, Jack Kerouac to his Left, New York","Gelatin silver print (printed 1962)"," Photographs","7 3/8 x 9 9/16 in. (18.73 x 24.29 cm) (image)
8 x 9 15/16 in. (20.32 x 25.24 cm) (sheet)",,"North America","United States",,"c. 1957","Not on View","20th century","","","","","","","From From ""A Dialogue with Solitude"" series","The John R. Van Derlip Fund and Gift of funds from Jud and Lisa Dayton","90.49.58","Photographer: Dave Heath","Artist","American","American, born 1931–2016","%C2%A9 Dave Heath%2C Courtesy Howard Greenberg Gallery%2C NYC","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.576843,,,,,,,,,,,,,,,,,,,,,,,,,
"40438","Lamp","Glass, bronze"," Lighting","29 x 16 1/2in. (73.7 x 41.9cm)","Lamp","Europe","Austria",,"c. 1905","G379","Art Nouveau","","","","","Bronze foot and mounts with paneled glass stem and dome-shaped art glass (papillon technique) shade","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.121","Designer: Leopold Bauer; Manufacturer: Johann Loetz-Witwe Glassworks","Artist","Austrian","Austrian, 1872–1938","","European Art","No Copyright–United States","valid",1121,1920,0,"1",0,,,"[""""]","art",0.5232334,,,,,,,,,,,,,,,,,,,,,,,,,
"40962","Vase","Porcelain"," Ceramics","11 3/4 x 2 5/8 in. (29.8 x 6.7 cm) (at opening)","Vase","Europe","France",,"1900-02","G379","Art Nouveau","Marks","","[E Colonna], maker\'s mark within squares; [LEU CONOE] in underglaze green, [520] impressed","","White with green and purple design in the Art Nouveau style; no cover","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.106","Designer: Edward Colonna; Manufacturer: Gérard Dufraisseix & Abbot; Retailer: L'Art Nouveau Bing","Artist","American (born Germany)","German, Mülheim (Cologne) 1862–Nice, France 1948","","European Art","No Known Copyright","valid",1208,1920,1,"1",0,,,"[""""]","art",0.5228585,,,,,,,,,,,,,,,,,,,,,,,,,
"96611","Covered sugar bowl, from a five-piece coffee and tea service","Silver-plated brass"," Metalwork","5 3/16 x 6 1/16 x 3 11/16 in. (13.18 x 15.4 x 9.37 cm)","Covered sugar bowl, from a five-piece coffee and tea service","Europe","France",,"c. 1904","G352","19th-20th century","Signature and Marks
","near foot, incised: [Follot]","on bottom, stamped: three illegible marks","","Art Nouveau style; sweeping foliate or thistle-like ribbed decoration; pointed handles; removable cover","",,"Gift of funds from the Decorative Arts Council with proceeds from the 2004 Antiques Show and Sale and the 2003 Art Nouveau Excursion","2005.1.3a,b","Artist: Paul Follot","Artist","French","French, 1877-1941","","European Art","Public Domain","valid",4144,2216,0,"1",0,,,"[""""]","art",0.5224836,,,,,,,,,,,,,,,,,,,,,,,,,
"96612","Creamer, from a five-piece coffee and tea service","Silver-plated brass"," Metalwork","4 1/4 x 5 13/16 x 3 9/16 in. (10.8 x 14.76 x 9.05 cm)","Creamer, from a five-piece coffee and tea service","Europe","France",,"c. 1904","G352","19th-20th century","Signature, Inscription and Marks
on bottom, incised: [6 (?) 243L]
","near foot, incised: [Follot]","on bottom, stamped: three illegible marks","","Art Nouveau style; sweeping foliate or thistle-like ribbed decoration; narrow pointed handle; wide, short spout","",,"Gift of funds from the Decorative Arts Council with proceeds from the 2004 Antiques Show and Sale and the 2003 Art Nouveau Excursion","2005.1.4","Artist: Paul Follot","Artist","French","French, 1877-1941","","European Art","Public Domain","valid",4144,2216,0,"1",0,,,"[""""]","art",0.5224836,,,,,,,,,,,,,,,,,,,,,,,,,
"96610","Teapot, from a five-piece coffee and tea service","Silver-plated brass"," Metalwork","7 x 11 x 5 1/8 in. (17.78 x 27.94 x 13.02 cm)","Teapot, from a five-piece coffee and tea service","Europe","France",,"c. 1904","G352","19th-20th century","Signature and Marks
","near foot, incised: [Follot]","on bottom, stamped: three illegible marks","","Art Nouveau style; sweeping foliate or thistle-like ribbed decoration; long spout; hinged cover","",,"Gift of funds from the Decorative Arts Council with proceeds from the 2004 Antiques Show and Sale and the 2003 Art Nouveau Excursion","2005.1.2","Artist: Paul Follot","Artist","French","French, 1877-1941","","European Art","Public Domain","valid",4020,2892,0,"1",0,,,"[""""]","art",0.5224836,,,,,,,,,,,,,,,,,,,,,,,,,
"69807","A tous les coeurs bien nés que la patrie est chère!! .... Adieu pays des arts .... (Robert Macaire), from Le Charivari","Lithograph"," Prints","9 13/16 x 9 1/16 in. (24.92 x 23.02 cm) (sheet)",,"Europe","France",,"1838","Not on View","19th century","","","","","","Sarah Bernhardt, Paris (until d. 1923; her sale, part 2, Hôtel Drouot, Paris, July 23, 1923, part of 27 albums in no. 723). [Weyhe Gallery, New York, until 1924; sold 27 albums, for $600, to Bovey for MIA]; Mrs. Charles C. Bovey, Minneapolis (1924; gave 27 albums to MIA)","From ","Gift of Mrs. Charles C. Bovey, 1924","P.8,133","Artist: Honoré Daumier","Artist","French","French, 1808-1879","","European Art","Public Domain","invalid","","",0,"1",0,"L.D.451; H-D.1086",,"[""""]","art",0.5057154,,,,,,,,,,,,,,,,,,,,,,,,,
"68970","Nouvelle Manière. Dont les parisiens se mettent à payer leur passage sur le Pont-des-Arts. (Actualités), from Le Charivari","Lithograph"," Prints","8 1/8 x 10 3/8 in. (20.64 x 26.35 cm) (sheet)",,"Europe","France",,"1844","Not on View","19th century","","","","","","Sarah Bernhardt, Paris (until d. 1923; her sale, part 2, Hôtel Drouot, Paris, July 23, 1923, part of 27 albums in no. 723). [Weyhe Gallery, New York, until 1924; sold 27 albums, for $600, to Bovey for MIA]; Mrs. Charles C. Bovey, Minneapolis (1924; gave 27 albums to MIA)",,"Gift of Mrs.Charles C.Bovey, 1924","P.7,385","Artist: Honoré Daumier","Artist","French","French, 1808–1879","","European Art","Public Domain","invalid","","",0,"1",0,"L.D. 1328; H-D.3523",,"[""""]","art",0.5057154,,,,,,,,,,,,,,,,,,,,,,,,,
"56025","Installation Floor Plan for Any Space Surrounded by Four Walls","Rubber stamp relief print in black and red ink on pale green Doric wove paper"," Prints","8 x 8 in. (20.32 x 20.32 cm) (sheet)","Print","North America","United States",,"1976 (published 1977)","Not on View","20th century","
","verso, stamp: B. LE VA
","Numbered in pencil: 319/1000","","","Parasol Press, Ltd., New York (publisher); sold to MIA, 1979.","From Rubber Stamp Portfolio","Gift of funds from the Hersey Foundation and the National Endowment for the Arts","P.79.23.5","Artist: Barry Le Va; Printer: Aaron Arnow; Maker: Rubber stamp produced by Unity Engraving Company, Inc., Englewood, New Jersey; Publisher: Parasol Press Ltd., New York; Distributor: Museum of Modern Art, New York","Artist","American","American, 1941 - 2021","%C2%A9 Barry Le Va","Prints and Drawings","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.49166828,,,,,,,,,,,,,,,,,,,,,,,,,
"96609","Coffee pot, from a five-piece coffee and tea set","Silver-plated brass"," Metalwork","8 x 12 x 5 in. (20.32 x 30.48 x 12.7 cm)","Coffee pot, from a five-piece coffee and tea set","Europe","France",,"c. 1904","G352","19th-20th century","Signature, Inscription and Marks
on bottom, incised: [2]","near foot, incised: [Follot]","on bottom, stamped: three illegible marks","","Art Nouveau style; sweeping foliate or thistle-like ribbed decoration; long spout; hinged cover silver-plated brass","",,"Gift of funds from the Decorative Arts Council with proceeds from the 2004 Antiques Show and Sale and the 2003 Art Nouveau Excursion","2005.1.1","Artist: Paul Follot; Retailer: Christofle","Artist","French","French, 1877-1941","","European Art","Public Domain","valid",5225,3852,0,"1",0,,,"[""""]","art",0.45935622,,,,,,,,,,,,,,,,,,,,,,,,,
"81626","""Commonwealth Three-Coin Registering and Savings Bank"" still bank","Tin, pigment"," Dolls, Toys and Games","5 13/16 x 4 1/8 x 5 1/2 in. (14.76 x 10.48 x 13.97 cm)","""Commonwealth Three-Coin Registering and Savings Bank"" still bank","North America","United States",,"c. 1915","G110","20th century","","","","","roughly cash register-shaped; dial at bottom, front; green and yellow organic Art Nouveau designs overall; directions on back","",,"Gift of Katherine Kierland Herberger","2003.236.236","Manufacturer: Shonk Works American Can Co.","Artist",,"Maywood, Illinois","","Arts of the Americas","No Known Copyright","valid",1665,1988,1,"1",0,,,"[""""]","art",0.45878038,,,,true,,,,,,,,,,,,,,,,,,,,,
"3738","Maquette of the Grand Salon of the Hôtel de la Bouexière","Wood, plaster, glass, watercolor"," Architecture; Models","13 x 23 1/8 x 16 1/4 in. (33.02 x 58.74 x 41.28 cm)","Model","Europe","France",,"1949","Not on View","20th century","","","","This is the model for the grand salon of the Hôtel de la Bouexière in Paris (1731-33). The model was commissioned in the 1920s by the Parisian antiques dealer Robert Carlhian to promote the room's sale.","made in 1949 for the Metropolitan Museum of Art","",,"Gift of Leon and David Dalva","88.58","Maker: Robert Carlhian","Artist","French","French","","European Art","No Copyright–United States","valid",1890,2033,0,"1",0,,,"[""3161"",""3738""]","art",0.41831893,,,,,,,,,,,,,,,,,,,,,,,,,
"40441","""Corolla"" lamp","Glass, bronze"," Lighting","18 1/2 x 10in. (47 x 25.4cm)",,"Europe","France",,"c. 1900","G379","Art Nouveau","Marks","","[Gallé] signed in the glass with the artist\'s Japanese style signature","","Cameo art glass formed as an open lotus-like blossom with a long throat set into a bronze socle of leafage","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.239","Designer: Émile Gallé","Artist","French","French, 1846–1904","","European Art","Public Domain","valid",970,1920,0,"1",0,,,"[""""]","art",0.3969787,,,,,,,,,,,,,,,,,,,,,,,,,
"96613","Tray, from a five-piece coffee and tea service","Silver-plated brass"," Metalwork","1 3/4 x 17 3/4 x 14 5/8 in. (4.45 x 45.09 x 37.15 cm)","Tray, from a five-piece coffee and tea service","Europe","France",,"c. 1904","G352","19th-20th century","Signature","to left of bud cluster, incised: [Follot]","","","Art Nouveau style; sweeping handles; symmetrical cluster of buds on long, thin stems sprout from a point at one edge of the tray; five flattened ball feet","",,"Gift of funds from the Decorative Arts Council with proceeds from the 2004 Antiques Show and Sale and the 2003 Art Nouveau Excursion","2005.1.5","Artist: Paul Follot","Artist","French","French, 1877-1941","","European Art","Public Domain","valid",4666,3031,0,"1",0,,,"[""""]","art",0.39622885,,,,,,,,,,,,,,,,,,,,,,,,,
"1224","Seated Girl (Fränzi Fehrmann)","Oil on canvas"," Paintings","31 3/4 x 35 7/8 in. (80.6 x 91.1 cm) (canvas)
40 3/4 x 45 x 2 3/16 in. (103.51 x 114.3 x 5.56 cm) (outer frame)","Painting","Europe","Germany",,"1910 (altered 1920)","G371","20th century","","","Stamped on verso: KN-Dre/Ba 15 (Kirchner estate seal; \""Dre\"" = Dresden)","In the early decades of twentieth-century Germany, a group of avant-garde artists known as Die Brücke (The Bridge, 1905-13), emerged. Hoping their work would serve as a bridge to the art of the future, they developed a radical new style of painting called Expressionism. This composition, with its deliberate brushstrokes and forceful use of outline, articulates both Ernst Ludwig Kirchner's and Die Brücke's intent to reveal raw emotion without apologies.
Lina Franziska ""Franzi"" Fehrmann (1900-1950), the adolescent model for Seated Girl, met Kirchner in 1910. She and her siblings regularly posed for artists in the Die Brücke group.","Seated girl. Franzi Fehrmann. German Expressionism. Figure shown nearly full length, filling almost all of the picture space, seated on vivid blue divan dressed in bright red dress with yellow trim and black polka dots on green sleeves. Small nude figure at left a frequent motif in Kirchner's art. Strong color utilized, applied in broad areas with an eye to contrast and balance. Harsh contour lines add a decorative element to the composition. These strong contour lines reveal the influence of the woodcutting technique which Kirchner also practiced to great effect. Composition is simplified and economy of line and form reveal influence of Japanese art and primitive African sculpture. No signature - checked 8-21-96.","",,"The John R. Van Derlip Fund","52.12","Artist: Ernst Ludwig Kirchner","Artist","German","German, 1880–1938","","European Art","Public Domain","valid",5267,4760,0,"1",0,"Gordon, 123.",,"[""""]","art",0.39049402,"[{""title"":""Kirchner, Seated Girl (Franzi Fehrmann)"",""_id"":""1224"",""objectId"":""1224"",""link"":""http://audio-tours.s3.amazonaws.com/p463.mp3"",""number"":""463"",""type"":""audio""}]",,,,,,,true,,,,,,,,true,true,,,,,,,,
"40883","Punch bowl","Silverplate, glass"," Metalwork","19 1/4 x 16 1/2 x 11 1/2 in. (48.9 x 41.91 x 29.21 cm)","Punch bowl","Europe","Germany",,"c. 1900","Not on View","Art Nouveau","","","stamped WMF 1/O 3.5 on bowl leg","As with Liberty & Co. of London, WMF engaged an impressive list of designers, but chose not to identify them, promoting the company name instead. This punch bowl is among the most flamboyant works appearing in the company's line, likely produced as a showpiece or for a special commission. The vessel is surrounded by intertwining tendrils, but its Germanic accents, the angular handles, the green faceted glass and its assertive presence distinguish it from the softer embellishments familiar to French Art Nouveau.","Silvered metal framework in the Art Nouveau style with lid and green glass liner","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.62.1a,b","Maker: Württembergische Metallwaren Fabrik (a.k.a. WMF)","Artist",,"Geislingen, Germany, est. 1853","","European Art","Public Domain","valid",1418,1920,0,"1",0,,,"[""""]","art",0.3726825,,,,,,,,,,,,,,,,,,,,,,,,,
"1866","One of a pair of doors","Steel, copper, and bronze over wood core"," Sculpture; Metalwork","101 1/2 x 31 3/4 in. (257.81 x 80.65 cm) (each)","Door","North America","United States",,"c. 1930","Not on View","20th century","","","","There are no hardhats, no steel-toed boots. Oscar Bach wasn’t after a realistic portrayal of work in the 1930s, but a heroic tribute to the many forms of manual labor. The muscled men, in the angular Art Deco style, are engaged in metalworking, forging, plowing, and grinding. The scenes, or roundels, are cast in bronze, and set in doors of steel, itself a symbol of the industrial age. The doors are also decorated with human and animal masks.","theme of 'Work' in Art Deco style; aluminum w/ copper and bronze over wood core","",,"The Christina N. and Swan J. Turnblad Memorial Fund","71.51.1","Sculptor: Oscar Bach","Artist","American (born Germany)","American (born Germany), 1884–1957","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",1128,1920,0,"1",0,,,"[""1866"",""99010""]","art",0.3723553,,,,,,,,,,,,,,,,,,,,,,,,,
"74681","Van Spaendonck,/ Gerard/ Membre de la legion d'honneur,/ Professeur, et un des administrateurs du Museum royal d'histoire naturelle./ Ne a Tilburg, le 23 mars 1746. Elu en 1795. Institut Royal de France. Acad. des Beaux-Arts.","Lithograph"," Prints","9 1/4 x 7 1/8 in. (23.5 x 18.1 cm) (image)","Print","Europe","France",,"18th century","Not on View","18th century","","","
","","","","From ","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.17,318","Lithographer: Louis-Léopold Boilly","Artist","French","French, 1761 - 1845","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",0.36241278,,,,,,,,,,,,,,,,,,,,,,,,,
"74680","Portrait. Vernet/ Varle, Antoine-Charles-Horace/ Chevalier des ordres de St. Michel et de la Legion d'honneur. ne a Bordeux, le, 1756; elu en 1816. Institut Royal/ de France; Academie des Beux Arts. (Peinture)","Lithograph"," Prints","9 3/4 x 6 3/4 in. (24.77 x 17.15 cm) (image)","Print","Europe","France",,"18th century","Not on View","18th century","","","
","","","","From ","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.17,317","Lithographer: Louis-Léopold Boilly","Artist","French","French, 1761 - 1845","","Prints and Drawings","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",0.36241278,,,,,,,,,,,,,,,,,,,,,,,,,
"40981","""Fish"" service plate","Porcelain"," Ceramics","9 1/2 in. (24.13 cm)",,"Europe","Germany",,"c. 1899","Not on View","Art Nouveau","Marks","","Insignia, [Nymphenberg] in underglaze on bottom","","Hand-painted marine life in the Art Nouveau stlye green fish, purple rim","","From ","The Modernism Collection, gift of Norwest Bank Minnesota","98.276.143","Designer: Hermann Gradl; Manufacturer: Königlich-Bayerische Porzellan-Manufaktur","Artist","German","German, 1869-1934","","European Art","Public Domain","valid",3620,3516,0,"1",0,,,"[""""]","art",0.33756995,,,,,,,,,,,,,,,,,,,,,,,,,
"22097","Vase","Glass"," Glass","8 x 6 3/8 x 6 3/8 in. (20.32 x 16.19 x 16.19 cm)","Vase","Europe","France",,"20th century","Not on View","Art Deco","","etched in bottom: R. Lalique","","","vase, Art Deco style with raised design showing reclining ibex circling bottom and stars above","","From ","Gift of Marguerite and Russell Cowles","79.12.10","Maker: Lalique","Artist","French (Wingen-Sur-Moder)","Wingen-Sur-Moder, France, 1886-present","","European Art","No Known Copyright","valid",3126,4126,1,"1",0,,,"[""""]","art",0.33756995,,,,,,,,,,,,,,,,,,,,,,,,,
"22120","Eight Day Clock","Nickel plate and glass"," Horology","7 1/4 x 10 x 2 3/8in. (18.4 x 25.4 x 6cm)","Eight Day Clock","Europe","France",,"20th century","Not on View","Art Deco","","","","","Art Deco style, in shape of a triangle with stepped base and beveled glass face","",,"Gift of Marguerite and Russell Cowles","79.12.5","Manufacturer: S.G.D.G.","Artist",,,"","European Art","No Known Copyright","valid",4714,3377,1,"1",0,,,"[""""]","art",0.33756995,,,,,,,,,,,,,,,,,,,,,,,,,
"33038","Panel","Mohair; printed fabric"," Textiles","121-1/4 x 51-7/8 in. (308.0 x 131.8 cm)","Panel","Europe","France",,"c. 1923","Not on View","20th century","\'#30/French/Art Deco/Mohair/Stock #2388/2389\' and \'#30/OTXX/132 cm x 300 cm/52\' x 118\'\', in pencil and black ink, on tag at one corner","","","","purple, rust, orange and cream Art Deco design; circles, triangles and squares; dark grey on reverse","",,"The Tess E. Armstrong Fund","2001.23.1","","Artist",,,"","European Art","Public Domain","valid",2032,3056,0,"1",0,,,"[""""]","art",0.33732808,,,,,,,,,,,,,,,,,,,,,,,,,
"55436","Standing Female Nude","Lithograph"," Prints","13 x 7 1/4 in. (33.02 x 18.42 cm) (image)
15 1/8 x 11 in. (38.42 x 27.94 cm) (sheet)","Print","Europe","France",,"1935","Not on View","19th-20th century","","","","","Published in ""L'Art d'aimer"" (The Art of Love) by Ovid, published by Les Frères Gonin, Lausanne","",,"Gift of Bruce D. Dayton","P.83.82","Artist: Aristide Maillol","Artist","French","French, 1861–1944","","European Art","No Copyright–United States","valid",2887,3976,0,"1",0,"Guerin 307",,"[""""]","art",0.33725926,,,,,,,,,,,,,,,,,,,,,,,,,
"24063","Head of Mrs. John Cowles, Sr.","Bronze"," Sculpture","17 x 13 1/2 x 9 in. (43.2 x 34.3 x 22.9 cm)",,"North America","United States",,"1956","Not on View","20th century","Signature","at back of base: [Lipchitz]","","","on pedestal one of five casts, one given to the Des Moines Art Center","",,"Gift of Sage and John Cowles, Jr.","83.38","Artist: Jacques Lipchitz","Artist","American (born Lithuania)","American (born Lithuania), 1891–1973","%C2%A9 The Estate of Jacques Lipchitz%2C courtesy Marlborough Gallery%2C New York. All rights reserved.","Arts of the Americas","In Copyright","valid",3744,5616,1,"1",0,,,"[""""]","art",0.33671468,,,,,,,,,,,,,,,,,,,,,,,,,
"31122","Minneapolis Museum, Section of Ceiling (Developed) and Cornice Showing Proposed Color Scheme","Watercolor over graphite on paper, mounted on board"," Drawings; Architecture; Works on Paper","16 1/2 x 10 3/8in. (41.9 x 26.4cm)","Drawing","North America","United States",,"c. 1930-1931","Not on View","20th century","Inscription in pencil, LC: MINNEAPOLIS MUSEUM / SECTION OF CEILING (DEVELOPED) / & CORNICE SHOWING PROPOSED / COLOR SCHEME / SCALE -- 3/4 INCH = 1\' 0\""","","Stamp in violet ink, verso: ROBERSON / OF LONDON / 24, EAST SIXTY-SEVENTH STREET / NEW YORK","","Design for proposed color scheme for the Fountain Court, Minneapolis Instutute of Art","MIA Archives; transferred to MIA permanent collection, 1999.",,"Transfer from the Archives","99.158.14","Architect: William Channing Whitney","Artist","American","American, 1851 - 1945","","Arts of the Americas","No Copyright–United States","valid",6094,8669,0,"1",0,,,"[""""]","art",0.33657503,,,,,,,,,,,,,,,,,,,,,,,,,
"30667","Frogtown Exhibit, Frogtown","Gelatin silver print"," Photographs","8 11/16 x 13 1/16 in. (22.07 x 33.18 cm) (image)
10 15/16 x 14 in. (27.78 x 35.56 cm) (sheet)",,"North America","United States",,"1995","Not on View","20th century","Title; Date; Signature; Inscription","","[Frogtown Exhibit, Frogtown, 1995 Wing Young Huie], in pencil, verso, LL; [INTRO], in pencil, verso, center; [1], in pencil, verso, UL","","black and white photo of people looking at art exhibition outside","",,"Gift of David L. Parker and Mary M.D. Parker","98.241.5","Photographer: Wing Young Huie","Artist","American","American, born 1955","%C2%A9Wing Young Huie","Arts of the Americas","In Copyright–Educational Use","valid",2560,1678,0,"1",0,,,"[""""]","art",0.33657503,,,,,true,,,,,,,,,,,,,,,,,,,,
"99010","One of a pair of doors","Steel, copper, and bronze over wood core"," Sculpture; Metalwork","101 1/2 x 31 3/4 in. (257.81 x 80.65 cm) (each)","Door","North America","United States",,"c. 1930","Not on View","20th century","","","","Born in Germany, Oscar Bach's precocious talent won him critical recognition by twenty years of age for his design and execution of the decorative metalwork for the Berlin City Hall. Although success in his homeland seemed assured, Bach immigrated to the United States in 1914 and quickly established a thriving business that provided decorative elements in a variety of traditional European styles for the residences of a distinguished, international clientele. His complex designs and technical virtuosity also won him commissions for decorative designs in the Modernist style for public buildings such as the Empire State and the Chrysler in New York City.
In these doors for a building as yet unidentified, Bach employed motifs of heavy industry to achieve - through highly-stylized silver-plated figures on bronze roundels set in a field of steel - a heroic tribute to the aspirations of the Machine Age.","theme of 'Work' in Art Deco style; aluminum w/ copper and bronze over wood core","","From ","The Christina N. and Swan J. Turnblad Memorial Fund","71.51.2","Sculptor: Oscar Bach","Artist","American (born Germany)","American (born Germany), 1884–1957","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",1128,1920,0,"1",0,,,"[""1866"",""99010""]","art",0.33643538,,,,,,,,,,,,,,,,,,,,,,,,,
"102417","Model of the doorway for 29 Avenue Rapp, Paris","Plaster, mirror, pigment"," Architecture; Models","41 x 24 1/2 x 5 in. (104.14 x 62.23 x 12.7 cm)","Model","Europe","France",,"1901","G352","Art Nouveau","","","","","Art Nouveau-style doorway surround with V-shaped top; door itself painted on mirror behind plaster surround; young female nude in ULC, young male nude in URC; woman's head at center above door","","From ","Gift of funds from the Decorative Arts Council with proceeds from the 2005 and 2006 Antiques Show and Sale","2007.15","Artist: Jules Marie-Aimé Lavirotte","Artist","French","French, 1864-1924","","European Art","No Copyright–United States","valid",2954,4645,0,"1",0,,,"[""""]","art",0.3334764,,,,,,,,,,,,,,,,,,,,,,,,,
"19543","Pillow, one of a pair","Woven brocade"," Textiles","4 x 19 x 16 in. (10.16 x 48.26 x 40.64 cm)","Pillow, one of a pair","North America","United States",,"20th century","Not on View","20th century","","","","","art deco style","","From ","Gift of Rhodes Robertson","70.33.23","","Artist",,,"","Decorative Arts, Textiles and Sculpture","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",0.33140633,,,,,,,,,,,,,,,,,,,,,,,,,
"19549","Pillow, one of a pair","Brocade"," Textiles","18 1/2 x 15 1/4 in. (46.99 x 38.74 cm)","Pillow, one of a pair","North America","United States",,"20th century","Not on View","20th century","","","","","art deco style","","From ","Gift of Rhodes Robertson","70.33.22","","Artist",,,"","Decorative Arts, Textiles and Sculpture","Public Domain","invalid","","",0,"1",0,,,"[""""]","art",0.33140633,,,,,,,,,,,,,,,,,,,,,,,,,
"73455","Bouquet of Flowers","Color lithograph"," Prints","18 1/2 x 14 1/2 in. (46.99 x 36.83 cm) (image)","Print","Europe","France",,"20th century","Not on View","20th century","
","Serge Tchekhonine","
","","Art Nouveau Style","","From ","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.18,708","Artist: Serge Tchekhonine","Artist","Russian","Russian, 1878 - 1936","Copyright of the artist%2C artist%27s estate%2C or assignees","Prints and Drawings","In Copyright–Rights-holder(s) Unlocatable","invalid","","",0,"1",0,,,"[""""]","art",0.3313365,,,,,,,,,,,,,,,,,,,,,,,,,
"73454","Bouquet of Flowers","Color lithograph"," Prints","18 1/2 x 14 1/2 in. (46.99 x 36.83 cm) (image)","Print","Europe","France",,"20th century","Not on View","20th century","
","Serge Tchekhonine","
","","Art Nouveau Style","","From ","The Minnich Collection
The Ethel Morrison Van Derlip Fund, 1966","P.18,707","Artist: Serge Tchekhonine","Artist","Russian","Russian, 1878 - 1936","Copyright of the artist%2C artist%27s estate%2C or assignees","Prints and Drawings","In Copyright–Rights-holder(s) Unlocatable","invalid","","",0,"1",0,"",,"[""""]","art",0.3313365,,,,,,,,,,,,,,,,,,,,,,,,,
"87762","Primavera","Cotton; screen print; dyed"," Textiles","overall (Untrimmed): 113 x 56 1/2 in. (287.02 x 143.51 cm)",,"North America","United States",,"1960-1984","Not on View","20th century","","","","Primavera was the first furnishings velvet produced by Larsen. Introduced in 1959, it became a popular design and was included in three different collections: Art Nouveau, Europe, and the Great Color of China. Although the pattern was officially discontinued in the early 1980s, its appeal was enduring and Larsen's successor, Cowtan & Tout, reintroduced it in 2005.
Larsen formulated two new colorways for Primavera when it was included in the Great Color of China collection: Copper Luster and Jade Green, shown here. The green, periwinkle and celadon tones used in this colorway closly relate to the malachite and azurite pigments used on many of the Dunhuang murals.","Vert. Stripes with flowers & bubbles of Japanese/Art Nouveau influences. Vert. Rpt. 36"". Jade green, lavender & brown. Jade green","","From Art Nouveau; This colorway is for The Great Color of China","Gift of Cowtan & Tout, Inc.","99.1.634.8","Designer: Don Wight; Mill: Taunus Textildruck Zimmer; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight","Arts of the Americas","In Copyright–Educational Use","valid",2009,1977,0,"1",0,,,"[""""]","art",0.32703796,,,,,,,,,,,,,,,,,,,,,,,,,
"86885","Ballet Russe","Cotton: velvet, screen printed; dyed"," Textiles","overall (Untrimmed): 132 x 54 1/2 in. (335.28 x 138.43 cm)",,"North America","United States",,"1966-1969","Not on View","20th century","","","","This pattern, inspired by the lush Art Nouveau innovations introduced at the end of the 19th century, was originally part of a fashion fabric line created by Ja-eL, a subsidiary of Jack Lenor Larsen. Although the apparel fabrics were only produced for three years, certain designs were adapted to new ground fabrics and incorporated into the company's interiors textile production.
Initially introduced as a nylon knit under the name of Firebird, in 1966 it was marketed as a fashion fabric and later as upholstery for contour furniture. In 1973 it was printed on a cotton velvet ground fabric and proved popular for draperies as well as upholstery.","Large waves and swirls in art nouveau style with black outlines. Vert. Rpt. 31.25"". Bronze, grey, green & black. Bronze","","From Butterflies","Gift of Cowtan & Tout, Inc.","99.1.40.1","Designer: Larsen Design Studio, New York; Designer: R. Schneid; Mill: Belle Fabrics; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","valid",2044,1980,0,"1",0,,,"[""""]","art",0.32686043,,,,,,,,,,,,,,,,,,,,,,,,,
"3698","Swing Dynasty","Cotton; dyed, layered, stitched and cut fabric"," Textiles","98 x 68 1/2 in. (248.92 x 173.99 cm)",,"North America","United States",,"1986","Not on View","20th century","","","","In the last half of the 20th century the possibility of distinctive clothing as a form of artistic expression coalesced into the Wearable Art movement. Artists created art that were sculptural, kinetic and often suitable for presentation on a wall. The form of the Japanese kimono was particularly well suited for these aims and was utilized by many fiber artists using processes as diverse as weaving, dyeing, quilting or knitting.
Tim Harding devised a unique textile form that particularly celebrated color and texture and ranged in imagery from the abstract to highly figural. Initial recognition of his work focused on his truly wearable pieces, but he has never limited himself to one form of presentation. Swing Dynasty was made for a museum exhibition and the artist used scale to make us consider objects in non-traditional ways. Today Harding's works are primarily constructed in a rectangular format, ranging from small wall pieces to large suspended hangings. He continues to push the boundaries of the media, encoding his message in a form that encourages the viewer to consider personal experience in a variety of ways.","Swing dynasty, 1986, art wear coat, dyed, slashed and layered fabric; cotton; L.98 x W.68-½ in.","",,"Gift of Richard and Roberta Simmons","87.97","Artist: Tim Harding","Artist","American","American, born 1950","%C2%A9 Tim Harding","Arts of the Americas","In Copyright–Educational Use","valid",4816,6773,0,"1",0,,,"[""""]","art",0.3262404,,,,,,,,,,,,,,,,,,,,,,,,,
"100882","Sari","Silk and metal threads; woven"," Textiles","206 x 47 in. (523.24 x 119.38 cm)","Sari","Asia","India",,"c. 1930s","Not on View","20th century","","","","","Banaras brocade; drawloom; art deco pattern; tissue ground; silver and gold diamond diagonal pattern on sheer purple ground","","From ","Gift of Richard L. Simmons","2008.41.22","","Artist",,,"","Asian Art","Public Domain","valid",3167,4733,0,"1",0,,,"[""""]","art",0.29672942,,,,,,,,,,,,,,,,,,,,,,,,,
"68891","Panel","Cotton velvet; printed"," Textiles","109 x 52 1/2 in. (276.86 x 133.35 cm)","Panel","Europe","Netherlands (?)",,"c. 1930s","Not on View","20th century","","","","","Art deco. Yellow and green feather-like marks on dark (blue?) background with small circles and semi-circles.","","From ","Gift of Richard L. Simmons in memory of Roberta Grodberg Simmons","2004.169.6","","Artist",,,"","European Art","Public Domain","valid",3324,4008,0,"1",0,,,"[""""]","art",0.29653192,,,,,,,,,,,,,,,,,,,,,,,,,
"98266","(Ebisu, from a pair of Daikoku and Ebisu)","Wood"," Sculpture","7 1/4 x 3 11/16 x 3 5/8 in. (18.42 x 9.37 x 9.21 cm)","Figure","Asia","Japan",,"c. 1800","Not on View","18th-19th century","","","","","one of a pair of auspicious folk art figures: Doikoku and Ebisen; man with fish and pole","","From ","Gift of Louis W. Hill, Jr.","76.72.70.2","Artist: Unknown Japanese","Artist",,,"","Asian Art","Public Domain","valid",7681,9601,0,"1",0,,,"[""""]","art",0.29653192,,,,,,,,,,,,,,,,,,,,,,,,,
"118546","Chanukah lamp","Silver"," Judaica","6 7/8 × 8 × 1 3/4 in. (17.46 × 20.32 × 4.45 cm)","Chanukah lamp","Europe","Poland",,"c. 1920","Not on View","20th century","Inscription and Mark
on bottom, engraved: [2608046]","","at front bottom edge, PL side, stamped: two illegible marks and [HI]","","Polish silver Chanukah lamp; Art Nouveau style; row of eight candleholders at front with servant light alongside on PL","",,"Gift of Gordon Locksley","2013.82.3","","Artist",,,"","European Art","Public Domain","valid",6455,5682,0,"1",0,,,"[""""]","art",0.29653192,,,,,,,,,,,,,,,,,,,,,,,,,
"44552","(Daikoku, from a pair of Daikoku and Ebisu)","Wood"," Sculpture","4 x 3 1/2 x 3 3/4 in. (10.16 x 8.89 x 9.53 cm)","Figure","Asia","Japan",,"19th century","Not on View","19th century","","","","","one of a pair of auspicious folk art figures: Daikoku and Ebisu; man with hammer and sack","",,"Gift of Louis W. Hill, Jr.","76.72.70.1","Artist: Unknown Japanese","Artist",,,"","Asian Art","Public Domain","valid",5730,7163,0,"1",0,,,"[""""]","art",0.29653192,,,,,,,,,,,,,,,,,,,,,,,,,
"87760","Primavera","Cotton; dyed"," Textiles","overall (Not trimmed): 6 3/4 x 55 in. (17.15 x 139.7 cm)",,"North America","United States",,"1960-1984","Not on View","20th century","","","","Primavera, inspired by Gustav Klimt’s paintings, was introduced in 1960 as the company’s first printed velvet. At first orders were slow because clients were unsure how to use it. Later, printed velvets became so popular the company struggled to keep them in stock.","Vert. Stripes with flowers & bubbles of Japanese/Art Nouveau influences. Vert. Rpt. 36"". Orange, yellow, Mauve Apricot","","From Art Nouveau","Gift of Cowtan & Tout, Inc.","99.1.634.3","Designer: Don Wight; Mill: Taunus Textildruck Zimmer; Producer: Jack Lenor Larsen, Inc.","Artist","American","American","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Don Wight","Arts of the Americas","In Copyright–Educational Use","valid",2880,1968,0,"1",0,,,"[""""]","art",0.29613692,,,,,,,,,,,,,,,,,,,,,,,,,
"106327","Untitled","Gelatin silver print"," Photographs","9 1/4 x 7 in. (23.5 x 17.78 cm) (sight)
20 x 16 in. (50.8 x 40.64 cm) (mat)",,"North America","United States",,"c. 1930s","Not on View","20th century","Signature","LRC below image on mat, in pencil: [Sig. Leet]","","","view up an Art-Deco-style staircase; sculpture on a fluted pedestal visible through doorway on landing; blue toned","","From ","Gift of Mr. Sigmund Leet","2008.93.4","Photographer: Sigmund Leet","Artist","American","American, 1890 - 1978","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",1973,2594,0,"1",0,,,"[""""]","art",0.29598734,,,,,,,,,,,,,,,,,,,,,,,,,
"87259","Metropolis","Wool, polyester, nylon"," Textiles","overall (Untrimmed): 19 1/2 x 54 in. (49.53 x 137.16 cm)","cloth","North America","United States",,"1996","Not on View","20th century","","","","","Art deco design in Louis Sullivan style. Vert. Rpt. 15.25""; horiz. Rpt. 9"". Reversible. Black & tan. New York/L.A.","","From Unknown","Gift of Cowtan & Tout, Inc.","99.1.493.2","Designer: Rieko Sudo; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Rieko Sudo","Arts of the Americas","In Copyright–Educational Use","valid",2651,869,0,"1",0,,,"[""""]","art",0.29598734,,,,,,,,,,,,,,,,,,,,,,,,,
"21100","Untitled","Gelatin silver print"," Photographs","9 7/8 x 9 13/16 in. (25.08 x 24.92 cm) (image)
14 x 10 15/16 in. (35.56 x 27.78 cm) (sheet)",,"North America","United States",,"1976","Not on View","20th century","","","","","a portfolio of photographs published by the Photography Department of the School of the Art Institute of Chicago","","From From ""Underware"" portfolio","National Endowment for the Arts purchase grant and miscellaneous matching funds","76.64.18","Photographer: Aaron Siskind; Photographer: Edward West; Photographer: Joseph Jachna","Artist","American","American, 1903 - 1991","%C2%A9 Aaron Siskind Foundation","Arts of the Americas","In Copyright","valid",2361,2373,1,"1",0,,,"[""""]","art",0.29598734,,,,,,,,,,,,,,,,,,,,,,,,,
"21093","""A photograph of a half-tone diagram...""","Gelatin silver print"," Photographs","15 15/16 x 19 15/16 in. (40.48 x 50.64 cm) (image, sheet)",,"North America","United States",,"1976","Not on View","20th century","","","","","a portfolio of photographs published by the Photography Department of the School of the Art Institute of Chicago","","From From ""Underware"" portfolio","National Endowment for the Arts purchase grant and miscellaneous matching funds","76.64.17","Photographer: Alex Sweetman","Artist","American","American, born 1946","%C2%A9 Alex Sweetman","Arts of the Americas","In Copyright–Educational Use","valid",4830,3821,0,"1",0,,,"[""""]","art",0.29598734,,,,true,,,,,,,,,,,,,,,,,,,,,
"11055","Charcuterie du Tertre, Montmartre","Gelatin silver print"," Photographs","17 1/8 x 13 3/16 in. (43.5 x 33.5 cm) (image)
19 7/8 x 15 7/8 in. (50.48 x 40.32 cm) (mount)",,"North America","United States",,"1945","Not on View","20th century","","","","","a portfolio of photographs published by the Photography Department of the School of the Art Institute of Chicago","","From ""Underware"" portfolio","National Endowment for the Arts purchase grant and miscellaneous matching funds","76.64.1","Photographer: Harold Allen","Artist","American","American, born 1912","%C2%A9 Harold Allen","Arts of the Americas","In Copyright","valid",3164,4110,1,"1",0,,,"[""""]","art",0.29598734,,,,,,,,,,,,,,,,,,,,,,,,,
"21091","Orbiting Into Space","Photo-etching"," Prints; Photographs","11 5/16 x 15 3/4 in. (28.73 x 40.01 cm) (image)
15 13/16 x 19 7/8 in. (40.16 x 50.48 cm) (sheet)","Print","North America","United States",,"1976","Not on View","20th century","","","","","a portfolio of photographs published by the Photography Department of the School of the Art Institute of Chicago","","From ""Underware"" portfolio","National Endowment for the Arts purchase grant and miscellaneous matching funds","76.64.15","Photographer: Keith A. Smith","Artist","American","American, born 1938","%C2%A9 Keith A. Smith","Arts of the Americas","In Copyright–Educational Use","valid",3783,2706,0,"1",0,,,"[""""]","art",0.29598734,,,,,,,,,,,,,,,,,,,,,,,,,
"21089","Untitled","Color coupler print"," Photographs","8 7/16 x 15 1/16 in. (21.43 x 38.26 cm) (image)
15 x 19 in. (38.1 x 48.26 cm) (sheet)",,"North America","United States",,"1976","Not on View","20th century","","","","","a portfolio of photographs published by the Photography Department of the School of the Art Institute of Chicago","","From ""Underware"" portfolio","National Endowment for the Arts purchase grant and miscellaneous matching funds","76.64.13","Photographer: Bart Parker","Artist","American","American, born 1934","%C2%A9 Bart Parker","Arts of the Americas","In Copyright","valid",4053,2594,1,"1",0,,,"[""""]","art",0.29598734,,,,,,,,,,,,,,,,,,,,,,,,,
"21092","Untitled","Dye transfer print"," Photographs","7 5/16 x 9 3/8 in. (18.57 x 23.81 cm) (image)
9 7/16 x 11 3/16 in. (23.97 x 28.42 cm) (sheet)",,"North America","United States",,"1976","Not on View","20th century","","","","","a portfolio of photographs published by the Photography Department of the School of the Art Institute of Chicago","","From ""Underware"" portfolio","National Endowment for the Arts purchase grant and miscellaneous matching funds","76.64.16","Photographer: Charles Swedlund","Artist","American","American, born 1935","%C2%A9 Charles Swedlund","Arts of the Americas","In Copyright–Educational Use","valid",2262,1742,0,"1",0,,,"[""""]","art",0.29598734,,,,,,,,,,,,,,,,,,,,,,,,,
"21088","""Some Females Have Daytime Fantasies...""","Gelatin silver print, hand-colored"," Photographs","15 15/16 x 19 13/16 in. (40.48 x 50.32 cm) (image, sheet)",,"North America","United States",,"1976","Not on View","20th century","","","","","a portfolio of photographs published by the Photography Department of the School of the Art Institute of Chicago","","From ""Underware"" portfolio","National Endowment for the Arts purchase grant and miscellaneous matching funds","76.64.12","Photographer: Aaron Siskind; Photographer: Joseph Jachna; Photographer: Joyce Neimanas","Artist","American","American, 1903 - 1991","%C2%A9 Aaron Siskind Foundation","Arts of the Americas","In Copyright","valid",4759,3829,1,"1",0,,,"[""""]","art",0.29598734,,,true,true,,,,,,,,,,,,,,,,,,,,,
"21090","Untitled","Gelatin silver print"," Photographs","9 13/16 x 9 13/16 in. (24.92 x 24.92 cm) (image)
20 x 15 15/16 in. (50.8 x 40.48 cm) (mount)",,"North America","United States",,"1918-1976","Not on View","20th century","","","","","a portfolio of photographs published by the Photography Department of the School of the Art Institute of Chicago","","From ""Underware"" portfolio","National Endowment for the Arts purchase grant and miscellaneous matching funds","76.64.14","Photographer: Aaron Siskind","Artist","American","American, 1903 - 1991","%C2%A9 Aaron Siskind Foundation","Arts of the Americas","In Copyright","valid",2338,2335,1,"1",0,,,"[""""]","art",0.29598734,,,,,,,,,,,,,,,,,,,,,,,,,
"5152","Wrist Rest","Carved bamboo"," Woodwork","8 1/2 x 2 7/8 x 13/16 in. (21.59 x 7.3 x 2.06 cm)","Wrist Rest","Asia","China",,"c. 1800","Not on View","18th-19th century","Inscriptions; Seals; Stickers","","six lines of undecifered text with double-gourd seal","Used to support a painter's or calligrapher's wrist while doing meticulous brushwork, wrist rests became popular in the 17th century as literati accoutrements. Though often made of bamboo, examples in boxwood, jade and ivory have also survived. The carved decoration here features herons in a lotus pond. The signature and seals at the end of the poem cite Ping Ts'un as the carver. The use of natural materials and the inclusion of a poem complementing the scene clearly reflect literati values.","incised and carved with an egret standing in water beneath a lotus and reeds; Oriental Art Gallery Ltd. dealer","",,"Gift of Ruth and Bruce Dayton","96.97.5","Artist: Ping Ts’un","Artist","Chinese","Chinese, active late 18th-early 19th century","","Asian Art","Public Domain","valid",3354,5450,0,"1",0,,,"[""""]","art",0.29593942,,,,,,,,,,,,,,,,,,,,,,,,,
"1629","Ganymede and the Eagle","Marble"," Sculpture","34 3/4 x 18 1/2 x 46 3/8 in. (88.27 x 46.99 x 117.79 cm)","Figure","Europe","Denmark",,"1817–29","G307","19th century","","THORWALDSEN FECIT","","In Greek mythology, Ganymede was cupbearer to the gods, serving them with nectar and ambrosia. As a young prince of Troy, he was abducted by Zeus, ruler of the gods, and carried off to Mount Olympus, the gods’ home, where he became immortal.
An admirer of Greek and Roman art, Bertel Thorvaldsen was one of the foremost neoclassical sculptors of the 1800s. At the age of only eleven, he was accepted into the Royal Danish Academy of Art. In 1797 the excellence of his artwork earned him a royal stipend that enabled him to study in Rome, where he spent a large part of his career.","Carrara marble","",,"Gift of the Morse Foundation","66.9","Sculptor: Bertel Thorvaldsen","Artist","Danish","Danish, 1770–1844","","European Art","Public Domain","valid",5840,4787,0,"1",0,,,"[""""]","art",0.28654218,"[{""title"":""Bertel Thorvaldsen, Ganymede and the Eagle"",""_id"":""1629"",""objectId"":""1629"",""link"":""http://audio-tours.s3.amazonaws.com/p931.mp3"",""number"":""931"",""type"":""audio""}]","[{""title"":""Ganymede and the Eagle"",""_id"":""1629"",""objectId"":""1629"",""description"":""It’s a classic story of boy meets bird. The boy is Ganymede, a beautiful prince, and the bird is Zeus, father of the Greek gods. Zeus was captivated by Ganymede’s beauty, so he disguised himself as an eagle and abducted the boy to serve as the gods’ cup bearer on Mount Olympus. That’s the myth. But Bertel Thorvaldsen’s sculpture suggests a more benign interaction as the boy stoops to offer the eagle a drink and the eagle peacefully leans forward to accept. The eagle’s beak hovers just above the boy’s drink, and the two figures—the human and the divine—are frozen mere seconds before touching. An unnerving love story is reconsidered, revising the relationship between gods and humankind.
"",""link"":""http://artstories.artsmia.org/#/o/1629"",""type"":""artstory""}]",,,,,,true,,,,,,,,true,,true,,,,,,,
"132153","""The Woman with Green Hair,"" Jim Kweskin Jug Band, Big Brother and the Holding Company, Electric Train, Avalon Ballroom, October 7-8, 1966","Color lithograph"," Prints","20 × 14 in. (50.8 × 35.56 cm)","Poster","North America","United States",,"1966","Not on View","20th century","","","","In this 1966 Alton Kelley and Stanley Mouse collaboration, the poster’s central motif features a sinuous young woman with exaggerated swirls of abundant green hair who holds a lighted cigarette in her hand. Designed in 1896 by the Czech art nouveau painter and illustrator, Alphonse Mucha (1860-1939), the motif originally appeared in a series of advertising posters for Job, a French brand of cigarette rolling papers (see Mia P.91.1.8). Kelley and Mouse’s adaption of “Mucha woman” for their Avalon Ballroom concert poster was a not-so-subtle endorsement of recreational drug use. The designers understood that the image was already well known among the era’s counterculture youth, who favored Job cigarette papers to roll their marijuana joints.","Art Deco style; woman with long, twisting, green hair wearing a purple dress and holding a cigarette in her PR hand; printed in orange, purple, black, and green","Paul Maurer, Minneapolis; given to MIA, 2019.","From ","Gift of Paul Maurer and Scott West","2019.59.30","Artist: Alton Kelley; Artist: Stanley Mouse","Artist","American","American, born 1940","%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved","Arts of the Americas","In Copyright","valid",7489,10591,1,"1",1,,,"[""""]","art",0.2813656,,,,true,,,,,,,,,,,,,,,,,,,,,
"127187","Les Winzins de Djamtala 1","Acrylic and collage on canvas"," Paintings; Collages / Assemblages","43 1/8 × 79 × 1 1/2 in. (109.54 × 200.66 × 3.81 cm)","Painting and collage","Africa","Côte d'Ivoire",,"2017","G373","21st century","","bottom C: Boua","","Street children are a global phenomenon and a painful reminder of how our societies (don’t) deal with their most vulnerable members. The Ivoirian painter Armand Boua uses collage and scrubbing techniques to create deteriorated surfaces that deliberately unsettle the image, reflecting the precarious conditions of his subjects—the children who live on the streets of his hometown of Abidjan. This painting is part of a series on children who live on the street: “I wanted to show their suffering, their way of life,” Boua has said, “so that people are finally aware of this painful reality they pretend not to see.”","street art style portrait of two boys against orange and black background; boy at L holds head down slightly while looking up toward viewer, wearing a white shirt; boy at L looks outward, wearing red and black shirt; collage of painted, slashed newspaper and paper pulp","",,"Gift of Jack Bell Gallery, London","2017.25","Artist: Armand Boua","Artist","Ivorian","Ivorian, born 1978","%C2%A9 Armand Boua","Arts of Global Africa","In Copyright","valid",10896,5994,1,"1",0,,,"[""""]","art",0.26896536,,,,,,,,,,,,,,,,,,,true,,,,,,
"5670","Portrait of a Young Boy","Oil on canvas"," Paintings","33 9/16 x 27 1/2 in. (85.25 x 69.85 cm) (canvas)
34 3/4 x 40 3/4 x 3 3/4 in. (88.27 x 103.51 x 9.53 cm) (outer frame)","Painting","North America","United States",,"c. 1835","Not on View","19th century","Sticker","","[BROWN], on sticker, upper right corner of frame on back","This portrait of an unidentified little boy wearing appropriate dress for the 1830s, including pantaloons and black slippes, incorporates many of the attributes associated with the Boston portrait painter, Samuel Miller. Of the twenty or more portraits ascribed to Miller, the majority are full-length portraits of children who are portrayed frontally in a stiff, flatly delineated fashion. Miller enhanced his compositions through the use of bold colors, and engaging ambient details, such as family pets and pots of flowers, all of which are present in our painting. The fact that the little boy is listening to his father's gold pocket watch from which a gold chain with watch fob in the form of a pistol is suspended may suggest that it is a posthumous portrait, as his time has run out - tempus fugit.","Portrait. American Folk art. Little boy wearing blue dress, white pantaloons and black shoes holding a watch on a long chain up to his proper right ear; dog behind boy on his proper right side and pot of flowers on his proper left side.","Horace Brown, Springfield, Vermont, c. 1920-1930.[1] Arnold Whitcomb Morse, Thetford Center, Vermont; gift to MIA in 1998.
[1] This reference was supplied by Arnold Morse, the donor in a letter of July 31, 1998: ""[the painting]...was part of a small collection accumulated by Horace Brown of Springfield, Vermont in the 1920s and 1930s."" Further documentation is provided by a sticker on the verso of the painting which reads [BROWN].",,"Gift of Arnold Whitcomb Morse in memory of his parents Guilford Alden and Isabel Barton Morse","98.239","Artist: attributed to Samuel Miller","Artist","American","American, 1807 - 1853","","Arts of the Americas","Public Domain","valid",3105,3688,0,"1",0,,,"[""""]","art",0.26874888,"[{""title"":""Miller, Young Boy"",""_id"":""5670"",""objectId"":""5670"",""link"":""http://audio-tours.s3.amazonaws.com/p662.mp3"",""number"":""662"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"129768","Untitled","Conté crayon, rubber stamps, graphite, and ink"," Drawings","14 5/16 × 23 1/16 in. (36.35 × 58.58 cm) (as folded)
20 5/16 × 29 × 1 1/8 in. (51.59 × 73.66 × 2.86 cm) (outer frame)","Drawing","North America","United States",,"1969","Not on View","20th century","","LRC in pencil: STEINBERG 1969","","We’ve landed in a funky, futuristic landscape with Art Deco buildings on a barren plain. But the buildings seem remarkably short, and they lack windows and doors. Are we just looking at the tops of structures that have been submerged in smog or water' The buildings are labeled Hubris, Motel, and Kos[her'] Diner. Below the image, in the foreground, rising over the horizon, and floating in the air very official-looking rubber stamps, all of which are illegible. They seem to have great authority, but we can’t understand them. In contrast to what seems an earthly dystopia, the sky is bright and full of wispy clouds.
Saul Steinberg made this drawing in 1969, a period of violence and strife in America and beyond [think Vietnam War and the protests against it], a period also punctuated by moments of great optimism, such as Neil Armstrong’s walk on the moon.","abstracted image; two Art Deco style buildings with text (""HURRIS"" and ""KOSM... DINN.."") at left and right edges; radiating Art Deco vertical tower-like sign at center: ""MOTEL""; flat, barren landscape; curving parallel lines in sky forming clouds; various round, oval, and rectangular stamps in blue and black with sculpture and landscape motifs and illegible handwriting","The artist, New York; Saul Steinberg Foundation, New York; given to MIA, 2018","From ","Gift of The Saul Steinberg Foundation","2018.122.5","Artist: Saul Steinberg","Artist","American","American, 1914–1999","%C2%A9 The Saul Steinberg Foundation %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",6372,4012,1,"1",0,,,"[""""]","art",0.2674468,,,,,,,,,,,,,,,,,,,,,,,,,
"685","Portrait of Robert Erwin Gray","Oil on canvas"," Paintings","32 1/2 x 26 1/2 in. (82.55 x 67.31 cm) (canvas)","Painting","North America","United States",,"1811","G324","19th century","","","","Conservation of this picture was made possible by Al and Dena Naylor, through the Art Champions program.","Portrait. The subject is painted half-length wearing a brown coat.","",,"The Elbridge C. Cooke Fund","44.13","Artist: Thomas Sully","Artist","American","American, 1783 - 1872","","Arts of the Americas","Public Domain","valid",3606,4527,0,"1",0,,,"[""""]","art",0.26110613,,,,,,,,,,,,,,,,,,,,"[{""id"":""685"",""adopted"":""1"",""_id"":""685"",""description"":""Mr. Gray is actually rather yellow. While the original paint layer is intact and stable, the entire work has been surfaced with uneven layers of a thick resin varnish which has badly degraded and discolored to a deep amber-yellow over the decades. Removal of these varnish layers will reveal Mr. Gray’s lovely complexion and restore his crisp, starched whites to…well, white. Minor structural issues will be resolved, including the addition of a spacer to prevent abrasion of the canvas by its frame. After his treatment, we look forward to giving this fellow some deserved gallery time."",""objectId"":""685"",""type"":""adopt-a-painting"",""cost"":""$3,740.00""}]",,,,,
"39822","Megillah (scroll) with case","Copper alloy, silver plate, wood, paper"," Judaica","10-1/8 x 2-3/8 x 1-7/16 in. (25.7 x 6.0 x 3.7 cm)","Megillah (scroll) with case","Europe",,,"c. 1902","Not on View","19th-20th century","inscriptions, in Hebrew, at opening; \'5662\', incised, at opening","","","Lent by The Minneapolis Institute of Arts","cylinder with crank-shaped handle at one end and wood finial at other end; large overall foliate and geometric decorations; double ring at opening","(M. Shiauri'); Collection of Harold & Mickey Smith, St. Paul, Minnesota purchased 5/9/88; Gift to the MIA in 2001.",,"Gift of Harold and Mickey Smith","2001.177.9","","Artist",,,"","European Art","Public Domain","valid",2678,5304,0,"1",0,,,"[""""]","art",0.25779012,,,,,,,,,,,,,,,,,,,,,,,,,
"22122","Mirror","Glass; alloy"," Metalwork","3/4 x 14 1/4 x 5 1/4in. (1.9 x 36.2 x 13.3cm)","Mirror",,,,"20th century","Not on View","Art Nouveau","","","","","mirror, Art Nouveau style; a female figure forms the handle, her upraised arms encircling the mirror and creating the frame, raised flower design on reverse, glass, alloy","",,"Gift of Marguerite and Russell Cowles","79.12.2","","Artist",,,"","European Art","Public Domain","valid",5473,3601,0,"1",0,,,"[""""]","art",0.2561153,,,,,,,,,,,,,,,,,,,,,,,,,
"134143","House Magic, no. 7","Blue and black-and-white offset lithography, letterpress; bound volume"," Books; Works on Paper","11 × 8 1/2 × 3/16 in. (27.94 × 21.59 × 0.48 cm) (closed)","Zine",,,,"Spring 2016","Not on View","21st century","","","","","Perfect bound volume, photographic image of man in front of environmental art piece printed in blue offset lithography, with letterpress text; 74 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.465","Author: Benjamin Hiem Shepard , et al.; Editor: Alan W. Moore; Publisher: Other Forms, New York","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2700,3780,1,"1",0,,,"[""""]","art",0.2558734,,,,,,,,,,,,,,,,,,,,,,,,,
"134963","Box Cutter, no. 12","Offset lithography, letterpress; bound volume"," Books; Works on Paper","5 1/2 × 4 1/4 × 1/16 in. (13.97 × 10.8 × 0.16 cm) (closed)","Zine",,,,"21st century","Not on View","21st century","","","","","Saddle stitched binding, letterpress text and photomechanical image of stencil art printed in offset lithography on teal wove paper covers; 20 pp.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.1285","Artist: Tomas; Publisher: Tomas , Berkeley","Artist",,,"","Global Contemporary Art","Copyright Not Evaluated","valid",2060,2884,1,"1",0,,,"[""""]","art",0.2558734,,,,,,,,,,,,,,,,,,,,,,,,,
"17103","'Anna Lucasta', Hilda Moses Simms","Pastel on cardboard"," Drawings","21 5/8 x 17 5/8in. (54.9 x 44.8cm)","Drawing","North America","United States",,"1944","Not on View","20th century","","","","","Hilda Moses Simms, former model at the Art School, starred in the New York hit 'Anna Lucasta' in the winter of 1944-45.","The artist; purchased by MIA through the 30th Annual Twin City Art Exhibition, Nov. 1944.",,"The William Hood Dunwoody Fund","44.34","Artist: J. Theodore Johnson","Artist","American","American, 1902 - 1963","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",1926,2411,0,"1",0,,,"[""""]","art",0.25560707,,,,,,,,,,,,,,,,,,,,,,,,,
"7700","Polka Fest, Gibbon, Minnesota, 1977","Photolithograph"," Prints","23 1/2 x 36 1/8 in. (59.69 x 91.76 cm) (image)
25 1/2 x 38 1/8 in. (64.77 x 96.84 cm) (sheet)",,"North America","United States",,"1986","Not on View","20th century","Signed, dated, titled, and numbered.","LR: [Thomas Frederick Arndt 1986]
LL: [3/40]
LL: [Polka Fest, Gibbon Mn 1977]","","","From a suite of ten prints. Minnesota Portfolio was commissioned by the State of Minnesota under the Minnesota Percent for Art in Public Places program. Printers: Undetermined","","From Minnesota Portfolio, 1986","Vermillion Archival Collection, The Fiduciary Fund","P.87.11.17.10","Artist: Thomas F. Arndt; Publisher: Vermillion Editions Limited, Minneapolis","Artist","American","American, born 1944","%C2%A9 Tom Arndt","Global Contemporary Art","In Copyright–Educational Use","valid",3779,2543,0,"1",0,"VEL 29",,"[""""]","art",0.25540957,,,,,,,,,,,,,,,,,,,,,,,,,
"14277","Settee","Mahogany"," Furniture","38 x 44 1/2 x 19 in. (96.52 x 113.03 x 48.26 cm)","Settee","North America","United States",,"1770-1780","Not on View","18th century","","","","","Chippendale settee, Bill Puig determined it is a fake. cat. card dims 38 x 42-1/2 x 16' Sold at Friends Art Auction, Jan.30, 1993","",,"Gift funds from the Friends of the Institute","24.64","Maker: Chippendale","Artist","American","American","","Arts of the Americas","Public Domain","valid",5397,3601,0,"1",0,,,"[""""]","art",0.25539964,,,,,,,,,,,,,,,,,,,,,,,,,
"26633","Bracelet","Silver"," Adornment","2 9/16 x 1 1/2 x 1 1/2 in. (6.51 x 3.81 x 3.81 cm)","Bracelet","North America","United States","Diné (Navajo)","1960s","Not on View","20th century","","","","","Silver sheet band with repousse'work, stamped, cold chisel design. Made by Navajo guild. J.#338. Cat.#233 Navajo Art and Guild label and stamp","",,"Bequest of Virginia Doneghy","90.58.134","","Artist",,,"","Arts of the Americas","Public Domain","valid",2611,2089,0,"1",0,,,"[""""]","art",0.25539964,,,,,,,,,,,,,,,,,,,,,true,,,,
"84679","Cabaret","Cotton, rayon & nylon"," Textiles","overall: 15 1/2 x 57 in. (39.37 x 144.78 cm)","cloth","Europe","Italy",,"1985-1993","Not on View","20th century","","","","","Art deco gemetric with diagonal & vertical lines and half circles. Vert. Rpt. 13', Hor. Rpt 13 3/4"" Black & White Keyboard","","From Masterworks of the 20th Century","Gift of Cowtan & Tout, Inc.","99.1.100.1","Designer: Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.; Mill: Francesco Cicala Fu Salvatore","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","valid",2704,1947,0,"1",0,,,"[""""]","art",0.25526,,,,,,,,,,,,,,,,,,,,,,,,,
"132147","Grateful Dead, Sopwith Camel, August 19-20, Avalon Ballroom","Color lithograph"," Prints","20 7/16 × 14 3/16 in. (51.91 × 36.04 cm)","Poster","North America","United States",,"1966","Not on View","20th century","","","","","printed in black and yellow; Art Deco-style symmetrical form with face of Frankenstein below center and flowers in lower corners","Paul Maurer, Minneapolis; given to MIA, 2019.","From ","Gift of Paul Maurer and Scott West","2019.59.23","Artist: Alton Kelley; Artist: Stanley Mouse","Artist","American","American, born 1940","%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved","Arts of the Americas","In Copyright","valid",6846,9799,1,"1",0,,,"[""""]","art",0.25526,,,,,,,,,,,,,,,,,,,,,,,,,
"138151","Cineraria","Oil on canvas"," Paintings","23 1/2 × 23 9/16 in. (59.69 × 59.85 cm) (sight)
38 5/8 × 38 1/2 × 1 in. (98.11 × 97.79 × 2.54 cm) (outer frame)","Painting","North America","United States",,"c. 1910","Not on View","20th century","","LRC in orange: LAWTON PARKER","","","Impressionistic image; outdoor scene with purple and blue flowers; bottom of tree trunk in URC; Art Deco style wide gilt frame with three different chased patterns","","From ","Bequest of Ruth Stricker Dayton","2020.97.7","Artist: Lawton Parker; Maker: Frame made by Stanford White","Artist","American","American, 1853-1906","","Arts of the Americas","No Copyright–United States","valid",7773,7777,0,"1",0,,,"[""""]","art",0.25526,,,,,,,,,,,,,,,,,,,,,,,,,
"137727","Untitled","Colored pencil on paper"," Drawings","8 1/2 × 7 7/8 in. (21.59 × 20 cm) (sheet)","Print","North America","United States",,"1977","Not on View","20th century","","bottom center: \'77 K. Nakahasi","","","cubist image of fragments of framed works of art in surreal style and portrait of woman with small figure on her shoulder; verso: typewritten text","","From ","Anonymous gift in memory of Kenji Nakahashi and in honor of Robert Cozzolino","2019.146.55","Artist: Kenji Nakahashi","Artist","Japanese (active United States)","Japanese (active United States), 1947 - 2017","%C2%A9 Kenji Nakahashi","Arts of the Americas","In Copyright","valid",5428,6094,1,"1",0,,,"[""""]","art",0.25526,,,,,true,,,,,,,,,,,,,,,,,,,,
"132159","Quicksilver Messenger Service, Big Brother and the Holding Company, Country Joe and the Fish, Avalon Ballroom, November 25-26, 1966","Color lithograph"," Prints","19 15/16 × 15 in. (50.64 × 38.1 cm)","Poster","North America","United States",,"1966","Not on View","20th century","","","on back, stamped in black: LORIN GILETTE / Distributor / Box 15125 / San Francisco, Calif. 94115","","printed in purple and red on yellow paper; Art Deco style design with scrolling flower stems, flowers, and lily pads at left and top; slanting lettering at right","Paul Maurer, Minneapolis; given to MIA, 2019.","From ","Gift of Paul Maurer and Scott West","2019.59.36","Artist: Victor Moscoso","Artist","American (born Spain)","American (born Spain), born 1936","%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved","Arts of the Americas","In Copyright","valid",7249,9511,1,"1",0,,,"[""""]","art",0.25512037,,,,,,,,,,,,,,,,,,,,,,,,,
"31840","Sugar Bowl, from a tea set","Vellum-glazed earthenware"," Ceramics","H.3-9/16 x Dia.4-1/2 in. (overall)","Sugar Bowl, from a tea set","North America","United States",,"1910","Not on View","20th century","Stamps; Inscriptions","","\'R [backwards] P\' with radiating lines, stamped on bottom; \'X/770/V\', stamped, below logo; \'WEH\', incised, on bottom; \'259\', in red, on bottom","","blue and pink glaze with 8 Art Nouveau-style applied and incised flowers; body flares out to wide base; slightly domed lid","",,"Gift of Marion and Lila Nelson","99.220.3a,b","Designer: William Ernst Hentschel; Manufacturer: Rookwood Pottery","Artist","American","American, 1892 - 1962","","Arts of the Americas","No Known Copyright","valid",2560,1333,1,"1",0,,,"[""""]","art",0.25512037,,,,,,,,,,,,,,,,,,,,,,,,,
"31839","Cream Pitcher, from a tea set","Vellum-glazed earthenware"," Ceramics","H.2-3/16 x W.4-7/16 x D.3-3/4 in.","Cream Pitcher, from a tea set","North America","United States",,"1910","Not on View","20th century","Stamps; Inscriptions","","\'R [backwards] P\' with radiating lines, stamped on bottom; \'X/770/V\', stamped, below logo; \'WEH\', incised, on bottom; \'259\', in red, on bottom","","blue and pink glaze with 6 Art Nouveau-style applied and incised flowers; body flares out to wide base; downward curve in handle near bottom","",,"Gift of Marion and Lila Nelson","99.220.2","Designer: William Ernst Hentschel; Manufacturer: Rookwood Pottery","Artist","American","American, 1892 - 1962","","Arts of the Americas","No Known Copyright","valid",2560,1333,1,"1",0,,,"[""""]","art",0.25512037,,,,,,,,,,,,,,,,,,,,,,,,,
"119894","Klinger, Beethoven: XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien: April-Juni 1902","Black-and-white and color woodcuts, letterpress; bound volume"," Prints; Books","7 × 6 1/16 × 1/2 in. (17.78 × 15.4 × 1.27 cm) (closed)","Exhibition catalogue","Europe","Austria",,"1902","Not on View","20th century","URC on first page, in black ink: [illegible] 18. [illegible] 902 (?)","","","This little book is a treasure trove of art and information. It describes the Beethoven Exhibition at the Vienna Secession in 1902, a landmark in the development of modern art. Some seventeen artists collaborated to produce an immersive multi-media experience, all centered on the brooding presence of a massive statue of the heroic composer. Along with the details of the exhibition and the community that supported it, the book contains sixteen woodcuts by Secession artists.
Formed just five years earlier by artists escaping from the stifling atmosphere of the traditional Austrian Artists’ Association, the Secession already prefigured many artistic tendencies of the 20th century: openness to international ideas, extreme geometric and chromatic simplification, and independent artists’ movements.","Vienna Secession exhibition catalogue with orange paper cover with embossed title; woodcut illustrations in Art Nouveau style of various subjects (landscapes, figures, etc.) and initials/monograms in orange and black; text in black","Illegible ownership signature, dated 18.IV.1902. (Ursus Rare Books, Ltd., New York); sold to MIA, 2014.","From ","The David Draper Dayton Fund","2014.82","Author: Max Klinger; Artist: Ferdinand Andri; Artist: Rudolf Jettmar; Artist: Friedrich König; Artist: Maximilian Kurzweil; Artist: Maximilian Lenz; Artist: Wilhelm List; Artist: Elena Luksch-Makovsky; Artist: Félicien baron de Myrbach-Rheinfeld; Artist: Carl Moll; Artist: Koloman Moser; Artist: Emil Orlik; Artist: Alfred Roller; Artist: Ernst Stöhr; Publisher: Vienna Secession (Weiner Secession); Printer: Adolf Holzhausen, Vienna, Austria","Artist","German","German, 1857–1920","","European Art","No Copyright–United States","valid",3271,3815,0,"1",1,,,"[""""]","art",0.2549342,,,,,,,,,,,,,,,,,,,,,,,,,
"103206","The Crucifixion","Oil on panel"," Paintings","16 3/4 x 11 1/4 x 1 1/16 in. (42.55 x 28.58 x 2.7 cm)
20 7/16 x 14 9/16 x 1 3/4 in. (51.91 x 36.99 x 4.45 cm) (outer frame)","Painting","Europe","Germany",,"c. 1575","G342","16th century","","","","Conservation of this picture was made possible by a generous contribution from Al and Dena Naylor through the Art Champions program.","crucified Christ at center; Mary Magdalene in green gown hugs bottom of cross; two crucified men flank Christ; two soldiers in grey armor, man in orange armor, two other men and boy at right; three women and two men at left; frame received separate from painting--blue highlighted bead on three sides","",,"Gift of the Muschenheim Family, in memory of Linda A. Muschenheim, Docent 1971-1977","2007.62a,b","Artist: Follower of Lucas Cranach the Elder","Artist","German","German (Saxony), 1472 - 1553","","European Art","Public Domain","valid",4351,6034,0,"1",0,,,"[""""]","art",0.2538649,,,,,,,,,,,,,,,,,true,,,"[{""id"":""103206"",""adopted"":""1"",""_id"":""103206"",""description"":"""",""objectId"":""103206"",""type"":""adopt-a-painting"",""cost"":""""}]",,,,,
"690","Unfinished Portrait of Henry J. Brent, 1811-1850","Oil on canvas"," Paintings","30 x 25 in. (76.2 x 63.5 cm) (canvas)
37 3/4 x 32 3/4 x 3 3/8 in. (95.89 x 83.19 x 8.5 cm) (outer frame)","Painting","North America","United States",,"c. 1850","G324","19th century","Signature and Inscription
LL: [Presented to Wm. S. Mount by the artist, Jan. 15, 1851]","LR: [one sitting by C. L. Elliott of Henry J. Brent]","","Conservation of this picture was made possible by a generous contribution from Douglas and Mary Olson through the Art Champions program.","","",,"The John R. Van Derlip Fund","44.26","Artist: Charles Loring Elliott","Artist","American","American, 1812 - 1868","","Arts of the Americas","Public Domain","valid",4867,5897,0,"1",0,,,"[""""]","art",0.25339803,,,,,,,,,,,,,,,,,,,,"[{""id"":""690"",""adopted"":""1"",""_id"":""690"",""description"":""This remarkable painting requires major treatment before it can be considered for gallery installation. Given its “unfinished” state, treatment requires some special considerations. Tension on the canvas is uneven, resulting in slackening around the corners which will need to be adjusted and tightened. Most worrying is the bottom right edge, where the paint surface was likely exposed to high humidity or moisture in the past, and is now actively lifting and flaking. Treatment of this area is of the highest priority, and the extant paint surface will be consolidated and secured to hinder further damage. The painting has also been coated with a thick, resin varnish which has discolored to a dark amber color, which disfigures the finer details and underdrawing. Fully treated, the painting will be an interesting and compelling addition to our 19th century American portrait collection."",""objectId"":""690"",""type"":""adopt-a-painting"",""cost"":""$2,980.00""}]",,,,,
"108722","Sound Mess + Other Poems","Compact disc audio recording"," Digital Art; Time-based Media","4 15/16 x 5 5/8 x 7/16 in. (12.54 x 14.29 x 1.11 cm) (case, closed)","Compact disc audio recording","North America","United States",,"2003","Not on View","21st century","","","","Scott Helmes is an internationally recognized contemporary artist, poet, and writer best known for his visual poetry and abstract collages. Visual poetry is a form of poetry in which the formal arrangement of letters and words is as essential in conveying the intended meaning as more conventional elements of the poem, such as word meaning, rhythm, meter, and rhyming schemes. Helmes began writing experimental poetry and producing prints, drawings, collages, and mail art in 1972. His work is informed by the innovations of the avant-garde Fluxus collective, an international alliance of artists working in the 1960s and '70s whose playful and unconventional forms of poetry expanded the boundaries of this literary art form. Since then, Helmes has emerged as an important figure among visual poets, producing work in a variety of forms, including found object collage, mathematical poetry, and rubber-stamped poetry. His editioned work includes lithographs, relief prints, typeset designs, and digital prints.","compact disc in jewel case with liner notes; cover art: vertical bands of brown, dark orange, lime green and blue ground with typeset paragraph at left, running off edge; black lines and scribbles over text","Scott Helmes (St. Paul, MN)","From ","Gift of the artist","2009.72.3.2a-c","Artist: Performed by Be Blank Consort","Artist",,,"","Arts of the Americas","In Copyright–Non-Commercial Use","valid",6053,3766,0,"1",1,,,"[""108721"",""108722""]","art",0.25165895,,,,,,,,,,,,,,,,,,,,,,,,,
"1270","Blind Man's Buff","Oil on canvas"," Paintings","81 1/4 x 173 in. (206.38 x 439.42 cm)
73 1/2 x 40 in. (186.69 x 101.6 cm) (panel, left)
81 1/2 × 90 1/2 in. (207.01 × 229.87 cm) (panel, center)
73 7/8 x 41 3/4 in. (187.64 x 106.05 cm) (panel, right)","Painting","Europe","Germany",,"1945","G371","20th century","","LR left panel in black: Beckmann A45 | LR center panel in black: Beckmann A45 | LR right panel in black: Beckmann A45","","Blind Man's Buff is the most important of the five triptychs created by Max Beckmann while exiled in Holland between 1937-1947 - an exile necessitated by the Nazi's inclusion of ten of his works in their exhibition of ""degenerate art"" in 1937. Like much of his art, Blind Man's Buff is allusive and symbolic, inviting explication yet resisting explicit interpretation. Yet, the artist's use of the three-paneled format that was traditional to Medieval and Renaissance altarpieces evokes religious associations. Beckmann also drew upon classical sources, calling the figures at center ""the gods"" and the animal-headed man the ""minotaur."" Throughout the triptych, figures engage in sensual pleasures in a place where time, represented by a clock without XII or I, has no beginning or end. In sharp contrast on each wing are the blindfolded man and kneeling woman who, like prayerful donors in a Renaissance altarpiece, turn their backs to the confusion behind them.","","",,"Gift of Mr. and Mrs. Donald Winston","55.27a-c","Artist: Max Beckmann","Artist","German","German, 1884–1950","%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn","European Art","In Copyright","valid",17320,7657,1,"1",0,"Gopel, 704.",,"[""""]","art",0.24810274,"[{""title"":""Max Beckmann, Blindman's Buff"",""_id"":""1270"",""objectId"":""1270"",""link"":""http://audio-tours.s3.amazonaws.com/p870.mp3"",""number"":""870"",""type"":""audio""}]","[{""title"":""Blind Man's Buff"",""_id"":""1270"",""objectId"":""1270"",""description"":""The cabaret is swinging—hard enough that time has lost meaning and modern sophisticates consort with mythological figures. Amid these pleasure-seekers stand two young people carrying candles. The girl is oblivious to the clamor, steadfastly waiting; the boy is blindfolded but determined to find her—they have a predestined connection. These two give the painting its title, after the old game in which a blindfolded child stumbles through the darkness to find and “tag” other children. When asked if the couple would ever find each other, the artist Max Beckmann said “Perhaps; let us hope it.”
"",""link"":""http://artstories.artsmia.org/#/o/1270"",""type"":""artstory""}]",,,,,,true,,,,,,,,true,true,,,,,"[{""id"":""1270"",""title"":""Restoring a Masterpiece III: Fall 2014"",""_id"":""1270"",""objectId"":""1270"",""link"":""http://new.artsmia.org/restoring-a-masterwork-3/"",""type"":""conservation""}]",,,
"115952","Men Flying Kites","Engraved blown glass"," Glass","13 13/16 x 6 1/4 x 6 1/4 in. (35.08 x 15.88 x 15.88 cm)","Covered vase","North America","United States",,"1975","Not on View","20th century","Signature and Inscription
see Signed","on bottom, incised: [E21 / Dailey]","","Over the last forty years Dailey has been deeply involved in the world of studio glass. His foundation of the Glass Department of the Massachusetts College of Art in 1972 is only one of his many contributions to art glass education. He has also designed for companies such as Steuben Glass, Cristallerie Daum, and Fenton Art Glass Company and in countries from Italy to the United States. Whimsy and narrative--along with glass innovation--form important components of his work. This engraved covered jar references Art Deco engraved glass from Orrefors in Sweden, but the subject matter is wholly contemporary.","clear glass lidded vessel; wide, bulbous foot; vessel has high shoulder with inward flare toward mouth; inverted bell-shaped cover; clear glass with engraving overall--Art Deco-style patterns, band of repeated stick figures along mouth and band of stick figure-like men standing on stools, flying bird-shaped kites","","From ","Gift of Daniel Greenberg and Susan Steinhauser","2012.112.8a,b","Artist: Dan Dailey","Artist","American","American, born 1947","%C2%A9 Dan Dailey","Arts of the Americas","In Copyright","valid",4202,6121,1,"1",0,,,"[""""]","art",0.23605856,,,,,,,,,,,,,,,,,,,,,,,,,
"582","View of the Saône and the Château Pierre-Scize (Lyon, France)","Oil on canvas"," Paintings","26 x 31 1/2 in. (66.04 x 80.01 cm) (canvas)","Painting","Europe","England",,"late 18th century","G314","18th century","Signature","LR (in grey): [W. Marlow]","","Conservation and framing of this picture was made possible by a generous contribution from C. Curtis Dunnavan and anonymous patrons through the Art Champions program.","One of a pair of paintings, see also 39.8.","",,"The William Hood Dunwoody Fund","39.9","Artist: William Marlow","Artist","British","British, 1740 - 1813","","European Art","Public Domain","valid",8932,7451,0,"1",0,,,"[""""]","art",0.23054577,,,,,,,,,,,,,,,,,,,,,,,,,
"17119","Opening Night in Lehmiche's Barn","Watercolor"," Drawings","19 3/8 x 24 1/4in. (49.2 x 61.6cm)","Watercolor","North America","United States",,"1945","G353","20th century","Signature; Date","LR: [Audrey Freeman \'45]","","Audrey Freeman trained at the Minneapolis School of Art (now Minneapolis College of Art and Design) and at the Art Students League in New York. This scene depicts a rural barn that offered theater and dance events for the community. Freeman’s later work as a restorer of miniatures and dolls seems foreshadowed here. Her careful attention to the lively figures wearing brilliantly colored clothing makes for a dazzling composition.","","",,"The Ethel Morrison Van Derlip Fund","45.30","Artist: Audrey Freeman","Artist","American","American, 1920 - 2008","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",4570,3637,0,"1",1,,,"[""""]","art",0.22933799,,,true,,,,,,,,,,,,,,,,,,,,,,
"5741","Monumental vase","Glazed earthenware"," Ceramics","18 x 10 1/2 in. (45.72 x 26.67 cm)","Vase","North America","United States",,"c. 1905-1910","G378","Arts and Crafts","","","","The projecting side elements on this vase reveal the complex molding process used to create it. The vase was part of Gates Potteries’ Teco line. Unlike most American art pottery produced in the early 1900s, Teco ware focused on color and line instead of excessive decoration.","buttress vessel form shape #416; for 'Teco' ware line","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.7","Designer: William Day Gates; Manufacturer: American Terra Cotta and Ceramic Company","Artist","American","American, 1852–1935","","Arts of the Americas","No Copyright–United States","valid",485,848,0,"1",1,,,"[""""]","art",0.22589062,"[{""title"":""Gates, Monumental Vase"",""_id"":""5741"",""objectId"":""5741"",""link"":""http://audio-tours.s3.amazonaws.com/p572.mp3"",""number"":""572"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"117353","Scene of Ōtsu","Ink and colors on silk"," Paintings","56 5/8 × 64 7/8 in. (143.83 × 164.78 cm) (image)
66 3/8 × 73 3/8 × 3/4 in. (168.59 × 186.37 × 1.91 cm) (mount)","Two-panel folding screen","Asia","Japan",,"early 20th century","Not on View","20th century","Signature, Seals, and Label","LRC","LRC; label on back of L screen URC","","travelers and townspeople wandering around wide street, carrying bundles and packs; open studio in middle ground with men painting and mounting scrolls; completed works of art adorn the walls; man with hat and stand at L; sleeping dog near center","","From ","Gift of the Clark Center for Japanese Art & Culture","2013.29.294","Artist: Kanamori Nankō","Artist","Japanese","Japanese, 1880 - 1935","","Asian Art","No Known Copyright","valid",6457,5624,1,"1",0,,,"[""""]","art",0.21490417,,,,,,,,,,,,,,,,,,,,,,,,,
"61142","Studio-End of the Day II","Oil on canvas"," Paintings","60 x 80 in. (152.4 x 203.2 cm) (image)
61 1/4 x 81 1/4 in. (155.58 x 206.38 cm) (outer frame)","Painting","North America","United States",,"1974","Not on View","20th century","","LRC, in red: Koch \'74","","","woman wearing flowered dress, seated on a red sofa at R; man, seated on a stool, cleaning art brushes, at center; woman dressing, with face partially hidden, at L","",,"Gift of Ruth and Bruce Dayton","2002.38","Artist: John Koch","Artist","American","American, 1909 - 1978","%C2%A9 Estate of John Koch","Global Contemporary Art","In Copyright","valid",3871,2952,1,"1",0,,,"[""""]","art",0.21487974,,,,,,,,,,,,,,,,,,,,,,,,,
"99541","Nude","Gelatin silver print"," Photographs","13 9/16 x 11 3/8 in. (34.45 x 28.89 cm) (image, sheet)
20 1/16 x 16 1/16 in. (50.96 x 40.8 cm) (mount)","Photograph","Europe","England",,"1956","Not on View","20th century","Signature","LRC below image on mount, in black: [Bill Brandt]","","","head, torso and arms of nude woman with long hair; image contains four hands-two held to chest, two on elbows; back of chair and pillow at L, abstract art on wall, ULC","","From ","Gift of Frederick B. Scheel","2007.35.29","Photographer: Bill Brandt","Artist","British","British, 1904 - 1983","%C2%A9 Bill Brandt %2F Bill Brandt Archive Ltd","European Art","In Copyright","valid",3572,4276,1,"1",0,,,"[""""]","art",0.21468224,,,,,,,,,,,,,,,,,,,,,,,,,
"7703","Cadillac Chopsticks","Color lithograph and screenprint"," Prints","36 x 30 in. (91.44 x 76.2 cm) (image, sheet)","Print","North America","United States",,"1985-1986 (1986)","Not on View","20th century","","LR: RM 85-86 | LR: AP 6/12 | VERSO: PRINTED AT VERMILLION EDITIONS LTD.","","","From a portfolio of six prints by six artists, commissioned by First Bank, Minneapolis. Moskowitz's print is based on a 1975 painting of the same title, now in the collection of the Museum of Contemporary Art, Los Angeles.","Vermillion Editions Limited, Minneapolis; sold to MIA, 1987.","From First Artists Portfolio, 1986","Vermillion Archival Collection, The Fiduciary Fund","P.87.11.25","Artist: Robert Moskowitz; Publisher: Vermillion Editions Limited, Minneapolis and First Bank, Minneapolis","Artist","American","American, born 1935","%C2%A9 Robert Moskowitz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY","Global Contemporary Art","In Copyright","valid",3022,3641,1,"1",0,"VEL 173",,"[""58647"",""58648"",""59033"",""59035"",""7703""]","art",0.21468224,,,,,,,,,,,,,,,,,,,,,,,,,
"37306","Un Regard Oblique, Paris","Gelatin silver print"," Photographs","9 1/2 x 12 7/16 in. (24.13 x 31.59 cm) (image)
12 1/16 x 15 15/16 in. (30.64 x 40.48 cm) (sheet)",,"Europe","France",,"1948","Not on View","20th century","Signature, Title, Date and Edition","LRC below image, in black: [Robert Doisneau]; URC on back, in black: [UN REGARD OBLIQUE 1948/ tirage le 24 Septembre 1977/ 2/3 D]","See signed","","man and woman looking at art in a shop window; woman looks at object in foreground, man looks at Impressionist-style painting of a nude wearing stockings at L","",,"Gift of Frederick B. Scheel","2007.35.82","Photographer: Robert Doisneau","Artist","French","French, 1912 - 1994","%C2%A9 Atelier Robert Doisneau","European Art","In Copyright","valid",4394,3362,1,"1",0,,,"[""""]","art",0.21468224,,,,,,,,,,,,,,,,,,,,,,,,,
"112909","Wind Goddess","Pen and ink on card"," Drawings","14 3/4 x 12 1/8 in. (37.47 x 30.8 cm)","Drawing","North America","United States",,"20th century","Not on View","20th century","Signature and Inscription
URC on back, in pencil: [41]","LLC, in black: [Richard Holzschuh]","","","Art Deco style; winged female figure in sky, surrounded by very long, billowing hair; setting sun, LLC; landscape below, with walking figure wearing a long dark cloak with a long walking stick","The artist; his stepson, Jim Hogan, Hudson, WI.","From ","Gift of James C. and Kathryn L. Hogan","2012.61.93","Artist: Richard Holzschuh","Artist","American","American, 1889–1968","%C2%A9 James C. Hogan","Arts of the Americas","In Copyright–Non-Commercial Use","valid",6800,8200,0,"1",0,,,"[""""]","art",0.21439302,,,,,,,,,,,,,,,,,,,,,,,,,
"106260","Woman Walking Along the Insurgentes, Mexico City","Gelatin silver print"," Photographs","11 7/16 x 16 15/16 in. (29.05 x 43.02 cm) (image)
16 x 19 3/4 in. (40.64 x 50.17 cm) (sheet)",,"North America","United States",,"April 2008","Not on View","21st century","Signature, Title, Date and Edition","on back, in pencil: [1/15 Woman walking along the Insurgentes Mexico City April 2008 Tom Arndt]","see Signed","","expressionless woman with long dark wavy hair and bangs, wearing a blouse with a striped Op-Art print, next to signs at left under a striped awning; pedestrians on city street at right","","From ","Gift of Gary and Nanci Smaby","2008.88.4","Photographer: Thomas F. Arndt","Artist","American","American, born 1944","%C2%A9 Tom Arndt","Arts of the Americas","In Copyright","valid",6384,4291,1,"1",0,,,"[""""]","art",0.21439302,,,,,,,,,,,,,,,,,,,,,,,,,
"100168","Tina Modotti, Glendale, California","Gelatin silver print"," Photographs","7 3/8 x 9 7/16 in. (18.73 x 23.97 cm) (image, sheet)
13 5/16 x 15 in. (33.81 x 38.1 cm) (mount)",,"North America","United States",,"1922","Not on View","20th century","Title, Date, Inscription and Stamp","on back, in pencil: [Tina, Glendale, 1922]","on back, in pencil: [49PO]; on back, stamped and in pencil: [NEGATIVE / BY / Edward Weston / PRINT / BY / Cole Weston]","","woman with shoulder-length dark hair wearing a long Art Deco print shift, seated in a wicker chair; three wicker stands--one at right holds round vessel of flowers; round lantern (?), ULC","","From ","Gift of Frederick B. Scheel","2007.35.484","Photographer: Edward Weston; Printer: Cole Weston","Artist","American","American, 1886 - 1958","Center for Creative Photography %C2%A91981 Arizona Board of Regents","Arts of the Americas","In Copyright","valid",3330,2614,1,"1",0,,,"[""""]","art",0.21439302,,,,,,,,,,,,,,,,,,,,,,,,,
"131953","The Steve Miller Band, Muddy Waters, A.B. Skhy Blues Band, Avalon Ballroom, September 20-22, 1968","Lithograph"," Prints","14 3/16 × 20 3/16 in. (36.04 × 51.28 cm)","Poster","North America","United States",,"1968","Not on View","20th century","","","","","black and white; Art Deco style borders forming three rectangular areas--one at center with distorted photographic image of a man's head with his forehead far above his face; text at right","Paul Maurer, Minneapolis; given to MIA, 2019.","From ","Gift of Paul Maurer and Scott West","2019.59.145","Artist: Wes Wilson","Artist","American","American, 1937 - 2020","%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved","Arts of the Americas","In Copyright","valid",9286,6579,1,"1",0,,,"[""""]","art",0.21439302,,,,,,,,,,,,,,,,,,,,,,,,,
"136457","The Band, John Sebastian, Belaney and Bonnie, Butterfield Blues Band, Crow Muddy Waters, ""Li'l Sun"" Tony Glover, Midway Stadium, June 26,1971","Lithograph"," Prints","22 9/16 × 17 1/2 in. (57.31 × 44.45 cm)","Poster","North America","United States",,"1971","Not on View","20th century","","","","","Art Nouveau-esque image of three figures, one playing an instrument in UL; framed by vines and flowers; lettering around figures and down center of sheet; black and gray drawing and text on pale yellow sheet; bright yellow verso","Paul Maurer, Minneapolis; given to MIA, 2019.","From ","Gift of Paul Maurer","2019.118.44","Artist: Anne C. Elliott","Artist","American","American, 20th century","%C2%A9 Anne C. Elliott","Arts of the Americas","In Copyright","valid",7401,9471,1,"1",1,,,"[""""]","art",0.21439302,,,,,,,,,,,,,,,,,,,,,,,,,
"31838","Teapot, from a tea set","Vellum-glazed earthenware"," Ceramics","H.7-3/16 x W.6-3/4 x D.5-13/16 in. (overall)","Teapot, from a tea set","North America","United States",,"1910","Not on View","20th century","Stamps; Inscriptions","","\'R [backwards] P\' with radiating lines, stamped on bottom; \'X/770/V\', stamped, below logo; \'WEH\', incised, on bottom; \'259\', in red, on bottom","","blue and pink glaze with 6 Art Nouveau-style applied and incised flowers; body flares out to wide base; downward curve in handle toward front; square knob on lid at one edge","",,"Gift of Marion and Lila Nelson","99.220.1a,b","Designer: William Ernst Hentschel; Manufacturer: Rookwood Pottery","Artist","American","American, 1892 - 1962","","Arts of the Americas","No Known Copyright","valid",2560,1333,1,"1",0,,,"[""""]","art",0.21439302,,,,,,,,,,,,,,,,,,,,,,,,,
"31174","Somewhere in the West Village, New York City","Gelatin silver print (printed 1990)"," Photographs","12 1/2 x 9 5/8 in. (31.75 x 24.45 cm) (image)
13 15/16 x 10 7/8 in. (35.43 x 27.56 cm) (sheet)",,"North America","United States",,"1970","Not on View","20th century","Title; Date; Signature; Edition","","in pencil, on back[Somewhere/in the/West Village/N.Y.C. 1948*/c Louis Faurer/*CORRECT IMAGE DATE: 1970 DB 7/18/PRINTED 1990]","","view into a window with PR side of head and shoulders of a figure seen from behind, seated in front of an easel; half of woman's face at R side of window; sign in bottom of window 'FINE ART RESTORATION'","",,"Gift of Deborah Bell in memory of Marcella Kuhlmann Bell","99.150.3","Photographer: Louis Faurer","Artist","American","American, 1916 - 2001","%C2%A9 Louis Faurer Estate%2FCourtesy Howard Greenberg Gallery%2C NYC","Arts of the Americas","In Copyright–Educational Use","valid",2242,3349,0,"1",0,,,"[""""]","art",0.21439302,,,,,,,,,,,,,,,,,,,,,,,,,
"95399","John Marin in his studio, Hoboken, New Jersey","Gelatin silver print"," Photographs","9 3/16 x 12 in. (23.34 x 30.48 cm) (image)
11 1/8 x 14 in. (28.26 x 35.56 cm) (sheet)","Photograph","North America","United States",,"1949 (printed 1981)","Not on View","20th century","Signature and Stamp","LRC, in pencil: [Arthur Rothstein]","LLC, impressed in paper: [h p]","","smoking man seated in a chair at center, looking at a painting on an easel at right; art supplies on table at right; books, papers, paintings, tools and furniture strewn about room","","From #27 from the portfolio, ""Arthur Rothstein""","Gift of Mr. and Mrs. Richard A. Hunter","2005.62.2.19","Photographer: Arthur Rothstein","Artist","American","American, 1915 - 1985","","Arts of the Americas","No Copyright–United States","valid",7420,5660,0,"1",0,,,"[""""]","art",0.21439302,,,,,,,,,,,,,,,,,,,,,,,,,
"40424","Display cabinet","Mahogany, glass, mother-of-pearl, abalone shell, brass, velvet"," Furniture","68 1/2 x 36 x 17 1/4in. (174 x 91.4 x 43.8cm)","Display cabinet","Europe","Scotland",,"c. 1898","G378","Arts and Crafts","","","","E.A. Taylor’s training at the Glasgow School of Art shows in the extensive, refined ornament he designed for this cabinet, including colored wood, shell inlay, and enameled drawer pulls. The overhanging cornice at the top gives it a sense of a building in miniature. The cabinet’s sumptuous mahogany wood and intricate details contrast with the clean lines and right angles of American Arts and Crafts furniture in this gallery. This cabinet's reliance on elaborate colored and reflective inlay that merge with the beauty of the wood’s natural surface has much in common with fellow Scotsman George Elmslie’s dining room suite for Mrs. Hanna, on view in Gallery 302.","Two glazed doors separated by a central panel decorated with a stylized floral motif in marquetry of various colored woods inlaid with mother-of-pearl and abalone shell, the brass door handles with circular enamelled plaques; original finish intact; fitted with green velvet interior; arrived with key","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.82","Designer: E. A. (Ernest Archibald) Taylor","Artist","Scottish","Scottish, 1874–1951","","European Art","No Copyright–United States","valid",1305,1920,0,"1",0,,,"[""""]","art",0.2141573,"[{""title"":""E.A. Taylor , Display Cabinet"",""_id"":""40424"",""objectId"":""40424"",""link"":""http://audio-tours.s3.amazonaws.com/p655.mp3"",""number"":""655"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"88945","Canterbury *","Cotton"," Textiles","overall (Untrimmed): 9 1/2 x 60 in. (24.13 x 152.4 cm)","cloth","Europe","Switzerland",,"1978","Not on View","20th century","","","","","Horiz. rows of 7"" Art Nouveau style flares. Ivory Ivory","","From Crystal Palace","Gift of Cowtan & Tout, Inc.","99.1.935.1","Designer: Larsen Design Studio, New York; Mill: Gessner A G; Producer: Jack Lenor Larsen, Inc.","Artist","","New York, est. 1952","%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio","Arts of the Americas","In Copyright–Educational Use","invalid","","",0,"1",0,,,"[""""]","art",0.20908467,,,,,,,,,,,,,,,,,,,,,,,,,
"1753","Seated preaching Buddha","Bronze"," Sculpture","7 1/8 x 3 1/8 x 1 7/16 in. (18.1 x 7.94 x 3.65 cm)","Seated Buddha","Asia","Thailand","Mon-Dvaravati","7th-9th century","G213","Mon-Dvaravati style","","","","This upright seated Buddha demonstrates the mixing of Mon-Dvaravati style with the earliest pan-Asian conventions. The depiction has characteristically plump lips, described as bee-stung in Indian texts from about the 400s CE. Yet his wide mouth, flat nose, continuous eyebrows, and wide-set eyes are hallmarks of the style during this Thai kingdom (c. 600s–1000s). The Buddha’s right hand is in the gesture of exposition, or teaching, while the left is lowered to offer blessings. He sits relaxed in open-robe pose, with traditional attributes, such as distended earlobes (signifying the burdensome earrings of his former princely life), three beauty marks on the neck, a cranial protuberance, and hair in snail-shell curls. The slightly parted lips and raised corners of his mouth evoke other qualities, such as a sweet and resonant voice.","Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process.","",,"The William Hood Dunwoody Fund","69.86.2","","Artist",,,"","Asian Art","Public Domain","valid",6420,8989,0,"1",0,,,"[""""]","art",0.20604356,,,,,,,,,,,,,,,,,,,,,,,,,
"117295","Rakan with Bodhisattva","Ink, color, and gold leaf on silk"," Paintings","37 3/8 × 15 5/8 in. (94.93 × 39.69 cm) (image)
68 × 22 5/8 in. (172.72 × 57.47 cm) (mount)","Hanging scroll","Asia","Japan",,"13th - early 14th century","Not on View","13th-14th century","","","","This painting was part of a set of 16 rakan. The Clark collections held five, two are at the Metropolitan Museum of Art in New York, another two are at the Brooklyn Museum of Art, and one is at the Cleveland Museum of Art. The remaining six are lost.","seated figure holding small branch with opening leaves and four red berries; halo around head; standing figure in LL with hand over girl with head down over deskin foreground","","From ","Gift of the Clark Center for Japanese Art & Culture","2013.29.25","Artist: Unknown Japanese","Artist",,,"","Asian Art","Public Domain","valid",428,1024,0,"1",0,,,"[""""]","art",0.20604256,,,,,,,,,,,,,,,,,,,,,,,,,
"17006","The Smoker","Watercolor with graphite on paper"," Drawings","H.11 x W.8-3/4 in.","Drawing","North America","United States",,"c. 1933","G353","20th century","","Signed in graphite, lower right: H. Bannarn","","Henry Bannarn grew up in Minneapolis and attended the Minneapolis School of Art (now Minneapolis College of Art and Design). Active as a sculptor and painter, Bannarn was eager to share his talent with others. He taught at the Phyllis Wheatley House (now Phyllis Wheatley Community Center in Minneapolis) and later at the WPA-sponsored Harlem Art Workshop. The latter became a critical training ground for Black artists in New York, including Romare Bearden and Jacob Lawrence. This quickly made study of a person puffing away at a pipe shows his ability to capture atmosphere and personality.","","The artist, Minneapolis; sold to MIA, 1944.",,"The William Hood Dunwoody Fund","44.31","Artist: Henry W. Bannarn","Artist","American","American, 1910–1965","Copyright of the artist%2C artist%27s estate%2C or assignees","Arts of the Americas","In Copyright–Rights-holder(s) Unlocatable","valid",3456,4163,0,"1",1,,,"[""""]","art",0.20165619,,,,,,,,,,true,,,,,,,,,,,,,,,
"1211","Page from Koran","Ink on parchment"," Calligraphy","5 1/4 x 6 1/4 in. (13.34 x 15.88 cm)","Page from Koran","Africa",,,"12th century","G242","12th century","","","","This striking text from chapter six of the Koran was written in maghribi, a western Islam form of kufic script. In the ninth century, the Aghlahids broke from the Abbasid caliphate in Baghdad and established their own dynasty in Kairovan (present-day Tunisia). They were great patrons of the arts who, along with their successors, the Fatimids, were instrumental in developing western Islamic calligraphy throughout North Africa and Spain. The distinguishing feature of maghribi is the modification of rectangular kufic forms into cursive ones, with definite curves and almost perfect semicircles that are most evident in the flourishes in the final forms of certain letters.","Fatimid dynasty; text from chapter six of the Koran. Vertical parchment Koran pages with seven lines of Maghribi (North African-Spanish) version of Neshki. Black ink for consonants and diacritical marks. The text starts on the side with the shaped decoration; the first word is Sura 6, middle left starts with the middle of verse 151 ( ) and ends toward the end of verse 152 ( ) on the reverse. The interlaced decoration marks the end of a single verse, and the decoration the end of a fifth verse (145). The two pages in between are missing (verses 146-151). Two other leaves of this manuscript are in the Freer Gallery of Art (Nos. 29.68 and 29.69); they contain sections of Sura 5.; two sheets of parchment with text on recto and verso on each.","",,"Bequest of Mrs. Margaret McMillan Webber in memory of her mother, Katherine Kittredge McMillan","51.37.6a,b","","Artist",,,"","Asian Art","Public Domain","valid",3451,3674,0,"1",0,,,"[""""]","art",0.19960783,,,,,,,,,,,,,,,,,,,,,,,,,
"1348","The Death of Germanicus","Oil on canvas"," Paintings","58 1/4 × 78 in. (148 × 198.1 cm) (canvas)
69 1/2 × 89 × 5 1/2 in. (176.5 × 226.1 × 14 cm) (outer frame)","Painting","Europe","France",,"1627","G313","17th century","","","","The young Roman general Germanicus has just been poisoned by his jealous adoptive father, the emperor Tiberius. On his deathbed, Germanicus asks his friends to avenge his murder and his wife to endure her sorrow bravely. A key work in Western painting, this tragic picture presents a moral lesson in stoic heroism, notably in the restraint and dignity of the mourning soldiers.
This work—Poussin’s first major history painting—became the model for countless deathbed scenes for the next two centuries. Many powerful human themes figure here: death, suffering, injustice, grief, loyalty, revenge. Poussin drew on Roman antiquity for the form as well as the subject. The composition, with figures crowded together near the front, is based on Roman sarcophagus reliefs. Poussin spent most of his life in Rome, where he developed a classical style that strongly influenced both French and Italian art.
This painting was commissioned by Cardinal Francesco Barberini. As prominent patrons of the arts, the wealthy Barberini family helped shape the artistic landscape of the time. The Death of Germanicus remained with descendants of the Barberini family until 1958, when Mia purchased it.","Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside.","",,"The William Hood Dunwoody Fund","58.28","Artist: Nicolas Poussin","Artist","French","French, 1594–1665","","European Art","Public Domain","valid",10188,7661,0,"1",0,,,"[""""]","art",0.19886692,"[{""title"":""Nicolas Poussin, The Death of Germanicus"",""_id"":""1348"",""objectId"":""1348"",""link"":""http://audio-tours.s3.amazonaws.com/p706.mp3"",""number"":""706"",""type"":""audio""}]","[{""title"":""The Death of Germanicus"",""_id"":""1348"",""objectId"":""1348"",""description"":""The ailing Germanicus—born Nero Claudius Drusus—earned his honorary name as a tenacious Roman general, famed for his brutally successful campaigns in the early first century against the tribes of Germania. He inspired such loyalty among his troops and the citizens of Rome that his adoptive father, the Emperor Tiberius, dispatched him to a distant post in Syria. The general’s mysterious death at 34 fueled suspicions that Tiberius had him poisoned and sparked grief and anger across the Roman Empire. More than 1,500 years later, French painter Nicolas Poussin sought to stir those feelings anew, framed in the stoic restraint of the classical past.
"",""link"":""http://artstories.artsmia.org/#/o/1348"",""type"":""artstory""}]",,,,,,true,,,,,,,,true,true,,,,,,,,
"2606","Vicki! I--I Thought I Heard Your Voice!","Porcelain enamel on steel"," Multiples","42 x 42 x 2 in. (106.7 x 106.7 x 5.1 cm)","Multiple","North America","United States",,"1964","Not on View","20th century","
See Signed
Exhibition label, verso
Gallery label, verso","Verso, in oil paint: rf Lichtenstein \'64","","As America moved into the prosperous postwar years of the 1950s and early 1960s, artists shifted their focus from emotional subjects like war and the nuclear age to commentaries on American prosperity, consumption, and commercialism. Roy Lichtenstein’s paintings embody this shift. His work first captured the world’s attention in the 1960s with a signature style borrowed from mass culture—particularly comic books and advertising—which brought the look and feel of commercial printing to fine art. Lichtenstein adapted the imagery and techniques of comic strips: black outlines, stripes, Benday dots, brushstrokes, flat fields, foils, and patterns. Appropriating such imagery from popular culture transformed the artist into a leader of the international Pop art movement along with such artists as Andy Warhol.","Artist's multiple published in an edition of 8","",,"Gift of Marguerite and Russell Cowles","79.12.23","Artist: Roy Lichtenstein","Artist","American","American, 1923–1997","%C2%A9 Estate of Roy Lichtenstein","Global Contemporary Art","In Copyright","valid",3588,3590,1,"1",1,,,"[""""]","art",0.1968637,"[{""title"":""Lichtenstein, Vicki"",""_id"":""2606"",""objectId"":""2606"",""link"":""http://audio-tours.s3.amazonaws.com/p949.mp3"",""number"":""949"",""type"":""audio""}]","[{""title"":""Vicki! I--I Thought I Heard Your Voice!"",""_id"":""2606"",""objectId"":""2606"",""description"":""“Is he the worst artist in America?” Life magazine asked this in the title of a 1964 article about Roy Lichtenstein. It’s hard to imagine how shocking his work was in the 1960s—the low-brow subject matter, the dubious artistry involved in basically copying someone else’s work. But Lichtenstein was playing with heady issues that preoccupied generations of artists before him, pinpointing the shifting intersection between abstract form (lines and dots on canvas) and meaning (or lack thereof).
"",""link"":""http://artstories.artsmia.org/#/o/2606"",""type"":""artstory""}]",,,,,,true,,,,true,,,,true,,,,,,,,,
"108240","The Universal Machine","Mixed media multiple consisting of glass, wood, metal, stone, plastic, and offset lithography on paper; housed in a black linen over board clamshell box"," Multiples","11 1/8 x 11 1/8 x 1 1/2 in. (28.26 x 28.26 x 3.81 cm) (box, closed)","Multiple","North America","United States",,"1965","Not on View","20th century","","on inner spine, in black: George Brecht","on inner spine, in black: 54","Named after the ""universal Turing machine (UTM),"" an early theoretical computing device invented by British mathematician Alan Turing (1912–1954), Brecht's Fluxus-infused Universal Machine playfully upends the logic-based systems of its predecessor by introducing the element of chance as the principal determinant of meaning.
Brecht's ""machine"" consists of a black linen box containing a pane of glass, under which is a sheet of paper printed with collaged clip-art. Ten small objects of various materials rest upon the collage. Designed to be shaken so that the various objects randomly obscure portions of the printed images, the machine's ""output"" is interpreted according to a set of rules included along with the multiple.
In an early interview, Brecht described the device's range of functions: ""It's a Universal Machine for doing everything. For writing a novel, making a poem, composing a piece of music, for finding lost objects. You can use it as a watch, as a calendar. It can invent new mathematics, a new form of thought. Map out an itinerary for a trip.""","black clamshell box containing clip art sheet with various images printed in black (drum, honeycomb, animals, figure exercising) at the bottom of a glass-covered box containing 18 loose objects: small cardboard box, two pieces of broken mirror, two metal hooks, key, brass ring, wooden number ""4"", four beads, three silver brads, three blue metal nails; cardboard instruction sheet in three languages included","Acquired in 1969 by the MIA Research and Reference Library through the John Russell Van Derlip Library Fund.","From Edition MAT MOT (No. 1)","Transfer from the MIA Research and Reference Library; The John R. Van Derlip Library Fund, 1969","2009.54.1a-x","Artist: George Brecht; Publisher: Karl Gerstner; Publisher: Daniel Spoerri; Publisher: Galerie der Spiegel, Cologne, Germany","Artist","American","American, 1926 –2008","%C2%A9 George Brecht %2F Artists Rights Society %28ARS%29%2C New York","Arts of the Americas","In Copyright","valid",5033,2606,1,"1",1,"Ruhé M28
",,"[""""]","art",0.1949459,,,,,,,,,,,,,,,,,,,,,,,,,
"80860","Battledore","Oil on canvas"," Paintings","42 1/4 x 17 13/16 in. (107.32 x 45.24 cm) (sight)
43 x 27 7/16 in. (109.22 x 69.69 cm) (outer frame)","Painting","Europe","England",,"1868-1870","G357","19th century","","Signed with the Greek Anthemion device, ur","Stamp on verso, \""W.EATWELL; ARTIST COLOURS; 49 DORST S; (bottom line illegible)\""","Albert Moore (1841-1893) was a principal originator of the Aesthetic Movement, which dominated the decorative and pictorial art scene in Britain and America during the last half of the 19th century. Also known as ""Art for Art's Sake"", Aestheticism proscribed narrative subject matter and argued that beauty of form, color and composition were the sole ends of art. Moore's signature images of classically draped female figures, inspired by his study of the Elgin Marbles and often incorporating elements of Japanese design, began to appear in the mid-1860s. They would have a profound influence on James MacNeill Whistler, who considered Moore the most original artist of his generation.
The title of our picture alludes to the racket used in badminton, a game of ancient origin, yet the true ""subject"" of Moore's painting is its exquisite technical assurance, its delicious array of linear patterning, and its seductive color harmonies.","standing woman dressed in green and turquoise robes, holding a badminton racket in her PR hand and a shuttlecock at her PL shoulder","",,"The Christina N. and Swan J. Turnblad Memorial Fund, by exchange","2003.145","Artist: Albert Joseph Moore","Artist","British","British, 1841 - 1893","","European Art","Public Domain","valid",1551,3674,0,"1",0,,,"[""107169"",""80860""]","art",0.19360203,,,,,,,,true,,,,,,,,true,true,,,,,,,,
"1422","Still Life","Oil on canvas"," Paintings","10 1/2 x 13 3/4 in. (26.67 x 34.93 cm) (canvas)","Painting","Europe","Italy",,"1942","G377","20th century","Signature and Date","LR: [Morandi 1942]","","A tightly arranged group of boxes and vases sit on a table top represented only by a single line. Giorgio Morandi experimented with light and shadow falling across simple, geometric forms to create an abstract pattern. This work is characteristic of the still-life subjects that Morandi produced obsessively for more than forty years in his apartment in Bologna, Italy. His is an art of calm restraint in contrast to the other more flamboyant developments of modern art.","Still life.","",,"Bequest of Putnam Dana McMillan","61.36.23","Artist: Giorgio Morandi","Artist","Italian","Italian, 1890 - 1964","%C2%A92002 Artists Rights Society %28ARS%29%2C New York%2FSIAE%2C Rome","European Art","In Copyright","valid",5991,4587,1,"1",0,"Vitali, 1355.",,"[""""]","art",0.19045849,,,,,,,,,,,,,,,,,,,,,,,,,
"40442","Floriform vase","Iridescent blown glass"," Glass","21 3/4 x 5 1/4in. (55.2 x 13.3cm)","Vase","North America","United States",,"c. 1900","G379","Art Nouveau","","","","Shaped like an Egyptian onion, with an elongated stem and slightly bulbous top, this Art Nouveau vase displays Louis Comfort Tiffany’s creativity as a leader in American art-glass manufacturing. The organic form shows off Tiffany’s trademark iridescent glass, patented in 1894 and called Favrile (derived from an Old French word meaning “handmade”). The brilliant iridescent colors were achieved by exposing molten glass to metal oxides.","Favrile blown glass","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.190","Designer: Louis Comfort Tiffany; Manufacturer: Tiffany Studios","Artist","American","American, 1848–1933","","Arts of the Americas","Public Domain","valid",557,1920,0,"1",0,,,"[""40442"",""40443"",""40860"",""40861"",""40862"",""40863"",""40864"",""40865"",""6305""]","art",0.19045849,,,,,,,,,,,,,,,,,,,,,,,,,
"12138","Bust of Diana","Bronze, marble base"," Sculpture","16 1/2 in. (41.91 cm)",,"Europe","France",,"19th century","G319","19th century","","","","John Bradstreet acquired a cast of Falguiere's bust of Diana shortly after its creation. He displayed it prominently in his Minneapolis apartment, as seen atop a pedestal in the adjacent portrait by Douglas Volk. In 1968 a donor gave an example of this popular bronze to the Minneapolis Institute of Art, reuniting Bradstreet with the goddess. Derived from a larger composition, Diana's otherworldly status is only indicated through the half-moon atop her head.","","",,"Gift of David M. Daniels","68.74.1","Artist: Jean Alexandre Joseph Falguière","Artist","French","French, 1831-1900","","European Art","Public Domain","valid",3963,5048,0,"1",0,,,"[""""]","art",0.18892652,"[{""title"":""Bust of Diana"",""_id"":""12138"",""objectId"":""12138"",""link"":""http://audio-tours.s3.amazonaws.com/p008.mp3"",""number"":""008"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"3385","Malagan Figure","Wood, pigment, shell"," Sculpture","78 x 13 1/2 x 12 in. (198.12 x 34.29 x 30.48 cm)","Figure","Oceania","Papua New Guinea",,"c. 1890","G256","19th century","","","","This large figure holds an instrument called katoviso, which comprises a group of bamboo pipes that are played by blowing across the top. The piper's rain hat, made of a pandan leaf, is typical for women. The stylized snake carvings that compose the skirt represent the woman's connection to the spiritual world. Serpents appear frequently in the art of New Ireland because of their supernatural powers. This figure likely portrays a clan ancestor for whom a malagan ceremony was held.","standing figure with panpipes encircled by serpents and birds; wood with opercula inserts and pigments; carved for Malanggan rites","",,"Gift of funds from Myron Kunin","85.93","Artist: Unknown","Artist",,,"","Arts of Global Africa","Public Domain","valid",3107,6970,0,"1",1,,,"[""""]","art",0.18802586,"[{""title"":""Standing Figure w/Pan Pipes"",""_id"":""3385"",""objectId"":""3385"",""link"":""http://audio-tours.s3.amazonaws.com/p101.mp3"",""number"":""101"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,true,,
"12133","Ceremonial Bull Roarer","Wood"," Woodwork; Ceremonial Objects","29 15/16 x 3 7/16 x 7/16 in. (76.04 x 8.73 x 1.11 cm)","Bull Roarer","Oceania","Australia","Aborigine","c. 1900","G256","19th-20th century","","","","Bull roarers were used in Aboriginal ceremonies to represent the voices of the spirits. They were swung rapidly around the head on a string, creating a loud humming sound. The incised designs on the surface are a classic form in Aboriginal art, but their specific interpretation is known only to the object's creator and those associated with its ceremonial use. Specific clans and individuals own and control particular patterns, and rarely share the meaning of these designs with outsiders.","paddle-shaped with small hole in one end; back side smooth and curved; front side flat and carved with incised decoration of hatched lines forming irregular rows of diamonds; reddish brown","",,"The Africa, Oceania and the Americas Miscellaneous Purchase Fund and gift of funds from the Surdna Foundation","99.163.2","","Artist",,,"","Arts of Global Africa","Public Domain","valid",5073,3870,0,"1",1,,,"[""""]","art",0.18802586,"[{""title"":""Bull Roarer"",""_id"":""12133"",""objectId"":""12133"",""link"":""http://audio-tours.s3.amazonaws.com/p576.mp3"",""number"":""576"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,true,,
"1271","Modern Bohemia","Oil on canvas"," Paintings","49 1/4 x 65 1/8 in. (125.1 x 165.42 cm) (canvas)
58 x 73 3/4 x 2 1/4 in. (147.32 x 187.33 x 5.72 cm) (outer frame)","Painting","Europe","Germany",,"1924","G371","20th century","","LL in red: E.L.Kirchner","","In 1906, Kirchner co-founded the Dresden expressionist group known as Die Brücke (The Bridge), an avant-garde movement that investigated the realities and fantasies of a life lived with freedom, intensity, and eroticism. Modern and non-western arts were the means of their exploration—with study of the nude at the center of their practice.
Kirchner brings all these elements together in Modern Bohemia —a depiction of his lodgings in Switzerland—to express the ideal creative environment. The forms of artist, author, nude, and female spectator are united with those of Caucasian carpets and sculptural objects inspired by tribal art in a complex balance of form, pattern and color. The artist's modulation of color intensity and placement of horizontal and vertical brushstrokes evoke a woven surface effect that firmly places this painting in what is known as Kirchner's ""tapestry"" period.","German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female","Museum Folkwang, Essen, Germany in 1937;[1] (Karl Buchholz, Berlin, Germany);[2] (Curt Valentin from 1939 through 1955);[3] bequest to MIA in 1955.
[1] The work was likely removed from the Museum Folkwang during the confiscation of modern art from Germany's museums in the first two weeks of July, 1937 by the Nazis. There is a possibility that the work was removed slightly earlier, as Count Klaus von Baudissin, an SS officer who served a brief tenure as director of the Folkwang, had already ""cleared the museum of 'offensive' examples of modern art"" prior to Joseph Goebbels decree on June 30, 1937. (Stephanie Barron, ""Degenerate Art: The Fate of the Avant-Garde in Nazi Germany,"" 1991, p. 19)
[2] The work was sold to the German dealer Karl Buchholz in the degenerate art sales (see ""Entartete Kunst"" Inventory, no. 333 under ""Essen: Folkwang Museum"").
[3] Curt Valentin worked for Buchholz's gallery until 1937, whereupon he then set up the Buchholz Gallery in New York in 1939. He received works from Karl Buchholz until the war broke out between the U.S. and Germany. It is very likely that Valentin purchased the work directly from Buchholz, but this has yet to be confirmed through archival documents.",,"Bequest of Curt Valentin","55.3","Artist: Ernst Ludwig Kirchner","Artist","German","German, 1880–1938","","European Art","Public Domain","valid",6620,5005,0,"1",0,"Gordon, 767.",,"[""""]","art",0.18657844,"[{""title"":""Kirchner, Modern Bohemia"",""_id"":""1271"",""objectId"":""1271"",""link"":""http://audio-tours.s3.amazonaws.com/p393.mp3"",""number"":""393"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"14157","Tudor room","Oak, stone, glass, iron"," Architecture",,"Period room","Europe","England",,"c. 1600","G325","16th century","","","","In 1923, the Minneapolis Institute of Arts installed the Tudor Room as the museum's first period room, calling it ""the very embodiment of the spirit of the seventeenth century."" It was furnished, as it is now, with a rich assortment of tables, chairs, and case furniture that evoke the furnishings and lifestyle of Tudor and Elizabethan England.
The oak paneling, which dates to about 1600, was acquired through Arthur Vernay, an antiques dealer in New York, who sold it with an unconfirmed history of use in a manor in Suffolk, England. The paneling was probably once part of a private chamber used for eating, sitting, and entertaining guests. Late-Renaissance decoration is seen in the fluted pilasters throughout the room and the carved caryatids, lion masks, and intricate strapwork over the fireplace. Within the windows is the coat of arms of Edward VI, son of Henry VIII and half-brother of Elizabeth I, Queen of England from 1558 to 1603.
The Tudor Room was originally named the John Washburn Memorial Room, after an early patron of the museum who was especially interested in English architecture and decoration.
Continually on view at the Institute for nearly ninety years, the Tudor Room has the distinction of being the earliest surviving installation of an Elizabethan period room in an American art museum.
Reinstallation of the Tudor Room has been initially funded through the Elisabeth Washburn King Endowment Fund and the National Endowment for the Arts.","Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS.","",,"Gift of Mrs. Elisabeth H. Washburn, Mrs. Margaret Washburn Hunt, Mrs. Elisabeth Washburn King, and Mrs. Sidney Washburn Young","23.67","","Artist",,,"","European Art","Public Domain","valid",3056,2032,0,"1",0,,,"[""""]","art",0.18356328,"[{""title"":""Tudor room"",""_id"":""14157"",""objectId"":""14157"",""link"":""http://audio-tours.s3.amazonaws.com/p785.mp3"",""number"":""785"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"60728","Celestial Horse","Bronze with traces of polychrome"," Sculpture","44 7/8 x 34 1/2 x 14 1/2 in. (113.98 x 87.63 x 36.83 cm) (without mount)","Sculpture","Asia","China",,"25-220","G215","1st-2nd century","","","","Chinese government envoys sent to central Asia returned to court marveling over a breed of “heavenly horse” like no other, a stout animal with powerful back and shoulders that worked so hard it sweated blood. The Chinese emperor Wu (r. 141–87 BCE) became obsessed with these stories and dispatched diplomats and later a military force to obtain the horses. His interest in these remarkable horses and the growing role horses played in military campaigns largely account for the popularity of the horse in art from the Han dynasty, in particular the era in which Wu ruled. Bronze horses such as this one were placed in elaborately furnished aristocratic tombs and were meant to provide transportation for the deceased in the afterlife. This spirited horse, a blend of ideal and real in its modeling, captures the spirit of the fabled “celestial horses” of the Han dynasty.","standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces","",,"Gift of Ruth and Bruce Dayton","2002.45","","Artist",,,"","Asian Art","Public Domain","valid",4080,4076,0,"1",0,,,"[""""]","art",0.18345223,"[{""title"":""Celestial Horse (2 labels)"",""_id"":""60728"",""objectId"":""60728"",""link"":""http://audio-tours.s3.amazonaws.com/p172.mp3"",""number"":""172"",""type"":""audio""}]","[{""title"":""Celestial Horse"",""_id"":""60728"",""objectId"":""60728"",""description"":""It’s a blend of real and ideal, the perfect mount for getting around in the afterlife. The bronze beauty captures the spirit of the horses imported by the Chinese elite from the West during the Han Dynasty. Nicknamed celestial or heavenly horses, they were prized for their size and strength at a time when the Chinese had only a small, pony-like breed. Aristocratic families would have bronze horses like this one cast and placed in elaborately furnished tombs for the deceased to use in the world beyond.
"",""link"":""http://artstories.artsmia.org/#/o/60728"",""type"":""artstory""}]",,,,,,true,,,,,,,,true,,,,,,,,true,true
"1784","Portrait of a Cardinal, possibly Gabriele de' Gabrielli (1445–1511)","Oil and tempera on poplar panel"," Paintings","32 1/4 × 30 in. (81.9 × 76.2 cm) (panel)
41 3/4 × 40 3/4 × 3 1/2 in. (106 × 103.5 × 8.9 cm) (outer frame)","Painting","Europe","Italy",,"c. 1505–11","G340","16th century","","","","The unknown sitter in this portrait, wearing the crimson cassock and cap of a cardinal, is depicted as a humanist scholar. Through the open window can be seen the figure of Saint Jerome, the 4th-century biblical scholar, often portrayed in medieval art as a kneeling hermit. He is identified by a broad-brimmed cardinal's hat and the lion that was his legendary companion. During the Renaissance, however, Saint Jerome was frequently shown as a cultured man of learning in his study—a representation this sitter clearly wished his portrait to suggest.","70.17ter the old frame for this piece is on P65B MS; Italian wood tabernacle cassetta frame, ca. 1600 (reframed 1992), H.46-1/4 x W.44 in.","",,"The John R. Van Derlip Fund and the William Hood Dunwoody Fund","70.17","Artist: attributed to Lorenzo Costa","Artist","Italian (Emilia)","Italian (Emilia), 1460–1535","","European Art","Public Domain","valid",3762,4004,0,"1",0,,,"[""110546"",""1784"",""27801""]","art",0.18336347,"[{""title"":""Costa, Portrait of a Cardinal in His Study"",""_id"":""1784"",""objectId"":""1784"",""link"":""http://audio-tours.s3.amazonaws.com/p478.mp3"",""number"":""478"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"1423","Woman by the Sea","Oil on canvas"," Paintings","23 x 19 in. (58.42 x 48.26 cm) (sight)
32 x 28 x 2 3/4 in. (81.28 x 71.12 x 6.99 cm) (outer frame)","Painting","Europe","Spain",,"1922","G371","20th century","Signature and Date","LR in white: [Picasso 22]","","Picasso took an interest in classical art, specifically that of the Hellenistic period (323–31 BCE), such as the Venus de Milo. Here he imitated a sculptural form on a two-dimensional surface by modeling with light and shadow. He deliberately distorted the forms of the body, foreshortening the figure and compressing space and depth. The woman’s dark, wavy hair, serene expression, languid pose, and draped dress all reflect Hellenistic Greek influence. Isolation against a barren background accentuates her massiveness, making her presence overpowering.","Woman in a white gown seated next to the sea. Picasso's Classical period.","",,"Bequest of Putnam Dana McMillan","61.36.24","Artist: Pablo Picasso","Artist","Spanish","Spanish (active France), 1881–1973","%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York","European Art","In Copyright","valid",4783,5864,1,"1",0,,,"[""""]","art",0.18336347,"[{""title"":""Picasso, Woman by the Sea"",""_id"":""1423"",""objectId"":""1423"",""link"":""http://audio-tours.s3.amazonaws.com/p788.mp3"",""number"":""788"",""type"":""audio""}]",,,,,,,,,,,,,,,,true,,,,,,,,
"5996","Anne, Countess of Strafford","Oil on canvas"," Paintings","30 x 24 3/4 x 3/4 in. (76.2 x 62.87 x 1.91 cm) (canvas)","Painting","Europe","England",,"1758–59","G324","18th century","Title","","LC in grey green oil: [Lady Ann Campbell / Contefs of Strafford]","Lady Strafford (c. 1715–85) was born into a wealthy noble family and married into one as well. She and her husband, William Wentworth, 2nd Earl of Strafford, moved in a social set that included luminaries such as the author and art historian Horace Walpole. Walpole considered the countess a “vast beauty” and immortalized her charms in a poem published in 1765. This portrait was later reproduced by at least four engravers, evidence that painter, portrait, and sitter were all held in high regard.","Portrait of a seated woman head turned to her proper right looking downward at an angle, she wears a white dress with two red jewels at center of dress associated with two strands of pearls and one larger central pearl, a blue cape drapes over proper right shoulder and covers lap.","",,"Bequest of Margaret Weyerhaeuser Harmon","99.63","Artist: Sir Joshua Reynolds","Artist","British","British, 1723–1792","","European Art","Public Domain","valid",3370,4131,0,"1",0,"Mannings, 1857.",,"[""""]","art",0.18336347,"[{""title"":""Reynolds, Lady Anne Campbell"",""_id"":""5996"",""objectId"":""5996"",""link"":""http://audio-tours.s3.amazonaws.com/p660.mp3"",""number"":""660"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"3183","Equestrian figure","Wood"," Woodwork; Sculpture","28 1/4 x 6 3/4 x 10 1/4 in. (71.8 x 17.1 x 26cm) (overall)
3 x 6 x 7 1/2 in. (7.6 x 15.2 x 19.1cm) (base)","Figure","Africa","Mali","Djenne","about 1450","G250","15th century","","","","Real or fake' That question has dogged this unique wooden horse rider since it first appeared on the art market. In 1980, X-ray testing and radiocarbon dating of the object indicated that it was carved from a single piece of wood dating from between 1250 and 1450, making it one of the oldest known sub-Saharan wooden sculptures. Additional CAT scans in 2012 confirmed this and showed no evidence of recent restoration. The sculpture is from the Inner Niger Delta in Mali and fuses human dignity with animal strength. Horses were introduced from north of the Sahara to West Africa around 1000 C.E. and soon became prestigious possessions associated with political power and wealth. The figure’s jewelry, weapons, and relative size underscore his importance as a ruler and hunter.","Bowman riding a horse both set on a hollowed spherical support. Radio carbon dated to 945-1235 A.D.","",,"Gift of Aimée Mott Butler Charitable Trust, Anne S. Dayton, Mr. and Mrs. Donald C. Dayton, Mr. and Mrs. William N. Driscoll, Clarence G. Frame and Mr. and Mrs. Clinton Morrison","83.168","","Artist",,,"","Arts of Global Africa","Public Domain","valid",2612,5236,0,"1",1,,,"[""""]","art",0.18299237,"[{""title"":""Djenne, Equestrian Figure"",""_id"":""3183"",""objectId"":""3183"",""link"":""http://audio-tours.s3.amazonaws.com/p409.mp3"",""number"":""409"",""type"":""audio""}]","[{""title"":""Equestrian Figure"",""_id"":""3183"",""objectId"":""3183"",""description"":""It’s not easy to keep horses in West Africa. They need a lot of food, clean water, and exercise—a luxury even for many people here. They also hate heat and humidity and are easy victims of the tsetse fly, carrier of the deadly trypanosomiasis, aka sleeping sickness. Horses were only affordable, in other words, to those who could command resources and labor from others, and became an important accessory of power for rulers of the ancient West African kingdom of Mali. In fact, the Mali Empire, one of the largest and most powerful states in West Africa during the 1300s, owed much of its military advantage to its horses.
"",""link"":""http://artstories.artsmia.org/#/o/3183"",""type"":""artstory""}]",,,,,,true,,,,,,,,true,,,true,,,,,,
"175","Architectural model","Maple, maple veneer, plexiglas, nylon screen"," Architecture; Models","8 1/2 x 72 11/16 x 41 13/16 in. (21.59 x 184.63 x 106.2 cm)","Architectural model","North America","United States",,"1998-1999","G300","20th century","Label","","Con·Struct Studios label, on side at one corner","This model illustrates in three dimensions both the complexity of Wright's design and its complete engagement with the site. (Wright always favored a building into a hill rather than on top of it.) The main approach to the Francis W. Little house was on the inland side. The hallway on view in this gallery was situated on the Lake Minnetonka side. An adjoining hallway with small square windows connected it to the master bedroom on the far right end of the house. At the opposite end was the large living and music room pavilion (now at the Metropolitan Museum of Art in New York).","model of Frank Lloyd Wright designed house; 3 short flights up a small hill on one long side; semicircular porch on same side; large, sprawling floor plan","","From Francis W. Little house (1912-1914), Deephaven, Minnesota (demolished 1972); Frank Lloyd Wright, architect","Gift of Kenneth and Judy Dayton","2000.22","Maker: Construct Studios (David Swanson); Architect: Frank Lloyd Wright","Artist",,"St. Paul, Minnesota","%C2%A9 David Swanson%2C Construct Studios","Arts of the Americas","In Copyright–Educational Use","valid",3882,2628,0,"1",1,,,"[""175"",""19689""]","art",0.18287757,"[{""title"":""Model For Francis Little House"",""_id"":""175"",""objectId"":""175"",""link"":""http://audio-tours.s3.amazonaws.com/p286.mp3"",""number"":""286"",""type"":""audio""}]",,,,,,,,,,,,,,,,,,,,,,,,
"111088","Fantasy coffin","Wood, plaster, acrylic paint"," Woodwork; Funerary Goods","46 x 50 x 120 in. (116.84 x 127 x 304.8 cm)","Coffin","Africa","Ghana","Ga","1993","G250","20th century","\""Kane Quaye\'s Super Coffins...Accra Ghana\""","","","The imagination need not be limited by death: If you lived among the Ga people of Ghana, you could be buried in a giant cell-phone coffin, a cacao pod, or anything else related to your profession or social standing. This tradition was started in the 1950s by two artists trained in European carpentry. From the 1980s on, several workshops have produced coffins solely for the local and international art market, like this lobster coffin, pieced together from dozens of parts, covered with plaster, and sprayed with acrylic paint, a “fantasy coffin” never intended for burial.","Coffin representing a rock lobster with five pairs of jointed limbs, two long antennae, which are hinged, and two paired feelers on top. It is painted a green color with six white and black stripes around the body, orange and white paint at sides, and light-purple painted anntenae. The upper body is covered in spines and has a rough texture.","","From ","The Robert C. Winton Fund","2010.72","Maker: Sowah Kwei","Artist","Ghanaian","Ghanaian, 1954 - 1999","%C2%A91993 Sowah Kwei","Arts of Global Africa","In Copyright","valid",8688,5427,1,"1",1,,,"[""""]","art",0.18273093,,"[{""title"":""Fantasy Coffin"",""_id"":""111088"",""objectId"":""111088"",""description"":""Imagine you’re dead (sorry), and a crowd has gathered for your funeral. They will bear your body through the streets in a unique coffin built to herald your wealth, status, and community standing. Now here’s an important question: exactly what coffin design would you want them to choose as a symbol of your profession or personality? Perhaps a larger-than-life lobster, complete with antennae and claws? Hey, it’s your funeral.
\n"",""link"":""http://artstories.artsmia.org/#/o/111088"",""type"":""artstory""}]",,,,,,true,,,,,,,,true,,,true,,,,,,
"119080","Location, Volume 5","Archival prigment prints; bound volume"," Prints; Books","10 13/16 × 9 1/8 × 1/2 in. (27.46 × 23.18 × 1.27 cm) (book, closed)","Artists' book","North America","United States",,"2011","Not on View","21st century","","","","Since the 1990s, artists and collectors have taken a renewed interest in the artist’s book. Though the modern artist’s book has existed since 1900, increasing numbers of contemporary artists and photographers have experimented with the genre, many drawn to its distinctive and versatile creative potential. Leading book arts workshops, such as the Minnesota Center for Book Arts (Minneapolis) and the Center for Book Arts (New York City), and specialized book publishers have been at the forefront of this effort. Location Books of Minneapolis is among only a handful of publishers nationally that exclusively focuses on the artist’s book. Founded in 2010, Location has showcased the work of more than 25 emerging and mid-career artists and photographers, including David Rathman, Chloe Piene, Ann Woo, and Tetsuya Yamada.","tan cover; color reproductions of works of art--collages, photo-collages and abstract imagery","Location Books, Minneapolis (publisher); sold to MIA, 2014.","From ","The Eugene and Virginia Palmer Fund for Prints and Drawings","2014.27.1.5","Artist: Aaron Anderson; Artist: Eric T. Carlson; Artist: Crystal Quinn","Artist","American","American","%C2%A9 Alan Anderson%2C Eric Carlson%2C and Crystal Quinn","Arts of the Americas","In Copyright","invalid","","",1,"1",0,,,"[""""]","art",0.18025167,,,,,,,,,,,,,,,,,,,,,,,,,
"8428","Desk","Lauan mahogany"," Furniture","28 1/2 x 48 x 35 1/2 in. (72.39 x 121.92 x 90.17 cm)","Desk","North America","United States",,"c. 1928","Not on View","Art Deco","","","","Ilonka Karasz designed entire environments. She created furniture, decorative art objects, textiles—even several covers for the New Yorker magazine. Her furniture won critical praise for its bold geometric forms and stark flat planes that still function as practical items.","drawer, front center; three shelves on either side","",,"The Modernism Collection, gift of Norwest Bank Minnesota","98.276.11","Designer: Ilonka Karasz","Artist","American (born Hungary)","American (born Hungary), 1896–1981","","Arts of the Americas","No Known Copyright","valid",4738,3867,1,"1",0,,,"[""""]","art",0.17968222,"[{""title"":""Ilonka Karasz, Desk"",""_id"":""8428"",""objectId"":""8428"",""link"":""http://audio-tours.s3.amazonaws.com/p697.mp3"",""number"":""697"",""type"":""audio""}]",,true,,,,,,,,,,,,,,,,,,,,,,
"113017","Little Red Riding Hood, recto and verso","Pen and ink and graphite on card"," Drawings","12 13/16 x 10 15/16 in. (32.54 x 27.78 cm)","Drawing","North America","United States",,"20th century","Not on View","20th century","Signature","LRC, in black: [R / H]","","Richard Holzschuh is an unknown artist deserving of attention. He appears to have received training at the Art Students’ League of New York, the Art Institute of Chicago, and the Minnesota College of Art [Minneapolis Collage of Art and Design']. Graduating in an era when artists had little hope for professional employment, he became an accountant for Standard Oil and resided in Minneapolis. Despite the redirection of his career, he maintained his interest in art and continued to draw throughout his life. He made many kinds of art, but his real gift was as an illustrator. His fairytale illustrations, fantasies, and other whimsical drawings display imagination, wit, and great technical skill.","recto: Red Riding Hood seen from PR side, her face and upper body covered by her cloak, with striped stocking and black Mary Jane shoes, looking at the wolf at right, partially hidden behind cluster of trees; linear patterns in sky; verso: unfinished drawing of Red Riding Hood standing at left, holding her basket, looking at the wolf in LRC; tall trees behind figures, with thick forest in background","The artist; his stepdaughter, Joanie Nelson, Vancouver, WA","From ","Gift of Gerald Ray Nelson and Joanne Hogan Nelson","2012.62.29","Artist: Richard Holzschuh","Artist","American","American, 1889–1968","%C2%A9 Joanne Hogan Nelson","Arts of the Americas","In Copyright–Non-Commercial Use","valid",6160,7184,0,"1",0,,,"[""""]","art",0.17965305,,,,,,,,,,,,,,,,,,,,,,,,,
"136437","Untitled (Commemoration of “14,130 Cubic Feet Empaquetage”)","Cardboard box wrapped in brown kraft paper and tied with sisal twine, with paper mailing label and postage affixed"," Multiples","9 3/8 × 8 3/8 × 8 1/4 in. (23.81 × 21.27 × 20.96 cm)","Multiple","North America","United States",,"1966","Not on View","20th century","Printed on paper certificate inside parcel: The package you destroyed was wrapped according to my instructions in a limited edition of a hundred copies for members of Walker Art Center’s Contemporary Arts Group. It was issued to commemorate my ‘14130 Cubic Feet Empaquetage 1966’ at the Minneapolis School of Art, a project co-sponsored by the Contemporary Arts Group.","","Numbered with typewriter on paper mailing label: 9/100","Christo is best known for wrapping objects large and small, simultaneously obscuring them and focusing attention on them. In 1966, while he was a visiting artist at the Minneapolis School of Art (now Minneapolis College of Art and Design), he, his wife Jeanne-Claude, and student assistants created ""14,130 Cubic Feet Empaquetage"" (also known as ""Balloon Ascension"") on the school's lawn. It was a large inflated parcel, 32 by 64 feet, made from giant research balloons filled with 2,804 colored balloons, all wrapped in plastic and bound with 3,200 feet of manila rope. A helicopter raised it 20 feet above the ground and hovered for half an hour.
To finance this 1960s performance piece, Christo and the students wrapped 100 cardboard boxes in brown kraft paper bound with twine and sent them to subscribing members of the Walker Art Center’s Contemporary Arts Group. Fortunately, Joan and Gary Capen did not open their box, because inside they would have found a serially numbered card telling them that they had just destroyed a work of art.","box wrapped in brown wrapping paper, tied with brown twine; two labels on front side: UR, white with scalloped edges, red Minneapolis postmark and project identification; BC, white with the Walker Art return address in blue, a New York City address and the address of the recipient in black received with postcard: front, black and white image of tied and wrapped object with person in LRC; back, address label to recipient on right, object information on left, blue Minneapolis, Minn. postmark (Oct. 19, '66). Not signed","The artist, New York, given to Capen 1966; Gary and Joan Capen, Wayzata. Minn.; given to MIA, 2019.","From Wrapped Boxes","Gift of Joan and Gary Capen","2019.124.1","Artist: Christo; Publisher: Christo","Artist","American (born Bulgaria)","American (born Bulgaria), 1935 - 2020","Copyright %C2%A9 Christo. All rights reserved.","Arts of the Americas","In Copyright","valid",7059,6268,1,"1",1,"Hovdenakk 4",,"[""""]","art",0.17885412,,,,,,,,,,,,,,true,,,,,,,,,,,
"5226","Ruyi scepter","Cloisonné enamel and white jade"," Metalwork","3 1/4 x 19 x 4 5/8 in. (8.26 x 48.26 x 11.75 cm)",,"Asia","China",,"late 18th century","G214","18th century","Sticker","","","Symbolic of good wishes to the Chinese, the ju-i (literally ""as you wish"") is a sceptre-like object first encountered in Buddhist art. Perhaps by virtue of its auspicious name, it became a favorite motif in the decorative arts of the Ch'ing dynasty. Placed on a writing desk, display shelf, or held in the hand, most of these sceptres display the auspicious symbols which were common to the 18th and 19th centuries. Also typical of the period is the variety of materials used including gold, jade, carved lacquer, cloisonné, porcelain, bronze and boxwood.","bronze oval with grey jade pierced phoenix and lotus; shaft with similar rectangular jade; base with jade flowers; metal surface with hibiscus and peony scrolls","",,"Gift of Mr. and Mrs. Leo Hodroff","97.153.47","","Artist",,,"","Asian Art","Public Domain","valid",9830,5530,0,"1",0,,,"[""""]","art",0.17499053,,,,,,,,,,,,,,,,,,,,,,,,,
"525","Ruyi Scepter","Gold and green jadeite"," Ceremonial Objects","25 1/2 x 7 1/2 x 4 in. (64.77 x 19.05 x 10.16 cm)","Scepter","Asia","China",,"18th century","G214","18th century","","","","Symbolic of good wishes to the Chinese, the ruyi (literally ""as you wish"") is a scepter-like object first encountered in Buddhist art. Perhaps by virtue of its auspicious name, it became a favorite motif in the decorative arts of the Qing dynasty. Placed on a writing desk, display shelf, or held in the hand, most of these scepters display the auspicious symbols which were common to the 18th and 19th centuries. Also typical of the period is the variety of materials used including gold, jade, carved lacquer, cloisonné, porcelain, bronze, and boxwood.","gilt bronze mounted with three emerald green jade plaques. The ruyi was an object much used by the Chinese for presentation purposes, in addition to its regular use as a ceremonial scepter. Former Classification: Jade","",,"Gift of Mr. and Mrs. Augustus L. Searle","33.38.3","","Artist",,,"","Asian Art","Public Domain","valid",9684,5448,0,"1",0,,,"[""""]","art",0.17499053,,,,,,,,,,,,,,,,,,,,,,,,,
"303","Rainy Evening on Hennepin Avenue","Oil on canvas"," Paintings","25 3/4 x 24 in. (65.41 x 60.96 cm) (canvas)
36 1/8 x 38 1/4 in. (91.76 x 97.16 cm) (outer frame)","Painting","North America","United States",,"c. 1902","Not on View","19th-20th century","Signature","LL: [Robert Koehler]","","A rainy night in Paris, or something closer to home' Robert Koehler’s familiarity with French Impressionism is evident from the loose brushwork and soft, misty forms. Prominent in the picture are the artist’s wife, Marie, and their son, Edwin, along with the family dog. The building in the background is the Minneapolis Public Library (since demolished), which stood at 10th Street and Hennepin Avenue from 1889 until 1961.
In 1893 Robert Koehler became the director of the Minneapolis School of Fine Arts, now the Minneapolis College of Art and Design.","Landscape","",,"Gift by subscription in honor of the artist","25.403","Artist: Robert Koehler","Artist","American","American (born Germany), 1850 - 1917","","Arts of the Americas","Public Domain","valid",5505,5196,0,"1",0,,,"[""""]","art",0.17463191,"[{""title"":""Koehler, Rainy Evening on Henn Ave."",""_id"":""303"",""objectId"":""303"",""link"":""http://audio-tours.s3.amazonaws.com/p006.mp3"",""number"":""006"",""type"":""audio""}]",,,,,,,,,,,,,,,,true,,,,,,,,
"145821","Stormy Sea","Oil on canvas"," Paintings","31 × 39 in. (78.7 × 99.1 cm) (sight)
36 1/8 × 44 × 2 in. (91.8 × 111.8 × 5.1 cm) (outer frame)","Painting","Europe","Germany",,"1921","G377","20th century","","LR, brown-black pigment: HMPechstein","paper label at verso CR for Walker Art Center exhibition: The Cities Collect, 2000-2001, checklist #137","Max Pechstein captures the frigid, rough seas of the Baltic Sea in this dramatic, nearly abstract composition. Vivid dark greens, blues, and purples of the deep sea contrast with the cresting white waves that rise and fall into the distance. The water pours over the barrier of a harbor or ship deck in the foreground with force, which Pechstein depicts with bold brushstrokes that express the power of nature. The painting was executed at a highpoint in the artist's career, between the wars, when Pechstein exhibited widely and was a member of the Prussian Art Academy. After the Nazis came to power in 1933, Pechstein was removed from his professorship at the Hochschule für Bildende Künste in Berlin and forbidden to paint or exhibit art. His paintings were featured prominently in the Nazis notorious Degenerate art show of 1937, and some 300 of his works were seized from German museums.","seascape in dark, rich colors of green, blue, purple, red; a pier and red signal light tower at R side; cresting waves in light green, dark blue sky across top of canvas; gilded wood frame","",,"Gift of Harriet and Walter Pratt","2023.58.1","Artist: Max Pechstein","Artist","German","German, 1881–1955","","European Art","In Copyright","valid",8197,6528,1,"1",0,,,"[""""]","art",0.17454368,,,,,,,,,,,,,,,,,,,,,,,,,
"140606","Card/Insert: WHERE DID YOU GET YOUR INFORMA-TION","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"March 1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.8","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140600","Card/Insert: ""everywhere you look... there's shit""","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"1989","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.2","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140601","Card/Insert: WELCOME to the WONDEROUS WORLD...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"October 1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.3","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140605","Card/Insert: WANTED made ready-mades ready","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.7","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140602","Card/Insert: ONE way to ACT is TO PLAY...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.4","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140604","Card/Insert: IN PRAGUE I FALL ASLEEP...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"December 1995","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.6","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140603","Card/Insert: This is Fly vol. III. #8","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Postcard",,,,"1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.5","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140613","Card/Insert: THIS IS A SONG CALLED SING ALONG WITH ZERO CON-TENT","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"December 1994","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.15","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140608","Card/Insert: WHERE DO WE GO TO FILL IN THE GAPS?","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"March 1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.10","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140607","Card/Insert: WHERE ARE THE SECRET HISTORIES?","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"March 1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.9","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140612","Card/Insert: Weather or NOT A Bee See...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.14","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140611","Card/Insert: This is Fly vol. III. #8","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Postcard",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.13","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140609","Card/Insert: WHERE ARE THE DEATH COUNTS?","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"March 1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.11","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140610","Card/Insert: MAINSCREAM MEDIA...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"November 1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.12","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140614","Card/Insert: BRAINKILLER","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"June 1994","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.16","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140615","Card/Insert: MAJOR MAJOR NICE!","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"1995","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.17","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140622","Card/Insert:: 4TH ANNUAL DAY OF DEPRESSION / A Tribute to Frank's Depression Poetry (Frank Hobbes)","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"August 2000","Not on View","21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.24","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140619","Card/Insert: THE FALSE FEAST OF SAINT EVICTION","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"July 1995","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.21","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140617","Card/Insert: AN OPERATIC ANALYSIS...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.19","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140616","Card/Insert: IL GIURAMENTO DI POVERTA","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"December 1997","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.18","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140620","Card/Insert: WHEN I LOOKED IN THE MIRROR...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"Winter 1996","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.22","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140618","Card/Insert: A GREAT DAY FOR AN ERECTION...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"November 1996","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.20","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140621","Card/Insert: THE OATH OF DESTITUTION","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"April 1994","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.23","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140623","Card/Insert: ready-made ready-mades","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"20th century","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.25","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140624","Card/Insert: POLICE WAGON...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"February 1992","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.26","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140626","Card/Insert: 4TH ANNUAL DAY OF DEPRESSION / A Tribute to Frank's Depression Poetry (Frank Hobbes)","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"August 2000","Not on View","21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.28","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140627","Card/Insert: 3RD ANNUAL DAY OF DEPRESSION / A Tribute to Frank's Depression Poetry (Frank Hobbes)","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"August 1999","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.29","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140629","Card/Insert: THE SAGA OF EVIL JIM... A TRUE STORY... CHAPTER 1...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"July 1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.31","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140632","Card/Insert: THE FALSE FEAST OF SAINT EVICTION","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"July 1995","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.34","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140628","Card/Insert: THE SAGA OF EVIL JIM continues...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"August 1991","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.30","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140625","Card/Insert: DANGEROUS REMAINS","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.27","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140631","Card/Insert: THE ASYLUM OF DEBRIS...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"August 1995","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.33","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140633","Card/Insert: I WORK in the ASYLUM...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"Summer 1992","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.35","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140630","Card/Insert: LEAVING MILANO...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"June 1995","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.32","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140640","Card/Insert: I COULD FEEL THESE WORDS PULSATING...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"Winter 1996","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.42","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140641","Card/Insert: THE MORE I THOUGHT ABOUT IT...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"Winter 1996","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.43","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140637","Card/Insert: AN OPERATIC ANALYSIS...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.39","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140638","Card/Insert: A GREAT DAY FOR AN ERECTION...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"November 1996","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.40","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140642","Card/Insert: Myrmidons of the Law...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.44","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140639","Card/Insert: THE DEATH OF DEPRESSION","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"Summer 1996","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.41","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140634","Card/Insert: MONSTERS Enjoy","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"October 1992","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.36","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140635","Card/Insert: MAJOR MAJOR NICE!","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"January 1995","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.37","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140636","Card/Insert: ULPTURE","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"January 1993","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.38","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140651","Card/Insert: I WOKE UP IN A HUGE BUILDING...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"June 1992","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.53","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140645","Card/Insert: I WOKE UP IN A HUGE BUILDING...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"June 1992","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.47","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140644","Card/Insert: I LIVE IN A BIG WHITE HOUSE...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"August 1992","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.46","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140647","Card/Insert: USE LESS IN FORMATION","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"late 20th-early 21st century","Not on View","20th-21st century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.49","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140646","Card/Insert: IT WAS THE DOG DAYS...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"August 1993","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.48","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140649","Card/Insert: WHATISSTICK?","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"March 1993","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.51","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2625,2100,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140650","Card/Insert: A VOID REALITY...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"July 1992","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.52","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140648","Card/Insert: ¡¡Cuidado!!","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"September 1990","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.50","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140643","Card/Insert: ULPTURE","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"January 1993","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.45","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140658","Card/Insert: 2ND ANNUAL DAY OF DEPRESSION / A Tribute to Frank's Depression Poetry (Frank Hobbes)","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"August 1998","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.60","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,
"140656","Card/Insert: I COULD FEEL THESE WORDS PULSATING...","Xerography"," Works on Paper","5 1/2 × 4 1/4 in. (14 × 10.8 cm)","Insert",,,,"Winter 1996","Not on View","20th century","","","","","Double-sided, colored, wove paper card that would be distributed on its own or inserted into the leaves of a zine, and that advertises upcoming publications, an event, and/or a call for submissions; that recounts a story, memory, or opinion of the artist's; and which often includes rants or tirades on a given subject, poetry, text art, designs, and illustrations.","","From ","Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift of funds from Mary and Bob Mersky","2018.86.361.58","Artist: Fly NYC","Artist","Canadian (active United States)","Canadian (active United States), born 1963","","Global Contemporary Art","Copyright Not Evaluated","valid",2100,2625,1,"1",0,,,"[""""]","art",0.17417684,,,,,,,,,,,,,,,,,,,,,,,,,